Highlighted: Russia – Manizha

Manizha

Tonight is the night… the first semifinal of the Eurovision Song Contest. 16 countries compete for a place in the grand final, including Russia, with singer Manizha. But who is Manizha?

Manizha (full name Manizja Dalerovna Sangin) was born in 1991 in Dushanbe, the capital of the then Tajik Soviet Socialist Republic, a state of the Soviet Union. Her father was a doctor, her mother a psychologist and couturier. Her parents divorced when Manizha was very young . Her father has always opposed a musical career for his daughter, as he believed it to be contrary to their beliefs. Manizha changed her birth name Chamrajeva to Sangin, in tribute to her grandmother, who was one of the first to encourage Manizha to pursue a musical career. Her grandmother was one of the first women in Tajikistan to remove her veil and start a career of her own; after this her children were taken out of her care, although she was later able to return to them.

In 1994 she fled with her family to the Russian capital Moscow because of the outbreak of the Tajik Civil War. She  also graduated as a psychologist from the Russian State University of Human Sciences. Manizja started her musical career in 2003, at the age of twelve. She took part in talent shows, and was part of “Ru.Kola” (2007-2011), “Assai” (2011) and “Krip de Shin” (2011-2014 / 15) After studying Gospel Music in London and New York, Manizha returned to Russia in 2016, where she started her solo career. In February she released her debut album, “Manuscript”. In 2018 she launched the flash mob “Beauty Trauma” against the beauty ideals imposed by the media. During a concert on the roof of Chateau de Fantomas in Moscow, she took off her make-up and invited her audience to do the same. Manizha supports various charities. In 2019, she launched a campaign against domestic violence, and released the app “Silsila”, which allows victims of domestic violence to quickly seek help. She also released a video clip for the song “Mama” with director Lado Quatania,in which she exposes the problem of domestic violence against women and children.The project came about without the support of the state, outside companies or funds. For that reason, Manizha’s mother took out a mortgage on the apartment.

Manizha also actively supports the LGBTQI+ community. In 2019 she starred in a video for the Russian online queer magazine “Otkritiye”, which earned her a lot of criticism and costed her tenthousands of followers on Social Media.

All in all, an interesting, socially responsible, committed woman. Her entry for the Eurovision Song Contest also exposes a social issue. Or, as she herself explained to Eurovision TV:

“This is a song about the transformation of women’s self-consciousness in Russia over the centuries. A Russian woman has gone a tremendous way from a peasant cabin to the right to be chosen and chosen (one of the first in the world), from factory workshops to space flights. She has never been afraid to resist stereotypes and take responsibility. This is the source of inspiration for the song. ”

Many Russian viewers took offense at a singer of Tajik descent singing about Russian women and the singer’s activism for LGBTQI+ and women’s -rights, and left hate reaction on the video and her Instagram account, demanding that she quit Eurovision. YThe first vice-chair of the State Duma Committee on Culture, suggested banning Manizha from performing in the Eurovision Song Contest under the Russian flag, also noting that Eurovision offered no cultural value and was too politicized and was pro-LGBTQI+.

Still, she will be in the First semifinal of the Eurovision Song Contest tonight, and there is a good chance that she will be able to sing her “Russian Woman” again for Europe during the big Final of the festival.

Good luck Manizha!

In Cooperation with Eurovision Artists.

Photo and video credits: EBU

 

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The Eurovision 2026 reactions continued immediately after Thursday night’s second semi-final in Vienna. Bulgaria, Ukraine, Norway, Australia, Romania, Malta, Cyprus, Albania, Denmark and Czechia qualified for Saturday’s Grand Final. Azerbaijan, Luxembourg, Armenia, Switzerland and Latvia did not make it through. Since Eurovision will only reveal the detailed ranking after the final, the “winners” of the night are again the ten qualifiers. Social media quickly filled with tears, hugs and short messages from the green room. Qualifiers celebrate their Grand Final place Bulgaria’s DARA was the first name announced, and her disbelief was clear. In a filmed reaction, she said she “could not believe” it, while also underlining how much she loved being on stage with “Bangaranga”. Ukraine’s LELÉKA reacted with a softer kind of joy. She said she felt happy, hopeful and “lightful” after taking “Ridnym” to the final. Australia’s Delta Goodrem also moved quickly into gratitude mode. After qualifying with “Eclipse”, she called the moment “pure magic” and thanked fans for every vote, message and bit of love. Norway’s Jonas Lovv sounded equally relieved. Speaking to Norwegian press, he said the result felt “insanely” good and joked that his celebration plan was to go straight to bed. Malta’s AIDAN gave one of the most emotional reactions of the night. He said he was “genuinely so happy” and pointed out that the Maltese language was back on the Eurovision stage after 54 years. Denmark’s Søren Torpegaard Lund described himself as overwhelmed and happy, while Czechia’s Daniel Zizka said he was grateful, tired and still trying to understand what had happened. Albania’s Alis also remained emotional after “Nân” reached the final. Cyprus’ Antigoni thanked everyone who supported “JALLA” and said she had felt confident Cyprus could qualify. Romania’s Alexandra Căpitănescu also celebrated online after “Choke Me” secured Romania a place in the Grand Final. For all ten qualifiers, the mood immediately shifted from nerves to preparation for Saturday. Non-qualifiers thank fans and look back For the five non-qualifiers, the Eurovision 2026 reactions were more reflective. Luxembourg’s Eva Marija looked back with pride after “Mother Nature” missed the final. She said she had given everything, was proud of herself and felt grateful for the Eurovision adventure. Azerbaijan’s JIVA ended her performance by thanking Europe, but “Just Go” did not qualify. Armenia’s SIMÓN, Switzerland’s Veronica Fusaro and Latvia’s Atvara also stayed in the semi-final. Their latest Eurovision messages focused on the performance itself, the meaning behind their songs and the support around them. That made their reactions quieter, but not less meaningful. The second semi-final therefore showed the familiar two sides of Eurovision: pure celebration for the qualifiers and gratitude, disappointment and pride for those whose Vienna journey ended before Saturday.

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