Day 7: A crystal mask, a thunderstorm and Murphy’s Law

The penultimate day of rehearsal: it is becoming increasingly clear what the viewer can expect. Today we saw the last artists of the second semifinal. Let’s take a closer look at the rehearsals:

AUSTRALIA: Whatever you think of Sheldon Riley, he sings like no other. During his emotional ballad he wears the white suit with the enormous drag of feathers. He wears his crystal mask for most of the act, but it goes off. It can’t be difficult for Australia to make it to the final.

CYPRUS: For the first time in years, Cyprus is singing (partially) in Greek again. Andromache and her dancers stand in a kind of shell as they sing the song. We have to admit that we would describe Andromache’s vocals as ‘not bad’. If is that a recommendation….?

IRELAND: Ireland falls into the ‘how nice’ category. Brooke’s vocals are certainly not bad, neither is the act. However, you may wonder if this is the song with which Ireland will finally reach the final again. We cannot rule out the possibility that it will not work.

NORTH MACEDONIA: Perhaps Andrea had hoped for greater success. She was not happy with her first rehearsal. The song comes across as screaming; a hoarseness that suits Kaliopi (2012 and 2016) but not Andrea.

ESTONIA: Unfortunately, Stefan can’t count on the 12 points from Armenia, because the country where his roots lie is performing in the other semifinal. The many movements he makes do have an effect on Stefan’s voice, but somehow it doesn’t seem to matter for the entry. It is a happy song that can easily go through to the final.

ROMANIA: The Romanians made some minor changes to the act, making it even better and slicker. Furthermore, it seemed as if WRS had changed the melody of the chorus a little bit here and there. In any case, a spectacular show is in store for Romania.

POLAND: The ballad of Polen starts very calmly with Ochman alone on stage. Halfway through, when the song becomes a little less quiet, the aforementioned dancers (forest nymphs?) come on stage. We see that a heavy thunderstorm erupts on the stage. Finally a strong contender for Poland agiain.

MONTENEGRO: A ballad in which not much happens in 3 minutes. The advantage is that not much can go wrong. We had already mentioned the blue dress that Vladana is wearing. Behind her a circle that most resembles the fluff ball of a dandelion. It is not sure whether it stands out enough to go to the final.

BELGIUM: The Belgians have a strong singer with a gospel-like power ballad in Jérémie Makiese. He will definitely get points for that. Fortunately, because the act he shows looks a bit stiff and doesn’t really do justice to the song and singer.

SWEDEN: Murphy’s Law strikes. If one thing goes wrong, everything immediately goes wrong. Problems with the sound, problems with the technique and a falling cameraman meant that she was only able to do one whole runthrough. Cornelia did manage to show how professional she is, by showing a good rehearsal even with all that trouble.

CZECH REPUBLIC: The act with lots of light and nice graphics fits very well with the Czech entry. In that respect it is a unity. The vocals, however, leave a lot to be desired. That could cost them their heads if it has to be clear who will go to the final.

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Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — Cosmó, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with Zoë Më and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

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Eurovision 2026
Martijn

Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — Cosmó, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with Zoë Më and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

Read More »
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