Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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Eurovision 2026
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Vienna to Host Eurovision Song Contest 2026

pectetetecompeVienna is selected officially  as the host city for the Eurovision Song Contest 2026. Austrian broadcaster ORF and the European Broadcasting Union (EBU) announced today  that the 70th edition of the contest will take place in Austria’s capital. The live shows scheduled for at Vienna’s renowned Wiener Stadthalle. The contest is  held on 12, 14 and 16 May. This marks a return of Eurovision to Vienna after 11 years, as the city last hosted the event in 2015.  Austria earned the honor of hosting Eurovision 2026 thanks to the victory of singer JJ at the 2025 contest in Basel, Switzerland. JJ’s win brought the contest back to Austria, ensuring the country will host the Eurovision Song Contest for a third time. Udo Jürgens and Conchita Wurst won the contest before. The selection of Vienna comes after a competitive bidding process between Vienna and Innsbruck. ORF evaluated both bids, and the Austrian capital’s experience and facilities ultimately gave it the edge.  A Eurovision Homecoming for Vienna Vienna is no stranger to the Eurovision Song Contest. The city’s rich musical heritage, from classical composers to a vibrant modern music scene, makes it a fitting host for Europe’s biggest music event. Vienna previously hosted Eurovision in 1967 and again in 2015. The city earned praise for its organization and hospitality. The 2015 contest at Wiener Stadthalle was a resounding success. The contest drew tens of thousands of visitors and resulting in around 1.3 million overnight stays in the city during the event. The European Broadcasting Union gave highly positive feedback on Vienna’s hosting in 2015. As Austria’s capital and largest city, Vienna offers well-developed infrastructure ready for the influx of fans, artists, and media. The city boasts roughly 80,000 hotel beds to accommodate visitors. There is an extensive public transportation network. Vienna’s international airport also provides direct flights from over 65 countries, ensuring convenient access for all the participating delegations and fans traveling from abroad. Wiener Stadthalle: The Contest Stage Wiener Stadthalle will serve as the venue for all Eurovision 2026 shows. This iconic multi-purpose arena is Austria’s largest indoor venue. There is a seating capacity of around 16,000 spectators. Stadthalle has hosted countless major events and concerts, including the Eurovision Song Contest 2015, which makes it well suited for the contest’s complex staging requirements. By choosing an established venue, ORF can leverage Stadthalle’s existing infrastructure and experience. The arena requires no significant new construction to meet Eurovision’s needs. This allows preparations to get underway immediately. ORF’s production team will benefit from the prior experience of hosting Eurovision at this venue in 2015. They will use those lessons to make the 2026 edition even more spectacular. Looking Ahead to May 2026 With the host city now confirmed, excitement is building for a memorable Eurovision Song Contest in May 2026. The event will feature two semi-finals and a grand final over one week. Dozens of countries from across Europe, as well as guest nations,  will compete for the coveted Eurovision trophy. Viewers can anticipate elaborate stage performances, eclectic musical styles, and the celebratory spirit that Eurovision is known for. Host broadcaster ORF will now turn its focus to the detailed planning and creative aspects of Eurovision 2026. In the coming months, ORF and the EBU exto reveal the official theme and artwork for the contest. Apart from that, the show presenters and other production details will be known. The city of Vienna will also begin its preparations. That includes planning the official Eurovision Village fan zone and other public events to entertain visitors throughout the week. Tickets for the live shows are projected to go on sale in late 2025, once the arena seating plan is finalized. With under nine months to go, Vienna is already gearing up to welcome Europe for an unforgettable Eurovision experience in May 2026. Share

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