Winners press conference

Ten countries head to the final. After this there is a winners press conference. The ten winners all answered some questions, and here is a short overview of what was said.

Croatia  will perform in the second half of the final. The groups wants to make this world a little bit better place for everybody. The singer said “please stop f*cking wars. In wars there is no winners, in Eurovision there is no losers. They are proud to reach the final, as several times they reached the 11th place.

Moldova will perform in the second half of the final. It felt pretty similar to his 2012 performance, because even Loreen is back! He likes to feel that they were more prepared this year. His wife says that if you work together you do everything together, even taking a shower together.

Switzerland will perform in the first half of the final. Remo says it was his biggest dream to go to the finals. He started believing in it. Remo also confirms that the fan bubble in Eurovision is another level: he felt the love, also in the preview parties. He is the youngest qualifier. The next goal in his life is to win Eurovision. He always had a very low voice, people never expected it. “It is what it is, I have a babyface and a low voice. It’s okay for me to be the baby”. When he heard the song for the first time he started crying. It’s about a boy with a watergun now having to fight for his country. He is very sad about the situation in Ukraine. There is hope for a better future and he keeps Ukraine in his prayers.

Finland will perform in the first half of the final. He is one of the favourites, and he says he doesn’t want to take any pressure. He wanted to have his vocals good by training and practicing. All artists want to win. “I just go and do my best and let’s see what happens”. Maybe he just wants to smile when he does his performance in the final. Some people do some crazy things, they got power and energy, maybe they can do the same in the final. It feels great for him to do the song entirely in Finnish. He wants to show and do his best, showing that you can win, also with a song in Finnish.

Czechia will perform in the first half of the final. They say that they wanted braids because it shows the concept of sisterhood. She said that if all people no matter in what country would feel with their heart, there wouldn’t be a war like this. In the past the husband said “it is me or the career’, but she is happy that there is not a situation like this anymore. In some countries there is still that situation, and she hopes that is gonna change. The hands in the song symbolize manipulation. At one point you see the hand that is coming up above them. It symbolize the power that you have when you use it for bad things, you have the power to use it in a good way too.

Israel will perform in the second half of the final. She feels the energy, this is different from other things as you are representing her country. In the beginning she was afraid not to make it to the final. She says “You know me, I am never relaxed, I want to do it better and better and better.” Her parents were with her in the green room: “Making my parents proud is so important to me. They were always there for me, there couldn’t be something more powerful than for them to be there”.

Portugal will perform in the first half of the final. She thought of giving away “Ai coração” to other people. Her husband told her not to do it. The song is a very traditional song but she wanted to do a specific Mimicat song. As soon as she was selected she changed the arrangement. She says she was not confident with herself and her body as a teenager. She started living her live when she was in college and started making music. She played in a band and the members of the band told her she was vulgar. That’s where she wanted to prove them wrong. She wanted to say: keep going on and be yourself, as a message to her younger self. About getting to the final she says: “I have no expectations for the final as my goal was to get into the final”.

Sweden will perform in the first half of the final. She never thought in her wildest dreams that she would come back to Eurovision. She fell in love with the song and then the Melodifestivalen question came up. She first said no but when she said ‘maybe’, people were so happy. That is how she decided to do it again. She had to feel not like she had to improve herself but she does have a need to make us feel and for that she works her ass off. Thoughts about winning or losing she blocks, as in her opinion the performance is not authentic anymore. “My job is to make you feel”.

Serbia will perform in the first half of the final. He wrote the song originally as an anthem during the pandemic. He wanted to sleep through everything by playing videogames. He wanted to wake up himself and then wake up the world for the world problems. Luke Black also talks about the mass shootings in Belgrade. It triggered people more in their mental health. Luke wants to dedicate this performance to the victims. He wants to say ‘stay strong’ to the families.

Norway will perform in the second half of the final. Alessandra said it was nervewrecking to be mentioned as the last one. She said her stomach was talking while waiting for the results. She says she likes being positive but at the same time can be very serious.

 

 
 

Related news

History

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
Follow Us: