What can we expect and who will win tomorrow?

After a film with, again, beautiful images of the Netherlands, and yes, a role for Duncan Laurence, we go to the flag parade. DJ Pieter Gabriel accompanies the artists musically with his own adaptation of the worldwide hit “Venus” by Shocking Blue, also a hit from Dutch soil. Presenters Edsilia Rombley, Jan Smit and Chantal Janzen sing the song.

We open with Cyprus; often an uptempo pop song is chosen to open, this year too. Albania takes the cursed second place. However, Albania is not one of the potential winners anyway, so the second place remains where it is. Israel follows; she once bursted out in tears when the Eurovision song contest was canceled, but now Eden Alene is in the final, followed by Belgium. Hopefully Hooverphonic will remain in peoples memories in the beginning of the broadcast. The advantage is that the song may stand out even more after an uptempo song. However, Russia follows with a striking act and then Malta. What that does to Malta’s chances is a big question mark, but it is not favorable. Certainly not because Portugal will follow after Malta; they are the surprise of the contest. We wouldn’t even be surprised if Portugal ends up very high; The Black Mamba isn’t Salvador Sobral, but still. The end of the first block is formed by Serbia; The fact that the three ladies are through to the final was no surprise, but it will probably not be much more there. Or is Serbia lucky that all other countries of the former Yugoslavia are not there?

While advertisements are watched in some countries, the rest of Europe sees Nikkie Tutorials showcasing three winners of the #Eurovisionchallenge. Valentina, who won the junior Eurovision this year, will also say something. Emmelie De Forrest, Jamala and Duncan Laurence talk about their trophy. After that, Chantal Janzen and Jan Smit will make an appeal to share your photo of how you watch the Eurovision song contest.

The second block is opened by the United Kingdom. That is usually not something to be happy about. People are still refilling the glasses or sitting on the toilet. By the way, yesterday in the Dutch tv-show Op1 you could see how British journalists are already busy putting the blame for a low score apart from themselves, even before the contest is over. However, the UK entry is completely insignificant to Greece that performes next. Greenscreen is certainly not new, but it is smart to use it. In quality, however, the Greek entry is far surpassed by that of Switzerland. According to many, one of the strongest voices of the festival. Still, the song may soumd a little too much like “Arcade” to be a winner. Also a top song, possibly even a winner, is Iceland. Would it give Daði og Gagnamagnið sympathy votes that they are not allowed to be present live? The Icelandics are in any case followed by the not too strong entry from Spain, although, to be honest, it must be said that the singing of Blas Cantó improves with each rehearsal. Moldova will then take office. But it is still doubtful whether the name of Filipp Kirkorov (composer) will be good for a high score. Germany is a “love it or hate it” entry that can go in any direction. And after a song about a middle finger, the director has chosen to put the other middle finger song right after it. The song from Finland turned out to have a lot of fans yesterday. Whether it helps them on the scoreboard? We’ll know tomorrow night.

And then we see Edsilia Rombley at the top of the comment booths to chitchat with various commentators. Chantal Janzen and Jan Smit refer to the time when there was still a live orchestra. They promise an orchestra with a top DJ.

In the meantime, Bulgaria is ready with Victoria on her rock. Another strong entry. Then we see Lithuania again. At the bookies, the yellow-clad men have fallen somewhat; not because they are not good, perhaps because a large number of countries have an even stronger entry.

And then Chantal Janzen announces Duncan Laurence, who speaks to the viewer in a video. Why so soon? Well, it gives the crew time to prepare the scenery of Ukraine.

A trip, as Dutch commentator Sander Lantinga called the entry. of Ukraine We can imagine why. It would not surprise anyone if Ukraine ends up in the top of the rankings. Immediately after that, another top favorite follows: France. Take a good look, because this could well be the winner of the Eurovision Song Contest 2021. To be honest, the entry from Azerbaijan is fairly insignificant. Anyway, the King’s Commissioner in Friesland Arno Brok and Mayor of Leeuwarden Sybrand Buma give a voting advice: stim Azerbaijan (vote Azerbaijan, but in Frisian language). It doesn’t seem to be a coincidence, but after Azerbaijan, Norway will perform. All week, something seems to be going on between the Azerbaijani Efendi and the Norwegian TIX. It is very worthy to lsearch for #efentix.

Then NikkieTutorials and Edsilia Rombley take the floor and announce some entre-acts and… the entry of the Netherlands. Jeangu Macrooy is praised for his cast-iron voice. He seems to slightly do better among bookmakers. But after the Netherlands, another top favorite (there are quite a lot this year) follows: Italy. Would the glam rock-leaning group win the Eurovision song contest? We do not consider it impossible. Sweden is not one of this year’s top favorites. The entry is just not strong enough for a top score. Finally we see San Marino. And then the rule of applies: world stars do NOT win the Eurovision song contest. Whether it’s Cliff Richard, t.A.T.u., DJ Bobo or Bonnie Tyler, it doesn’t work. A high position is definitely not impossible, San Marino will break its own record for sure.

Then a spectacular entre act:follows: a classical orchestra of toung people and Afrojack accompany Wulf and Glennis Grace while they sing under the title “Music binds us”. We see images of people in Rotterdam, but the song and music come from the Erasmus Bridge.

NikkieTutorials comes again with a section of Eurovision Tutorials about the voting. Then she shows us images of how the festival in Ahoy is structured and how it works behind the scenes. Edsilia Rombley then meets several Eurovision winners, a film that was already shot before the Corona crisis. That is why Edsilia explicitly announces that she is hugging the former winners and not keeping a one and a half meter distance. Then we see a video in which Chantal Janzen explains how the audience has changed over the years.

And then we’re going to look at Teach In, Lenny Kuhr, Måns Zelmerlöw and Lordi. They sing from different rooftops in Rotterdam. Duncan Laurence then sings his hit “Arcade” and a new song. Not live, because he is at home with Corona, but a previously recorded rehearsal of his performance. And then…. The producers have even turned the countdown moment into something beautiful with dancers. The voting goes pretty smoothly. Of course something can go wrong, but there is no useless waiting. The scoreboard, with a lot of white, is easy to read. Edsilia and Nikkie are present in the greenroom while Jan and Chantal do the voting. Who is going to win remains uncertain for a long time, longer than ever. The bookmakers do not state a clear winner.

However, team Eurovision Universe has tried to predict the top 10. In a little more than 24 hours we know how right (or wrong) we are:

1.France
2.Italy
3.Malta
4.Switzerland
5.Ukraine
6.Bulgaria
7.Iceland
8.Portugal
9.Norway
10.Finland

photo credits: EBU

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Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — Cosmó, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with Zoë Më and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

Read More »
May 9, 2026 No Comments
Eurovision 2026
Martijn

Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — Cosmó, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with Zoë Më and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

Read More »
May 9, 2026 No Comments
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