Basel Bulletin: Rehearsals, statements and odds

Rehearsals, statements and odds: that is what it is all about today. All the participants of the first semifinal have their second rehearsal. We have no liveblog from EBU, however we are expecting 30 seconds videos later today. We also have pictures.

🇮🇸 Iceland

Following their first rehearsal in Basel, Icelandic duo VÆB expressed immense satisfaction with their performance. Speaking to RÚV, they shared, “Everything went perfectly! We’re only now realizing that we’re in Eurovision.” The delegation echoed this sentiment; Head of Press Rúnar Freyr Gíslason praised the artists’ work, noting only minor adjustments were needed. Staging director Selma Björnsdóttir added that the duo appeared very comfortable and confident on stage, with results exceeding expectations. (source: RÙV)

VÆB’s performance features a two-part white wooden boat, dynamic LED visuals with neon red and blue geometric landscapes, and silver-themed costumes for both the duo and their backing dancers. The staging aims to enhance the song’s narrative and visual appeal. Currently, Iceland ranks 36th in the betting odds for Eurovision 2025.

📷 EBU/Corinne Cummings

🇵🇱 Poland

Following her first rehearsal in Basel, Poland’s Eurovision 2025 representative, Justyna Steczkowska, shared her excitement about the performance. She described the experience as “electrifying,” emphasizing the powerful staging and intricate choreography. Justyna highlighted the visual elements, noting the dynamic LED displays featuring cosmic imagery, including spinning planets and elemental visuals like water, lightning, and lava, which aim to convey the song’s theme of creation and transformation.

According to betting odds, Poland has an 80% chance of qualifying from Semi-Final 1, indicating strong support for Justyna’s entry.

📷 EBU/Corinne Cumming

🇸🇮 Slovenia

In a press conference with RTV SLO, Klemen discussed the intense preparations for his performance of “How Much Time Do We Have Left.” He revealed that he has been practicing daily handstands against a wall to acclimate himself to being upside down during the performance, aiming to prevent dizziness and ensure a smooth execution of the staging concept. 

Regarding the song’s message, Klemen emphasized its deeply personal nature, inspired by his wife’s battle with illness. He expressed a desire for the audience to perceive the song as a positive message, focusing on love and resilience in the face of adversity. 

As for the betting odds, Slovenia is currently ranked 28th in the Eurovision 2025 betting odds, indicating a modest chance of winning the contest.

📷 EBU/Sarah Louise Bennett

🇪🇪 Estonia

Following his first rehearsal in Basel on May 3, Estonia’s Eurovision 2025 representative, Tommy Cash, shared his reflections in various interviews. He expressed enthusiasm about the performance, stating, “We’re excited and getting ready,” and noted that the stage visuals had impressed even seasoned professionals. source: ERR

In a recent interview, Tommy discussed the controversy surrounding his song “Espresso Macchiato,” which some have criticized for perpetuating Italian stereotypes. He responded by saying, “I love Italy and have the utmost respect for the country,” emphasizing that he never intended to offend. 

Regarding betting odds, Estonia’s position has seen some fluctuation. Initially, after the selection of “Espresso Macchiato,” Estonia rose from seventh to fourth place in the betting tables. However, as of now, Estonia’s odds have stabilized at a 9th place, ranging between 13 and 15 times the bet, indicating a modest chance of winning the contest.

📷 EBU/Sarah Louise Bennett

🇺🇦 Ukraine

Following their first rehearsal on May 3 in Basel, Ukraine’s Eurovision 2025 representatives, Ziferblat, have shared insights into their performance and recent events impacting the band.

On May 6, Khrystyna Starykova, a member of Ziferblat, revealed that her home in Myrnohrad was partially destroyed by a Russian missile strike. She shared images of the damaged building on social media, expressing her sorrow and stating, “I dreamed so much of returning home.” Fortunately, her family and friends are safe. Khrystyna emphasized her commitment to performing at Eurovision, stating she would do so “for the good of our country” and to demonstrate the resilience of the Ukrainian people. source: ElHuffPost

Ziferblat’s performance of “Bird of Pray” features a blend of alternative rock with traditional Ukrainian elements, presented in both Ukrainian and English. The staging, directed by Maria Korostelova, is described as a significant departure from their national selection performance, aiming to convey the song’s themes of separation and hope. Designer Ivan Frolov, known for his work with previous Ukrainian Eurovision acts, has crafted the band’s outfits. 

Also Eurovision Universe talked to Ziferblat:

As of early May, Ukraine’s odds of winning Eurovision 2025 have fluctuated. Initially among the top contenders, Ukraine has since moved to 11th place in the betting odds. Current odds for Ukraine’s victory range between 66/1 and 80/1, indicating a moderate chance of winning. 

📷 EBU/Corinne Cumming

🇸🇪 Sweden

Following their first rehearsal in Basel on May 3, Sweden’s Eurovision 2025 representatives, KAJ, have been actively engaging with media and fans. The trio, known for their comedic-folk-pop style, is representing Sweden with the song “Bara Bada Bastu,” marking the country’s first Swedish-language entry since 1998.

In a recent interview, KAJ discussed the inspiration behind their song and performance. They emphasized the importance of bringing a sense of joy and cultural identity to the Eurovision stage, stating, “We wanted to create something that resonates with our roots and brings a smile to people’s faces.” The group also highlighted their unique position as a Finnish-born trio representing Sweden, aiming to bridge cultural connections through music. source: Sortiraparis

On social media, KAJ has been sharing behind-the-scenes glimpses of their Eurovision journey. A recent Instagram reel from May 3 humorously posed the question, “Can Basel handle the sauna heat?” referencing their song’s theme and their energetic performance. The post garnered significant attention, with over 22,000 likes and numerous comments from fans expressing excitement for their act. source: Instagram

Regarding betting odds, KAJ is currently a strong contender in the Eurovision 2025 lineup. As of early May, they are leading in both the betting odds and the Eurovoix Model, indicating a high probability of success in the competition. source: Eurovoix

📷 EBU/Sarah Louise Bennett

 

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🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

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Blast from the past
Martijn

🇨🇾 Blast from the past: Cyprus 2000

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 2000, when the duo Voice represented Cyprus with the song “Nomiza”. Cyprus in the Eurovision Song Contest Cyprus debuted at the Eurovision Song Contest in 1981 and has become a consistent finalist, yet is still chasing its first victory. The island’s benchmark result came in 2018. Eleni Foureira’s uptempo entry “Fuego” finished second with 436 points, the country’s best placing to date. Earlier, Cyprus had reached the top five with songs such as Anna Vissi’s “Mono i agapi” (1982), Hara and Andreas Constantinou’s “Mana mou” (1997) and Lisa Andreas’ “Stronger Every Minute” (2004).  In recent years Cyprus has relied on internal selections and close collaboration with international songwriters. In 2023, Australian‑Cypriot singer Andrew Lambrou took “Break a Broken Heart” to 12th place in the Liverpool final. Silia Kapsis followed in 2024 with the dance‑pop track “Liar”, qualifying from Malmö’s first semi‑final and finishing 15th overall. In 2025 Theo Evan performed “Shh” in Basel. He narrowly missed qualification in semi‑final one, placing 11th.  📷 Eleni Foureira, photo EBU/Andres Putting Diagonismós Tragoudioú Giourovízion 2000 The Cypriot national selection in 2000 was called Diagonismós Tragoudioú Giourovízion. The contest was held on 16 February. Eleven songs competed: Marina Solonos, “Eima akoma edo“, 148 pts, 3rd Annie, “Na m’agapas“, 131 pts, 5th Maria Amman, “Fones“, 87 pts, 10th Marilia Perikleous & Demetris Mouhtadouris, “Trikymia”, 93 pts, 9th Chrystanthos Chrystanthou, “An”, 78 pts, 11th Alexandros Panayi & Christina Argyri, “Nomiza“, 225 pts, 1st Lefki Stylianou, “Antio, loipon“, 94 pts, 8th Antonia Orthanou, “Sti gi eirini“, 100 pts, 7th Marian Georgiou & Kostas Kountos, “Paradeisos“, 145 pts, 4th Giorgos Gavriel, “Volt“, 122 pts, 6th Haroula Pirta, “Ki akoma s’agapo“, 184 pts, 2nd   Voice (Alexandros Panayi and Christina Argyri) Voice was the Cypriot vocal duo formed by Alexandros Panayi and Christina Argyri to represent Cyprus at the Eurovision Song Contest 2000 with the ballad “Nomiza”. Alexandros Panayi Alexandros Panayi (born 1970 in Nicosia) is a Greek-Cypriot singer, composer, lyricist and vocal coach with a long-standing relationship with Eurovision. He first appeared for Cyprus as a soloist in 1995 with “Sti fotia”, returning five years later as half of Voice and co-writer of “Nomiza”. Trained at Berklee College of Music in Boston, he has since worked extensively as a vocal director, producer and backing vocalist for several Eurovision delegations, including Greece’s winning entry “My Number One” in 2005. He has since returned regularly as songwriter, vocal director and mentor for various national and Eurovision projects.  Christina Argyri Christina Argyri (born 1971 in Nicosia) is a singer and actress who studied piano and music theory in Cyprus before also attending Berklee, specialising in jazz performance. Active mainly in theatre, she composes and performs music for stage productions and collaborates with Cypriot ensembles. Beyond Voice, Argyri has appeared as a backing vocalist at Eurovision, notably supporting Cypriot boyband One in 2002, and is also active as a dubbing and voice artist. Nomiza “Nomiza” was the Cypriot entry at the Eurovision Song Contest 2000. Written and composed by Panayi, the song is a dramatic pop ballad that shifts between Greek and Italian lyrics, telling the story of a love the narrator “thought” would last forever.  Musically, “Nomiza” builds from an intimate, slow‑to‑mid‑tempo opening into a bigger, more orchestral climax, showcasing the powerful harmonies between the two vocalists. Its bilingual structure gives it a distinctive Mediterranean flavour compared with other ballads in the 2000 line‑up. The song won the Cypriot national final and was later released as a CD single featuring Greek‑only and Italian versions, including the Italian title “Rosso Vivo”.  On stage in Stockholm, the performance focused on the singers’ interplay, with restrained staging and dark blue visuals reinforcing the emotional tone. In the final, “Nomiza” was performed 11th on the night and finished 21st out of 24 entries, scoring 8 points and relegating Cyprus from Eurovision 2001.  

Read More »
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