What can we expect and who will win tomorrow?

After a film with, again, beautiful images of the Netherlands, and yes, a role for Duncan Laurence, we go to the flag parade. DJ Pieter Gabriel accompanies the artists musically with his own adaptation of the worldwide hit “Venus” by Shocking Blue, also a hit from Dutch soil. Presenters Edsilia Rombley, Jan Smit and Chantal Janzen sing the song.

We open with Cyprus; often an uptempo pop song is chosen to open, this year too. Albania takes the cursed second place. However, Albania is not one of the potential winners anyway, so the second place remains where it is. Israel follows; she once bursted out in tears when the Eurovision song contest was canceled, but now Eden Alene is in the final, followed by Belgium. Hopefully Hooverphonic will remain in peoples memories in the beginning of the broadcast. The advantage is that the song may stand out even more after an uptempo song. However, Russia follows with a striking act and then Malta. What that does to Malta’s chances is a big question mark, but it is not favorable. Certainly not because Portugal will follow after Malta; they are the surprise of the contest. We wouldn’t even be surprised if Portugal ends up very high; The Black Mamba isn’t Salvador Sobral, but still. The end of the first block is formed by Serbia; The fact that the three ladies are through to the final was no surprise, but it will probably not be much more there. Or is Serbia lucky that all other countries of the former Yugoslavia are not there?

While advertisements are watched in some countries, the rest of Europe sees Nikkie Tutorials showcasing three winners of the #Eurovisionchallenge. Valentina, who won the junior Eurovision this year, will also say something. Emmelie De Forrest, Jamala and Duncan Laurence talk about their trophy. After that, Chantal Janzen and Jan Smit will make an appeal to share your photo of how you watch the Eurovision song contest.

The second block is opened by the United Kingdom. That is usually not something to be happy about. People are still refilling the glasses or sitting on the toilet. By the way, yesterday in the Dutch tv-show Op1 you could see how British journalists are already busy putting the blame for a low score apart from themselves, even before the contest is over. However, the UK entry is completely insignificant to Greece that performes next. Greenscreen is certainly not new, but it is smart to use it. In quality, however, the Greek entry is far surpassed by that of Switzerland. According to many, one of the strongest voices of the festival. Still, the song may soumd a little too much like “Arcade” to be a winner. Also a top song, possibly even a winner, is Iceland. Would it give Daði og Gagnamagnið sympathy votes that they are not allowed to be present live? The Icelandics are in any case followed by the not too strong entry from Spain, although, to be honest, it must be said that the singing of Blas Cantó improves with each rehearsal. Moldova will then take office. But it is still doubtful whether the name of Filipp Kirkorov (composer) will be good for a high score. Germany is a “love it or hate it” entry that can go in any direction. And after a song about a middle finger, the director has chosen to put the other middle finger song right after it. The song from Finland turned out to have a lot of fans yesterday. Whether it helps them on the scoreboard? We’ll know tomorrow night.

And then we see Edsilia Rombley at the top of the comment booths to chitchat with various commentators. Chantal Janzen and Jan Smit refer to the time when there was still a live orchestra. They promise an orchestra with a top DJ.

In the meantime, Bulgaria is ready with Victoria on her rock. Another strong entry. Then we see Lithuania again. At the bookies, the yellow-clad men have fallen somewhat; not because they are not good, perhaps because a large number of countries have an even stronger entry.

And then Chantal Janzen announces Duncan Laurence, who speaks to the viewer in a video. Why so soon? Well, it gives the crew time to prepare the scenery of Ukraine.

A trip, as Dutch commentator Sander Lantinga called the entry. of Ukraine We can imagine why. It would not surprise anyone if Ukraine ends up in the top of the rankings. Immediately after that, another top favorite follows: France. Take a good look, because this could well be the winner of the Eurovision Song Contest 2021. To be honest, the entry from Azerbaijan is fairly insignificant. Anyway, the King’s Commissioner in Friesland Arno Brok and Mayor of Leeuwarden Sybrand Buma give a voting advice: stim Azerbaijan (vote Azerbaijan, but in Frisian language). It doesn’t seem to be a coincidence, but after Azerbaijan, Norway will perform. All week, something seems to be going on between the Azerbaijani Efendi and the Norwegian TIX. It is very worthy to lsearch for #efentix.

Then NikkieTutorials and Edsilia Rombley take the floor and announce some entre-acts and… the entry of the Netherlands. Jeangu Macrooy is praised for his cast-iron voice. He seems to slightly do better among bookmakers. But after the Netherlands, another top favorite (there are quite a lot this year) follows: Italy. Would the glam rock-leaning group win the Eurovision song contest? We do not consider it impossible. Sweden is not one of this year’s top favorites. The entry is just not strong enough for a top score. Finally we see San Marino. And then the rule of applies: world stars do NOT win the Eurovision song contest. Whether it’s Cliff Richard, t.A.T.u., DJ Bobo or Bonnie Tyler, it doesn’t work. A high position is definitely not impossible, San Marino will break its own record for sure.

Then a spectacular entre act:follows: a classical orchestra of toung people and Afrojack accompany Wulf and Glennis Grace while they sing under the title “Music binds us”. We see images of people in Rotterdam, but the song and music come from the Erasmus Bridge.

NikkieTutorials comes again with a section of Eurovision Tutorials about the voting. Then she shows us images of how the festival in Ahoy is structured and how it works behind the scenes. Edsilia Rombley then meets several Eurovision winners, a film that was already shot before the Corona crisis. That is why Edsilia explicitly announces that she is hugging the former winners and not keeping a one and a half meter distance. Then we see a video in which Chantal Janzen explains how the audience has changed over the years.

And then we’re going to look at Teach In, Lenny Kuhr, Måns Zelmerlöw and Lordi. They sing from different rooftops in Rotterdam. Duncan Laurence then sings his hit “Arcade” and a new song. Not live, because he is at home with Corona, but a previously recorded rehearsal of his performance. And then…. The producers have even turned the countdown moment into something beautiful with dancers. The voting goes pretty smoothly. Of course something can go wrong, but there is no useless waiting. The scoreboard, with a lot of white, is easy to read. Edsilia and Nikkie are present in the greenroom while Jan and Chantal do the voting. Who is going to win remains uncertain for a long time, longer than ever. The bookmakers do not state a clear winner.

However, team Eurovision Universe has tried to predict the top 10. In a little more than 24 hours we know how right (or wrong) we are:

1.France
2.Italy
3.Malta
4.Switzerland
5.Ukraine
6.Bulgaria
7.Iceland
8.Portugal
9.Norway
10.Finland

photo credits: EBU

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It’s time for another weekly Eurovision update! This week saw critical decisions about Israel’s participation, North Macedonia’s potential comeback, and a flurry of national selection news. Israel’s fate in Eurovision 2026 is on hold. North Macedonia’s return remains uncertain as its broadcaster weighs budgets and timelines. Meanwhile, Austria gears up for a host-country selection show, and several countries have revealed their contestants for national finals. Here are this week’s top stories: Israel: EBU Postpones Vote on Participation The European Broadcasting Union (EBU) has cancelled its planned extraordinary vote on Israel’s participation in Eurovision 2026. The vote, originally set for November, was called off in light of ongoing Middle East peace negotiations and will now be discussed at the EBU’s winter General Assembly in December. In a statement, the EBU explained: “Due to recent developments in the Middle East, the EBU’s Executive Board agrees that there is a clear need for an open and in-person discussion among members concerning the issue of participation in the Eurovision Song Contest 2026. Therefore, the matter has been added to the agenda of the regular winter General Assembly, scheduled for December, instead of an extraordinary session beforehand.” This decision comes after several member broadcasters had questioned Israel’s role following the conflict in Gaza. With the November vote off the table, any formal decision on Israel’s Eurovision 2026 participation is delayed for now.  source: eurovisionworld.com. 🇲🇰 North Macedonia’s Eurovision Return Remains Uncertain Hopes for North Macedonia’s return to Eurovision are fading after a recent MRT Program Council meeting. The broadcaster’s President, Davor Pašoski, noted that participation in 2026 is possible only if the government approves an expanded MRT budget. Some council members argued for waiting until 2027, considering a detailed long-term strategy and stronger financial footing more realistic. For now, MRT aims to invest in domestic music events like Cvetnici and Skopje Fest to strengthen the local music scene before rejoining Eurovision. The Council also acknowledged receiving many appeals from fans at home and abroad (including the diaspora in Australia and Sweden) urging a comeback. MRT has not made a final decision yet and has until December to decide whether to submit an entry for Eurovision 2026. source: MRT 🇦🇹 Austria Launches “Vienna Calling – Wer singt für Österreich?” Selection Austria’s host broadcaster ORF has kicked off its search for the country’s Eurovision 2026 act on home soil. The song submission deadline closed this week, and ORF will now choose 12 finalists for a live national final on 20 February 2026. The prime-time show, titled “Vienna Calling – Wer singt für Österreich?” (Vienna Calling – Who will sing for Austria?), will be hosted by Alice Tumler, who previously co-hosted Eurovision 2015. A professional jury, including Eurovision 2018 alumnus Cesár Sampson, will review all entries and invite 24 artists for live auditions in November. After that they will be narrowing down to the final 12 acts. In the televised final, the winner will be determined by a combination of public votes plus national and international juries, earning the honor of representing Austria at Eurovision 2026 in Vienna. source: ORF stories and ORF Cesár Sampson (EBU/Andres Putting) 🇪🇸 Spain Reveals Benidorm Fest 2026 Lineup Spanish broadcaster RTVE has announced the 18 artists who will compete in Benidorm Fest 2026, the national selection for Spain’s Eurovision entry. 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Among them is Andrea Demirović, who represented Montenegro at Eurovision 2009, and Baryak, who finished 3rd in last year’s MonteSong. The selection committee chose the finalists from 37 submitted entries, including songs by local and international writers. All 15 songs will be released in early December, ahead of the MonteSong 2025 final scheduled for 21 December in Podgorica. The 15 competing acts and song titles are: Andrea Demirović – “I Believe” Baryak – “Minerva” Dolce Hera – “Casanova 91” Đurđa – “Dominos” Krstinja Manatović – “Oli oli” Lana Lopičić – “Doline” (Valleys) Lana Vukčević & Đorđe Savković – “Temperatura” (Temperature) Lara Baltić – “Rhythm Boy” Luka Radović – “Pjevaj vilo” (Sing, fairy) Majda Božović – “Ipak smo ljudi” (We are human after all) Mila Nikić – “Kao varnica” (Like a spark) Neno Murić – “Ako čuješ glas” (If you hear a voice) Stefan Vukotić – “Nedekodirana” (Undecoded) Tamara Živković – “Nova

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Eurovision 2026
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It’s time for another weekly Eurovision update! This week saw critical decisions about Israel’s participation, North Macedonia’s potential comeback, and a flurry of national selection news. Israel’s fate in Eurovision 2026 is on hold. North Macedonia’s return remains uncertain as its broadcaster weighs budgets and timelines. Meanwhile, Austria gears up for a host-country selection show, and several countries have revealed their contestants for national finals. Here are this week’s top stories: Israel: EBU Postpones Vote on Participation The European Broadcasting Union (EBU) has cancelled its planned extraordinary vote on Israel’s participation in Eurovision 2026. The vote, originally set for November, was called off in light of ongoing Middle East peace negotiations and will now be discussed at the EBU’s winter General Assembly in December. In a statement, the EBU explained: “Due to recent developments in the Middle East, the EBU’s Executive Board agrees that there is a clear need for an open and in-person discussion among members concerning the issue of participation in the Eurovision Song Contest 2026. Therefore, the matter has been added to the agenda of the regular winter General Assembly, scheduled for December, instead of an extraordinary session beforehand.” This decision comes after several member broadcasters had questioned Israel’s role following the conflict in Gaza. With the November vote off the table, any formal decision on Israel’s Eurovision 2026 participation is delayed for now.  source: eurovisionworld.com. 🇲🇰 North Macedonia’s Eurovision Return Remains Uncertain Hopes for North Macedonia’s return to Eurovision are fading after a recent MRT Program Council meeting. The broadcaster’s President, Davor Pašoski, noted that participation in 2026 is possible only if the government approves an expanded MRT budget. Some council members argued for waiting until 2027, considering a detailed long-term strategy and stronger financial footing more realistic. For now, MRT aims to invest in domestic music events like Cvetnici and Skopje Fest to strengthen the local music scene before rejoining Eurovision. The Council also acknowledged receiving many appeals from fans at home and abroad (including the diaspora in Australia and Sweden) urging a comeback. MRT has not made a final decision yet and has until December to decide whether to submit an entry for Eurovision 2026. source: MRT 🇦🇹 Austria Launches “Vienna Calling – Wer singt für Österreich?” Selection Austria’s host broadcaster ORF has kicked off its search for the country’s Eurovision 2026 act on home soil. The song submission deadline closed this week, and ORF will now choose 12 finalists for a live national final on 20 February 2026. The prime-time show, titled “Vienna Calling – Wer singt für Österreich?” (Vienna Calling – Who will sing for Austria?), will be hosted by Alice Tumler, who previously co-hosted Eurovision 2015. A professional jury, including Eurovision 2018 alumnus Cesár Sampson, will review all entries and invite 24 artists for live auditions in November. After that they will be narrowing down to the final 12 acts. In the televised final, the winner will be determined by a combination of public votes plus national and international juries, earning the honor of representing Austria at Eurovision 2026 in Vienna. source: ORF stories and ORF Cesár Sampson (EBU/Andres Putting) 🇪🇸 Spain Reveals Benidorm Fest 2026 Lineup Spanish broadcaster RTVE has announced the 18 artists who will compete in Benidorm Fest 2026, the national selection for Spain’s Eurovision entry. The festival will feature two semi-finals (February 10 and 12) and a final on February 14 in Benidorm. A total of 870 songs were submitted, and a jury of music professionals chose the final 18 acts. The lineup includes a mix of newcomers and familiar names. One act even co-wrote a past Eurovision hit, and two are children of Spain’s 1990s Eurovision stars. The 18 participants announced are: Asha Atyat Dani J Dora & Marlon Collins Funambulista Greg Taro Izan Llunas Kenneth KITAI KU Minerva Luna Ki María León (feat. Julia Medina) MAYO Mikel Herzog Jr. Miranda! & bailamamá Rosalinda Galán The Quinquis Tony Grox & LUCYCALYS source: RTVE 🇦🇱 Albania Announces Festivali i Këngës 64 Contestants In Albania, national broadcaster RTSH has unveiled the 28 artists participating in Festivali i Këngës 64. Over 100 songs were submitted for consideration, and the selected entries will compete in December for a ticket to Eurovision 2026. Festivali i Këngës 64 will follow its traditional format of four live shows: two semi-finals, a nostalgia night, and the Grand Final. For the first time the Albanian public will get to vote via a real-time voting app alongside the jury votes. The lineup of 28 participants includes: 2Farm Alis Egzon Pireci Endri Kaçaçi Enxhi Nasufi Erand Sojli Erik Lloshi Evi Reçi Fifi & Tiri Gjoci Frensi Gerta Mahmutaj Ghiti Gresa Gjocera & Bledi Kaso Inis Neziri Kamela Ismalaj Kimi Kleansa Susaj Lorenc Hasrama Luna Çausholli Malvina Likaj Rezarta Smaja Rigersa Loka Sara Kapo Savjana Vjerdha Sheila Sihana Haxhnikaj ThreeX Vedat Ademi source: RTSH 🇲🇪 Montenegro Reveals MonteSong 2025 Finalists RTCG, Montenegro’s broadcaster, announced the 15 finalists for MonteSong 2025, its national contest to choose the Eurovision 2026 representative. The participants were revealed on the morning show “Dobro jutro, Crna Goro”, and include some notable names. Among them is Andrea Demirović, who represented Montenegro at Eurovision 2009, and Baryak, who finished 3rd in last year’s MonteSong. The selection committee chose the finalists from 37 submitted entries, including songs by local and international writers. All 15 songs will be released in early December, ahead of the MonteSong 2025 final scheduled for 21 December in Podgorica. The 15 competing acts and song titles are: Andrea Demirović – “I Believe” Baryak – “Minerva” Dolce Hera – “Casanova 91” Đurđa – “Dominos” Krstinja Manatović – “Oli oli” Lana Lopičić – “Doline” (Valleys) Lana Vukčević & Đorđe Savković – “Temperatura” (Temperature) Lara Baltić – “Rhythm Boy” Luka Radović – “Pjevaj vilo” (Sing, fairy) Majda Božović – “Ipak smo ljudi” (We are human after all) Mila Nikić – “Kao varnica” (Like a spark) Neno Murić – “Ako čuješ glas” (If you hear a voice) Stefan Vukotić – “Nedekodirana” (Undecoded) Tamara Živković – “Nova

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