🇵🇱 Road to Malmö: Poland

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Poland.

Luna

Luna, the stage persona of Aleksandra Katarzyna Wielgomas, born August 28, 1999, in Warsaw, is a distinguished Polish singer, songwriter, and composer. Beginning her musical journey with violin lessons, she later attended a high school focused on law and political sciences before pursuing artes liberales at the University of Warsaw. Luna’s early career was marked by her participation in the Artos children’s choir and performances at the Grand Theatre, laying the foundation for her artistic path.

Her collaboration with the Kayax record label in 2018 through the “My Name is New” project led to her debut single “Na wzgĂłrzach niepokoju,” propelling her into the spotlight at significant events like the Night of Museums and Pol’n’Rock Festival. 2020 saw Luna adopting her stage name and venturing into a new musical direction with MichaĹ‚ “Fox” KrĂłl, exploring cosmic sounds in her work, as highlighted in singles like “Serca przemoknÄ…” and “Mniej,” incorporating space sounds from NASA.

Luna’s “ZgaĹ›” further established her presence in the Polish music scene, embodying her “cosmic pop” style influenced by the cosmos, nature, and poetry, drawing inspiration from icons like Nick Cave and Björk. In 2024, Luna was chosen to represent Poland at the Eurovision Song Contest with “The Tower,” bringing her unique sound to an international audience.

Beyond her music, Luna engages in theatre and promotes music equality, notably as an ambassador for the Equal Spotify campaign, becoming the first Polish woman to be featured on Times Square for this initiative. Her career reflects a blend of cosmic fascination, poetic expression, and advocacy for equality in the music industry.

Polish language

It is already 5 years ago that a song, partially in Polish, participated in the Eurovision Song Contest. The Polish language, a Slavic tongue, serves as Poland’s linguistic core. It intertwines with the nation’s rich history and culture. Known for its complex sounds and unique diacritical marks like Ĺ‚ (Ĺ‚aciaty), Ĺ› (Ĺ›liski), and Ĺ„ (koĹ„), it challenges non-native speakers. Its pronunciation and consonant clusters are notably difficult. Its vocabulary is a tapestry of Slavic roots with layers of Latin, German, and English influences. It reflects centuries of cultural interactions. Beyond Poland’s borders, vibrant Polish-speaking communities flourish worldwide, preserving and enriching this beautiful language. Polish not only connects millions to their heritage but also to a deeply storied past and a dynamic present.

Poland in the Eurovision Song Contest

Poland debuted in the Eurovision Song Contest in 1994. With a second place for Edyta GĂłrniak’s “To nie ja”, they secured a record. The song is still the best scoring song ever for Poland. Only two times after that, the Polish entry reached the top-10. In 2003 with Ich Troje’s “Keine Grenzen – Ĺ»adnych granic” (7th) and in 2016 with MichaĹ‚ Szpak’s “Color of my life” (8th). Last year, Blanka reached the final easily, but in the final itself reached a 19th place. Luna hopes to be the 4th artist reaching the top-10.

The Bookmakers

Poland is currently no. 32 in the betting odds. That means it’s gonna be a tough job for Luna to reach the final. However, things such as staging and live performance can change everything and make Poland one of the more succesful contenders.

The song

This is the song:

 

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Weekly Update

It’s time for another weekly Eurovision update! After we were unable to publish an update last week, we have extra information to cover this week. National finals are heating up across Europe, preparations for Eurovision 2026 are in full swing, and the debate over Israel’s participation continues. Here are the latest developments: Nordic & Baltic National Finals 🇸🇪 Sweden: SVT has announced the six-city tour for Melodifestivalen 2026, which will span five heats and a final. The shows kick off in Linköping on January 31 and continue to Gothenburg, Kristianstad, Malmö, and Sundsvall, culminating with the Grand Final in Stockholm on March 7. Notably, Sundsvall returns as a host city for the first time since 2011. SVT also received a record 3,888 song submissions for Melodifestivalen 2026. source: SVT 🇪🇪 Estonia: Eesti Laul 2026 is now underway. ERR opened song submissions on September 19, with entries accepted until October 20. The Eesti Laul 2026 shows are expected early next year, continuing Estonia’s tradition of a multi-show national final. source: info.err.ee Western Europe National Finals 🇩🇪 Germany: Germany will choose its Eurovision 2026 act via a public national final in late February. It will be broadcast on ARD’s Das Erste. Broadcaster SWR, taking over Eurovision duties from NDR, confirmed that no cooperation with Stefan Raab or RTL is planned for 2026. This means the earlier proposed Raab/RTL selection show will not go ahead. ARD will organize the selection alone. source: deutschlandfunk.de 🇱🇺 Luxembourg: The Grand Duchy’s return to Eurovision moves forward as the Luxembourg Song Contest 2026 submission window has closed. September 1 was the last day for artists to submit songs to represent Luxembourg in Vienna. National broadcaster RTL will now review all entries and invite selected candidates to audition before an international jury in October. That jury will pick finalists for Luxembourg’s televised national final. source: eurovoix.com 🇳🇱 The Netherlands: Dutch broadcaster AVROTROS has been secretive about its selection. After receiving around 300 song submissions, the field has been narrowed to 10 entries still in the race to represent the Netherlands. An internal selection committee is reviewing the final contenders, with an announcement of the chosen artist expected by the end of the year. source: songfestivalweblog 🇦🇹 Austria: ORF has confirmed “Wer singt für Österreich?” – Austria’s national final – will take place on February 20, 2026. The show returns to choose Austria’s act for Vienna as the country hosts Eurovision 2026. ORF has not yet announced the format or artists. However, expectations are high after Austria’s victory in 2025. source: escxtra Southern Europe National Finals 🇵🇹 Portugal: RTP unveiled major changes for Festival da Canção 2026. For the first time, a special “Prova de Acesso” contest for music school talents is providing one spot in the FdC line-up via an online public vote. Additionally, last year’s FdC winners NAPA get to directly invite one competing artist for 2026. These new paths join the traditional open submissions and RTP wildcards to make up 16 entries in total. source: RTP 🇪🇸 Spain: RTVE has reported an overwhelming response for Benidorm Fest 2026, Spain’s Eurovision selection. Over 900 songs were submitted by the September 25 deadline. A panel will now shortlist semi-finalists for the Benidorm Fest shows slated for early 2026. This strong interest comes as Spain seeks to continue its recent Eurovision revival. Notably, Spain’s participation itself was under question due to the Israel controversy. However, the broadcaster has since confirmed Spain will have a Benidorm Fest. source: RTVE South-Eastern Europe National Finals 🇬🇷 Greece: Greek broadcaster ERT is reviving a multi-show national final. Ethnikós Telikós 2026 will feature two semifinals (up to 28 songs total) and a grand final. Song submissions opened September 17 and run through November 2. In the final, the winner will be decided by 50% televote, 25% Greek jury, and 25% international jury. ERT hopes the expanded competition will build excitement and deliver another strong result. source: ERT 🇦🇱 Albania: In Tirana, RTSH has closed song submissions for Festivali i Këngës 64. The long-running festival will once again select Albania’s entry. September 30 was the final deadline for artists to send in songs for FiK 64, which takes place this December. The FiK selection committee will now review the entries and pick the lineup for the festival shows. Notably, FiK 64 will introduce a new real-time voting app for the public alongside the jury voting. Albania’s Eurovision 2026 journey is assured after a financial dispute with the EBU was resolved (more on that below), so the FiK winner will indeed head to Vienna. source: Eurovoix 🇭🇷 Croatia: HRT has officially opened submissions for Dora 2026, Croatia’s national selection for Eurovision. Songwriters and performers can submit entries from September 22 until November 23, 2025. HRT also published the rules and confirmed that Dora 2026 will be broadcast in February. source: HRT Eurovision 2026 Preparations & Participation A Eurovision Song Contest workshop was held in Dubrovnik, Croatia, as part of preparations for the upcoming 70th contest. Heads of Delegation from all participating broadcasters traveled to the host country for this meeting. The workshop reportedly covered organizational aspects of Eurovision 2026. That includes discussions about the voting system and potential rule changes for next year. With Eurovision celebrating a milestone edition in 2026, officials are considering tweaks to ensure the contest remains fair and engaging. source: Eurovoix 🇫🇷 France has officially confirmed its participation in Eurovision 2026. In a statement on social media, France Télévisions reaffirmed its support for the Eurovision event and the artists involved. France’s broadcaster emphasized the cultural importance of the contest and indicated it will be present in Vienna. Details of France’s selection process are still to be announced. Since 2023 France has internally selected its act, but it remains to be seen if that will continue.  🇦🇱 Albania will also be at Eurovision 2026 after a moment of uncertainty. RTSH’s Director General, Eni Vasili, successfully renegotiated the broadcaster’s debt with the EBU, averting a potential suspension. The EBU had been on the

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Martijn

Weekly Update

It’s time for another weekly Eurovision update! After we were unable to publish an update last week, we have extra information to cover this week. National finals are heating up across Europe, preparations for Eurovision 2026 are in full swing, and the debate over Israel’s participation continues. Here are the latest developments: Nordic & Baltic National Finals 🇸🇪 Sweden: SVT has announced the six-city tour for Melodifestivalen 2026, which will span five heats and a final. The shows kick off in Linköping on January 31 and continue to Gothenburg, Kristianstad, Malmö, and Sundsvall, culminating with the Grand Final in Stockholm on March 7. Notably, Sundsvall returns as a host city for the first time since 2011. SVT also received a record 3,888 song submissions for Melodifestivalen 2026. source: SVT 🇪🇪 Estonia: Eesti Laul 2026 is now underway. ERR opened song submissions on September 19, with entries accepted until October 20. The Eesti Laul 2026 shows are expected early next year, continuing Estonia’s tradition of a multi-show national final. source: info.err.ee Western Europe National Finals 🇩🇪 Germany: Germany will choose its Eurovision 2026 act via a public national final in late February. It will be broadcast on ARD’s Das Erste. Broadcaster SWR, taking over Eurovision duties from NDR, confirmed that no cooperation with Stefan Raab or RTL is planned for 2026. This means the earlier proposed Raab/RTL selection show will not go ahead. ARD will organize the selection alone. source: deutschlandfunk.de 🇱🇺 Luxembourg: The Grand Duchy’s return to Eurovision moves forward as the Luxembourg Song Contest 2026 submission window has closed. September 1 was the last day for artists to submit songs to represent Luxembourg in Vienna. National broadcaster RTL will now review all entries and invite selected candidates to audition before an international jury in October. That jury will pick finalists for Luxembourg’s televised national final. source: eurovoix.com 🇳🇱 The Netherlands: Dutch broadcaster AVROTROS has been secretive about its selection. After receiving around 300 song submissions, the field has been narrowed to 10 entries still in the race to represent the Netherlands. An internal selection committee is reviewing the final contenders, with an announcement of the chosen artist expected by the end of the year. source: songfestivalweblog 🇦🇹 Austria: ORF has confirmed “Wer singt für Österreich?” – Austria’s national final – will take place on February 20, 2026. The show returns to choose Austria’s act for Vienna as the country hosts Eurovision 2026. ORF has not yet announced the format or artists. However, expectations are high after Austria’s victory in 2025. source: escxtra Southern Europe National Finals 🇵🇹 Portugal: RTP unveiled major changes for Festival da Canção 2026. For the first time, a special “Prova de Acesso” contest for music school talents is providing one spot in the FdC line-up via an online public vote. Additionally, last year’s FdC winners NAPA get to directly invite one competing artist for 2026. These new paths join the traditional open submissions and RTP wildcards to make up 16 entries in total. source: RTP 🇪🇸 Spain: RTVE has reported an overwhelming response for Benidorm Fest 2026, Spain’s Eurovision selection. Over 900 songs were submitted by the September 25 deadline. A panel will now shortlist semi-finalists for the Benidorm Fest shows slated for early 2026. This strong interest comes as Spain seeks to continue its recent Eurovision revival. Notably, Spain’s participation itself was under question due to the Israel controversy. However, the broadcaster has since confirmed Spain will have a Benidorm Fest. source: RTVE South-Eastern Europe National Finals 🇬🇷 Greece: Greek broadcaster ERT is reviving a multi-show national final. Ethnikós Telikós 2026 will feature two semifinals (up to 28 songs total) and a grand final. Song submissions opened September 17 and run through November 2. In the final, the winner will be decided by 50% televote, 25% Greek jury, and 25% international jury. ERT hopes the expanded competition will build excitement and deliver another strong result. source: ERT 🇦🇱 Albania: In Tirana, RTSH has closed song submissions for Festivali i Këngës 64. The long-running festival will once again select Albania’s entry. September 30 was the final deadline for artists to send in songs for FiK 64, which takes place this December. The FiK selection committee will now review the entries and pick the lineup for the festival shows. Notably, FiK 64 will introduce a new real-time voting app for the public alongside the jury voting. Albania’s Eurovision 2026 journey is assured after a financial dispute with the EBU was resolved (more on that below), so the FiK winner will indeed head to Vienna. source: Eurovoix 🇭🇷 Croatia: HRT has officially opened submissions for Dora 2026, Croatia’s national selection for Eurovision. Songwriters and performers can submit entries from September 22 until November 23, 2025. HRT also published the rules and confirmed that Dora 2026 will be broadcast in February. source: HRT Eurovision 2026 Preparations & Participation A Eurovision Song Contest workshop was held in Dubrovnik, Croatia, as part of preparations for the upcoming 70th contest. Heads of Delegation from all participating broadcasters traveled to the host country for this meeting. The workshop reportedly covered organizational aspects of Eurovision 2026. That includes discussions about the voting system and potential rule changes for next year. With Eurovision celebrating a milestone edition in 2026, officials are considering tweaks to ensure the contest remains fair and engaging. source: Eurovoix 🇫🇷 France has officially confirmed its participation in Eurovision 2026. In a statement on social media, France Télévisions reaffirmed its support for the Eurovision event and the artists involved. France’s broadcaster emphasized the cultural importance of the contest and indicated it will be present in Vienna. Details of France’s selection process are still to be announced. Since 2023 France has internally selected its act, but it remains to be seen if that will continue.  🇦🇱 Albania will also be at Eurovision 2026 after a moment of uncertainty. RTSH’s Director General, Eni Vasili, successfully renegotiated the broadcaster’s debt with the EBU, averting a potential suspension. The EBU had been on the

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