Road to Vienna: Romania

Road to Vienna: Romania

As the Eurovision Song Contest 2026 in Vienna approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Romania.​

Alexandra Căpitănescu: Romania’s Pop-Rock Powerhouse

Alexandra Căpitănescu was born on July 31, 2003, in Galați, Romania. While initially pursuing a degree in physics in Bucharest with ambitions of becoming a medical physicist, her passion for music quickly took over. At just 15, she gained national attention on Românii au talent (2019), impressing judges with a soulful Janis Joplin performance.

Breakthrough on The Voice Romania

Her major breakthrough came in 2023 on Vocea României (The Voice of Romania). Turning all four coaches during auditions, she joined Tudor Chirilă’s team and delivered standout performances throughout the season. Her powerful rendition of “Like a Prayer” became a highlight, leading her to win the competition in December 2023 and launch her professional career.

Music Career and Style

After her win, Alexandra signed with Universal Music Romania and released her debut single “Nu pot.” In 2024, she dropped her first EP Căpitanu’, showcasing a mix of pop-rock energy and emotional depth. Follow-up singles like “A ta,” “Arde,” and “Tare” further established her sound, while tracks like “Dilaila” and “Stea căzătoare” revealed her versatility. Her music is known for its intensity, strong vocals, and emotional storytelling.

Live Performances and Stage Presence

Alexandra has built a reputation as a powerful live performer, touring across Romania and captivating audiences with her dynamic stage presence. Memorable moments include her duet of “Shallow” and a theatrical performance of The Phantom of the Opera. Her shows combine vocal strength with raw emotion, making her a standout on any stage.

Choke Me: Controversy & Impact

“Choke Me” by Alexandra Căpitănescu quickly gained international attention thanks to its striking title and emotional intensity. Blending dark pop-rock with powerful vocals, the track stands out as a bold and deeply personal release that resonates with modern listeners.

The Meaning Behind “Choke Me”

Despite its provocative title, the song is not about violence. Instead, “choking” serves as a metaphor for emotional pressure, anxiety, and inner conflict. The lyrics reflect the feeling of being overwhelmed by self-doubt, expectations, and personal struggles.

At its core, the song tells a story of vulnerability and transformation—turning internal battles into strength. This emotional honesty gives the track depth and makes it highly relatable.

Themes of Self-Love and Growth

“Choke Me” ultimately delivers an uplifting message. It encourages self-acceptance and highlights the importance of facing inner fears. Alexandra transforms themes of anxiety and insecurity into a narrative of empowerment, showing that growth often comes through struggle.

The Controversy Explained

The song sparked online debate due to its title and intense imagery. Some listeners initially interpreted “Choke Me” as referencing sexual or violent themes. This led to confusion and discussion across social media.

However, Alexandra Căpitănescu clarified that the meaning is purely symbolic. The song focuses on psychological pressure and emotional overwhelm—not literal actions. Once explained, many listeners re-evaluated the track and connected more deeply with its message.

 

Romania in the Eurovision Song Contest

Romania first took part in the Eurovision Song Contest in 1994. In the beginning, it was hard for Romania to do well. The first top-10 score was in 2002, when Monica Anghel and Marcel Pavel reached the 9th place. A very high score, 4th, was there for the afornamed Mihai. Two 3rd places were there for Romania: in 2005 (Luminița Anghel and Sistem even won the semifinal!) and for Ovi and Paula Seling in 2010. In more recent years Ilinca and Alex Florea became 7th with “Yodel it!”.

The bookmakers

Despite — or perhaps because of — the controversy about the song, Romania holds an impressive 8th place with the bookmakers. The real question is: how much higher can it go?

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Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. 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She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. 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A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

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Eurovision Song Contest 2026 - Banner
Eurovision 2026
Martijn

Vienna 12 points: Eurovision 2nd semifinal tonight

Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

Read More »
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