Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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History

70 years of Eurovision: social media and an operatic voice

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2025 Switzerland hosted the Eurovision Song Contest for the third time. The venue was the St. Jakobshalle in Basel, and the contest was presented by Michelle Hunziker, Hazel Brugger, and Sandra Studer. The latter having represented Switzerland at Eurovision herself in 1991. Basel put on a polished, well-organised show. Montenegro returned. Moldova withdrew on the very last moment. The songs Montenegro sent Nina Žižić. She had already accompanied the two ‘astronauts’ who represented that country back in 2013. Justyna Steczkowska participated for Poland. She had also done so in 1995. In doing so, she achieved a record: the only contestant ever to participate twice with a gap of 30 years. Belgium took the lead in the odds at an early stage, but once the entry was announced, the country dropped down the rankings somewhat. However, it remained surprising that the contestant, Red Sebastian, did not make it to the final at all. Against all expectations, the Australian Go-Jo also failed to reach the final. The final The one who did make it was Kyle Alessandro. With his song “Lighter”, but especially with his social media videos and his charisma, he went a long way. In those videos, he was invariably in the company of JJ (Austria), Sissal (Denmark), and Miriana Conte (Malta). The latter attracted attention with her lyrics: “I’m serving Kant”, which stood for the Maltese word for singing. But it also sounded very much like an English word that was not allowed to be used on television at the BBC. The lyrics had to be adjusted and became “I’m serving….”. Tommy Cash, a friend of Joost Klein and Käärijä, participated for Estonia. In a kind of fake Italian, he sang “Espresso Macchiato”. With this, he incurred the wrath of a number of Italians, but became very popular among other groups of Italians. Cash finished third with it. Væb was the duo that participated for Iceland. A kind of reincarnation of Jedward. The boys were constantly at the bottom of the bookmakers’ odds and turned that into a whole show on social media. It resulted in a place in the final. Less unexpectedly, Erika Vikman from Finland also managed to do the same. Seated on a giant microphone and ending as if she was cumming, she drew attention to herself. Lucio Corsi from Italy did something special: he played his harmonica live. It was the first time since 1998 that instruments were played live. And then there were the favorites, from Finland but for Sweden. No one had expected that the three gentlemen in a sauna setting would win the Swedish preliminary round against Måns Zelmerlöw. When that did happen, they were immediately the favorites. Everyone was singing “Bara Bada Bastu” at the top of their lungs. Yet, in the end, it was not enough. The group KAJ finished fourth. The French singer Louane also failed to live up to expectations with her song “Maman.” During the act, she doused herself with sand that was actually not sand, but cork. It didn’t help. Israel What no one had counted on almost happened. Israel threatened to win the Eurovision Song Contest. Yuval Raphael had no singing career, but he did have a story as a victim of the attacks on October 7, 2023. Calls were made to vote for Israel as much as possible, and instructions were given on how to do so. Although the maximum number of televotes was 20, many who hadn’t even seen the broadcast managed to vote 80 times. Everyone waited in suspense when only Yuval and the Austrian JJ were still in the race. Many were relieved when it turned out that not Israel, but Austria won. JJ Austria’s JJ had been a favourite throughout the week, and the final confirmed what the rehearsals had suggested. His performance of “Wasted Love” was one of the most technically accomplished on the night. The professional juries placed him first, and the public gave him enough support to seal the victory.  The win was warmly received. JJ had brought something genuinely different to the contest: a voice that belonged to the operatic world, applied to a contemporary pop song without compromise. Basel had delivered a memorable host year, and the 2025 contest closed the anniversary decade on a high note, just in time for Eurovision to look ahead to its next seventy years.  

Read More »
History
Martijn

70 years of Eurovision: social media and an operatic voice

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2025 Switzerland hosted the Eurovision Song Contest for the third time. The venue was the St. Jakobshalle in Basel, and the contest was presented by Michelle Hunziker, Hazel Brugger, and Sandra Studer. The latter having represented Switzerland at Eurovision herself in 1991. Basel put on a polished, well-organised show. Montenegro returned. Moldova withdrew on the very last moment. The songs Montenegro sent Nina Žižić. She had already accompanied the two ‘astronauts’ who represented that country back in 2013. Justyna Steczkowska participated for Poland. She had also done so in 1995. In doing so, she achieved a record: the only contestant ever to participate twice with a gap of 30 years. Belgium took the lead in the odds at an early stage, but once the entry was announced, the country dropped down the rankings somewhat. However, it remained surprising that the contestant, Red Sebastian, did not make it to the final at all. Against all expectations, the Australian Go-Jo also failed to reach the final. The final The one who did make it was Kyle Alessandro. With his song “Lighter”, but especially with his social media videos and his charisma, he went a long way. In those videos, he was invariably in the company of JJ (Austria), Sissal (Denmark), and Miriana Conte (Malta). The latter attracted attention with her lyrics: “I’m serving Kant”, which stood for the Maltese word for singing. But it also sounded very much like an English word that was not allowed to be used on television at the BBC. The lyrics had to be adjusted and became “I’m serving….”. Tommy Cash, a friend of Joost Klein and Käärijä, participated for Estonia. In a kind of fake Italian, he sang “Espresso Macchiato”. With this, he incurred the wrath of a number of Italians, but became very popular among other groups of Italians. Cash finished third with it. Væb was the duo that participated for Iceland. A kind of reincarnation of Jedward. The boys were constantly at the bottom of the bookmakers’ odds and turned that into a whole show on social media. It resulted in a place in the final. Less unexpectedly, Erika Vikman from Finland also managed to do the same. Seated on a giant microphone and ending as if she was cumming, she drew attention to herself. Lucio Corsi from Italy did something special: he played his harmonica live. It was the first time since 1998 that instruments were played live. And then there were the favorites, from Finland but for Sweden. No one had expected that the three gentlemen in a sauna setting would win the Swedish preliminary round against Måns Zelmerlöw. When that did happen, they were immediately the favorites. Everyone was singing “Bara Bada Bastu” at the top of their lungs. Yet, in the end, it was not enough. The group KAJ finished fourth. The French singer Louane also failed to live up to expectations with her song “Maman.” During the act, she doused herself with sand that was actually not sand, but cork. It didn’t help. Israel What no one had counted on almost happened. Israel threatened to win the Eurovision Song Contest. Yuval Raphael had no singing career, but he did have a story as a victim of the attacks on October 7, 2023. Calls were made to vote for Israel as much as possible, and instructions were given on how to do so. Although the maximum number of televotes was 20, many who hadn’t even seen the broadcast managed to vote 80 times. Everyone waited in suspense when only Yuval and the Austrian JJ were still in the race. Many were relieved when it turned out that not Israel, but Austria won. JJ Austria’s JJ had been a favourite throughout the week, and the final confirmed what the rehearsals had suggested. His performance of “Wasted Love” was one of the most technically accomplished on the night. The professional juries placed him first, and the public gave him enough support to seal the victory.  The win was warmly received. JJ had brought something genuinely different to the contest: a voice that belonged to the operatic world, applied to a contemporary pop song without compromise. Basel had delivered a memorable host year, and the 2025 contest closed the anniversary decade on a high note, just in time for Eurovision to look ahead to its next seventy years.  

Read More »
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