This yearâs Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas â âZusammen geh’nâ Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad âZusammen geh’nâ. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. âZusammen geh’nâ earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas â âMaria Magdalenaâ Tony Wegas returned in 1993 to represent Austria with âMaria Magdalena,â a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, âMaria Magdalenaâ scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey â âFĂŒr den Frieden der Weltâ Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad âFĂŒr den Frieden der Weltâ (translated as âFor the Peace of the Worldâ). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Freyâs strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austriaâs 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones â âDie Welt dreht sich verkehrtâ Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with âDie Welt dreht sich verkehrtâ (meaning âThe World Turns Upside Downâ). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer â âWeilâs dr guat gotâ George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with âWeilâs dr guat gotâ. Sung in his native Vorarlberg dialect (the title roughly means âBecause Youâre Doing Wellâ), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat â âOne Stepâ Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with âOne Step.â Having been a backing vocalist for Austriaâs 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the songâs lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, âOne Stepâ received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer â âReflectionâ Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austriaâs one-year absence. She performed âReflection,â a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed âReflectionâ, providing a modern pop sound accompanied by a live band on stage. Bobbieâs engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries â Austriaâs best Eurovision result of the 1990s.    Â