🇵🇱 Road to Malmö: Poland

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Poland.

Luna

Luna, the stage persona of Aleksandra Katarzyna Wielgomas, born August 28, 1999, in Warsaw, is a distinguished Polish singer, songwriter, and composer. Beginning her musical journey with violin lessons, she later attended a high school focused on law and political sciences before pursuing artes liberales at the University of Warsaw. Luna’s early career was marked by her participation in the Artos children’s choir and performances at the Grand Theatre, laying the foundation for her artistic path.

Her collaboration with the Kayax record label in 2018 through the “My Name is New” project led to her debut single “Na wzgórzach niepokoju,” propelling her into the spotlight at significant events like the Night of Museums and Pol’n’Rock Festival. 2020 saw Luna adopting her stage name and venturing into a new musical direction with Michał “Fox” Król, exploring cosmic sounds in her work, as highlighted in singles like “Serca przemokną” and “Mniej,” incorporating space sounds from NASA.

Luna’s “Zgaś” further established her presence in the Polish music scene, embodying her “cosmic pop” style influenced by the cosmos, nature, and poetry, drawing inspiration from icons like Nick Cave and Björk. In 2024, Luna was chosen to represent Poland at the Eurovision Song Contest with “The Tower,” bringing her unique sound to an international audience.

Beyond her music, Luna engages in theatre and promotes music equality, notably as an ambassador for the Equal Spotify campaign, becoming the first Polish woman to be featured on Times Square for this initiative. Her career reflects a blend of cosmic fascination, poetic expression, and advocacy for equality in the music industry.

Polish language

It is already 5 years ago that a song, partially in Polish, participated in the Eurovision Song Contest. The Polish language, a Slavic tongue, serves as Poland’s linguistic core. It intertwines with the nation’s rich history and culture. Known for its complex sounds and unique diacritical marks like ł (łaciaty), ś (śliski), and ń (koń), it challenges non-native speakers. Its pronunciation and consonant clusters are notably difficult. Its vocabulary is a tapestry of Slavic roots with layers of Latin, German, and English influences. It reflects centuries of cultural interactions. Beyond Poland’s borders, vibrant Polish-speaking communities flourish worldwide, preserving and enriching this beautiful language. Polish not only connects millions to their heritage but also to a deeply storied past and a dynamic present.

Poland in the Eurovision Song Contest

Poland debuted in the Eurovision Song Contest in 1994. With a second place for Edyta Górniak’s “To nie ja”, they secured a record. The song is still the best scoring song ever for Poland. Only two times after that, the Polish entry reached the top-10. In 2003 with Ich Troje’s “Keine Grenzen – Żadnych granic” (7th) and in 2016 with Michał Szpak’s “Color of my life” (8th). Last year, Blanka reached the final easily, but in the final itself reached a 19th place. Luna hopes to be the 4th artist reaching the top-10.

The Bookmakers

Poland is currently no. 32 in the betting odds. That means it’s gonna be a tough job for Luna to reach the final. However, things such as staging and live performance can change everything and make Poland one of the more succesful contenders.

The song

This is the song:

 

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It’s time for a weekly update! A little over a week has passed since Austria won the Eurovision Song Contest 2025 with JJ’s “Wasted Love.” As the celebrations fade, Europe turns its eyes toward Eurovision 2026. Plenty is already happening: Austria is preparing to host, broadcasters question the voting, Israel’s role is debated, and the first countries are confirming participation. Austria Gets Ready for 2026 Austria has officially confirmed that it will host Eurovision 2026. The Wiener Stadthalle in Vienna, which previously hosted the contest in 2015, has been confirmed as a strong candidate. Other cities including Graz, Innsbruck, Linz/Wels, Oberwart, St. Pölten and Ebreichsdorf have also expressed interest. A decision about the host city is expected later this year. Vienna’s infrastructure and experience give it an edge. However, the competition is open, and local governments across Austria are keen to welcome the Eurovision spotlight. ORF, Austria’s national broadcaster, is currently reviewing proposals. 📷 Robert Zolles, Wikimedia Commons Voting System Under Review The results of Eurovision 2025 sparked discussion in several countries. In particular, Israel won the public televote by a large margin, which led to concerns about the voting process. Some broadcasters have officially asked the European Broadcasting Union (EBU) to investigate. In response, the EBU released a statement. They confirmed that the televoting system worked according to the rules and that they found no irregularities. However, they promised to evaluate the situation and listen to feedback from participating countries. The goal is to keep Eurovision fair and transparent. Debate Over Israel’s Participation Alongside the voting concerns, Israel’s participation itself is a topic of discussion. Several broadcasters have asked the EBU to open talks about whether Israel should continue to take part in Eurovision. The request comes in the wake of political tensions and protests before the 2025 contest. The EBU has not changed its position. It maintains that Eurovision is a non-political event and that all active members have the right to participate. Whether this debate will affect the 2026 lineup is still unclear. The Netherlands and Others Begin 2026 Preparations Broadcasters are already thinking about next year. In the Netherlands, AVROTROS opened its submission process on 19 May. Artists and songwriters can send in their songs until 31 August. The broadcaster expects to make a final decision in December. Denmark and Finland have gone one step further. They have both set dates for their national finals. Denmark’s selection will take place on 14 February 2026, while Finland will choose its act on 28 February 2026. So far, Austria, the Netherlands, and Montenegro have confirmed participation. Andorra has announced it will not return to the contest. Most other countries have not made official statements yet. 📷 EBU/Sarah Louise Bennett Eurovision 2025 Songs on the Charts The Eurovision Song Contest always has an impact on the charts, and this year is no exception. A number of songs from the 2025 contest are performing well across Europe. Here is an overview of current chart positions: Country Artist Song Chart Countries & Peak Positions Austria JJ Wasted Love #1 Austria, #3 Switzerland, #8 Sweden Israel Yuval Raphael New Day Will Rise #1 Israel, #89 Sweden Estonia Tommy Cash Espresso Macchiato #1 Estonia, #4 Sweden Sweden KAJ Bara Bada Bastu #1 Sweden, #1 Norway Germany Abor & Tynna Baller #3 Germany, #34 UK United Kingdom Remember Monday What the Hell Just Happened? #31 UK Norway Kyle Alessandro Lighter #6 Norway, #6 Lithuania Italy Lucio Corsi Volevo essere un duro #5 Italy, #30 Sweden Finland Erika Vikman Ich komme #1 Finland, #38 Sweden France Louane Maman #23 France, Top 50 Belgium Malta Miriana Conte Serving #90 Sweden San Marino Gabry Ponte Tutta l’Italia #91 Sweden The Netherlands Claude C’est la vie #1 Netherlands, #12 Lithuania, #16 Estonia Clearly, the Eurovision Song Contest continues to influence popular music. Even songs that did not win are finding international success. Looking Ahead As the Eurovision season shifts from celebration to preparation, there is already a lot to follow. Cities are bidding to host, broadcasters are raising questions, and fans are replaying their favourites. We’ll be back next week with another Eurovision weekly update! Share

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Martijn

Weekly Update

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Share
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