🇬🇧 Blast from the past: UK 1970

photo credits: Nationaal Archief, Den Haag

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: 1970 runner up Mary Hopkin.

United Kingdom in the Eurovision Song Contest

We already talked about the British Eurovision winners in this blast from the past. But what we didn’t mention are the many times that the United Kingdom organized the contest because other countries couldn’t. That started already in 1960, when The Netherlands were not able to organize the contest so soon after their first time. The contest went to the Royal Festival Hall in London. Three years later France faced the same problem. The brand new BBC TV Studio in London was the place to be. When Monaco won the contest in 1971, Monegask tv was not able (or willing?) to organize the contest. We went to Scotland instead, to Edinburgh. Two years later, Luxembourg couldn’t have the contest for a second year in a row, so we went to Brighton. And most recently, when Ukraine won the contest in 2022 while at war, it was again the United Kingdom taking it over; this time in the Echo Arena in Liverpool.

National final 1970

Six songs all were sung by Mary Hopkin on the 7th of March. Cliff Richard was the host of the contest. People were able to vote by postcard, and one week later the results were made public.

  1. Three ships, 60,330 votes, 3rd
  2. Early in the morning of your life, 15,090 votes, 6th
  3. I’m going to fall in love again, 74,640 votes, 2nd
  4. You’ve everything you need, 39,360 votes, 5th
  5. Can I believe? 42,180 votes, 4th
  6. Knock knock (who’s there?), 120,290 votes, 1st

As you see, “Knock knock (who’s there?)” won with a landslide, having almost double the votes of the runner up “I’m going to fall in love again”.

Mary Hopkin

Mary Hopkin, born on 3rd May 1950 in Pontardawe, Wales, is a renowned British folk singer hitting the charts in the late 1960s and 1970s. Her journey to fame began in the late 1960s when she appeared on the British television talent show, “Opportunity Knocks”. Her ethereal performance caught the attention of none other than Paul McCartney, who was then looking for artists for the Beatles’ newly formed Apple Records label. McCartney signed her, and under his guidance, Hopkin released her chart-topping single “Those Were the Days” in 1968. The song quickly became an international sensation.

Mary represented the UK in the 1970 Eurovision Song Contest with the song “Knock, Knock Who’s There?”. Her debut album “Postcard”, also produced by McCartney, showcased her ability to blend folk with pop, creating a sound that was both fresh and reminiscent of older, simpler times. She took a hiatus from the music world in the mid-1970s to focus on her family.

In the years that followed, Hopkin explored various musical avenues, collaborating with a range of artists and dabbling in different genres. Her collaborations with the famed producer Tony Visconti resulted in several acclaimed albums, including “Earth Song/Ocean Song”, which is considered by many as one of the seminal folk albums of the 1970s.

Knock Knock (Who’s There?)

“Knock, Knock Who’s There?” is a catchy, upbeat pop song that achieved considerable fame in the early 1970s. Its most significant claim to fame is being the United Kingdom’s entry for the Eurovision Song Contest in 1970. The song was a strong contender in the competition, ultimately finishing in second place. Given Eurovision’s vast audience, this placement ensured that the song reached millions of listeners across Europe and beyond.

The lyrics of “Knock, Knock Who’s There?” combine a playful, almost nursery rhyme-like quality in its chorus with verses that express themes of love, hope, and anticipation. The song’s arrangement, characteristic of the era, features a blend of pop and orchestral elements, giving it a full, melodious sound.

Following its appearance in the Eurovision Song Contest, “Knock, Knock Who’s There?” enjoyed commercial success, especially in the UK where it reached the number two spot on the charts. Its popularity cemented Mary Hopkin’s status as one of the leading British singers of the time, complementing Mary Hopkins earlier success with hits like “Those Were the Days.”

 

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1994 The EBU was frantically searching for a new system. The countries with the worst scores from the previous year had to sit on the sidelines for a year. They had to make way for Estonia, Hungary, Lithuania, Poland, Romania, Russia, and Slovakia. Proud Ireland hosted the Song Contest again, this time simply in Dublin, at the Point Theatre. The hosts were Cynthia NĂ­ MhurchĂș and Gerry Ryan. The interval act was the most talked-about ever: River Dance. A dance written by Bill Whelan, but which later grew into an internationally acclaimed act. The songs Marie Bergman represented Sweden, in a duet with Roger Pontare. Marie had also participated in 1971 and 1972. Evridiki returned for Cyprus. Former Bobbysocks member Elisabeth Andreasson sang, also in a duet, for Norway. And the Icelandic Sigga, who had participated in a group twice, now took part solo. That was quite a challenge. Her duo partner from two years earlier, Sissa, was actually supposed to sing the song “NĂŠtur,” but she was sidelined by the Icelandic broadcaster. Portugal caught attention with Sara Tavares. She had won a singing competition in her own country; back then, she imitated Whitney Houston. Her song “Chamar a musica” impressed the audience. Germany opted more for a lot of cheerfulness. The all-female trio Mekado, formed especially for the occasion, performed the cheerful “Wir geben ‘ner Party.” It was sung in German, but with many international terms. And it was a song by Ralph Siegel and Bernd Meinunger. The aforementioned Elisabeth Andreasson sang a duet with the much younger (and sadly enough deceased very young) Jan Werner Danielsen: “Duett,” a mystical song. 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Former Bobbysocks member Elisabeth Andreasson sang, also in a duet, for Norway. And the Icelandic Sigga, who had participated in a group twice, now took part solo. That was quite a challenge. Her duo partner from two years earlier, Sissa, was actually supposed to sing the song “NĂŠtur,” but she was sidelined by the Icelandic broadcaster. Portugal caught attention with Sara Tavares. She had won a singing competition in her own country; back then, she imitated Whitney Houston. Her song “Chamar a musica” impressed the audience. Germany opted more for a lot of cheerfulness. The all-female trio Mekado, formed especially for the occasion, performed the cheerful “Wir geben ‘ner Party.” It was sung in German, but with many international terms. And it was a song by Ralph Siegel and Bernd Meinunger. The aforementioned Elisabeth Andreasson sang a duet with the much younger (and sadly enough deceased very young) Jan Werner Danielsen: “Duett,” a mystical song. Friderika Bayer from Hungary sang the serene “Kinek mondjam el vĂ©tkeimet?” For a moment, it seemed Hungary was going to win. The first juries all gave their 12 to the debuting country. Ultimately, Friderika finished fourth. Youddiph also came from Eastern Europe. She represented Russia with “Vechny strannik,” but above all with her dress. She constantly changed it into a different dress, keeping the viewer mesmerized and focused on it. The Polish Edyta GĂłrniak had dressed much more simple. The song, too, stood out for its simplicity. It came in second. Because Ireland won, of course. That was how it was done in those days. Paul Harrington & Charlie McGettigan Rumour has it that Ireland had sent two middle-aged men with a ballad because they didn’t want to win again. If that was the case, that plan was not exactly successful. For it was precisely as anti-heroes that Paul Harrington and Charlie McGettigan made a huge impression. Halfway through the voting, they took a lead with their “Rock ‘n’ roll kids” that they never relinquished. The crowd went wild; Ireland was celebrating one big party. Except perhaps at the Irish broadcaster RTÉ, which now found itself facing the organization of the contest once again. Charlie McGettigan recently made the news by wanting to return his trophy, following in the footsteps of Nemo (2024). He, too, could not live with Israel’s participation. However, he could not find his trophy. Understandable, because anyone who looks closely at the award ceremony will see that only composer Brendan Graham received a trophy. 1995 Once again, a number of countries had to make way so that others could return. However, Italy and Luxembourg, both on the reserve bench the previous year, did not return. 23 countries participated in this festival. It was hosted by Mary Kennedy. The songs Arzu Ece participated for Turkey for the second time, having entered the Eurovision stage six years earlier as a member of the group Pan. She was the only artist returning. Justyna Steczkowska participated for Poland. Although she did not finish high, she did attract attention due to the atonal singing during her song. Also noteworthy: Eddie Friel for Ireland. His song “Dreamin’” was such a shameless copy of Julie Felix’s “Moonlight” (just listen to the two songs) that disqualification loomed. Anabel Conde was the participant for Spain. She finished in second place. The group Magazin represented Croatia, with opera singer Lidija HorvĂĄth as an additional vocalist. Whereas all group members sang at the national final, now only Lidija and group singer Danijela were visible. The rest had faded into the background. Danijela would not stay with Magazin for much longer. And then there was Alexandros Panayi: he was the fan favorite for Cyprus with “Sti fotia”. 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