Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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History

70 years of Eurovision: holding up signs

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1971 Sweden, Finland, Norway, Austria, and Portugal returned. Malta made its debut. Enthused by the 1970 festival, everyone dared to give it another try. The scoring system changed drastically. Each country had two jurors; one over 25 and one under. They indicated their votes by holding up signs live on television. It all took place in Dublin, where everything was held at the Gaiety Theatre. That is not entirely true: all sorts of things happened just outside the theatre. Almost every protest group to be found in Ireland was standing there. From Irish feminists and people opposed to hunting and Irish people against color television, to an action group promoting the Irish language. They didn’t like the Eurovision Song Contest. “Very low level pop music,” one of the protesters called it when asked. The Belgian duo Nicole and Hugo were very unlucky. Although they had won the national final, the two could not travel to Dublin because Nicole contracted jaundice. They were replaced by Jacques Raymond and Lily Castel. This duo had to practice the dance steps in their hotel room. For Austria, Marianne Mendt sang in a Viennese dialect. The 15-year-old Norwegian Hanne Krogh sang her song with a small parasol. We would see her again more often in the future. And then there was Clodagh Rodgers for the United Kingdom. It wasn’t fun for her in Dublin. As a Catholic Northern Irish lady, she received many threats, including death threats. Fortunately, there is also a cheerful note about her: she and her song “Jack in the Box” starred in an episode of ‘Monty Python’s Flying Circus’. Séverine It was Monaco that walked away with the trophy. The French singer Séverine represented the principality. By doing so, she comfortably beat the Spanish Karina and the German Katja Ebstein. “Un banc, un arbre, une rue” was her song. The song became a huge hit, even reaching number 1 in Belgium. She also finished in the top 3 in Ireland and Norway. Séverine later participated in national finals in Germany twice more but did not win them. 1972 The same countries as in 1971 participated. The jury was now strictly guarded and was not allowed to leave Edinburgh Castle, where they awarded the points. The festival itself took place in the Usher Hall. Surprisingly, not Cathy Boyle, but Moira Shearer was the presenter. Vicky Leandros returned for Luxembourg. The Family Four represented Sweden for the second time. Tereza, who once participated for Monaco, now sang for her native country, Yugoslavia. We do not want to leave Ireland unmentioned: for the first and only time, the country sang in its regional language, Gaelic. Sandra and Andres participated for the Netherlands. They also came up with something new: they got the audience happily clapping along to their song. The duo ultimately finished fourth. The two were overtaken by Mary Roos, who participated on behalf of Germany and mainly complained that she was staying in such a cold hotel. The New Seekers were the favorites. Their song “Beg, Steal or Borrow” became an international hit. The duo representing Malta, Helen & Joseph, were promised a statue on the island if they won. Spoiler: the statue never materialized, as the two finished last. Vicky Leandros Vicky Leandros won by a considerable margin. “Après Toi” was the undisputed winner of the festival. Yves Dessca wrote the lyrics, and the composers were Klaus Munro and Mario Panas. The latter was actually secretly Leo Leandros, Vicky’s father, under a pseudonym. The story goes that Vicky had first offered the songs from her album to Germany, but the German broadcaster politely declined. She then translated all the songs into French and asked Luxembourg if they were interested. The rest is history. 1973 Austria and Malta dropped out. However, there were still 17 countries because Israel made its debut. This did mean, however, that the Nouveau Théâtre Municipal in Luxembourg was very heavily guarded. In this impregnable fortress, Helga Guitton hosted the 1973 Eurovision Song Contest. Nicole and Hugo were allowed to participate for Belgium this time. In bright purple suits, they finished last with their “Baby Baby.” They did, however, achieve immortal status with it, as the two appear in just about every compilation of Eurovision songs. The Finnish Marion Rung made a comeback, improving her own record for Finland (from seventh to sixth place). Massimo Ranieri also participated for Italy for a second time. And yes, Cliff Richard was back too. With “Power To All Our Friends,” he was once again the favorite, yet once again he failed to win. The Spanish group Mocedades also failed to do so, securing second place and a worldwide hit with their “Eres Tu.” We also do not want to leave The Nova from Sweden unmentioned. In their home country, they had defeated Abba in the national selection. At the time, the duo was still called The Malta. To avoid confusion with the country, they changed their name. The lyrics were striking, to say the least: “Oh your breasts are like swallows a nestling,” the duo sang enthusiastic. But anyway, Nicole and Hugo sang in their song “Een vrouw kan niets alleen” (A woman can do nothing alone). 1973 was not a very woman-friendly year. Anne-Marie David It was, however, the year of a girl from the Camargue who loved horses: Anne-Marie David. She participated for host country Luxembourg and she won with “Tu te reconnaîtras”. Although the entire team was French, there was still a real Luxembourgish touch to it: conductor Pierre Caó was a true Luxemburger. But whether the Luxembourg broadcaster was happy that the country won again is doubtful. Anne-Marie David would return to the Eurovision Song Contest six years later and still enjoys performing

Read More »
History
Martijn

70 years of Eurovision: holding up signs

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1971 Sweden, Finland, Norway, Austria, and Portugal returned. Malta made its debut. Enthused by the 1970 festival, everyone dared to give it another try. The scoring system changed drastically. Each country had two jurors; one over 25 and one under. They indicated their votes by holding up signs live on television. It all took place in Dublin, where everything was held at the Gaiety Theatre. That is not entirely true: all sorts of things happened just outside the theatre. Almost every protest group to be found in Ireland was standing there. From Irish feminists and people opposed to hunting and Irish people against color television, to an action group promoting the Irish language. They didn’t like the Eurovision Song Contest. “Very low level pop music,” one of the protesters called it when asked. The Belgian duo Nicole and Hugo were very unlucky. Although they had won the national final, the two could not travel to Dublin because Nicole contracted jaundice. They were replaced by Jacques Raymond and Lily Castel. This duo had to practice the dance steps in their hotel room. For Austria, Marianne Mendt sang in a Viennese dialect. The 15-year-old Norwegian Hanne Krogh sang her song with a small parasol. We would see her again more often in the future. And then there was Clodagh Rodgers for the United Kingdom. It wasn’t fun for her in Dublin. As a Catholic Northern Irish lady, she received many threats, including death threats. Fortunately, there is also a cheerful note about her: she and her song “Jack in the Box” starred in an episode of ‘Monty Python’s Flying Circus’. Séverine It was Monaco that walked away with the trophy. The French singer Séverine represented the principality. By doing so, she comfortably beat the Spanish Karina and the German Katja Ebstein. “Un banc, un arbre, une rue” was her song. The song became a huge hit, even reaching number 1 in Belgium. She also finished in the top 3 in Ireland and Norway. Séverine later participated in national finals in Germany twice more but did not win them. 1972 The same countries as in 1971 participated. The jury was now strictly guarded and was not allowed to leave Edinburgh Castle, where they awarded the points. The festival itself took place in the Usher Hall. Surprisingly, not Cathy Boyle, but Moira Shearer was the presenter. Vicky Leandros returned for Luxembourg. The Family Four represented Sweden for the second time. Tereza, who once participated for Monaco, now sang for her native country, Yugoslavia. We do not want to leave Ireland unmentioned: for the first and only time, the country sang in its regional language, Gaelic. Sandra and Andres participated for the Netherlands. They also came up with something new: they got the audience happily clapping along to their song. The duo ultimately finished fourth. The two were overtaken by Mary Roos, who participated on behalf of Germany and mainly complained that she was staying in such a cold hotel. The New Seekers were the favorites. Their song “Beg, Steal or Borrow” became an international hit. The duo representing Malta, Helen & Joseph, were promised a statue on the island if they won. Spoiler: the statue never materialized, as the two finished last. Vicky Leandros Vicky Leandros won by a considerable margin. “Après Toi” was the undisputed winner of the festival. Yves Dessca wrote the lyrics, and the composers were Klaus Munro and Mario Panas. The latter was actually secretly Leo Leandros, Vicky’s father, under a pseudonym. The story goes that Vicky had first offered the songs from her album to Germany, but the German broadcaster politely declined. She then translated all the songs into French and asked Luxembourg if they were interested. The rest is history. 1973 Austria and Malta dropped out. However, there were still 17 countries because Israel made its debut. This did mean, however, that the Nouveau Théâtre Municipal in Luxembourg was very heavily guarded. In this impregnable fortress, Helga Guitton hosted the 1973 Eurovision Song Contest. Nicole and Hugo were allowed to participate for Belgium this time. In bright purple suits, they finished last with their “Baby Baby.” They did, however, achieve immortal status with it, as the two appear in just about every compilation of Eurovision songs. The Finnish Marion Rung made a comeback, improving her own record for Finland (from seventh to sixth place). Massimo Ranieri also participated for Italy for a second time. And yes, Cliff Richard was back too. With “Power To All Our Friends,” he was once again the favorite, yet once again he failed to win. The Spanish group Mocedades also failed to do so, securing second place and a worldwide hit with their “Eres Tu.” We also do not want to leave The Nova from Sweden unmentioned. In their home country, they had defeated Abba in the national selection. At the time, the duo was still called The Malta. To avoid confusion with the country, they changed their name. The lyrics were striking, to say the least: “Oh your breasts are like swallows a nestling,” the duo sang enthusiastic. But anyway, Nicole and Hugo sang in their song “Een vrouw kan niets alleen” (A woman can do nothing alone). 1973 was not a very woman-friendly year. Anne-Marie David It was, however, the year of a girl from the Camargue who loved horses: Anne-Marie David. She participated for host country Luxembourg and she won with “Tu te reconnaîtras”. Although the entire team was French, there was still a real Luxembourgish touch to it: conductor Pierre Caó was a true Luxemburger. But whether the Luxembourg broadcaster was happy that the country won again is doubtful. Anne-Marie David would return to the Eurovision Song Contest six years later and still enjoys performing

Read More »
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