Highlighted: Russia – Manizha

Manizha

Tonight is the night… the first semifinal of the Eurovision Song Contest. 16 countries compete for a place in the grand final, including Russia, with singer Manizha. But who is Manizha?

Manizha (full name Manizja Dalerovna Sangin) was born in 1991 in Dushanbe, the capital of the then Tajik Soviet Socialist Republic, a state of the Soviet Union. Her father was a doctor, her mother a psychologist and couturier. Her parents divorced when Manizha was very young . Her father has always opposed a musical career for his daughter, as he believed it to be contrary to their beliefs. Manizha changed her birth name Chamrajeva to Sangin, in tribute to her grandmother, who was one of the first to encourage Manizha to pursue a musical career. Her grandmother was one of the first women in Tajikistan to remove her veil and start a career of her own; after this her children were taken out of her care, although she was later able to return to them.

In 1994 she fled with her family to the Russian capital Moscow because of the outbreak of the Tajik Civil War. She  also graduated as a psychologist from the Russian State University of Human Sciences. Manizja started her musical career in 2003, at the age of twelve. She took part in talent shows, and was part of “Ru.Kola” (2007-2011), “Assai” (2011) and “Krip de Shin” (2011-2014 / 15) After studying Gospel Music in London and New York, Manizha returned to Russia in 2016, where she started her solo career. In February she released her debut album, “Manuscript”. In 2018 she launched the flash mob “Beauty Trauma” against the beauty ideals imposed by the media. During a concert on the roof of Chateau de Fantomas in Moscow, she took off her make-up and invited her audience to do the same. Manizha supports various charities. In 2019, she launched a campaign against domestic violence, and released the app “Silsila”, which allows victims of domestic violence to quickly seek help. She also released a video clip for the song “Mama” with director Lado Quatania,in which she exposes the problem of domestic violence against women and children.The project came about without the support of the state, outside companies or funds. For that reason, Manizha’s mother took out a mortgage on the apartment.

Manizha also actively supports the LGBTQI+ community. In 2019 she starred in a video for the Russian online queer magazine “Otkritiye”, which earned her a lot of criticism and costed her tenthousands of followers on Social Media.

All in all, an interesting, socially responsible, committed woman. Her entry for the Eurovision Song Contest also exposes a social issue. Or, as she herself explained to Eurovision TV:

“This is a song about the transformation of women’s self-consciousness in Russia over the centuries. A Russian woman has gone a tremendous way from a peasant cabin to the right to be chosen and chosen (one of the first in the world), from factory workshops to space flights. She has never been afraid to resist stereotypes and take responsibility. This is the source of inspiration for the song. ”

Many Russian viewers took offense at a singer of Tajik descent singing about Russian women and the singer’s activism for LGBTQI+ and women’s -rights, and left hate reaction on the video and her Instagram account, demanding that she quit Eurovision. YThe first vice-chair of the State Duma Committee on Culture, suggested banning Manizha from performing in the Eurovision Song Contest under the Russian flag, also noting that Eurovision offered no cultural value and was too politicized and was pro-LGBTQI+.

Still, she will be in the First semifinal of the Eurovision Song Contest tonight, and there is a good chance that she will be able to sing her “Russian Woman” again for Europe during the big Final of the festival.

Good luck Manizha!

In Cooperation with Eurovision Artists.

Photo and video credits: EBU

 

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🇦🇹 Austria in the Eurovision Song Contest, part 1

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the first episode, we will look back at the time when the world was still in black and white. It is said that already in 1956, Austria wanted to take part. However, they were too late to sent an entry, so the Austrian debut was in 1957. 1957 – Bob Martin – “Wohin kleines Pony” Austria debuted at Eurovision in 1957, when Bob Martin performed “Wohin, kleines Pony?” (“Where to, Little Pony?”). In February 1957, five artists competed in a national selection for the ticket to Frankfurt am Main, and each sang two songs. Bob Martin (real name Leo Heppe) won. The song is a light‑hearted, jazzy Schlager about a man’s adventures with his pony. Kurt Svab composed the music, and Hans Werner wrote the lyrics. Bob Martin, a Vienna State Opera chorus singer, lent an operatic touch to the whimsical tune. Despite its charm, Austria’s debut earned only 3 points and finished 10th (last place) in 1957. 1958 – Liane Augustin – “Die ganze Welt braucht Liebe” In 1958, Liane Augustin represented Austria with “Die ganze Welt braucht Liebe” (“The Whole World Needs Love”). Austria selected her internally. Günther Leopold and Kurt Werner wrote this romantic ballad with a gentle, cabaret‑style melody. A German‑Austrian singer and actress, Augustin made her name in Vienna’s postwar nightclubs. With Willy Fantl conducting, her polished performance earned 8 points and finished 5th for Austria at the 1958 contest. 1959 – Ferry Graf – “Der K und K Kalypso aus Wien” Austria’s 1959 entry was the internally selected “Der K. und K. Kalypso aus Wien” (“The Imperial and Royal Calypso from Vienna”), performed by Ferry Graf. The song was a playful novelty Schlager that blended calypso rhythms with Viennese waltz melodies. It was composed by Norbert Pawlicki with lyrics by Günther Leopold. They created a lighthearted homage to Vienna, even referencing Johann Strauss tunes in the lyrics! Ferry Graf was an up-and-coming Austrian pop singer at the time. The cheerful “Kalypso” received 4 points and finished 9th out of 11 entries in the 1959 contest. 1960 – Harry Winter – “Du hasst mich so fasziniert” In 1960, Harry Winter (stage name of Horst Winter) sang Austria’s entry “Du hast mich so fasziniert” (“You Fascinated Me So Much”) in London. The song was composed by the famed Viennese operetta composer Robert Stolz with lyrics by Robert Gilbert, giving it a classic romantic waltz-ballad character. Harry Winter was a veteran German-Austrian singer and bandleader, known for his background in jazz and swing orchestras of the 1940s. His Eurovision performance earned 6 points and placed 7th out of 13 countries in 1960. 1961 – Jimmy Makulis – “Sehnsucht” The 1961 entry saw Greek-born pop singer Jimmy Makulis represent Austria with “Sehnsucht” (“Longing”). The song was a gentle, sentimental ballad composed (music and lyrics) by Leopold Andrejewitsch, echoing themes of yearning and devotion. Jimmy Makulis had been successful in the German pop music scene of the 1950s, bringing an international flair as the first Greek artist on an Eurovision stage. Despite his rich voice, “Sehnsucht” received only 1 point (from the UK jury) and tied for last place in 1961. Makulis later took part in the Cypriot final, in 1984. 1962 – Eleonore Schwarz – “Nur in der Wiener Luft” In 1962, Austria chose for a national final again. All submitted songs had to be in threequarter-time. In the end, 4 out of 5 songs had Vienna in their title. The 5th one had the Praterallee (indeed in Vienna) in its title. Austria selected an operetta‑style entry: “Nur in der Wiener Luft” (“Only in the Vienna Air”). Eleonore Schwarz performed it in Luxembourg. Bruno Uher composed and conducted this waltz‑infused operetta number that celebrates Vienna’s culture. The lyrics lovingly mention the city’s waltzes, Johann Strauss, and famous landmarks. An opera singer at the Vienna Volksoper in the 1960s, Schwarz suited this classically styled piece. However, the grand Viennese operetta did not resonate with the juries. It scored nul points and finished last. The Austrian entry was one of four entries to receive zero points at the 1962 contest.

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History
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🇦🇹 Austria in the Eurovision Song Contest, part 1

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the first episode, we will look back at the time when the world was still in black and white. It is said that already in 1956, Austria wanted to take part. However, they were too late to sent an entry, so the Austrian debut was in 1957. 1957 – Bob Martin – “Wohin kleines Pony” Austria debuted at Eurovision in 1957, when Bob Martin performed “Wohin, kleines Pony?” (“Where to, Little Pony?”). In February 1957, five artists competed in a national selection for the ticket to Frankfurt am Main, and each sang two songs. Bob Martin (real name Leo Heppe) won. The song is a light‑hearted, jazzy Schlager about a man’s adventures with his pony. Kurt Svab composed the music, and Hans Werner wrote the lyrics. Bob Martin, a Vienna State Opera chorus singer, lent an operatic touch to the whimsical tune. Despite its charm, Austria’s debut earned only 3 points and finished 10th (last place) in 1957. 1958 – Liane Augustin – “Die ganze Welt braucht Liebe” In 1958, Liane Augustin represented Austria with “Die ganze Welt braucht Liebe” (“The Whole World Needs Love”). Austria selected her internally. Günther Leopold and Kurt Werner wrote this romantic ballad with a gentle, cabaret‑style melody. A German‑Austrian singer and actress, Augustin made her name in Vienna’s postwar nightclubs. With Willy Fantl conducting, her polished performance earned 8 points and finished 5th for Austria at the 1958 contest. 1959 – Ferry Graf – “Der K und K Kalypso aus Wien” Austria’s 1959 entry was the internally selected “Der K. und K. Kalypso aus Wien” (“The Imperial and Royal Calypso from Vienna”), performed by Ferry Graf. The song was a playful novelty Schlager that blended calypso rhythms with Viennese waltz melodies. It was composed by Norbert Pawlicki with lyrics by Günther Leopold. They created a lighthearted homage to Vienna, even referencing Johann Strauss tunes in the lyrics! Ferry Graf was an up-and-coming Austrian pop singer at the time. The cheerful “Kalypso” received 4 points and finished 9th out of 11 entries in the 1959 contest. 1960 – Harry Winter – “Du hasst mich so fasziniert” In 1960, Harry Winter (stage name of Horst Winter) sang Austria’s entry “Du hast mich so fasziniert” (“You Fascinated Me So Much”) in London. The song was composed by the famed Viennese operetta composer Robert Stolz with lyrics by Robert Gilbert, giving it a classic romantic waltz-ballad character. Harry Winter was a veteran German-Austrian singer and bandleader, known for his background in jazz and swing orchestras of the 1940s. His Eurovision performance earned 6 points and placed 7th out of 13 countries in 1960. 1961 – Jimmy Makulis – “Sehnsucht” The 1961 entry saw Greek-born pop singer Jimmy Makulis represent Austria with “Sehnsucht” (“Longing”). The song was a gentle, sentimental ballad composed (music and lyrics) by Leopold Andrejewitsch, echoing themes of yearning and devotion. Jimmy Makulis had been successful in the German pop music scene of the 1950s, bringing an international flair as the first Greek artist on an Eurovision stage. Despite his rich voice, “Sehnsucht” received only 1 point (from the UK jury) and tied for last place in 1961. Makulis later took part in the Cypriot final, in 1984. 1962 – Eleonore Schwarz – “Nur in der Wiener Luft” In 1962, Austria chose for a national final again. All submitted songs had to be in threequarter-time. In the end, 4 out of 5 songs had Vienna in their title. The 5th one had the Praterallee (indeed in Vienna) in its title. Austria selected an operetta‑style entry: “Nur in der Wiener Luft” (“Only in the Vienna Air”). Eleonore Schwarz performed it in Luxembourg. Bruno Uher composed and conducted this waltz‑infused operetta number that celebrates Vienna’s culture. The lyrics lovingly mention the city’s waltzes, Johann Strauss, and famous landmarks. An opera singer at the Vienna Volksoper in the 1960s, Schwarz suited this classically styled piece. However, the grand Viennese operetta did not resonate with the juries. It scored nul points and finished last. The Austrian entry was one of four entries to receive zero points at the 1962 contest.

Read More »
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