🇱🇺 Blast from the past: Luxembourg 1980

photo credits: Nationaal Archief, Den Haag, Netherlands

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: two cute ladies, but unfortunately also a sad story.

Luxembourg in the Eurovision Song Contest

Luxembourg has triumphed in the contest on five distinct occasions. However, the twist is that not a single winner was of Luxembourgish descent. The champions Jean-Claude Pascal (1961), France Gall (1965), Anne-Marie David (1973), and Corinne Hermes (1983) originated from France. Meanwhile, Vicky Leandros (1972), a Greek by birth, has made Germany her longtime residence.

National final

In 1980, Luxembourg selected their song internally. It is not exactly known how. However, there is a video in which we can see something that looks like an audition. Ralph Siegel and Bernd Meinunger composed a song. For the French lyrics of it, they teamed up with Jean-Paul Cara and Pierre DelanoĂ«. The twins Sophie and Magaly were chosen to sing the entry. 

Sophie and Magaly

Sophie and Magaly, French twin sisters, formed a musical duo. They were born in Neuilly-sur-Seine at 24 august 1962. They gained significant attention when they represented Luxembourg in the 1980 Eurovision Song Contest with “Papa Pingouin”, securing the ninth position. Despite this placement, the track witnessed tremendous commercial acclaim in France, selling over a million copies. Their subsequent release, “Arlequin”, didn’t fare well, leading their German producer Ralph Siegel from Ariola to part ways with them. Another producer, Charles Talar, stepped in, but the duo’s later tracks, “Toi” and “Les nanas de Zorro”, failed to capture the audience, resulting in their disbandment.

When Sophie and Magaly, still minors at the time, entered into a contract with Ralph Siegel, their parents lacked insight into the standard practices of the showbiz world. The agreement they made with Siegel ensured only a minimal percentage of the sales would go to the sisters.

In April 1982, during a prime-time slot on TF1’s “Droit de rĂ©ponse”, Magaly opened up about their earnings. She revealed that they each had been paid a mere 5,000 francs (equivalent to 762 € before adjusting for inflation), despite their record sales surpassing a million 45 rpm units. Further, she shared that Siegel had chosen to discontinue his professional relationship with them and was unwilling to revisit the terms of the contract, maintaining that it was already fair and binding.

Years later, in 2005, French songwriter Jean-Paul Cara corroborated that Siegel’s intention was never to propel Sophie and Magaly to stardom. He had enlisted them specifically for that one song.

Tragically, in the late ’80s, Magaly was diagnosed with HIV, culminating in her passing from AIDS on 2 april 1996. Sophie, grappling with severe depression, resided in southern France until her death on 27 February 2019.

Papa Pingouin

As said, the song was written and composed by Ralph Siegel and Bernd Meinunger along with Pierre Delanoë and Jean-Paul Cara.

The song delves into the whimsical daydreams of the main character, a restless penguin who envisions himself soaring like a seagull and journeying globally, recounting several imagined destinations.

By the song’s conclusion, the penguin discerns that existence “on the ice floe” isn’t as dismal as he perceived. Symbolizing his relinquished wanderlust, he “sets his suitcase ablaze.” The song reached the 9th place in the Eurovision Song Contest in Den Haag. Additionally, Sophie & Magaly produced a German rendition of the track titled “Papa Pinguin.”

A 2006 animated rendition by the penguin Pigloo propelled the song back into the limelight in France, topping the SNEP Singles Chart for a trio of weeks. With its 27-week chart presence, it ranked as the fifth most popular single in France for that year. Additionally, the tune made its mark on the Swiss Singles Chart, securing the 24th spot. Its German counterpart, “Papa Pinguin”, gained traction in German-speaking regions, climbing to fourth place in Austria and securing the sixth position in both Germany and Switzerland.

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70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
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