Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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70 years of Eurovision: what saved the contest?

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1968 The Royal Albert Hall in London was the venue, and Cathy Boyle hosted for the third time. The same 17 countries as the previous year participated. And something else was special too: for the first time, the Eurovision Song Contest was broadcast in color. Oddly enough, the broadcast in the host country, the United Kingdom, was still  in black and white. The British did not see the color version until the other day. The United Kingdom pulled out all the stops in more ways than one: the British participant was none other than Cliff Richard. In fact, no one really expected Cliff, who sang the song “Congratulations,” to win anymore. By then, he was high on the charts in many countries. In that light, what happened in Norway was quite remarkable. The song that won there sounded so terribly similar to Cliff’s “Summer Holiday” that the composer did not want to wait for an investigation into it. He simply withdrew the song. In Norway, people didn’t panic. The runner-up from the national selection was now allowed to go to London. That that song was called “Stress” is probably just a coincidence. Furthermore, former winner Isabelle Aubret participated for France one more time. Massiel In a hall full of screaming teenage girls, the unthinkable happened: Cliff Richard did not win. With a lead of just one point, the Spanish singer Massiel overtook him. Massiel was not the first choice in his own country. The Catalan Joan Manuel Serrat was originally supposed to sing the song “La, la, la.” However, he only wanted to sing the song in Catalan. General Franco’s dictatorial regime did not approve it. Thus, Massiel was pushed forward. Every so often, the story surfaces that General Franco allegedly bought this victory. He wanted to put Spain on the map in a positive light with it. It is an urban legend. No evidence has ever been found for these accusations. 1969 Austria refused to travel to dictatorial Spain. The number of participating countries therefore rose to sixteen. For the same reason, the Netherlands had to look for another conductor. Regular conductor Dolf van der Linden did not want to travel to Spain. Madrid was the setting. Spain had pulled out all the stops to put itself on the map in a positive way. For instance, the contest logo was designed by none other than the famous artist Salvador Dalí. The host was Laurita Valenzuela. The hall in the Teatro Real in Madrid was characterized by a huge organ. It opened the broadcast with the Te Deum. The Belgian Louis Neefs represented his country for the second time. And for the second time, he finished seventh, to disappointment of the Belgians themselves. Simone de Oliveira made a second appearance for Portugal. Siw Malmkvist also participated once again. Kirsti Sparboe even participated for the third time for Norway. Also noteworthy was Jean-Jacques, the French boy who competed for Monaco. This 13-year-old singer was by far the youngest candidate ever and would remain so until 1989. The scoring remained exciting until the very last moment. It was as battle between four countries… and all four won! The defining moment of the broadcast was when a surprised Laurita Valenzuela asked the scruteneer, Clifford Brown, if this meant there were four winners. Brown confirmed it. Four winners Spain won again. Salomé was the singer, “Vivo Cantando” the song. Salomé had a tough time. She wore a leaden blue dress. It was, in fact, made entirely of porcelain! The second winner was Lulu with “Boom Bang A Bang”. Lulu had already had a worldwide hit with the song “Shout”. A British newspaper wrote about Lulu’s entry: ‘It is a rotten song. It will undoubtedly win and be translated into Hungarian and all the dialects of Mongolia, but it is still a rotten song’. Lulu ended her performance in Spain with a loud “Olé”. The Dutch winner, Lenny Kuhr, was devoid of any frills. She had composed her song “De Troubadour” herself and performed it, accompanying herself on the guitar. Kuhr especially impressed Southern Europe. Her career would span more than fifty years. She will perform at Eurovision In Concert this year. Shortly thereafter, she will retire. The French winner, Frida Boccara, also managed to significantly expand her career. Although her song “Un jour, un enfant” didn’t do much in the charts, Boccara, who was born in Cassablanca, would remain a major star until her death in 1996. Her song “Cent mille chansons” became an evergreen. 1970 France and the Netherlands were willing to host the contest. By a draw, the Netherlands was chosen, and Eurovision moved to Amsterdam. A condition set by the Dutch broadcaster was that it would not become a funeral for the Eurovision Song Contest. Yet it almost became that funeral. Mad about the result of the previous year, all Scandinavian countries stayed away, along with Austria and Portugal. Only twelve countries participated. Nonetheless, the Dutch broadcaster NOS pulled out all the stops to make it a success. Director Theo Ordeman had devised a plan to introduce each song via a so-called ‘postcard’. It is a tradition that would never disappear. Stage designer Roland de Groot had designed a beautiful moving stage. The United Kingdom sent another big star: Mary Hopkin. Spain sent a former soccerplayer who had to retire due to an injury, and then started a singing career: Julio Iglesias. It would bring him a great deal of success, but not during the Eurovision Song Contest. David Alexandre Winter did not have much success either. He came from Amsterdam but entered for Luxembourg. He did so in an incomprehensible kind of French. No one was willing to give him any points. The Netherlands itself caused

Read More »
History
Martijn

70 years of Eurovision: what saved the contest?

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1968 The Royal Albert Hall in London was the venue, and Cathy Boyle hosted for the third time. The same 17 countries as the previous year participated. And something else was special too: for the first time, the Eurovision Song Contest was broadcast in color. Oddly enough, the broadcast in the host country, the United Kingdom, was still  in black and white. The British did not see the color version until the other day. The United Kingdom pulled out all the stops in more ways than one: the British participant was none other than Cliff Richard. In fact, no one really expected Cliff, who sang the song “Congratulations,” to win anymore. By then, he was high on the charts in many countries. In that light, what happened in Norway was quite remarkable. The song that won there sounded so terribly similar to Cliff’s “Summer Holiday” that the composer did not want to wait for an investigation into it. He simply withdrew the song. In Norway, people didn’t panic. The runner-up from the national selection was now allowed to go to London. That that song was called “Stress” is probably just a coincidence. Furthermore, former winner Isabelle Aubret participated for France one more time. Massiel In a hall full of screaming teenage girls, the unthinkable happened: Cliff Richard did not win. With a lead of just one point, the Spanish singer Massiel overtook him. Massiel was not the first choice in his own country. The Catalan Joan Manuel Serrat was originally supposed to sing the song “La, la, la.” However, he only wanted to sing the song in Catalan. General Franco’s dictatorial regime did not approve it. Thus, Massiel was pushed forward. Every so often, the story surfaces that General Franco allegedly bought this victory. He wanted to put Spain on the map in a positive light with it. It is an urban legend. No evidence has ever been found for these accusations. 1969 Austria refused to travel to dictatorial Spain. The number of participating countries therefore rose to sixteen. For the same reason, the Netherlands had to look for another conductor. Regular conductor Dolf van der Linden did not want to travel to Spain. Madrid was the setting. Spain had pulled out all the stops to put itself on the map in a positive way. For instance, the contest logo was designed by none other than the famous artist Salvador Dalí. The host was Laurita Valenzuela. The hall in the Teatro Real in Madrid was characterized by a huge organ. It opened the broadcast with the Te Deum. The Belgian Louis Neefs represented his country for the second time. And for the second time, he finished seventh, to disappointment of the Belgians themselves. Simone de Oliveira made a second appearance for Portugal. Siw Malmkvist also participated once again. Kirsti Sparboe even participated for the third time for Norway. Also noteworthy was Jean-Jacques, the French boy who competed for Monaco. This 13-year-old singer was by far the youngest candidate ever and would remain so until 1989. The scoring remained exciting until the very last moment. It was as battle between four countries… and all four won! The defining moment of the broadcast was when a surprised Laurita Valenzuela asked the scruteneer, Clifford Brown, if this meant there were four winners. Brown confirmed it. Four winners Spain won again. Salomé was the singer, “Vivo Cantando” the song. Salomé had a tough time. She wore a leaden blue dress. It was, in fact, made entirely of porcelain! The second winner was Lulu with “Boom Bang A Bang”. Lulu had already had a worldwide hit with the song “Shout”. A British newspaper wrote about Lulu’s entry: ‘It is a rotten song. It will undoubtedly win and be translated into Hungarian and all the dialects of Mongolia, but it is still a rotten song’. Lulu ended her performance in Spain with a loud “Olé”. The Dutch winner, Lenny Kuhr, was devoid of any frills. She had composed her song “De Troubadour” herself and performed it, accompanying herself on the guitar. Kuhr especially impressed Southern Europe. Her career would span more than fifty years. She will perform at Eurovision In Concert this year. Shortly thereafter, she will retire. The French winner, Frida Boccara, also managed to significantly expand her career. Although her song “Un jour, un enfant” didn’t do much in the charts, Boccara, who was born in Cassablanca, would remain a major star until her death in 1996. Her song “Cent mille chansons” became an evergreen. 1970 France and the Netherlands were willing to host the contest. By a draw, the Netherlands was chosen, and Eurovision moved to Amsterdam. A condition set by the Dutch broadcaster was that it would not become a funeral for the Eurovision Song Contest. Yet it almost became that funeral. Mad about the result of the previous year, all Scandinavian countries stayed away, along with Austria and Portugal. Only twelve countries participated. Nonetheless, the Dutch broadcaster NOS pulled out all the stops to make it a success. Director Theo Ordeman had devised a plan to introduce each song via a so-called ‘postcard’. It is a tradition that would never disappear. Stage designer Roland de Groot had designed a beautiful moving stage. The United Kingdom sent another big star: Mary Hopkin. Spain sent a former soccerplayer who had to retire due to an injury, and then started a singing career: Julio Iglesias. It would bring him a great deal of success, but not during the Eurovision Song Contest. David Alexandre Winter did not have much success either. He came from Amsterdam but entered for Luxembourg. He did so in an incomprehensible kind of French. No one was willing to give him any points. The Netherlands itself caused

Read More »
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