🇬🇧 Blast from the past: UK 1970

photo credits: Nationaal Archief, Den Haag

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: 1970 runner up Mary Hopkin.

United Kingdom in the Eurovision Song Contest

We already talked about the British Eurovision winners in this blast from the past. But what we didn’t mention are the many times that the United Kingdom organized the contest because other countries couldn’t. That started already in 1960, when The Netherlands were not able to organize the contest so soon after their first time. The contest went to the Royal Festival Hall in London. Three years later France faced the same problem. The brand new BBC TV Studio in London was the place to be. When Monaco won the contest in 1971, Monegask tv was not able (or willing?) to organize the contest. We went to Scotland instead, to Edinburgh. Two years later, Luxembourg couldn’t have the contest for a second year in a row, so we went to Brighton. And most recently, when Ukraine won the contest in 2022 while at war, it was again the United Kingdom taking it over; this time in the Echo Arena in Liverpool.

National final 1970

Six songs all were sung by Mary Hopkin on the 7th of March. Cliff Richard was the host of the contest. People were able to vote by postcard, and one week later the results were made public.

  1. Three ships, 60,330 votes, 3rd
  2. Early in the morning of your life, 15,090 votes, 6th
  3. I’m going to fall in love again, 74,640 votes, 2nd
  4. You’ve everything you need, 39,360 votes, 5th
  5. Can I believe? 42,180 votes, 4th
  6. Knock knock (who’s there?), 120,290 votes, 1st

As you see, “Knock knock (who’s there?)” won with a landslide, having almost double the votes of the runner up “I’m going to fall in love again”.

Mary Hopkin

Mary Hopkin, born on 3rd May 1950 in Pontardawe, Wales, is a renowned British folk singer hitting the charts in the late 1960s and 1970s. Her journey to fame began in the late 1960s when she appeared on the British television talent show, “Opportunity Knocks”. Her ethereal performance caught the attention of none other than Paul McCartney, who was then looking for artists for the Beatles’ newly formed Apple Records label. McCartney signed her, and under his guidance, Hopkin released her chart-topping single “Those Were the Days” in 1968. The song quickly became an international sensation.

Mary represented the UK in the 1970 Eurovision Song Contest with the song “Knock, Knock Who’s There?”. Her debut album “Postcard”, also produced by McCartney, showcased her ability to blend folk with pop, creating a sound that was both fresh and reminiscent of older, simpler times. She took a hiatus from the music world in the mid-1970s to focus on her family.

In the years that followed, Hopkin explored various musical avenues, collaborating with a range of artists and dabbling in different genres. Her collaborations with the famed producer Tony Visconti resulted in several acclaimed albums, including “Earth Song/Ocean Song”, which is considered by many as one of the seminal folk albums of the 1970s.

Knock Knock (Who’s There?)

“Knock, Knock Who’s There?” is a catchy, upbeat pop song that achieved considerable fame in the early 1970s. Its most significant claim to fame is being the United Kingdom’s entry for the Eurovision Song Contest in 1970. The song was a strong contender in the competition, ultimately finishing in second place. Given Eurovision’s vast audience, this placement ensured that the song reached millions of listeners across Europe and beyond.

The lyrics of “Knock, Knock Who’s There?” combine a playful, almost nursery rhyme-like quality in its chorus with verses that express themes of love, hope, and anticipation. The song’s arrangement, characteristic of the era, features a blend of pop and orchestral elements, giving it a full, melodious sound.

Following its appearance in the Eurovision Song Contest, “Knock, Knock Who’s There?” enjoyed commercial success, especially in the UK where it reached the number two spot on the charts. Its popularity cemented Mary Hopkin’s status as one of the leading British singers of the time, complementing Mary Hopkins earlier success with hits like “Those Were the Days.”

 

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2004 It was a nice idea to have Enrique Iglesias host the Eurovision Song Contest. It didn’t happen. Whether it was an excessive fee or protests within the broadcaster because the man wasn’t Turkish, we don’t know exactly. But in the now-demolished Abdi İpekçi Arena in Istanbul, Korhan Abay and Meltem Cumbul hosted the contest. And for the first time, there was a semi-final. Countries that had not finished in the top 10 the previous year and countries that were on the reserve bench at the time had to participate. Debuting countries Albania, Belarus, Serbia & Montenegro, and Andorra were also in it. The songs The Belarusians sent the duo Aleksandra and Konstantin with the song “My Galileo”. It was sung in English, but you had to mention that. 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What turned out to be the case? Producer David Brandes had personally bought up many CDs to boost the sales figures. David Brandes was also the producer of the Swiss entry: the Estonian group Vanilla Ninja. But these four rock chicks, popular in German-speaking countries, experienced no hindrance from their producer. And then there was a song from Latvia, sung by the duo Walters and Kazha. They sang part of their song in sign language. Helena Paparizou Greece won for the first time. As mentioned, Helena Paparizou had participated before. The singer, who lives in Sweden, previously sang in the popular duo Antique. Now she sang solo. She was to sing four songs from which one Eurovision entry would be chosen. However, the favorite, “The Light of Our Soul”, was disqualified because it had been released too early. The song chosen from the remaining three was “My Number One”. And that did indeed become number 1.

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For a few years, there was an Aleksandra and Konstantin Award for the very worst English. Jonathan Cerrada was the participant for France. By then, the Belgian was a big star in the French-speaking countries. Amidst the stilt-walking backing singers, he failed to live up to expectations. Neither did the Belgian top favorite Xandee with the disco track “1 Life.” How different it was for the Albanian Anjeza Shahini. Festivali i KĂ«ngĂ«s, a major Albanian national song contest held at the end of December, became the national selection from then on. Only the song “Dua tĂ« jem imazhi yt” had to be shortened by a minute and a half, and was therefore immediately translated into English. The Bosnian Dane also stood out with his disco beat, his bleached hair, and his pink suit. Macedonia sent its biggest star, Toše Proeski. He would die in a car accident four years later. His fame has since grown to legendary proportions. Lena Philipsson was already a big star in Sweden. Yet she never managed to win Melodifestivalen. Until 2004, that is. Greece had had an extensive national final. But while it was still underway, their biggest star, Sakis Rouvas, announced his intention to go to the Eurovision Song Contest. The entire national final was set aside, and Sakis went to Istanbul. Serbia and Montenegro were represented by Ĺ˝eljko Joksimović, who performed a piece of his own Serbian culture with “Lane moje.” Sakis and Ĺ˝eljko would go on to compete in the final. Ruslana But they did not fight that final battle alone. The Ukrainian Ruslana also participated. She, too, had brought her own culture with her. In the song “Wild Dances,” a Ukrainian instrument, the trembita, played the leading role. Ruslana had been internally selected to go to the Eurovision Song Contest. When she won, she was honored by President Kuchma with the highest possible distinction, People’s Artist of Ukraine. With the presidential elections of late 2004 and the subsequent Orange Revolution, she sided with presidential candidate Yushchenko. He did not win; fraud was suspected. During the revolution that followed, Ruslana went on a hunger strike for a short time. Besides being a singer, she would remain a political activist and politician. 2005 Ruslana was set to present the Eurovision Song Contest, which was held at the Palace of Sports in Kyiv. She was to do so together with Pavlo Shylko. However, Ruslana withdrew, officially because she had other commitments. But it is quite possible that her poor English also played a role. Since there was a semifinal,  Bulgaria and Moldova wanted to participate as well, Hungary returned, and even Monaco came back after 26 years. The songs The Icelandic Selma participated one more time. This time, however, she did not reach the final. Chiara from Malta also took part again. She even improved on her previous success by finishing second with her “Angel”. Constantinos from Cyprus even participated for the third time. And Helena Paparizou, who represented Greece in 2001 with the duo Antique, was also present again. Debuting Moldova sent the group Zdob Č™i Zdub. They performed their ode to a grandmother with a real grandmother on stage, who occasionally beat a huge drum. Moldova finished an impressive sixth with it. Host country Ukraine really went all out. From no fewer than 75 songs, 15 finalists emerged. But actually, no one doubted the victory for top favorite Ani Lorak. Until the broadcaster suddenly awarded wildcards to four songs: protest songs stemming from the recently concluded revolution. With that, Ani Lorak lost her chance. Karma catches up with them: the winning group Greenjolly first had to change the lyrics of their song of praise to the president. Ultimately, the group finished 19th. The German entry was controversial. Gracia already had a major hit in her own country at the time she won the German national final. 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Read More »
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