Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history!

For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice.

Austria 1980 – Blue Danube – “Du bist Musik”

By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Österreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19.

Austria 1981 – Marty Brem – “Wenn du da bist”

Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Österreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry.

1982 – Mess “Sonntag”

Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network.

1983 – Westend “Hurricane”

In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory.

1984 – Anita “Einfach weg”

Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter Müller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade.

1985 – Gary Lux “Kinder dieser Welt”

By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

Related news

History

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
Follow Us: