Day 7: A crystal mask, a thunderstorm and Murphy’s Law

The penultimate day of rehearsal: it is becoming increasingly clear what the viewer can expect. Today we saw the last artists of the second semifinal. Let’s take a closer look at the rehearsals:

AUSTRALIA: Whatever you think of Sheldon Riley, he sings like no other. During his emotional ballad he wears the white suit with the enormous drag of feathers. He wears his crystal mask for most of the act, but it goes off. It can’t be difficult for Australia to make it to the final.

CYPRUS: For the first time in years, Cyprus is singing (partially) in Greek again. Andromache and her dancers stand in a kind of shell as they sing the song. We have to admit that we would describe Andromache’s vocals as ‘not bad’. If is that a recommendation….?

IRELAND: Ireland falls into the ‘how nice’ category. Brooke’s vocals are certainly not bad, neither is the act. However, you may wonder if this is the song with which Ireland will finally reach the final again. We cannot rule out the possibility that it will not work.

NORTH MACEDONIA: Perhaps Andrea had hoped for greater success. She was not happy with her first rehearsal. The song comes across as screaming; a hoarseness that suits Kaliopi (2012 and 2016) but not Andrea.

ESTONIA: Unfortunately, Stefan can’t count on the 12 points from Armenia, because the country where his roots lie is performing in the other semifinal. The many movements he makes do have an effect on Stefan’s voice, but somehow it doesn’t seem to matter for the entry. It is a happy song that can easily go through to the final.

ROMANIA: The Romanians made some minor changes to the act, making it even better and slicker. Furthermore, it seemed as if WRS had changed the melody of the chorus a little bit here and there. In any case, a spectacular show is in store for Romania.

POLAND: The ballad of Polen starts very calmly with Ochman alone on stage. Halfway through, when the song becomes a little less quiet, the aforementioned dancers (forest nymphs?) come on stage. We see that a heavy thunderstorm erupts on the stage. Finally a strong contender for Poland agiain.

MONTENEGRO: A ballad in which not much happens in 3 minutes. The advantage is that not much can go wrong. We had already mentioned the blue dress that Vladana is wearing. Behind her a circle that most resembles the fluff ball of a dandelion. It is not sure whether it stands out enough to go to the final.

BELGIUM: The Belgians have a strong singer with a gospel-like power ballad in Jérémie Makiese. He will definitely get points for that. Fortunately, because the act he shows looks a bit stiff and doesn’t really do justice to the song and singer.

SWEDEN: Murphy’s Law strikes. If one thing goes wrong, everything immediately goes wrong. Problems with the sound, problems with the technique and a falling cameraman meant that she was only able to do one whole runthrough. Cornelia did manage to show how professional she is, by showing a good rehearsal even with all that trouble.

CZECH REPUBLIC: The act with lots of light and nice graphics fits very well with the Czech entry. In that respect it is a unity. The vocals, however, leave a lot to be desired. That could cost them their heads if it has to be clear who will go to the final.

Related news

News

🇬🇷 Marinella dies at 87; Greece’s first Eurovision participant passes away

Greek music icon Marinella has died at the age of 87. Her family announced that she passed away on Saturday, 28 March 2026, after a long period of fragile health. In September 2024, Marinella suffered a stroke while performing at the Odeon of Herodes Atticus in Athens. She spent four months in hospital and later continued her rehabilitation at home. For Eurovision fans, Marinella will always hold a unique place in history. She was the very first Greek participant ever at the Eurovision Song Contest. In 1974, she represented Greece in Brighton with the song “Krassi, Thalassa Ke T’agori Mou.” That appearance marked Greece’s first-ever participation in the contest. Marinella finished in 11th place, but her performance opened the door to a Eurovision journey that would become an important part of Greek music history. Greece’s first Eurovision participant The name Marinella means far more than one Eurovision result. Still, her 1974 appearance remains historic. Every Greek artist who followed her on the Eurovision stage did so after Marinella had taken that first step. Because of that, her place in Eurovision history is secure. She did not just sing Greece’s debut entry. She became part of the foundation of Greece in the contest. A career that shaped Greek music Born as Kyriaki Papadopoulou in Thessaloniki, Marinella grew into one of the best-known voices in Greek music. Kathimerini described her as a singer whose name became linked with some of the biggest recording successes of the 20th century, while Euronews noted that her career stretched across more than six decades and included 66 solo albums. She also worked with major Greek composers such as Mikis Theodorakis, Stavros Xarhakos and Manos Hadjidakis. Kathimerini also recalled that Marinella never fully embraced the label of “legend.” In earlier interviews, she stressed that singing was about love and direct contact with her audience. That attitude perhaps explains why so many people in Greece felt close to her. She was not only admired for her voice, but also for the emotion and sincerity she brought to the stage. A lasting legacy Marinella dies, but her legacy will remain. For Greece, she was one of the defining voices of modern popular music. For Eurovision, she will always be remembered as the artist who started the Greek story in the contest. Her result in Brighton may not have brought Greece a trophy, yet her role was bigger than that. Marinella was first. That alone makes her unforgettable. source: Kathimerini

Read More »
News
Martijn

🇬🇷 Marinella dies at 87; Greece’s first Eurovision participant passes away

Greek music icon Marinella has died at the age of 87. Her family announced that she passed away on Saturday, 28 March 2026, after a long period of fragile health. In September 2024, Marinella suffered a stroke while performing at the Odeon of Herodes Atticus in Athens. She spent four months in hospital and later continued her rehabilitation at home. For Eurovision fans, Marinella will always hold a unique place in history. She was the very first Greek participant ever at the Eurovision Song Contest. In 1974, she represented Greece in Brighton with the song “Krassi, Thalassa Ke T’agori Mou.” That appearance marked Greece’s first-ever participation in the contest. Marinella finished in 11th place, but her performance opened the door to a Eurovision journey that would become an important part of Greek music history. Greece’s first Eurovision participant The name Marinella means far more than one Eurovision result. Still, her 1974 appearance remains historic. Every Greek artist who followed her on the Eurovision stage did so after Marinella had taken that first step. Because of that, her place in Eurovision history is secure. She did not just sing Greece’s debut entry. She became part of the foundation of Greece in the contest. A career that shaped Greek music Born as Kyriaki Papadopoulou in Thessaloniki, Marinella grew into one of the best-known voices in Greek music. Kathimerini described her as a singer whose name became linked with some of the biggest recording successes of the 20th century, while Euronews noted that her career stretched across more than six decades and included 66 solo albums. She also worked with major Greek composers such as Mikis Theodorakis, Stavros Xarhakos and Manos Hadjidakis. Kathimerini also recalled that Marinella never fully embraced the label of “legend.” In earlier interviews, she stressed that singing was about love and direct contact with her audience. That attitude perhaps explains why so many people in Greece felt close to her. She was not only admired for her voice, but also for the emotion and sincerity she brought to the stage. A lasting legacy Marinella dies, but her legacy will remain. For Greece, she was one of the defining voices of modern popular music. For Eurovision, she will always be remembered as the artist who started the Greek story in the contest. Her result in Brighton may not have brought Greece a trophy, yet her role was bigger than that. Marinella was first. That alone makes her unforgettable. source: Kathimerini

Read More »
Follow Us: