Norway: 2nd semifinal Melodi Grand Prix (update)

Tonight is the night of 2nd semifinal of the Norwegian Melodi Grand Prix. You can follow the show here and here. It starts at 19.50 CET. Two times two songs will have a duel; both the winning songs will compete for 1 ticket to the final. One other song, that goes directly to the final, will be presented too. This week it will be Christian Ingebritsen singing “Wonder of the world”.

The winners are in bold letters:

First heat:
Lily Löwe, “Bad baby” vs Steffen Jakobsen, “With me tonight”

Second heat:
Daniel Lukas, “Kvelertvak” vs Farida, “Dangerous”

Final:

Steffen Jakobsen, “With me tonight” vs Farida, “Dangerous”

Christian Ingebritsen wrote and composed many songs for Melodi Grand Prix. This is the first time he sings in the contest.

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Vienna 12 points: Jonas Lovv Asked To Tone Down Performance

📷 EBU/Alma Bengtsson According to Norwegian broadcaster NRK, the concern was not about the song itself, but about parts of the performance being considered too suggestive for a family audience. VG reports that the feedback focused on repeated crotch-grabbing and thrusting-style movements, some of which were improvised rather than part of the planned choreography. Jonas Lovv will represent Norway in the second semi-final on Thursday 14 May. He is set to close the show as the 15th act in the running order. Therefore, the Norwegian team still has time to adjust the staging before viewers see it on television. The warning has not led to panic in the Norwegian camp. Lovv has reacted with humour, while also making clear that he takes the EBU’s message seriously. Head of delegation Mads Tørklep said Norway will follow the rules and make the number more family friendly. Lovv earned his Eurovision ticket by winning Melodi Grand Prix earlier this year. His entry “YA YA YA” brings rock energy, strong vocals and a highly physical stage presence to the Wiener Stadthalle. As a result, the performance has already become a talking point during rehearsals. For now, the changes appear to be small adjustments rather than a complete overhaul. Eurovision viewers should still expect an intense and confident Norwegian performance. However, with slightly less emphasis on the movements that sparked the warning. If Norway qualifies, Lovv will return for the Grand Final on Saturday 16 May. The situation adds another storyline to Eurovision week, as artists balance personal expression with the contest’s broadcast guidelines for viewers across Europe. source: NRK

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Eurovision 2026
Martijn

Vienna 12 points: Jonas Lovv Asked To Tone Down Performance

📷 EBU/Alma Bengtsson According to Norwegian broadcaster NRK, the concern was not about the song itself, but about parts of the performance being considered too suggestive for a family audience. VG reports that the feedback focused on repeated crotch-grabbing and thrusting-style movements, some of which were improvised rather than part of the planned choreography. Jonas Lovv will represent Norway in the second semi-final on Thursday 14 May. He is set to close the show as the 15th act in the running order. Therefore, the Norwegian team still has time to adjust the staging before viewers see it on television. The warning has not led to panic in the Norwegian camp. Lovv has reacted with humour, while also making clear that he takes the EBU’s message seriously. Head of delegation Mads Tørklep said Norway will follow the rules and make the number more family friendly. Lovv earned his Eurovision ticket by winning Melodi Grand Prix earlier this year. His entry “YA YA YA” brings rock energy, strong vocals and a highly physical stage presence to the Wiener Stadthalle. As a result, the performance has already become a talking point during rehearsals. For now, the changes appear to be small adjustments rather than a complete overhaul. Eurovision viewers should still expect an intense and confident Norwegian performance. However, with slightly less emphasis on the movements that sparked the warning. If Norway qualifies, Lovv will return for the Grand Final on Saturday 16 May. The situation adds another storyline to Eurovision week, as artists balance personal expression with the contest’s broadcast guidelines for viewers across Europe. source: NRK

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