🇦🇹 Austria in the Eurovision Song Contest, part 1

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history!

For the first episode, we will look back at the time when the world was still in black and white. It is said that already in 1956, Austria wanted to take part. However, they were too late to sent an entry, so the Austrian debut was in 1957.

1957 – Bob Martin – “Wohin kleines Pony”

Austria debuted at Eurovision in 1957, when Bob Martin performed “Wohin, kleines Pony?” (“Where to, Little Pony?”). In February 1957, five artists competed in a national selection for the ticket to Frankfurt am Main, and each sang two songs. Bob Martin (real name Leo Heppe) won. The song is a light‑hearted, jazzy Schlager about a man’s adventures with his pony. Kurt Svab composed the music, and Hans Werner wrote the lyrics. Bob Martin, a Vienna State Opera chorus singer, lent an operatic touch to the whimsical tune. Despite its charm, Austria’s debut earned only 3 points and finished 10th (last place) in 1957.

1958 – Liane Augustin – “Die ganze Welt braucht Liebe”

In 1958, Liane Augustin represented Austria with “Die ganze Welt braucht Liebe” (“The Whole World Needs Love”). Austria selected her internally. Günther Leopold and Kurt Werner wrote this romantic ballad with a gentle, cabaret‑style melody. A German‑Austrian singer and actress, Augustin made her name in Vienna’s postwar nightclubs. With Willy Fantl conducting, her polished performance earned 8 points and finished 5th for Austria at the 1958 contest.

1959 – Ferry Graf – “Der K und K Kalypso aus Wien”

Austria’s 1959 entry was the internally selected “Der K. und K. Kalypso aus Wien” (“The Imperial and Royal Calypso from Vienna”), performed by Ferry Graf. The song was a playful novelty Schlager that blended calypso rhythms with Viennese waltz melodies. It was composed by Norbert Pawlicki with lyrics by Günther Leopold. They created a lighthearted homage to Vienna, even referencing Johann Strauss tunes in the lyrics! Ferry Graf was an up-and-coming Austrian pop singer at the time. The cheerful “Kalypso” received 4 points and finished 9th out of 11 entries in the 1959 contest.

1960 – Harry Winter – “Du hasst mich so fasziniert”

In 1960, Harry Winter (stage name of Horst Winter) sang Austria’s entry “Du hast mich so fasziniert” (“You Fascinated Me So Much”) in London. The song was composed by the famed Viennese operetta composer Robert Stolz with lyrics by Robert Gilbert, giving it a classic romantic waltz-ballad character. Harry Winter was a veteran German-Austrian singer and bandleader, known for his background in jazz and swing orchestras of the 1940s. His Eurovision performance earned 6 points and placed 7th out of 13 countries in 1960.

1961 – Jimmy Makulis – “Sehnsucht”

The 1961 entry saw Greek-born pop singer Jimmy Makulis represent Austria with “Sehnsucht” (“Longing”). The song was a gentle, sentimental ballad composed (music and lyrics) by Leopold Andrejewitsch, echoing themes of yearning and devotion. Jimmy Makulis had been successful in the German pop music scene of the 1950s, bringing an international flair as the first Greek artist on an Eurovision stage. Despite his rich voice, “Sehnsucht” received only 1 point (from the UK jury) and tied for last place in 1961. Makulis later took part in the Cypriot final, in 1984.

1962 – Eleonore Schwarz – “Nur in der Wiener Luft”

In 1962, Austria chose for a national final again. All submitted songs had to be in threequarter-time. In the end, 4 out of 5 songs had Vienna in their title. The 5th one had the Praterallee (indeed in Vienna) in its title.

Austria selected an operetta‑style entry: “Nur in der Wiener Luft” (“Only in the Vienna Air”). Eleonore Schwarz performed it in Luxembourg. Bruno Uher composed and conducted this waltz‑infused operetta number that celebrates Vienna’s culture. The lyrics lovingly mention the city’s waltzes, Johann Strauss, and famous landmarks. An opera singer at the Vienna Volksoper in the 1960s, Schwarz suited this classically styled piece. However, the grand Viennese operetta did not resonate with the juries. It scored nul points and finished last. The Austrian entry was one of four entries to receive zero points at the 1962 contest.

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. 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Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

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Eurovision 2026
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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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