Vienna 12 points: Eurovision 2nd semifinal tonight

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Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time.

🇧🇬 Bulgaria

In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener.

📷 EBU/Alma Bengtsson
🇦🇿 Azerbaijan

At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say.

📷 EBU/Sarah Louise Bennett
🇷🇴 Romania

There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times.

📷 EBU/Sarah Louise Bennett
🇱🇺 Luxembourg

The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts.

📷 EBU/Sarah Louise Bennett
🇨🇿 Czechia

Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final.

📷 EBU/Alma Bengtsson
🇫🇷 France

Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away.

📷 EBU/Corinne Cumming
🇦🇲 Armenia

We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final.

📷 EBU/Alma Bengtsson
🇨🇭 Switzerland

Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity.

📷 EBU/Corinne Cumming
🇨🇾 Cyprus

“Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego?

📷 EBU/Corinne Cumming
🇦🇹 Austria

Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year.

📷 EBU/Corinne Cumming
🇱🇻 Latvia

Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen.

📷EBU/Alma Bengtsson
🇩🇰 Denmark

Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing.

📷 EBU/Corinne Cumming
🇦🇺 Australia

Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three?

📷 EBU/Alma Bengtsson
🇺🇦 Ukraine

The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack.

📷 EBU/Sarah Louise Bennett
🇬🇧 United Kingdom

Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience.

📷 EBU/Alma Bengtsson
🇦🇱 Albania

We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last night.

📷 EBU/Sarah Louise Bennett
🇲🇹 Malta

Aidan stands inside a zoetrope with images on it. This makes it look as though there is constant movement around him. The vocals are okay, and the song is unlike all the others, almost cinematic. In the arena, we were not yet convinced. It may be that an act like this comes across much stronger on television.

📷 EBU/Sarah Louise Bennett
🇳🇴 Norway

Jonas Lovv knows how to work his audience. At first, he sings the cheerful “Ya Ya Ya” among his musicians. Later, he comes forward to greet the audience via the catwalk. Jonas turns it into a party. We are curious, though, about what the EBU could possibly find so problematic about this act. Have they actually read the lyrics?

📷 EBU/Sarah Louise Bennett

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Eurovision 2026 reactions: joy, relief and disappointment after semifinal

📷 EBU/Corinne Cumming The Eurovision 2026 reactions started immediately after Tuesday night’s first semi-final in Vienna. Greece, Finland, Belgium, Sweden, Moldova, Israel, Serbia, Croatia, Lithuania and Poland qualified for Saturday’s Grand Final. Portugal, Georgia, Montenegro, Estonia and San Marino did not make it through. Since Eurovision does not reveal the full semi-final ranking until later, the “winners” of the night are the ten qualifiers. Qualifiers celebrate their Grand Final place Greece’s Akylas reacted emotionally in comments reported by Greek newspaper LiFO. “Greece, we did it,” he said, adding that he was “so, so happy” and proud after reaching the final. Sweden’s Felicia also sounded relieved. In a message to Aftonbladet, she said the performance felt “incredible” and that she was now “very excited to win.” Belgium’s ESSYLA called her qualification “so insane” and “so incredible” in a filmed Instagram reaction. Moldova’s Satoshi also reacted on Instagram, saying that “Moldova is on duty” and that he felt full of happiness.   Lithuania’s Lion Ceccah gave one of the most personal reactions. Speaking to LRT, he said the moment brought his feelings back after a long period of pressure: “You want to qualify so badly.” Poland’s Alicja Szemplińska also thanked fans after qualifying, saying: “We did it! We really did it!” and promising that the final would bring even more effort. Finland’s UMK account kept it short and clear: “Suomi etenee lauantain viisufinaaliin,” meaning Finland is moving on to Saturday’s final. Serbia’s Eurovision account posted: “See you in the finals! Vidimo se u finalu!” In Croatia, tportal described LELEK’s reaction as pure disbelief and celebration, with hugs and jumping after their name was announced. Non-qualifiers thank fans and look back Portugal’s Bandidos do Cante responded with gratitude. On Instagram, they thanked everyone who followed their Eurovision adventure and said they left with the certainty that Alentejo could not have been better represented. Portuguese newspaper Correio da Manhã confirmed that Portugal stayed in the semi-final with “Rosa”. Georgia’s Bzikebi kept their message brief, posting “Thank you all!” on Instagram. Montenegro’s Tamara Živković had earlier thanked everyone listening to and supporting her song, while Vijesti reported after the show that she missed the final. Estonia’s Vanilla Ninja were also eliminated; national broadcaster ERR reported that Estonia did not qualify. San Marino’s SENHIT, who performed “Superstar” with Boy George, also focused on gratitude. Her social media message thanked fans for their love and support. The Eurovision 2026 reactions therefore showed two sides of the same night: qualifiers quickly switched to Grand Final mode, while the non-qualifiers framed Vienna as an intense but valuable experience.

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Martijn

Vienna 12 points: Eurovision 2nd semifinal tonight

Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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