Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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Eurovision 2026
Martijn

Vienna 12 points: From MUSEXPO to Musical

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Switzerland — Veronica Fusaro, “Alice” Running order: 7 | Rehearsal: 8 May, 15:00–15:25 CEST MUSEXPO is one of the music industry’s key meeting places, where artists, labels, publishers, managers and media professionals come together to discover new talent and discuss the future of music. Founded by A&R Worldwide, the event combines panels, networking sessions, awards and live showcases. It has been held in Los Angeles and has also had European editions, including London, making it a truly international platform. For Eurovision fans, MUSEXPO is interesting because it often gives rising artists a stage before a wider breakthrough. Singer Veronica Fusaro performed at MUSEXPO in London and Los Angeles, showing how the event can connect young talent with influential people from the global music business. Unlike a traditional festival, MUSEXPO is mainly aimed at professionals. Its goal is not only entertainment, but also discovery, cooperation and new opportunities across the music, media and technology world, especially for artists ready to grow internationally today.  Cyprus — Antigoni, “Jalla” Running order: 8 | Rehearsal: 8 May, 15:35–16:00 CEST Tsifteteli is a lively dance style from Greece, Cyprus, Turkey and the wider eastern Mediterranean. The name comes from the Turkish çiftetelli, often linked to a “double string” musical style. In Greek culture, tsifteteli is known for fluid hip movements, expressive arms and a sensual, celebratory feeling. It is often compared with belly dancing, but it also belongs to everyday social life: people dance it at parties, weddings and festivals, not only on stage. That background gives extra colour to Antigoni’s Eurovision lyric “Shake my hips to tsifteteli”. As a British artist with Greek-Cypriot roots, she uses the word as a cultural reference, not just as a dance instruction. In “Jalla”, tsifteteli helps create a Mediterranean party atmosphere, mixing modern pop energy with sounds and movements that many Greek and Cypriot listeners will instantly recognise. For international fans, it is a small word with big cultural meaning at Eurovision 2026 in Vienna.  Latvia — Atvara, “Ēnā” Running order: 9 | Rehearsal: 8 May, 16:10–16:35 CEST Ēnā meaning is central to Latvia’s Eurovision 2026 entry by Atvara. In Latvian, ēna means “shadow” or “shade”, while ēnā means “in the shadow” or “in the shade”. That small grammatical change gives the title extra weight, because the song places its main character inside darkness, not just near it. The lyrics show someone losing confidence, hiding feelings and drifting away from the light. Atvara links this image to the pain of growing up around another person’s addiction, which gives “Ēnā” a personal and emotional meaning. For Eurovision viewers, the title explains the dark atmosphere of Latvia’s entry. This song does not tell a simple story about sadness. It explores fear, family pressure and the courage someone needs to step out of darkness in Vienna at Eurovision 2026. That makes it a strong title for a dramatic performance. “Ēnā” proves how one Latvian word can carry emotion, memory and resilience.  Denmark — Søren Torpegaard Lund, “Før vi går hjem” Running order: 10 | Rehearsal: 8 May, 16:45–17:10 CEST Matador musical brings one of Denmark’s best-loved classics to the stage. The story comes from DR’s “Matador”, with scripts by Lise Nørgaard and direction by Erik Balling, and takes audiences back to the fictional town of Korsbæk. There, banker Hans Christian Varnæs and newcomer Mads Skjern represent two families, two social worlds and a changing Denmark before and during the Second World War. In 2024, One & Only Musicals presented a new original version with songs by Lise Cabble and Burhan G. The production mixed nostalgia, humour, ambition and family drama with a fresh musical sound. Søren Torpegaard Lund played Daniel Skjern, the son of Mads and Ingeborg Skjern. His role gave him a touching solo moment with “En dreng som mig”, a song about expectations and identity. For Eurovision fans, Matador shows the theatre background behind Denmark’s 2026 artist and adds context to his performance skills on the Eurovision stage in Vienna.  

Read More »
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