Day 7: A crystal mask, a thunderstorm and Murphy’s Law

The penultimate day of rehearsal: it is becoming increasingly clear what the viewer can expect. Today we saw the last artists of the second semifinal. Let’s take a closer look at the rehearsals:

AUSTRALIA: Whatever you think of Sheldon Riley, he sings like no other. During his emotional ballad he wears the white suit with the enormous drag of feathers. He wears his crystal mask for most of the act, but it goes off. It can’t be difficult for Australia to make it to the final.

CYPRUS: For the first time in years, Cyprus is singing (partially) in Greek again. Andromache and her dancers stand in a kind of shell as they sing the song. We have to admit that we would describe Andromache’s vocals as ‘not bad’. If is that a recommendation….?

IRELAND: Ireland falls into the ‘how nice’ category. Brooke’s vocals are certainly not bad, neither is the act. However, you may wonder if this is the song with which Ireland will finally reach the final again. We cannot rule out the possibility that it will not work.

NORTH MACEDONIA: Perhaps Andrea had hoped for greater success. She was not happy with her first rehearsal. The song comes across as screaming; a hoarseness that suits Kaliopi (2012 and 2016) but not Andrea.

ESTONIA: Unfortunately, Stefan can’t count on the 12 points from Armenia, because the country where his roots lie is performing in the other semifinal. The many movements he makes do have an effect on Stefan’s voice, but somehow it doesn’t seem to matter for the entry. It is a happy song that can easily go through to the final.

ROMANIA: The Romanians made some minor changes to the act, making it even better and slicker. Furthermore, it seemed as if WRS had changed the melody of the chorus a little bit here and there. In any case, a spectacular show is in store for Romania.

POLAND: The ballad of Polen starts very calmly with Ochman alone on stage. Halfway through, when the song becomes a little less quiet, the aforementioned dancers (forest nymphs?) come on stage. We see that a heavy thunderstorm erupts on the stage. Finally a strong contender for Poland agiain.

MONTENEGRO: A ballad in which not much happens in 3 minutes. The advantage is that not much can go wrong. We had already mentioned the blue dress that Vladana is wearing. Behind her a circle that most resembles the fluff ball of a dandelion. It is not sure whether it stands out enough to go to the final.

BELGIUM: The Belgians have a strong singer with a gospel-like power ballad in Jérémie Makiese. He will definitely get points for that. Fortunately, because the act he shows looks a bit stiff and doesn’t really do justice to the song and singer.

SWEDEN: Murphy’s Law strikes. If one thing goes wrong, everything immediately goes wrong. Problems with the sound, problems with the technique and a falling cameraman meant that she was only able to do one whole runthrough. Cornelia did manage to show how professional she is, by showing a good rehearsal even with all that trouble.

CZECH REPUBLIC: The act with lots of light and nice graphics fits very well with the Czech entry. In that respect it is a unity. The vocals, however, leave a lot to be desired. That could cost them their heads if it has to be clear who will go to the final.

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Eurovision 2026 reactions after second semi-final

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Read More »
Eurovision 2026
Martijn

Eurovision 2026 reactions after second semi-final

The Eurovision 2026 reactions continued immediately after Thursday night’s second semi-final in Vienna. Bulgaria, Ukraine, Norway, Australia, Romania, Malta, Cyprus, Albania, Denmark and Czechia qualified for Saturday’s Grand Final. Azerbaijan, Luxembourg, Armenia, Switzerland and Latvia did not make it through. Since Eurovision will only reveal the detailed ranking after the final, the “winners” of the night are again the ten qualifiers. Social media quickly filled with tears, hugs and short messages from the green room. Qualifiers celebrate their Grand Final place Bulgaria’s DARA was the first name announced, and her disbelief was clear. In a filmed reaction, she said she “could not believe” it, while also underlining how much she loved being on stage with “Bangaranga”. Ukraine’s LELÉKA reacted with a softer kind of joy. She said she felt happy, hopeful and “lightful” after taking “Ridnym” to the final. Australia’s Delta Goodrem also moved quickly into gratitude mode. After qualifying with “Eclipse”, she called the moment “pure magic” and thanked fans for every vote, message and bit of love. Norway’s Jonas Lovv sounded equally relieved. Speaking to Norwegian press, he said the result felt “insanely” good and joked that his celebration plan was to go straight to bed. Malta’s AIDAN gave one of the most emotional reactions of the night. He said he was “genuinely so happy” and pointed out that the Maltese language was back on the Eurovision stage after 54 years. Denmark’s Søren Torpegaard Lund described himself as overwhelmed and happy, while Czechia’s Daniel Zizka said he was grateful, tired and still trying to understand what had happened. Albania’s Alis also remained emotional after “Nân” reached the final. Cyprus’ Antigoni thanked everyone who supported “JALLA” and said she had felt confident Cyprus could qualify. Romania’s Alexandra Căpitănescu also celebrated online after “Choke Me” secured Romania a place in the Grand Final. For all ten qualifiers, the mood immediately shifted from nerves to preparation for Saturday. Non-qualifiers thank fans and look back For the five non-qualifiers, the Eurovision 2026 reactions were more reflective. Luxembourg’s Eva Marija looked back with pride after “Mother Nature” missed the final. She said she had given everything, was proud of herself and felt grateful for the Eurovision adventure. Azerbaijan’s JIVA ended her performance by thanking Europe, but “Just Go” did not qualify. Armenia’s SIMÓN, Switzerland’s Veronica Fusaro and Latvia’s Atvara also stayed in the semi-final. Their latest Eurovision messages focused on the performance itself, the meaning behind their songs and the support around them. That made their reactions quieter, but not less meaningful. The second semi-final therefore showed the familiar two sides of Eurovision: pure celebration for the qualifiers and gratitude, disappointment and pride for those whose Vienna journey ended before Saturday.

Read More »
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