Day 7: A crystal mask, a thunderstorm and Murphy’s Law

The penultimate day of rehearsal: it is becoming increasingly clear what the viewer can expect. Today we saw the last artists of the second semifinal. Let’s take a closer look at the rehearsals:

AUSTRALIA: Whatever you think of Sheldon Riley, he sings like no other. During his emotional ballad he wears the white suit with the enormous drag of feathers. He wears his crystal mask for most of the act, but it goes off. It can’t be difficult for Australia to make it to the final.

CYPRUS: For the first time in years, Cyprus is singing (partially) in Greek again. Andromache and her dancers stand in a kind of shell as they sing the song. We have to admit that we would describe Andromache’s vocals as ‘not bad’. If is that a recommendation….?

IRELAND: Ireland falls into the ‘how nice’ category. Brooke’s vocals are certainly not bad, neither is the act. However, you may wonder if this is the song with which Ireland will finally reach the final again. We cannot rule out the possibility that it will not work.

NORTH MACEDONIA: Perhaps Andrea had hoped for greater success. She was not happy with her first rehearsal. The song comes across as screaming; a hoarseness that suits Kaliopi (2012 and 2016) but not Andrea.

ESTONIA: Unfortunately, Stefan can’t count on the 12 points from Armenia, because the country where his roots lie is performing in the other semifinal. The many movements he makes do have an effect on Stefan’s voice, but somehow it doesn’t seem to matter for the entry. It is a happy song that can easily go through to the final.

ROMANIA: The Romanians made some minor changes to the act, making it even better and slicker. Furthermore, it seemed as if WRS had changed the melody of the chorus a little bit here and there. In any case, a spectacular show is in store for Romania.

POLAND: The ballad of Polen starts very calmly with Ochman alone on stage. Halfway through, when the song becomes a little less quiet, the aforementioned dancers (forest nymphs?) come on stage. We see that a heavy thunderstorm erupts on the stage. Finally a strong contender for Poland agiain.

MONTENEGRO: A ballad in which not much happens in 3 minutes. The advantage is that not much can go wrong. We had already mentioned the blue dress that Vladana is wearing. Behind her a circle that most resembles the fluff ball of a dandelion. It is not sure whether it stands out enough to go to the final.

BELGIUM: The Belgians have a strong singer with a gospel-like power ballad in Jérémie Makiese. He will definitely get points for that. Fortunately, because the act he shows looks a bit stiff and doesn’t really do justice to the song and singer.

SWEDEN: Murphy’s Law strikes. If one thing goes wrong, everything immediately goes wrong. Problems with the sound, problems with the technique and a falling cameraman meant that she was only able to do one whole runthrough. Cornelia did manage to show how professional she is, by showing a good rehearsal even with all that trouble.

CZECH REPUBLIC: The act with lots of light and nice graphics fits very well with the Czech entry. In that respect it is a unity. The vocals, however, leave a lot to be desired. That could cost them their heads if it has to be clear who will go to the final.

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70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. 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Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final. Eimear Quinn Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ. 1997 The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone. The songs Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try. Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place. And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries. Katrina & The Waves An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

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70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. Notable was Lúcia Moniz, who represented Portugal. Her “O meu coração não tem cor” finished sixth, which for a long time was the best score ever for the Portuguese. Maarja-Liis Illus and Ivo Linna really caught the eye of Estonia. She was 15, he 46. The duo sang a sweet song titled “Kaelakee hääl”. And what Finland failed to achieve in all those years, Estonia did effortlessly: walking straight into the top 5 with a song in a Finno-Ugric language. There was also a major difference between the two Dutch duo partners, Maxine and Franklin Brown. However, in this case, it concerned the length. The Dutch entry “De eerste keer” is one of the few that rose in the rankings áfter the Eurovision Song Contest. The Spanish jury had, or so people thought, said “Poland, 6 points”. But the somewhat nasal-speaking jury chairwoman had said “Holland, 6 points”. People only found out about that later. It is not for nothing that this country ought to be called The Netherlands. Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final. Eimear Quinn Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ. 1997 The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone. The songs Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try. Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place. And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries. Katrina & The Waves An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

Read More »
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