🇵🇱 Road to Malmö: Poland

We can not wait for the Eurovision Song Contest in Malmö. Therefore, we have a closer look at one of the contestants every day. Today: Poland.

Luna

Luna, the stage persona of Aleksandra Katarzyna Wielgomas, born August 28, 1999, in Warsaw, is a distinguished Polish singer, songwriter, and composer. Beginning her musical journey with violin lessons, she later attended a high school focused on law and political sciences before pursuing artes liberales at the University of Warsaw. Luna’s early career was marked by her participation in the Artos children’s choir and performances at the Grand Theatre, laying the foundation for her artistic path.

Her collaboration with the Kayax record label in 2018 through the “My Name is New” project led to her debut single “Na wzgĂłrzach niepokoju,” propelling her into the spotlight at significant events like the Night of Museums and Pol’n’Rock Festival. 2020 saw Luna adopting her stage name and venturing into a new musical direction with MichaĹ‚ “Fox” KrĂłl, exploring cosmic sounds in her work, as highlighted in singles like “Serca przemoknÄ…” and “Mniej,” incorporating space sounds from NASA.

Luna’s “ZgaĹ›” further established her presence in the Polish music scene, embodying her “cosmic pop” style influenced by the cosmos, nature, and poetry, drawing inspiration from icons like Nick Cave and Björk. In 2024, Luna was chosen to represent Poland at the Eurovision Song Contest with “The Tower,” bringing her unique sound to an international audience.

Beyond her music, Luna engages in theatre and promotes music equality, notably as an ambassador for the Equal Spotify campaign, becoming the first Polish woman to be featured on Times Square for this initiative. Her career reflects a blend of cosmic fascination, poetic expression, and advocacy for equality in the music industry.

Polish language

It is already 5 years ago that a song, partially in Polish, participated in the Eurovision Song Contest. The Polish language, a Slavic tongue, serves as Poland’s linguistic core. It intertwines with the nation’s rich history and culture. Known for its complex sounds and unique diacritical marks like Ĺ‚ (Ĺ‚aciaty), Ĺ› (Ĺ›liski), and Ĺ„ (koĹ„), it challenges non-native speakers. Its pronunciation and consonant clusters are notably difficult. Its vocabulary is a tapestry of Slavic roots with layers of Latin, German, and English influences. It reflects centuries of cultural interactions. Beyond Poland’s borders, vibrant Polish-speaking communities flourish worldwide, preserving and enriching this beautiful language. Polish not only connects millions to their heritage but also to a deeply storied past and a dynamic present.

Poland in the Eurovision Song Contest

Poland debuted in the Eurovision Song Contest in 1994. With a second place for Edyta GĂłrniak’s “To nie ja”, they secured a record. The song is still the best scoring song ever for Poland. Only two times after that, the Polish entry reached the top-10. In 2003 with Ich Troje’s “Keine Grenzen – Ĺ»adnych granic” (7th) and in 2016 with MichaĹ‚ Szpak’s “Color of my life” (8th). Last year, Blanka reached the final easily, but in the final itself reached a 19th place. Luna hopes to be the 4th artist reaching the top-10.

The Bookmakers

Poland is currently no. 32 in the betting odds. That means it’s gonna be a tough job for Luna to reach the final. However, things such as staging and live performance can change everything and make Poland one of the more succesful contenders.

The song

This is the song:

 

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Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Ă–sterreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Ă–sterreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter MĂĽller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

Read More »
History
Martijn

Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Ă–sterreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Ă–sterreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter MĂĽller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

Read More »
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