70 years of Eurovision: holding up signs

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years.

1971

Sweden, Finland, Norway, Austria, and Portugal returned. Malta made its debut. Enthused by the 1970 festival, everyone dared to give it another try. The scoring system changed drastically. Each country had two jurors; one over 25 and one under. They indicated their votes by holding up signs live on television. It all took place in Dublin, where everything was held at the Gaiety Theatre. That is not entirely true: all sorts of things happened just outside the theatre. Almost every protest group to be found in Ireland was standing there. From Irish feminists and people opposed to hunting and Irish people against color television, to an action group promoting the Irish language. They didn’t like the Eurovision Song Contest. “Very low level pop music,” one of the protesters called it when asked.

The Belgian duo Nicole and Hugo were very unlucky. Although they had won the national final, the two could not travel to Dublin because Nicole contracted jaundice. They were replaced by Jacques Raymond and Lily Castel. This duo had to practice the dance steps in their hotel room. For Austria, Marianne Mendt sang in a Viennese dialect. The 15-year-old Norwegian Hanne Krogh sang her song with a small parasol. We would see her again more often in the future. And then there was Clodagh Rodgers for the United Kingdom. It wasn’t fun for her in Dublin. As a Catholic Northern Irish lady, she received many threats, including death threats. Fortunately, there is also a cheerful note about her: she and her song “Jack in the Box” starred in an episode of ‘Monty Python’s Flying Circus’.

Séverine

It was Monaco that walked away with the trophy. The French singer Séverine represented the principality. By doing so, she comfortably beat the Spanish Karina and the German Katja Ebstein. “Un banc, un arbre, une rue” was her song. The song became a huge hit, even reaching number 1 in Belgium. She also finished in the top 3 in Ireland and Norway. Séverine later participated in national finals in Germany twice more but did not win them.

1972

The same countries as in 1971 participated. The jury was now strictly guarded and was not allowed to leave Edinburgh Castle, where they awarded the points. The festival itself took place in the Usher Hall. Surprisingly, not Cathy Boyle, but Moira Shearer was the presenter.

Vicky Leandros returned for Luxembourg. The Family Four represented Sweden for the second time. Tereza, who once participated for Monaco, now sang for her native country, Yugoslavia. We do not want to leave Ireland unmentioned: for the first and only time, the country sang in its regional language, Gaelic. Sandra and Andres participated for the Netherlands. They also came up with something new: they got the audience happily clapping along to their song. The duo ultimately finished fourth. The two were overtaken by Mary Roos, who participated on behalf of Germany and mainly complained that she was staying in such a cold hotel. The New Seekers were the favorites. Their song “Beg, Steal or Borrow” became an international hit. The duo representing Malta, Helen & Joseph, were promised a statue on the island if they won. Spoiler: the statue never materialized, as the two finished last.

Vicky Leandros

Vicky Leandros won by a considerable margin. “Après Toi” was the undisputed winner of the festival. Yves Dessca wrote the lyrics, and the composers were Klaus Munro and Mario Panas. The latter was actually secretly Leo Leandros, Vicky’s father, under a pseudonym. The story goes that Vicky had first offered the songs from her album to Germany, but the German broadcaster politely declined. She then translated all the songs into French and asked Luxembourg if they were interested. The rest is history.

1973

Austria and Malta dropped out. However, there were still 17 countries because Israel made its debut. This did mean, however, that the Nouveau Théâtre Municipal in Luxembourg was very heavily guarded. In this impregnable fortress, Helga Guitton hosted the 1973 Eurovision Song Contest.

Nicole and Hugo were allowed to participate for Belgium this time. In bright purple suits, they finished last with their “Baby Baby.” They did, however, achieve immortal status with it, as the two appear in just about every compilation of Eurovision songs. The Finnish Marion Rung made a comeback, improving her own record for Finland (from seventh to sixth place). Massimo Ranieri also participated for Italy for a second time. And yes, Cliff Richard was back too. With “Power To All Our Friends,” he was once again the favorite, yet once again he failed to win. The Spanish group Mocedades also failed to do so, securing second place and a worldwide hit with their “Eres Tu.”

We also do not want to leave The Nova from Sweden unmentioned. In their home country, they had defeated Abba in the national selection. At the time, the duo was still called The Malta. To avoid confusion with the country, they changed their name. The lyrics were striking, to say the least: “Oh your breasts are like swallows a nestling,” the duo sang enthusiastic. But anyway, Nicole and Hugo sang in their song “Een vrouw kan niets alleen” (A woman can do nothing alone). 1973 was not a very woman-friendly year.

Anne-Marie David

It was, however, the year of a girl from the Camargue who loved horses: Anne-Marie David. She participated for host country Luxembourg and she won with “Tu te reconnaîtras”. Although the entire team was French, there was still a real Luxembourgish touch to it: conductor Pierre Caó was a true Luxemburger. But whether the Luxembourg broadcaster was happy that the country won again is doubtful.

Anne-Marie David would return to the Eurovision Song Contest six years later and still enjoys performing at Eurovision-related parties.

Related news

Uncategorized

70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

Read More »
Uncategorized
Martijn

70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

Read More »
Follow Us: