Blast from the past: Slovenia 1997

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1997, when Tanja Ribič represented Slovenia with her song “Zbudi se”.

Slovenia in the Eurovision Song Contest

Slovenia has competed in Eurovision since 1993, representing RTV Slovenija after the Yugoslav era. Its best results are two seventh places: Darja Švajger in 1995 and Nuša Derenda in 2001. Recent years illustrate range and ambition: LPS with “Disko” (2022), Joker Out with “Carpe Diem” qualifying for the 2023 final, and Raiven’s opera-pop “Veronika” placing 23rd in 2024. In 2025, Klemen won EMA with “How Much Time Do We Have Left” and finished 13th in Semi-Final 1, so Slovenia missed the final. 

EMA 1997

Evrovizijska Melodija, mostly shortened as EMA, was and is the Slovenian national selection. In 1997, it was held in RTVSLO Studio 1 in Ljubljana. Mojca Mavec hosted the show on 22 February. No less than 13 songs competed.

  1. Nekdo“, sung by Natalija Verboten, 265 pts, 12th
  2. Zaradi nje“, sung by Dominik Kozarič, 650 pts, 9th
  3. Zbudi se“, sung by Tanja Ribič, 4,493 pts, 1st
  4. Veter z juga“, sung by Tinkara Kovac, 574 pts, 10th
  5. Kadar boš ob njej zaspal“, sung by Irena Vrčkovnik, 1,010 pts, 7th
  6. Daljave“, sung by Melita & Klarisa, 512 pts, 11th
  7. Le en poljub“, sung by Grom, 895 pts, 8th
  8. Prosim ostani“, sung by Napoleon, 1,794 pts, 5th
  9. Korak v dežju“, sung by Katrina, 213 pts, 13nd
  10. Jagode in čokolada“, sung by Rok ‘n’ Band, 2,226 pts, 3rd
  11. Vsakdanji čudež“, sung by Darja Švajger, 4,076 pts, 2nd
  12. Ti in jaz“, Vili Resnik, 1,521 pts, 6th
  13. Objemi me nežno“, M4M, 2,047 pts, 4th

No former Eurovision participants took part this year. However, no less than three artists would get to the Eurovision stage on later occasions: Tinkara Kovac, Darja Švajger and Vili Resnik.

Tanja Ribič

Tanja Ribič (born 28 June 1968) is a Slovenian actress and singer whose career spans theatre, film and television. She studied acting at the Academy of Theatre, Radio, Film and Television (AGRFT) in Ljubljana; she enrolled in 1987 and joined the Ljubljana City Theatre (MGL) in 1992, where she has remained a long‑standing member. On television, she became widely known to Slovenian audiences through the sitcom Naša mala klinika. On film, she appeared in regional and domestic productions, among them Kajmak i marmelada (2003) and Traktor, ljubezen in Rock’n’Roll (2008). Her stage and screen work shows a mix of comedy and drama, and she has also performed music alongside acting. 

Ribič reached an international audience in 1997, when she represented Slovenia at the Eurovision Song Contest in Dublin with the song “Zbudi se”. She finished tenth with 60 points, a result that consolidated her visibility beyond the theatre. After Eurovision, she continued to work across media, taking roles in television series and films while returning regularly to the MGL ensemble. Later film work includes the comedy‑horror Prekletstvo Valburge (2019) and a role in the 2024 feature Tartinijev ključ. Ribič married Bosnian actor and director Branko Đurić in 2000, and the couple has occasionally collaborated professionally; they have two children. She continues to appear on stage and screen in Slovenia.

Zbudi se

“Zbudi se” (“Wake Up”) was Slovenia’s Eurovision 1997 entry, performed by Tanja Ribič. It placed 10th with 60 points in Dublin. The song is a gentle Slovene-language pop ballad from the live-orchestra era, built on piano and strings with a mid-tempo lift and a lilting chorus. Its lyric is an invitation to awaken and embrace love, giving the performance a warm, romantic tone rather than showy drama. The arrangement leaves space for Ribič’s voice and backing vocals to blend, creating an accessible, radio-friendly sound. An English version, “Waken Now,” later circulated, but the original “Zbudi se” remains the standard version.

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

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Eurovision 2026
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Weekly Update

It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-Noël Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland Weißmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RÚV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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