Winners press conference

Ten countries head to the final. After this there is a winners press conference. The ten winners all answered some questions, and here is a short overview of what was said.

Croatia  will perform in the second half of the final. The groups wants to make this world a little bit better place for everybody. The singer said “please stop f*cking wars. In wars there is no winners, in Eurovision there is no losers. They are proud to reach the final, as several times they reached the 11th place.

Moldova will perform in the second half of the final. It felt pretty similar to his 2012 performance, because even Loreen is back! He likes to feel that they were more prepared this year. His wife says that if you work together you do everything together, even taking a shower together.

Switzerland will perform in the first half of the final. Remo says it was his biggest dream to go to the finals. He started believing in it. Remo also confirms that the fan bubble in Eurovision is another level: he felt the love, also in the preview parties. He is the youngest qualifier. The next goal in his life is to win Eurovision. He always had a very low voice, people never expected it. “It is what it is, I have a babyface and a low voice. It’s okay for me to be the baby”. When he heard the song for the first time he started crying. It’s about a boy with a watergun now having to fight for his country. He is very sad about the situation in Ukraine. There is hope for a better future and he keeps Ukraine in his prayers.

Finland will perform in the first half of the final. He is one of the favourites, and he says he doesn’t want to take any pressure. He wanted to have his vocals good by training and practicing. All artists want to win. “I just go and do my best and let’s see what happens”. Maybe he just wants to smile when he does his performance in the final. Some people do some crazy things, they got power and energy, maybe they can do the same in the final. It feels great for him to do the song entirely in Finnish. He wants to show and do his best, showing that you can win, also with a song in Finnish.

Czechia will perform in the first half of the final. They say that they wanted braids because it shows the concept of sisterhood. She said that if all people no matter in what country would feel with their heart, there wouldn’t be a war like this. In the past the husband said “it is me or the career’, but she is happy that there is not a situation like this anymore. In some countries there is still that situation, and she hopes that is gonna change. The hands in the song symbolize manipulation. At one point you see the hand that is coming up above them. It symbolize the power that you have when you use it for bad things, you have the power to use it in a good way too.

Israel will perform in the second half of the final. She feels the energy, this is different from other things as you are representing her country. In the beginning she was afraid not to make it to the final. She says “You know me, I am never relaxed, I want to do it better and better and better.” Her parents were with her in the green room: “Making my parents proud is so important to me. They were always there for me, there couldn’t be something more powerful than for them to be there”.

Portugal will perform in the first half of the final. She thought of giving away “Ai coração” to other people. Her husband told her not to do it. The song is a very traditional song but she wanted to do a specific Mimicat song. As soon as she was selected she changed the arrangement. She says she was not confident with herself and her body as a teenager. She started living her live when she was in college and started making music. She played in a band and the members of the band told her she was vulgar. That’s where she wanted to prove them wrong. She wanted to say: keep going on and be yourself, as a message to her younger self. About getting to the final she says: “I have no expectations for the final as my goal was to get into the final”.

Sweden will perform in the first half of the final. She never thought in her wildest dreams that she would come back to Eurovision. She fell in love with the song and then the Melodifestivalen question came up. She first said no but when she said ‘maybe’, people were so happy. That is how she decided to do it again. She had to feel not like she had to improve herself but she does have a need to make us feel and for that she works her ass off. Thoughts about winning or losing she blocks, as in her opinion the performance is not authentic anymore. “My job is to make you feel”.

Serbia will perform in the first half of the final. He wrote the song originally as an anthem during the pandemic. He wanted to sleep through everything by playing videogames. He wanted to wake up himself and then wake up the world for the world problems. Luke Black also talks about the mass shootings in Belgrade. It triggered people more in their mental health. Luke wants to dedicate this performance to the victims. He wants to say ‘stay strong’ to the families.

Norway will perform in the second half of the final. Alessandra said it was nervewrecking to be mentioned as the last one. She said her stomach was talking while waiting for the results. She says she likes being positive but at the same time can be very serious.

 

 
 

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🇦🇹 Austria in the Eurovision Song Contest, part 1

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the first episode, we will look back at the time when the world was still in black and white. It is said that already in 1956, Austria wanted to take part. However, they were too late to sent an entry, so the Austrian debut was in 1957. 1957 – Bob Martin – “Wohin kleines Pony” Austria debuted at Eurovision in 1957, when Bob Martin performed “Wohin, kleines Pony?” (“Where to, Little Pony?”). In February 1957, five artists competed in a national selection for the ticket to Frankfurt am Main, and each sang two songs. Bob Martin (real name Leo Heppe) won. The song is a light‑hearted, jazzy Schlager about a man’s adventures with his pony. Kurt Svab composed the music, and Hans Werner wrote the lyrics. Bob Martin, a Vienna State Opera chorus singer, lent an operatic touch to the whimsical tune. Despite its charm, Austria’s debut earned only 3 points and finished 10th (last place) in 1957. 1958 – Liane Augustin – “Die ganze Welt braucht Liebe” In 1958, Liane Augustin represented Austria with “Die ganze Welt braucht Liebe” (“The Whole World Needs Love”). Austria selected her internally. Günther Leopold and Kurt Werner wrote this romantic ballad with a gentle, cabaret‑style melody. A German‑Austrian singer and actress, Augustin made her name in Vienna’s postwar nightclubs. With Willy Fantl conducting, her polished performance earned 8 points and finished 5th for Austria at the 1958 contest. 1959 – Ferry Graf – “Der K und K Kalypso aus Wien” Austria’s 1959 entry was the internally selected “Der K. und K. Kalypso aus Wien” (“The Imperial and Royal Calypso from Vienna”), performed by Ferry Graf. The song was a playful novelty Schlager that blended calypso rhythms with Viennese waltz melodies. It was composed by Norbert Pawlicki with lyrics by Günther Leopold. They created a lighthearted homage to Vienna, even referencing Johann Strauss tunes in the lyrics! Ferry Graf was an up-and-coming Austrian pop singer at the time. The cheerful “Kalypso” received 4 points and finished 9th out of 11 entries in the 1959 contest. 1960 – Harry Winter – “Du hasst mich so fasziniert” In 1960, Harry Winter (stage name of Horst Winter) sang Austria’s entry “Du hast mich so fasziniert” (“You Fascinated Me So Much”) in London. The song was composed by the famed Viennese operetta composer Robert Stolz with lyrics by Robert Gilbert, giving it a classic romantic waltz-ballad character. Harry Winter was a veteran German-Austrian singer and bandleader, known for his background in jazz and swing orchestras of the 1940s. His Eurovision performance earned 6 points and placed 7th out of 13 countries in 1960. 1961 – Jimmy Makulis – “Sehnsucht” The 1961 entry saw Greek-born pop singer Jimmy Makulis represent Austria with “Sehnsucht” (“Longing”). The song was a gentle, sentimental ballad composed (music and lyrics) by Leopold Andrejewitsch, echoing themes of yearning and devotion. Jimmy Makulis had been successful in the German pop music scene of the 1950s, bringing an international flair as the first Greek artist on an Eurovision stage. Despite his rich voice, “Sehnsucht” received only 1 point (from the UK jury) and tied for last place in 1961. Makulis later took part in the Cypriot final, in 1984. 1962 – Eleonore Schwarz – “Nur in der Wiener Luft” In 1962, Austria chose for a national final again. All submitted songs had to be in threequarter-time. In the end, 4 out of 5 songs had Vienna in their title. The 5th one had the Praterallee (indeed in Vienna) in its title. Austria selected an operetta‑style entry: “Nur in der Wiener Luft” (“Only in the Vienna Air”). Eleonore Schwarz performed it in Luxembourg. Bruno Uher composed and conducted this waltz‑infused operetta number that celebrates Vienna’s culture. The lyrics lovingly mention the city’s waltzes, Johann Strauss, and famous landmarks. An opera singer at the Vienna Volksoper in the 1960s, Schwarz suited this classically styled piece. However, the grand Viennese operetta did not resonate with the juries. It scored nul points and finished last. The Austrian entry was one of four entries to receive zero points at the 1962 contest.

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History
Martijn

🇦🇹 Austria in the Eurovision Song Contest, part 1

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the first episode, we will look back at the time when the world was still in black and white. It is said that already in 1956, Austria wanted to take part. However, they were too late to sent an entry, so the Austrian debut was in 1957. 1957 – Bob Martin – “Wohin kleines Pony” Austria debuted at Eurovision in 1957, when Bob Martin performed “Wohin, kleines Pony?” (“Where to, Little Pony?”). In February 1957, five artists competed in a national selection for the ticket to Frankfurt am Main, and each sang two songs. Bob Martin (real name Leo Heppe) won. The song is a light‑hearted, jazzy Schlager about a man’s adventures with his pony. Kurt Svab composed the music, and Hans Werner wrote the lyrics. Bob Martin, a Vienna State Opera chorus singer, lent an operatic touch to the whimsical tune. Despite its charm, Austria’s debut earned only 3 points and finished 10th (last place) in 1957. 1958 – Liane Augustin – “Die ganze Welt braucht Liebe” In 1958, Liane Augustin represented Austria with “Die ganze Welt braucht Liebe” (“The Whole World Needs Love”). Austria selected her internally. Günther Leopold and Kurt Werner wrote this romantic ballad with a gentle, cabaret‑style melody. A German‑Austrian singer and actress, Augustin made her name in Vienna’s postwar nightclubs. With Willy Fantl conducting, her polished performance earned 8 points and finished 5th for Austria at the 1958 contest. 1959 – Ferry Graf – “Der K und K Kalypso aus Wien” Austria’s 1959 entry was the internally selected “Der K. und K. Kalypso aus Wien” (“The Imperial and Royal Calypso from Vienna”), performed by Ferry Graf. The song was a playful novelty Schlager that blended calypso rhythms with Viennese waltz melodies. It was composed by Norbert Pawlicki with lyrics by Günther Leopold. They created a lighthearted homage to Vienna, even referencing Johann Strauss tunes in the lyrics! Ferry Graf was an up-and-coming Austrian pop singer at the time. The cheerful “Kalypso” received 4 points and finished 9th out of 11 entries in the 1959 contest. 1960 – Harry Winter – “Du hasst mich so fasziniert” In 1960, Harry Winter (stage name of Horst Winter) sang Austria’s entry “Du hast mich so fasziniert” (“You Fascinated Me So Much”) in London. The song was composed by the famed Viennese operetta composer Robert Stolz with lyrics by Robert Gilbert, giving it a classic romantic waltz-ballad character. Harry Winter was a veteran German-Austrian singer and bandleader, known for his background in jazz and swing orchestras of the 1940s. His Eurovision performance earned 6 points and placed 7th out of 13 countries in 1960. 1961 – Jimmy Makulis – “Sehnsucht” The 1961 entry saw Greek-born pop singer Jimmy Makulis represent Austria with “Sehnsucht” (“Longing”). The song was a gentle, sentimental ballad composed (music and lyrics) by Leopold Andrejewitsch, echoing themes of yearning and devotion. Jimmy Makulis had been successful in the German pop music scene of the 1950s, bringing an international flair as the first Greek artist on an Eurovision stage. Despite his rich voice, “Sehnsucht” received only 1 point (from the UK jury) and tied for last place in 1961. Makulis later took part in the Cypriot final, in 1984. 1962 – Eleonore Schwarz – “Nur in der Wiener Luft” In 1962, Austria chose for a national final again. All submitted songs had to be in threequarter-time. In the end, 4 out of 5 songs had Vienna in their title. The 5th one had the Praterallee (indeed in Vienna) in its title. Austria selected an operetta‑style entry: “Nur in der Wiener Luft” (“Only in the Vienna Air”). Eleonore Schwarz performed it in Luxembourg. Bruno Uher composed and conducted this waltz‑infused operetta number that celebrates Vienna’s culture. The lyrics lovingly mention the city’s waltzes, Johann Strauss, and famous landmarks. An opera singer at the Vienna Volksoper in the 1960s, Schwarz suited this classically styled piece. However, the grand Viennese operetta did not resonate with the juries. It scored nul points and finished last. The Austrian entry was one of four entries to receive zero points at the 1962 contest.

Read More »
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