In the Spotlight: KAJ

Tonight is the night. The most important side issue of the year takes place in the St Jakobshalle in Basel: The big final of the Eurovision Song Contest.
One of the favorites for the win is KAJ, representing Sweden.

But who are they ? Let’s give them a spotlight.

KAJ is a Finnish music and comedy group from Vörå in Österbotten. The group is part of the Finnish-Swedish cultural sphere and performs mainly in Swedish with lyrics in the Vörå dialect. The group consists of Kevin Holmström, Axel Åhman and Jakob Norrgård.

Formation, music and musicals

Since their formation in 2009, they have combined humor, satire and music, often with lyrics in the local Vörå dialect, a variant of Swedish spoken by the Swedish-speaking minority in Finland. KAJ’s music ranges from pop and rock to opera and disco.

They released their debut album “Professionella Pjasalappar” in 2012, followed by 5 more untill now.

In addition to their albums, KAJ has produced musicals like “Gambämark” in 2018 and “Botnia Paradise” in 2021; both staged at the Wasa Theatre ( Vaasa, Finland). 

Vörjeans

KAJ also has an alter ego: the rockabilly band Vörjeans.

Under the Vörjeans persona, the trio parodies the raggare subculture. (a Nordic greaser movement known for its love of classic American cars, rockabilly music, and vintage fashion). Performing in the Vörå dialect, their act blends humor with musical homage, often exaggerating the quirks of the raggare life.

In 2019, Vörjeans released the album “Born to Börn”, featuring tracks like “Volvoräägör,” “Grillin,” and “Cadillac.” These songs showcase their comedic take on rockabilly themes, combining catchy rhythms with satirical lyrics.  Their performances, often characterized by flamboyant costumes and energetic stage presence, have been well-received, adding a unique dimension to KAJ’s artistic repertoire.

Eurovision

In 2025, the group participated in Melodifestivalen; the Swedish preselection for the Eurovision Song Contest. Despite the favorite position of Måns Zelmerlöw , KAJ overtook him for the victory, and will therefore represent Sweden at the Eurovision Song Contest in Basel.  Their song; “Bara bada bastu” (“Just take a sauna”) is an ode to sauna culture and is topping the charts in both Sweden and Finland. The opening line: “Klockon slår, nu ere dags”! (“The clock strikes, now is the time”) could be interpreted in several ways. But we’ll leave it up to you to decide which interpretation you like best.

Their participation has drawn attention to the Swedish-speaking minority in Finland and the cultural ties between Finland and Sweden .

Will they also take home the win today? Klockon slår, nu ere dags!

 

Share

Related news

Uncategorized

Blast from the past: Turkey 1983

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1983, when Çetin Alp & Short Wave represented Turkey with their song “Opera”. Turkey in the Eurovision Song Contest Turkey debuted in the Eurovision Song Contest in 1975 and competed until 2012. The country won once, in 2003, when Sertab Erener’s “Everyway That I Can” brought the trophy to Türkiye for the first time. Istanbul hosted the 2004 contest. Through the 2000s, Turkey mixed pop, rock and ethnic sounds, with entries by artists such as Kenan Doğulu, Mor ve Ötesi, Hadise and maNga earning regular top ten finishes. Turkey withdrew after 2012, citing rules on juries, televoting and the “Big Five”. Discussions about a return surface periodically, but no comeback has followed. The broadcaster has not announced future participation. 7. Eurovision Şarkı Yarışması Türkiye Finali The Turkish entry was chosen out of 8 songs in what was called 7. Eurovision Şarkı Yarışması Türkiye Finali (7th Eurovision Song Contest Türkiye Final). The results were decided by an expert jury. Only the top-3 was announced. Müzisyen, sung by Vedat Sakman Boğaziçi, sung by Hakan Sıvacı Heyecan, sung by Ayşegül Aldinç (3rd place) Yaşayamam, sung by Mehmet Şengenç Dön bana, sung by Coşkun Demir Opera, sung by Çetin Alp & Short Wave (1st place) Heyamola, sung by Mavi Yolcular Atlantis, sung by Beş Yıl Önce, On Yıl Sonra (2nd place) Ayşegül Aldinç already represented Turkey in 1981, for Beş Yıl Önce, On Yıl Sonra the time had not come yet. They had to wait a year for their turn. Çetin Alp & Short Wave Çetin Küçükarslan, known as Çetin Alp (21 June 1947, Malatya – 18 May 2004, Istanbul), was a Turkish pop singer. His career unfolded across the 1970s and 1980s. He came to notice after winning the Altın Ses competition and began releasing 45s. Early singles included “Günah Bize / Meçhul Karanlık” (1970), “Ayrılık Yok Artık / Bir Gün Biter Demiştin” (1972) and “Bir Kadeh Atınca Birşeyin Kalmaz / Hatıralar” (1973). In the late 1970s he recorded “Çek Çek / Sana Ne Olmuş” and continued to appear with orchestras led by Yurdaer Doğulu and Zekai Apaydın. During the early 1980s Alp performed with Kısa Dalga Vokal Grubu, known internationally as The Short Wave, a three‑voice pop ensemble active in 1976–1980 that reunited periodically. Their collaboration culminated in 1983, when the group supported him on stage in Eurovision and in television appearances. The Short Wave’s members released several disco‑pop albums of their own. Away from the stage, Alp’s legal name was Çetin Küçükarslan. He was married and divorced more than once; in the 1980s he lived and worked for several years with actress‑singer Suna Yıldızoğlu, with whom he also recorded the duet “Sonsuz Aşk” (1981).  In later years he continued to perform in Turkey. Alp had long‑standing heart problems and died in Istanbul in May 2004, aged fifty‑six. His recordings—especially the run of 1970s 45s—and his brief partnership with The Short Wave preserve his place in Turkish popular music today. Opera “Opera” is the 1983 Turkish Eurovision entry performed by Çetin Alp with the vocal group The Short Wave. Written by Aysel Gürel and composed by Buğra Uğur, the song is an uptempo tribute to opera, with lyrics that reference well‑known works and a chorus built on fanfare‑style hooks. On stage in Munich, Alp performed with the group’s close harmonies and straightforward choreography. On the night, however, the juries awarded the song no points. It therefore tied for last place at the Eurovision Song Contest final that year. “Opera” remains a snapshot of Turkey’s early‑1980s pop experimentation on an international stage. Share

Share
Read More »
Uncategorized
Martijn

Blast from the past: Turkey 1983

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1983, when Çetin Alp & Short Wave represented Turkey with their song “Opera”. Turkey in the Eurovision Song Contest Turkey debuted in the Eurovision Song Contest in 1975 and competed until 2012. The country won once, in 2003, when Sertab Erener’s “Everyway That I Can” brought the trophy to Türkiye for the first time. Istanbul hosted the 2004 contest. Through the 2000s, Turkey mixed pop, rock and ethnic sounds, with entries by artists such as Kenan Doğulu, Mor ve Ötesi, Hadise and maNga earning regular top ten finishes. Turkey withdrew after 2012, citing rules on juries, televoting and the “Big Five”. Discussions about a return surface periodically, but no comeback has followed. The broadcaster has not announced future participation. 7. Eurovision Şarkı Yarışması Türkiye Finali The Turkish entry was chosen out of 8 songs in what was called 7. Eurovision Şarkı Yarışması Türkiye Finali (7th Eurovision Song Contest Türkiye Final). The results were decided by an expert jury. Only the top-3 was announced. Müzisyen, sung by Vedat Sakman Boğaziçi, sung by Hakan Sıvacı Heyecan, sung by Ayşegül Aldinç (3rd place) Yaşayamam, sung by Mehmet Şengenç Dön bana, sung by Coşkun Demir Opera, sung by Çetin Alp & Short Wave (1st place) Heyamola, sung by Mavi Yolcular Atlantis, sung by Beş Yıl Önce, On Yıl Sonra (2nd place) Ayşegül Aldinç already represented Turkey in 1981, for Beş Yıl Önce, On Yıl Sonra the time had not come yet. They had to wait a year for their turn. Çetin Alp & Short Wave Çetin Küçükarslan, known as Çetin Alp (21 June 1947, Malatya – 18 May 2004, Istanbul), was a Turkish pop singer. His career unfolded across the 1970s and 1980s. He came to notice after winning the Altın Ses competition and began releasing 45s. Early singles included “Günah Bize / Meçhul Karanlık” (1970), “Ayrılık Yok Artık / Bir Gün Biter Demiştin” (1972) and “Bir Kadeh Atınca Birşeyin Kalmaz / Hatıralar” (1973). In the late 1970s he recorded “Çek Çek / Sana Ne Olmuş” and continued to appear with orchestras led by Yurdaer Doğulu and Zekai Apaydın. During the early 1980s Alp performed with Kısa Dalga Vokal Grubu, known internationally as The Short Wave, a three‑voice pop ensemble active in 1976–1980 that reunited periodically. Their collaboration culminated in 1983, when the group supported him on stage in Eurovision and in television appearances. The Short Wave’s members released several disco‑pop albums of their own. Away from the stage, Alp’s legal name was Çetin Küçükarslan. He was married and divorced more than once; in the 1980s he lived and worked for several years with actress‑singer Suna Yıldızoğlu, with whom he also recorded the duet “Sonsuz Aşk” (1981).  In later years he continued to perform in Turkey. Alp had long‑standing heart problems and died in Istanbul in May 2004, aged fifty‑six. His recordings—especially the run of 1970s 45s—and his brief partnership with The Short Wave preserve his place in Turkish popular music today. Opera “Opera” is the 1983 Turkish Eurovision entry performed by Çetin Alp with the vocal group The Short Wave. Written by Aysel Gürel and composed by Buğra Uğur, the song is an uptempo tribute to opera, with lyrics that reference well‑known works and a chorus built on fanfare‑style hooks. On stage in Munich, Alp performed with the group’s close harmonies and straightforward choreography. On the night, however, the juries awarded the song no points. It therefore tied for last place at the Eurovision Song Contest final that year. “Opera” remains a snapshot of Turkey’s early‑1980s pop experimentation on an international stage. Share

Share
Read More »