🇱🇺 Blast from the past: Luxembourg 1980

photo credits: Nationaal Archief, Den Haag, Netherlands

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: two cute ladies, but unfortunately also a sad story.

Luxembourg in the Eurovision Song Contest

Luxembourg has triumphed in the contest on five distinct occasions. However, the twist is that not a single winner was of Luxembourgish descent. The champions Jean-Claude Pascal (1961), France Gall (1965), Anne-Marie David (1973), and Corinne Hermes (1983) originated from France. Meanwhile, Vicky Leandros (1972), a Greek by birth, has made Germany her longtime residence.

National final

In 1980, Luxembourg selected their song internally. It is not exactly known how. However, there is a video in which we can see something that looks like an audition. Ralph Siegel and Bernd Meinunger composed a song. For the French lyrics of it, they teamed up with Jean-Paul Cara and Pierre Delanoë. The twins Sophie and Magaly were chosen to sing the entry. 

Sophie and Magaly

Sophie and Magaly, French twin sisters, formed a musical duo. They were born in Neuilly-sur-Seine at 24 august 1962. They gained significant attention when they represented Luxembourg in the 1980 Eurovision Song Contest with “Papa Pingouin”, securing the ninth position. Despite this placement, the track witnessed tremendous commercial acclaim in France, selling over a million copies. Their subsequent release, “Arlequin”, didn’t fare well, leading their German producer Ralph Siegel from Ariola to part ways with them. Another producer, Charles Talar, stepped in, but the duo’s later tracks, “Toi” and “Les nanas de Zorro”, failed to capture the audience, resulting in their disbandment.

When Sophie and Magaly, still minors at the time, entered into a contract with Ralph Siegel, their parents lacked insight into the standard practices of the showbiz world. The agreement they made with Siegel ensured only a minimal percentage of the sales would go to the sisters.

In April 1982, during a prime-time slot on TF1’s “Droit de réponse”, Magaly opened up about their earnings. She revealed that they each had been paid a mere 5,000 francs (equivalent to 762 € before adjusting for inflation), despite their record sales surpassing a million 45 rpm units. Further, she shared that Siegel had chosen to discontinue his professional relationship with them and was unwilling to revisit the terms of the contract, maintaining that it was already fair and binding.

Years later, in 2005, French songwriter Jean-Paul Cara corroborated that Siegel’s intention was never to propel Sophie and Magaly to stardom. He had enlisted them specifically for that one song.

Tragically, in the late ’80s, Magaly was diagnosed with HIV, culminating in her passing from AIDS on 2 april 1996. Sophie, grappling with severe depression, resided in southern France until her death on 27 February 2019.

Papa Pingouin

As said, the song was written and composed by Ralph Siegel and Bernd Meinunger along with Pierre Delanoë and Jean-Paul Cara.

The song delves into the whimsical daydreams of the main character, a restless penguin who envisions himself soaring like a seagull and journeying globally, recounting several imagined destinations.

By the song’s conclusion, the penguin discerns that existence “on the ice floe” isn’t as dismal as he perceived. Symbolizing his relinquished wanderlust, he “sets his suitcase ablaze.” The song reached the 9th place in the Eurovision Song Contest in Den Haag. Additionally, Sophie & Magaly produced a German rendition of the track titled “Papa Pinguin.”

A 2006 animated rendition by the penguin Pigloo propelled the song back into the limelight in France, topping the SNEP Singles Chart for a trio of weeks. With its 27-week chart presence, it ranked as the fifth most popular single in France for that year. Additionally, the tune made its mark on the Swiss Singles Chart, securing the 24th spot. Its German counterpart, “Papa Pinguin”, gained traction in German-speaking regions, climbing to fourth place in Austria and securing the sixth position in both Germany and Switzerland.

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Loreen won convincingly among the national juries, while Käärijä took the public televote by storm. When the final scores were combined, Loreen came out ahead. She became the second artist in Eurovision history to win the contest twice, the first being Johnny Logan of Ireland, who won in 1980 and 1987. Sweden claimed its seventh Eurovision title. The result was controversial among fans, many of whom felt Käärijä deserved the victory. The debate about the balance between jury and public vote flared up again with renewed intensity. Regardless, Loreen’s vocal performance on the night was flawless, and “Tattoo” became one of the most-streamed Eurovision winners in the contest’s history. 2024 Sweden hosted for the seventh time. The Malmö Arena welcomed the contest, and (of course) Petra Mede and Malin Åkerman presented the event. Malmö had hosted before, in 1992 and 2013. The contest, however, took place in a charged political atmosphere. Israel’s participation was the subject of intense debate, given the ongoing conflict in Gaza. Protests took place outside the arena throughout the week. Inside, the contest carried on. Several calls to exclude Israel were made by broadcasters and artists alike. The EBU held firm: Israel would participate. Eden Golan represented the country with “Hurricane,” a song whose original lyrics had been altered at the EBU’s request. Despite, or perhaps because of, the controversy, Golan finished fifth. Romania withdrew from the contest. On the other hand, there was also good news: Luxembourg returned to Eurovision for the first time since 1993.  The songs Hera Björk from Iceland participated for the second time. However, the success she achieved in 2010 was not present this time. Natalia Barbu from Moldova also failed to reach the final. Fortunately, the rule that applied to her in 2007 (if you do not reach the final, you pay the costs yourself) was not in effect this time. Alyona Alyona and Jerry Heil represented Ukraine. The latter had already participated in the national final several times. The entry impressed so much that Ukraine could count on a third place. Although Spain did not finish very high, the entry, “Zorra”, was hugely popular. Ireland came with the first non-binary participant, Bambie Thug. They performed their entry “Doomsday Blues” in a very unique way: seated in a sort of witches’ circle, Bambie Thug defeated their demons. The act was very popular with some, while others found it too scary for a family program. Bambie Thug finished sixth. Olly Alexander represented the United Kingdom. His act took place in a somewhat dingy dressing room. The entry was not a success. Windows95man finished low in the final. During the national final, he was wearing a shirt with the Windows 95 logo. This had to be blurred during the live broadcast. The French entry was very popular. Singer Slimane was certainly not qutie unknown in his own country either. His song “Mon Amour” ultimately finished fourth. The Croatian Baby Lasagna was very popular and was even seen as a potential winner. His song about leaving home and hearth resonated with the audience. Joost Klein “Europapa”, the Dutch entry by Joost Klein, did the same. He participated in the festival

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2023 Because Ukraine could not safely host the Eurovision Song Contest, the United Kingdom stepped in as the runner-up from 2022. Liverpool was chosen as the host city, and the M&S Bank Arena became the stage. Hannah Waddingham, Julia Sanina, Alesha Dixon, and Graham Norton presented the event. The city embraced the occasion wholeheartedly, decorating itself in Ukrainian blue and yellow throughout contest week. It was one of the most warmly received editions in recent memory. The songs Marco Mengoni represented Italy for the second time. He secured a respectable fourth place. Moldova’s contestant was no newcomer either. Pasha Parfeni already participated in 2012. Teya and Salena from Austria wondered: “Who The Hell Is Edgar?” Together with Joëlle Ursull in 1990, they were the second to mention Edgar Allan Poe in their song. Although the two did well with the bookmakers, they still finished in 15th place. The Polish contestant Blanka was controversial. She had been promoted in advance by the Polish broadcaster. And she was said to know the son of jury chairwoman Edyta Górniak quite well. TVP was also accused of homophobia because the favorite Jann received very few points. The Canadian singer La Zarra represented France but failed to live up to expectations. When the televote for France was announced, she put her middle finger on the camera. The Belgian contestant Gustaph repeated what Laura Tesoro did in 2016. No one had confidence in the entry, but from the moment the stage act was revealed, Gustaph’s odds rose. Ultimately, he exceeded all expectations with a seventh-place finish. Striking, but unpopular with the jury, was Let 3 from Croatia. Featuring, among other things, a pink version of a German army uniform, Let 3’s act looked more like a fever dream. As mentioned, the jury did not appreciate it, but the televoters did. Mae Muller represented the host country, the United Kingdom. During all the rehearsals, she sang so terribly badly that the men feared the worst. And although the singing was better during the broadcast, a 25th place was the best she could achieve. Käärijä, crowd favorite Both the people in the audience and the televoters at home had a clear preference for the Finn Käärijä. With a unique act, charisma, and a neon-green bolero, he managed to capture everyone’s full attention. He therefore won comfortably with the televoter with his “Cha-Cha-Cha”. The jury was slightly less charmed by it, which resulted in a result deemed unnecessary by the audience. The entire hall chanted “Käärijä! Käärijä! Käärijä!”. Loreen In the end, the professional jury vote was decisive. Loreen won convincingly among the national juries, while Käärijä took the public televote by storm. When the final scores were combined, Loreen came out ahead. She became the second artist in Eurovision history to win the contest twice, the first being Johnny Logan of Ireland, who won in 1980 and 1987. Sweden claimed its seventh Eurovision title. The result was controversial among fans, many of whom felt Käärijä deserved the victory. The debate about the balance between jury and public vote flared up again with renewed intensity. Regardless, Loreen’s vocal performance on the night was flawless, and “Tattoo” became one of the most-streamed Eurovision winners in the contest’s history. 2024 Sweden hosted for the seventh time. The Malmö Arena welcomed the contest, and (of course) Petra Mede and Malin Åkerman presented the event. Malmö had hosted before, in 1992 and 2013. The contest, however, took place in a charged political atmosphere. Israel’s participation was the subject of intense debate, given the ongoing conflict in Gaza. Protests took place outside the arena throughout the week. Inside, the contest carried on. Several calls to exclude Israel were made by broadcasters and artists alike. The EBU held firm: Israel would participate. Eden Golan represented the country with “Hurricane,” a song whose original lyrics had been altered at the EBU’s request. Despite, or perhaps because of, the controversy, Golan finished fifth. Romania withdrew from the contest. On the other hand, there was also good news: Luxembourg returned to Eurovision for the first time since 1993.  The songs Hera Björk from Iceland participated for the second time. However, the success she achieved in 2010 was not present this time. Natalia Barbu from Moldova also failed to reach the final. Fortunately, the rule that applied to her in 2007 (if you do not reach the final, you pay the costs yourself) was not in effect this time. Alyona Alyona and Jerry Heil represented Ukraine. The latter had already participated in the national final several times. The entry impressed so much that Ukraine could count on a third place. Although Spain did not finish very high, the entry, “Zorra”, was hugely popular. Ireland came with the first non-binary participant, Bambie Thug. They performed their entry “Doomsday Blues” in a very unique way: seated in a sort of witches’ circle, Bambie Thug defeated their demons. The act was very popular with some, while others found it too scary for a family program. Bambie Thug finished sixth. Olly Alexander represented the United Kingdom. His act took place in a somewhat dingy dressing room. The entry was not a success. Windows95man finished low in the final. During the national final, he was wearing a shirt with the Windows 95 logo. This had to be blurred during the live broadcast. The French entry was very popular. 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