Highlighted: Russia – Manizha

Manizha

Tonight is the night… the first semifinal of the Eurovision Song Contest. 16 countries compete for a place in the grand final, including Russia, with singer Manizha. But who is Manizha?

Manizha (full name Manizja Dalerovna Sangin) was born in 1991 in Dushanbe, the capital of the then Tajik Soviet Socialist Republic, a state of the Soviet Union. Her father was a doctor, her mother a psychologist and couturier. Her parents divorced when Manizha was very young . Her father has always opposed a musical career for his daughter, as he believed it to be contrary to their beliefs. Manizha changed her birth name Chamrajeva to Sangin, in tribute to her grandmother, who was one of the first to encourage Manizha to pursue a musical career. Her grandmother was one of the first women in Tajikistan to remove her veil and start a career of her own; after this her children were taken out of her care, although she was later able to return to them.

In 1994 she fled with her family to the Russian capital Moscow because of the outbreak of the Tajik Civil War. She  also graduated as a psychologist from the Russian State University of Human Sciences. Manizja started her musical career in 2003, at the age of twelve. She took part in talent shows, and was part of “Ru.Kola” (2007-2011), “Assai” (2011) and “Krip de Shin” (2011-2014 / 15) After studying Gospel Music in London and New York, Manizha returned to Russia in 2016, where she started her solo career. In February she released her debut album, “Manuscript”. In 2018 she launched the flash mob “Beauty Trauma” against the beauty ideals imposed by the media. During a concert on the roof of Chateau de Fantomas in Moscow, she took off her make-up and invited her audience to do the same. Manizha supports various charities. In 2019, she launched a campaign against domestic violence, and released the app “Silsila”, which allows victims of domestic violence to quickly seek help. She also released a video clip for the song “Mama” with director Lado Quatania,in which she exposes the problem of domestic violence against women and children.The project came about without the support of the state, outside companies or funds. For that reason, Manizha’s mother took out a mortgage on the apartment.

Manizha also actively supports the LGBTQI+ community. In 2019 she starred in a video for the Russian online queer magazine “Otkritiye”, which earned her a lot of criticism and costed her tenthousands of followers on Social Media.

All in all, an interesting, socially responsible, committed woman. Her entry for the Eurovision Song Contest also exposes a social issue. Or, as she herself explained to Eurovision TV:

“This is a song about the transformation of women’s self-consciousness in Russia over the centuries. A Russian woman has gone a tremendous way from a peasant cabin to the right to be chosen and chosen (one of the first in the world), from factory workshops to space flights. She has never been afraid to resist stereotypes and take responsibility. This is the source of inspiration for the song. ”

Many Russian viewers took offense at a singer of Tajik descent singing about Russian women and the singer’s activism for LGBTQI+ and women’s -rights, and left hate reaction on the video and her Instagram account, demanding that she quit Eurovision. YThe first vice-chair of the State Duma Committee on Culture, suggested banning Manizha from performing in the Eurovision Song Contest under the Russian flag, also noting that Eurovision offered no cultural value and was too politicized and was pro-LGBTQI+.

Still, she will be in the First semifinal of the Eurovision Song Contest tonight, and there is a good chance that she will be able to sing her “Russian Woman” again for Europe during the big Final of the festival.

Good luck Manizha!

In Cooperation with Eurovision Artists.

Photo and video credits: EBU

 

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Vienna 12 points: another day of rehearsals

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Vienna 12 points: another day of rehearsals

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The stage shifts between deep red and small flashes of blue as the choreography moves from sharp, uniform steps into something rawer and more primal. Ahead of Vienna, Tamara told CdM that the staging carries over from Montesong in concept. Her goal is a performance combining emotion, energy, and visual impact — one that makes the audience truly feel the power of the “New Dawn.” She and broadcaster RTCG confirmed that the revamped version stays largely in Montenegrin but adds a short line in English. Tamara stated she carefully considered fan feedback on social media before finalising those adjustments. Montenegro performs 8th in Semi-Final 1 on 12 May. sources: Eurovision/RTCG 🇪🇪 Estonia – Vanilla Ninja, “Too Epic To Be True” Running order: 9 | Rehearsal: 11:10–11:40 CEST According to the official Eurovision subreddit, Vanilla Ninja’s staging stays largely in line with their Eesti Laul performance as the trio return to the Eurovision stage after 21 years. The team revamped the song slightly to give it a stronger rock feel, aiming to appeal to both the public and the juries. Their outfits are also upgraded from the Eesti Laul look, sharpening the rock identity they bring to Vienna. Audience participation plays a central role, with the track edited to build a clear “hype moment” in the middle-eight. The performance closes with a large blast of pyrotechnics in its final seconds. Vanilla Ninja formed in Tallinn in 2002. Kerli Kivilaan, Lenna Kuurmaa, and Piret Järvis make up the current trio. They represented Switzerland at Eurovision 2005 with “Cool Vibes,” finishing 8th. The band disbanded in 2008 and reunited in 2020. Estonia performs 9th in Semi-Final 1 on 12 May. sources: Eurovision 🇮🇱 Israel – Noam Bettan, “Michelle” Running order: 10 | Rehearsal: 11:50–12:20 CEST Noam Bettan opens his performance inside a massive diamond-shaped prop. Broadcaster Kan describes it as the largest stage prop at this year’s contest. The diamond’s interior uses infinite mirrors to create the illusion of countless reflections — a direct visual reference to the music video for “Michelle.”  A solo dancer draws Bettan out of the diamond and leads him to the front of the stage, where four more dancers await. Kan reports that Bettan’s vocal performance drew enthusiastic reactions from those present in the arena. Director Yoav Tzafir called it a pleasure to work with Bettan. Note that the official Eurovision reddit reports about the performance of this song, but doesn’t mention the country’s name a single time in their report.  Israel performs 10th in Semi-Final 1 on 12 May. sources: Eurovision/Times of Israel 🇧🇪 Belgium – Essyla, “Dancing on the Ice” Running order: 11 | Rehearsal: 12:45–13:15 CEST According to the official Eurovision subreddit, Essyla brings a sleek and dance-forward performance to the Wiener Stadthalle. 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A large metal sculpture built from tensioned steel cables and held together by electromagnets stands centre stage. At the emotional peak of the performance, the electricity cuts. The magnets release. The entire structure collapses, live, on stage, in front of the audience.  Lion Ceccah explained his vision to LRT directly: “This is not just a stage decoration, but a living stage sculpture, an installation that becomes the axis of the performance, transforms along with the music and ultimately collapses right on the stage. I wanted to create a spectacle that the audience has never seen before in any Lithuanian Eurovision performance.”  Head of Delegation Audrius Giržadas confirmed the structure works as planned and was sent to Vienna ahead of rehearsals for testing. He called it an incomparably more complex stage solution than anything Lithuania has previously transported to Eurovision. Born in Vilnius in 1991, Tomas Alenčikas performs as Lion Ceccah. 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