Liveblog: Press Conferences 14 may





Today, we will have Press Conferences again for the Eurovision Song Contest. We will keep you updated about them all the time.

15:31 Jesper Groth van Fyr & Flamme legt uit dat ze in het Deens zingen omdat ze dat zo fantastisch vonden aan het oude songfestival: dat was net een ansichtkaart uit ieder land. De mannen zeggen geïnspireerd te zijn door de muziek van eind jaren 70. Dat was niet een speciaal zo bedoeld geluid, maar door het schrijven ontstond dat zo. De heren geven aan dat ze alleen maar door het songfestival geïnspireerd zijn. Ze vinden de sfeer fantastisch. Ze waren ook nog erg onder de indruk dat ze een ooievaar gezien hadden. Een nieuw album zal waarschijnlijk in het Deens zijn, maar ze sluiten helemaal niet uit dat het anders wordt. 

15:06 Gjon’s Tears is satisfied with the second rehearsal. He is happy that the team is heading in the right direction. Gjon’s Tears says about his clothes that he likes to work with people he knows. He thinks it is important to give Swiss talent a chance. He collaborated with Sacha Jean Baptiste on the staging. He says it has changed something in him. He thought he couldn’t dance but she convinced him to do it anyway. Gjon’s Tears is happy to have people around him who change him. He is talking about melody and text: he lives from melody, but in this case the message of “Tout l’univers” is in the text. He adds that he is not only here as a singer, but that he is also active here as a composer and lyricist. That is his livelihood. Gjon talks a lot because he says: people listen to me here. That may not be the case in five years. He was happy that his style is immediately recognized in his song. 

14.49 Samanta Tina from Latvia sings a song by the Russian group A-Studio. Samanta speaks of the different roles she has: at home she is a mother, a sister and a daughter. As a teenager she was searching. She has participated in national finals for a long time and often. It brought her to tears when she first came on stage. She indicates that she would like to participate again if she gets the chance, just to experience it again. She doesn’t know yet in which genre she will sing. It is different every time she is on stage, so looking ahead is not her forte. She doesn’t want to be framed, she likes to mix genres. What she does know is that if she returns to the Eurovision song contest that it will be as a singer and not as a composer. “The stage is my place,” says Samanta. 

13.12 The second rehearsal of the Finnish band Blind Channel went well, pyrothechnics are added, and the gentlemen do not care anymore if something goes wrong, for example if someone has to vomit during the performance. It’s rock ‘n’ roll. They think representing Finland in the Eurovision Song Contest is cool because they show what Finland is good at: rock. They also like being number 1 in the Finnish charts, but they actually want to be number 1 everywhere in Europe. Presenting themselves as Finnish rockers all over Europe is something they like even more. For the grunt at the end, they got advise from Lordi (ESC 2006): he opens his voice with Pepsi Cola and chocolate. Yet they don’t just listen to rock songs. A favorite Eurovision song they mention is “Euforia”. They don’t want to cover that song though; they would like to work with Loreen. Beforehand they had heard negative stories about the Eurovision song contest in Finland, but they especially like it very much. They do what they have been doing for eight years: perform. 

12.47 VIKTORIA indicates that there are still some small things to be done about light and camera work. The delegation leader adds that these are very normal little things and thanks the people of the technology for their work. She tells about her father, who can be seen in the photo in the act, that he has ALS and therefore cannot be there to support her. When he saw the photo he burst into tears. VIKTORIA says to be very careful and to stay in her hotel room. The most important thing for her is to be able to perform here. The team used the time to write a new song, among other things. The subject is uncertainty and confidence in yourself and your own personality. Her personal victory (= viktoria) would be if she could make good contact with the audience and get the message across. Her inspiration often comes from movie soundtracks. 

12.22 The members of The Black Mamba wrote their song about a woman from Amsterdam. They themselves have no clear memory of Amsterdam for reasons that they will not go into further. They very much hope that the woman will recognize herself in the lyrics. But they met the woman in The Bulldog, a coffee shop in Amsterdam. Perhaps that says something. They like to be called hypnotic, just like the snake after which they are named they like to hypnotize their audience. They then administer their positive poison. The Black Mamba does feel some pressure now that they are seen as “dark horse”, but they also say: they are just numbers. At the end of the press conference, the members of the group sing another song. 

11.58 The rehearsal of Albanian Anxhela Peristeri went very well. The first is a bit more to explore the stage a bit. She indicates that she has learned here that an experience like the Eurovision song contest changes you in a positive way. She says she now knows she was born to sing. She likes the way she is treated in the Netherlands. She enjoys it. They spend a lot of time in the hotel room but have a good time together as a team. Anxhela has a strong voice. She says that getting up early is not very good for her voice, so she does voice exercises in the morning. She is glad that she now has to focus on singing in the evening. 

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70 years of Eurovision: Conchita and other heroes

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise Rønne, Nikolaj Koppel, and Pilou Asbæk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was András Kállay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how Kállay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. National stars Waylon and Ilse Delange had put their heads together. They created a song in the Americana style and had a slick act. The cameras circled around the two, who stood facing each other. Conchita Wurst But the winner was, of course, Conchita Wurst. Despite a good singing voice, Thomas Neuwirth failed to build a career as himself. But as his alter ego, Conchita Wurst, with a dress and a beard, he succeeded. With class, style, and a fantastic singing voice, Conchita sang her “Rise Like a Phoenix” to first place. She called attention to the emancipation of the LGBTQ+ community. “We are the unstoppables” was what she said when she had won. 2015 Just like this year, the Wiener Stadthalle in Vienna was the venue. There were no fewer than four presenters: Mirjam Weichselbraun, Alice Tumler, Arabella Kiesbauer, and… Conchita Wurst. Conchita could also be heard on the tram. At the stop in front of the Wiener Stadthalle, one could hear her: “Conchita Time! Here you have to go out for the Eurovision Song Contest.” Ukraine skipped a year. Cyprus, the Czech Republic, and Serbia returned. Australia made its debut. Because it was the 60th festival, the country that had been watching enthusiastically for years was now allowed to send an entry of its own. It was supposed to be a one-off, but Australia stayed. The songs Armenia sent the group Genealogy. One of the group members had also sung for Armenia in 2009. Elnur Hüseynov had already participated in 2008 for the then-debuting Azerbaijan; now he got to do it again. The group Pertti Kurikan Nimipäivät was particularly striking: a rock band consisting of members with an intellectual disability. At 1:27, their “Aina mun pitää” was the shortest Eurovision song ever. The men walked around as if they had already won. However, they finished last in their semi-final. Bojana Stamenov became one of the fan favorites with “Beauty Never Lies”. The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. Loïc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. Måns Zelmerlöw It was already Måns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, Måns impressed. Because the televoters awarded him a high ranking and the jury placed him first, Måns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

Read More »
History
Martijn

70 years of Eurovision: Conchita and other heroes

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise Rønne, Nikolaj Koppel, and Pilou Asbæk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was András Kállay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how Kállay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. National stars Waylon and Ilse Delange had put their heads together. They created a song in the Americana style and had a slick act. The cameras circled around the two, who stood facing each other. Conchita Wurst But the winner was, of course, Conchita Wurst. Despite a good singing voice, Thomas Neuwirth failed to build a career as himself. But as his alter ego, Conchita Wurst, with a dress and a beard, he succeeded. With class, style, and a fantastic singing voice, Conchita sang her “Rise Like a Phoenix” to first place. She called attention to the emancipation of the LGBTQ+ community. “We are the unstoppables” was what she said when she had won. 2015 Just like this year, the Wiener Stadthalle in Vienna was the venue. There were no fewer than four presenters: Mirjam Weichselbraun, Alice Tumler, Arabella Kiesbauer, and… Conchita Wurst. Conchita could also be heard on the tram. At the stop in front of the Wiener Stadthalle, one could hear her: “Conchita Time! Here you have to go out for the Eurovision Song Contest.” Ukraine skipped a year. Cyprus, the Czech Republic, and Serbia returned. Australia made its debut. Because it was the 60th festival, the country that had been watching enthusiastically for years was now allowed to send an entry of its own. It was supposed to be a one-off, but Australia stayed. The songs Armenia sent the group Genealogy. One of the group members had also sung for Armenia in 2009. Elnur Hüseynov had already participated in 2008 for the then-debuting Azerbaijan; now he got to do it again. The group Pertti Kurikan Nimipäivät was particularly striking: a rock band consisting of members with an intellectual disability. At 1:27, their “Aina mun pitää” was the shortest Eurovision song ever. The men walked around as if they had already won. However, they finished last in their semi-final. Bojana Stamenov became one of the fan favorites with “Beauty Never Lies”. The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. Loïc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. Måns Zelmerlöw It was already Måns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, Måns impressed. Because the televoters awarded him a high ranking and the jury placed him first, Måns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

Read More »
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