🇬🇧 Blast from the past: UK 1970

photo credits: Nationaal Archief, Den Haag

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: 1970 runner up Mary Hopkin.

United Kingdom in the Eurovision Song Contest

We already talked about the British Eurovision winners in this blast from the past. But what we didn’t mention are the many times that the United Kingdom organized the contest because other countries couldn’t. That started already in 1960, when The Netherlands were not able to organize the contest so soon after their first time. The contest went to the Royal Festival Hall in London. Three years later France faced the same problem. The brand new BBC TV Studio in London was the place to be. When Monaco won the contest in 1971, Monegask tv was not able (or willing?) to organize the contest. We went to Scotland instead, to Edinburgh. Two years later, Luxembourg couldn’t have the contest for a second year in a row, so we went to Brighton. And most recently, when Ukraine won the contest in 2022 while at war, it was again the United Kingdom taking it over; this time in the Echo Arena in Liverpool.

National final 1970

Six songs all were sung by Mary Hopkin on the 7th of March. Cliff Richard was the host of the contest. People were able to vote by postcard, and one week later the results were made public.

  1. Three ships, 60,330 votes, 3rd
  2. Early in the morning of your life, 15,090 votes, 6th
  3. I’m going to fall in love again, 74,640 votes, 2nd
  4. You’ve everything you need, 39,360 votes, 5th
  5. Can I believe? 42,180 votes, 4th
  6. Knock knock (who’s there?), 120,290 votes, 1st

As you see, “Knock knock (who’s there?)” won with a landslide, having almost double the votes of the runner up “I’m going to fall in love again”.

Mary Hopkin

Mary Hopkin, born on 3rd May 1950 in Pontardawe, Wales, is a renowned British folk singer hitting the charts in the late 1960s and 1970s. Her journey to fame began in the late 1960s when she appeared on the British television talent show, “Opportunity Knocks”. Her ethereal performance caught the attention of none other than Paul McCartney, who was then looking for artists for the Beatles’ newly formed Apple Records label. McCartney signed her, and under his guidance, Hopkin released her chart-topping single “Those Were the Days” in 1968. The song quickly became an international sensation.

Mary represented the UK in the 1970 Eurovision Song Contest with the song “Knock, Knock Who’s There?”. Her debut album “Postcard”, also produced by McCartney, showcased her ability to blend folk with pop, creating a sound that was both fresh and reminiscent of older, simpler times. She took a hiatus from the music world in the mid-1970s to focus on her family.

In the years that followed, Hopkin explored various musical avenues, collaborating with a range of artists and dabbling in different genres. Her collaborations with the famed producer Tony Visconti resulted in several acclaimed albums, including “Earth Song/Ocean Song”, which is considered by many as one of the seminal folk albums of the 1970s.

Knock Knock (Who’s There?)

“Knock, Knock Who’s There?” is a catchy, upbeat pop song that achieved considerable fame in the early 1970s. Its most significant claim to fame is being the United Kingdom’s entry for the Eurovision Song Contest in 1970. The song was a strong contender in the competition, ultimately finishing in second place. Given Eurovision’s vast audience, this placement ensured that the song reached millions of listeners across Europe and beyond.

The lyrics of “Knock, Knock Who’s There?” combine a playful, almost nursery rhyme-like quality in its chorus with verses that express themes of love, hope, and anticipation. The song’s arrangement, characteristic of the era, features a blend of pop and orchestral elements, giving it a full, melodious sound.

Following its appearance in the Eurovision Song Contest, “Knock, Knock Who’s There?” enjoyed commercial success, especially in the UK where it reached the number two spot on the charts. Its popularity cemented Mary Hopkin’s status as one of the leading British singers of the time, complementing Mary Hopkins earlier success with hits like “Those Were the Days.”

 

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This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final… 1986 – Timna Brauer – Die Zeit ist einsam Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances. 1987 – Gary Lux – Nur noch GefĂĽhl Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch GefĂĽhl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high. 1988 – Wilfried – Lisa, Mona Lisa Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries. 1989 – Thomas Forstner – Nur ein Lied Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory. The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history. 1990 – Simone – Keine Mauern mehr Austria’s 1990 entry was the inspirational pop ballad “Keine Mauern mehr” (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria. The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria. 1991 – Thomas Forstner – Venedig im Regen Thomas Forstner returned to represent Austria in Eurovision 1991 with “Venedig im Regen” (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

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History
Martijn

Austria in the Eurovision Song Contest, part 5

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final… 1986 – Timna Brauer – Die Zeit ist einsam Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances. 1987 – Gary Lux – Nur noch GefĂĽhl Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch GefĂĽhl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high. 1988 – Wilfried – Lisa, Mona Lisa Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries. 1989 – Thomas Forstner – Nur ein Lied Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory. The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history. 1990 – Simone – Keine Mauern mehr Austria’s 1990 entry was the inspirational pop ballad “Keine Mauern mehr” (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria. The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria. 1991 – Thomas Forstner – Venedig im Regen Thomas Forstner returned to represent Austria in Eurovision 1991 with “Venedig im Regen” (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

Read More »
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