Malmö Messages: dancing, ballads and demons

Based on the posted photos, we can still share some details about today’s rehearsals.

Cyprus: Not much seems to have changed compared to last time. The Cypriot song is mainly a dance act. The singing seemed to be of secondary importance at least. Cyprus once scored a 2nd place with Eleni Foureira in 2018. Whether Silia Kapsis can achieve the same is a big question mark. At the moment, the bookmakers predict a 23rd place for “Liar.”

EBU/Alma Bengtsson

Serbia: Thunder and lightning and rocky landscapes during Teya Dora’s performance. In her song about Ramonda, she sang well before, and we have no reason to believe it’s different now. It was Marija Šerifović who once won for Serbia. Now, with a 24th place according to the bookmakers, it might be a bit more complicated.

EBU/Sarah Louise Bennett

Lithuania:  Especially the cheerfulness of the song and Silvester’s charisma are winning over many hearts. The lighting is still red and blue. The masks (or rather a kind of oversized hoodies) of the background singers are more noticeable now. The bookmakers predict a 16th place.

EBU/Alma Bengtsson

Ireland: If you’re into witchcraft and demons, you’re in the right place. Bambie Thug is surrounded by candles, forming a sort of witches’ circle around her. The white-painted face with black remains the same as during the previous rehearsal. Her hair is styled as if they are two horns. The demon on stage is now much more heavily made up. With her song “Doomsday Blue,” Bambie Thug is currently in a good 9th place according to the bookmakers, something Ireland could only dream of in recent years.

EBU/Sarah Louise Bennett

Ukraine: Jerry Heil wears a train that she drops, while Alyona Alyona wears a white coat. With Teresa & Maria, they once again manage to make Ukraine one of the competitors to beat. Sitting on the ground or standing back to back, the two ladies deliver their song with strong vocals. It’s no surprise that the bookmakers currently predict a fifth place for them.

EBU/Sarah Louise Bennett

Poland: Pointed shoulders are not reserved for Joost alone. Polish Luna also has them as she sings “The Tower.” Additionally, she is followed by three demons (there they are again). However, the pop tune she brings might be just a bit too average to score high. The bookmakers, at least, are not too enthusiastic, giving her a 28th place.

EBU/Alma Bengtsson

in collaboration with Eurovision Artists

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Blast from the past: Ireland 1986

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Blast from the past
Martijn

Blast from the past: Ireland 1986

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1986, when Luv Bug represented Ireland with the song “You Can Count On Me”. Ireland in the Eurovision Song Contest Ireland debuted at Eurovision in 1965 and holds a joint‑record seven victories, remaining the only country to win three in a row (1992–94). The winners are: Dana (1970); Johnny Logan (1980, 1987); Linda Martin (1992); Niamh Kavanagh (1993); Paul Harrington & Charlie McGettigan (1994); and Eimear Quinn (1996). Johnny Logan also wrote Linda Martin’s winner. Recent scores show a mixed picture: in 2024, Bambie Thug’s “Doomsday Blue” placed 6th in the Grand Final with 278 points after finishing 3rd in its semi‑final;  in 2025, Emmy’s “Laika Party” finished 13th in Semi‑Final Two and did not qualify; and in 2023, Wild Youth missed the final. Before that, Ireland last qualified in 2018, when Ryan O’Shaughnessy’s “Together” finished 16th; 2021–23 all ended in the semi‑finals. The 2024 result was Ireland’s best in more than two decades overall for the country. Despite fluctuations, Ireland remains the record‑holder with seven wins, now shared with Sweden. Johnny Logan Irish National Song Contest 1986 The Irish national final in those days was called The Irish National Song Contest. A total of 9 different artists each sang one song. The contest was held on 30 March in the RTVÉ TV Studios in Dublin. Eleven regional juries made the decision. Fran Meen, “Here In The Night“, 12 pts, 5th Luv Bug, “You Can Count On Me“, 35 pts, 1st Theresa Lowe, “Only The Lonely Survive“, 2 pts, 8th The Rockets, “Life In The City“, 3 pts, 6th John Spillane & Mandy Murphy, “Ringo“, 3 pts, 6th Honor Heffernan, “Honey“, 19 pts, 3rd Loudest Whisper, “Johnny, Where Are You Now?“, 22 pts, 2nd Linda Martin, “If I Can Change Your Mind“, 14 pts, 4th Jim Walsh, “I’ll Never Love Again“, 0 pts, 9th   Linda Martin was already a familiar name in 1986, because 2 years earlier she represented Ireland. With a song penned by Johnny Logan, she would win in 1992. Also this year’s song was written by Johnny. Luv Bug Luv Bug is an Irish pop group from Newry, County Down. The group was formed in 1977 by siblings June, Hugh and Max Cunningham with Ricky Meyler and Majella Grant. After early charting singles on the Irish charts, including a cover of “Red Light Spells Danger” (1984) and the homegrown hits “Look at Me I’m Dancing” and “On My Own,” the band won Ireland’s National Song Contest in March 1986. That victory sent Luv Bug to the Eurovision Song Contest in Bergen with “You Can Count On Me” , a career‑defining moment that reached Ireland’s top five. Formed as a teenage band, Luv Bug turned professional in 1982 with manager Michael Magill and built a reputation as a live act across Ireland. Through the late 1980s the group toured widely, released an album, and briefly recorded for Virgin under the alias Heart of Ice. They returned to Ireland’s Eurosong in 1992 with “Close to Your Heart,” placing behind eventual Eurovision winner Linda Martin. Notably, Luv Bug were the first Northern group to represent the Republic at Eurovision. Today they remain an in‑demand live act for events and festivals across Ireland. You Can Count On Me “You Can Count On Me” was Ireland’s 1986 Eurovision entry, performed by Luv Bug and written by Kevin Sheerin. The song placed fourth in Bergen with 96 points after winning Ireland’s National Song Contest earlier that spring on RTÉ television. Musically it’s classic mid‑’80s pop: a bright, radio‑friendly ballad with synth gloss and warm backing vocals, balanced by Noel Kelehan’s live orchestral arrangement. The hook‑driven chorus and polished production helped it stand out on the night, and the single became an Irish hit, reaching No. 2 in Ireland. 

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