šŸ‡¬šŸ‡§ Blast from the past: UK 1970

photo credits: Nationaal Archief, Den Haag

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: 1970 runner up Mary Hopkin.

United Kingdom in the Eurovision Song Contest

We already talked about the British Eurovision winners in this blast from the past. But what we didn’t mention are the many times that the United Kingdom organized the contest because other countries couldn’t. That started already in 1960, when The Netherlands were not able to organize the contest so soon after their first time. The contest went to the Royal Festival Hall in London. Three years later France faced the same problem. The brand new BBC TV Studio in London was the place to be. When Monaco won the contest in 1971, Monegask tv was not able (or willing?) to organize the contest. We went to Scotland instead, to Edinburgh. Two years later, Luxembourg couldn’t have the contest for a second year in a row, so we went to Brighton. And most recently, when Ukraine won the contest in 2022 while at war, it was again the United Kingdom taking it over; this time in the Echo Arena in Liverpool.

National final 1970

Six songs all were sung by Mary Hopkin on the 7th of March. Cliff Richard was the host of the contest. People were able to vote by postcard, and one week later the results were made public.

  1. Three ships, 60,330 votes, 3rd
  2. Early in the morning of your life, 15,090 votes, 6th
  3. I’m going to fall in love again, 74,640 votes, 2nd
  4. You’ve everything you need, 39,360 votes, 5th
  5. Can I believe? 42,180 votes, 4th
  6. Knock knock (who’s there?), 120,290 votes, 1st

As you see, “Knock knock (who’s there?)” won with a landslide, having almost double the votes of the runner up “I’m going to fall in love again”.

Mary Hopkin

Mary Hopkin, born on 3rd May 1950 in Pontardawe, Wales, is a renowned British folk singer hitting the charts in the late 1960s and 1970s. Her journey to fame began in the late 1960s when she appeared on the British television talent show, “Opportunity Knocks”. Her ethereal performance caught the attention of none other than Paul McCartney, who was then looking for artists for the Beatles’ newly formed Apple Records label. McCartney signed her, and under his guidance, Hopkin released her chart-topping single “Those Were the Days” in 1968. The song quickly became an international sensation.

Mary represented the UK in the 1970 Eurovision Song Contest with the song “Knock, Knock Who’s There?”. Her debut album “Postcard”, also produced by McCartney, showcased her ability to blend folk with pop, creating a sound that was both fresh and reminiscent of older, simpler times. She took a hiatus from the music world in the mid-1970s to focus on her family.

In the years that followed, Hopkin explored various musical avenues, collaborating with a range of artists and dabbling in different genres. Her collaborations with the famed producer Tony Visconti resulted in several acclaimed albums, including “Earth Song/Ocean Song”, which is considered by many as one of the seminal folk albums of the 1970s.

Knock Knock (Who’s There?)

“Knock, Knock Who’s There?” is a catchy, upbeat pop song that achieved considerable fame in the early 1970s. Its most significant claim to fame is being the United Kingdom’s entry for the Eurovision Song Contest in 1970. The song was a strong contender in the competition, ultimately finishing in second place. Given Eurovision’s vast audience, this placement ensured that the song reached millions of listeners across Europe and beyond.

The lyrics of “Knock, Knock Who’s There?” combine a playful, almost nursery rhyme-like quality in its chorus with verses that express themes of love, hope, and anticipation. The song’s arrangement, characteristic of the era, features a blend of pop and orchestral elements, giving it a full, melodious sound.

Following its appearance in the Eurovision Song Contest, “Knock, Knock Who’s There?” enjoyed commercial success, especially in the UK where it reached the number two spot on the charts. Its popularity cemented Mary Hopkin’s status as one of the leading British singers of the time, complementing Mary Hopkins earlier success with hits like “Those Were the Days.”

 

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1978 The 1978 Eurovision Song Contest was held in Paris. A record number of twenty countries participated. Although there were no new countries, Turkey, Greece, and even Denmark returned. Also new was the double presentation: Leon Zitrone and Denise Fabre hosted the show together. Every five songs, one of the two would announce which countries the viewer could expect. Jean VallĆ©e participated for Belgium for the second time. This time, he had a ballad that was expected to score highly, perhaps even win. Ireen Sheer, a previous participant for Luxembourg, now sang for Germany. In the field of participants, we certainly must not forget Jahn Teigen. With his sunglasses and suspenders, he stood out quite a bit. 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A newspaper described Teigen as ā€˜The Singing Circular Saw’. He didn’t get a single point. There were big stars as well. Ricchi e Poveri participated for Italy. Rumour has it that the blonde singer of the group was wearing nothing under her dress. This rumor has never been confirmed. The ladies of Baccara, the Spanish duo that caused a sensation with ā€œYes Sir, I Can Boogieā€, represented Luxembourg. The dance was fine, the singing somewhat less so. Nevertheless, they finished seventh. And then there was Bjƶrn Skifs, who enjoyed international fame as the singer of the group Blue Suede. Skifs opened his performance with the lyrics ā€œSorry I kept you waiting but… here’s the top of the billā€. After that, he opened his song with the lyrics ā€œRƶb min fƶs och hitte knĆ¶ā€. That isn’t Swedish, but it sounds like it. Skifs had forgotten his lyrics. Also noteworthy was the Greek singer Tania Tsanaclidou. She paid tribute to the recently deceased Charlie Chaplin. Armed with a bowler hat and walking stick, she sang her song to an eighth place. Izhar Cohen & The Alpha Beta Israel achieved a victory for the first time. Izhar Cohen & The Alpha Beta were added to the national final at the very last moment. No suitable performer had been found for another song (but more on that later). The song, ā€œA-ba-ni-biā€, actually came from a children’s song festival. It was about a children’s game, the B-Language, in which every syllable is repeated, but with a B in front of it. The Hebrew word Ani (I) thus becomes ā€œA-ba-ni-biā€. To this day, they do not know all of this in Jordan. The festival was broadcast, but the Israeli entry was not. When it turned out that Israel would win, it was decided in Jordan not to announce it. Belgium, which came second, was presented there as the winner. 1979 Jerusalem was the venue in 1979. Once again, two presenters did the work: Daniel Peer and Yardena Arazi. The latter had participated herself for Israel in 1976. Originally, 20 countries were to participate. Turkey, which already had a song, had to withdraw under pressure of the Arab oil-producing countries. Sandra Reemer participated for the Netherlands for the third time, now under the name Xandra and with a fake ponytail. Anita Skorgan returned for Norway. Former winner Anne-Marie David represented France. Peter, Sue & Marc also participated again; this time together with Pfuri, Gorps and Kniri, a trio that could be heard playing a rake, a watering can, and a garden hose as instruments. Also noteworthy was the act from Germany: Dschinghis Khan, with a song of the same name. This hymn of praise to the Mongolian leader can be called remarkable, to say the least. The striking act the group performed was meant to conceal the fact that the song contained phrases such as ā€œCome on brothers, drink brothers, rob brothersā€ and ā€œHe fathered seven children in one night.ā€Ā  Micha Marah participated for Belgium. For weeks, she sing six songs in preliminary rounds. Every week, one snog was eliminated. Eventually, three remained for the final. And of course, that very one song she didn’t like, ā€˜Hey Nanah’, turned out to be the winner. Micha Marah was so angry that the Belgian broadcaster feared Micha would withdraw. Backing singer Nancy Dee was ready to replace her. In the end, Micha sang after all. For Spain, the Peruvian Betty Missiego took the stage. She sang ā€œSu canciónā€, but she didn’t do it alone. Four young schoolchildren sat cross-legged around her, to later flank her as a backing choir. These were perhaps the youngest children ever on stage. Gali Atari & Milk and Honey Spain came very close to winning. When the final jury had to cast their points, Betty Missiego had a one-point lead over host country Israel. But it was Spain that still had to vote. The Spanish jury gave 10 points to Israel. The group Milk and Honey, with singer Gali Atari, won with that. And the winning ā€œHallelujahā€ became a classic in the world of Eurovision. That came very close, by the way. The year before, the winning ā€œA-ba-ni-biā€ was the reserve candidate. Initially, ā€œHallelujahā€ was supposed to participate back then. However, no one could be found who wanted to sing it. How times change…

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