🇱🇺 Blast from the past: Luxembourg 1980

photo credits: Nationaal Archief, Den Haag, Netherlands

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: two cute ladies, but unfortunately also a sad story.

Luxembourg in the Eurovision Song Contest

Luxembourg has triumphed in the contest on five distinct occasions. However, the twist is that not a single winner was of Luxembourgish descent. The champions Jean-Claude Pascal (1961), France Gall (1965), Anne-Marie David (1973), and Corinne Hermes (1983) originated from France. Meanwhile, Vicky Leandros (1972), a Greek by birth, has made Germany her longtime residence.

National final

In 1980, Luxembourg selected their song internally. It is not exactly known how. However, there is a video in which we can see something that looks like an audition. Ralph Siegel and Bernd Meinunger composed a song. For the French lyrics of it, they teamed up with Jean-Paul Cara and Pierre Delanoë. The twins Sophie and Magaly were chosen to sing the entry. 

Sophie and Magaly

Sophie and Magaly, French twin sisters, formed a musical duo. They were born in Neuilly-sur-Seine at 24 august 1962. They gained significant attention when they represented Luxembourg in the 1980 Eurovision Song Contest with “Papa Pingouin”, securing the ninth position. Despite this placement, the track witnessed tremendous commercial acclaim in France, selling over a million copies. Their subsequent release, “Arlequin”, didn’t fare well, leading their German producer Ralph Siegel from Ariola to part ways with them. Another producer, Charles Talar, stepped in, but the duo’s later tracks, “Toi” and “Les nanas de Zorro”, failed to capture the audience, resulting in their disbandment.

When Sophie and Magaly, still minors at the time, entered into a contract with Ralph Siegel, their parents lacked insight into the standard practices of the showbiz world. The agreement they made with Siegel ensured only a minimal percentage of the sales would go to the sisters.

In April 1982, during a prime-time slot on TF1’s “Droit de réponse”, Magaly opened up about their earnings. She revealed that they each had been paid a mere 5,000 francs (equivalent to 762 € before adjusting for inflation), despite their record sales surpassing a million 45 rpm units. Further, she shared that Siegel had chosen to discontinue his professional relationship with them and was unwilling to revisit the terms of the contract, maintaining that it was already fair and binding.

Years later, in 2005, French songwriter Jean-Paul Cara corroborated that Siegel’s intention was never to propel Sophie and Magaly to stardom. He had enlisted them specifically for that one song.

Tragically, in the late ’80s, Magaly was diagnosed with HIV, culminating in her passing from AIDS on 2 april 1996. Sophie, grappling with severe depression, resided in southern France until her death on 27 February 2019.

Papa Pingouin

As said, the song was written and composed by Ralph Siegel and Bernd Meinunger along with Pierre Delanoë and Jean-Paul Cara.

The song delves into the whimsical daydreams of the main character, a restless penguin who envisions himself soaring like a seagull and journeying globally, recounting several imagined destinations.

By the song’s conclusion, the penguin discerns that existence “on the ice floe” isn’t as dismal as he perceived. Symbolizing his relinquished wanderlust, he “sets his suitcase ablaze.” The song reached the 9th place in the Eurovision Song Contest in Den Haag. Additionally, Sophie & Magaly produced a German rendition of the track titled “Papa Pinguin.”

A 2006 animated rendition by the penguin Pigloo propelled the song back into the limelight in France, topping the SNEP Singles Chart for a trio of weeks. With its 27-week chart presence, it ranked as the fifth most popular single in France for that year. Additionally, the tune made its mark on the Swiss Singles Chart, securing the 24th spot. Its German counterpart, “Papa Pinguin”, gained traction in German-speaking regions, climbing to fourth place in Austria and securing the sixth position in both Germany and Switzerland.

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1962 Eurovision traveled to Luxembourg City, the capital of Luxembourg. Everything was just a little too small in this small country. Luxembourg television received assistance from the German broadcaster ZDF. The presentation was in the hands of Mireille Delannoy. The same sixteen countries as in 1961 participated. Camillo Felgen took part for Luxembourg yet again. With a third place, he did much better this time than two years before. But the absolute top favorite was Germany. Dutch commentator Willem Duys introduced her with the words: “She looked as if she had just won the entire Grand Duchy in a lottery.” After hearing the competition, she was slightly less self-assured. Ultimately, she would finish sixth with her “Zwei Kleine Italiener.” However, she did have the contest’s big hit. The French-speaking countries were in charge this year. Luxembourg itself came third, Monaco second, and France won. A ballad by Isabelle Aubret about, of course, love. Aubret received 26 points with her “Un premier amour.” That was double the score of the runner-up. That year, there were even four countries that received no points at all! That was a first time. But that didn’t bother Isabelle Aubret; she won! 1963 Because France had had enough of organizing by then, the United Kingdom took over. The festival was held in various studios of the brand-new BBC Television Centre in London. Host Cathy Boyle was in one studio, the artists in another, and the orchestra in yet another studio. This made it look just as if the viewer was watching a pop music show from those days. Big stars tried their luck. Françoise Hardy participated for Monaco, Nana Mouskouri for Luxembourg, Carmela Corren for Austria, and Esther Ofarim for Switzerland. Hardy was deeply disappointed when she discovered that she wasn’t allowed to lip-sync. Mouskouri walked away crying and stamping her feet afterwards. She was nowhere to be found at the afterparty. Switzerland won. But then the Norwegian jury had to vote one more time. The jury spokesman spoke way too fast. Cathy Boyle had been unable to repeat the points. The second time, Norway suddenly submitted a completely different result. As a result, it was not Switzerland that won, but Denmark instead. An investigation by the EBU later revealed that the Norwegians didn’t cheat. When they were called, the points had not yet been ready. Esther Ofarim has always said that she was the winner. But it was ultimately the Danish couple Grethe and Jørgen Ingmann with the three-quarter time “Dansevise”. 1964 Copenhagen was the venue. Not much footage of this festival has been preserved. Only the opening scene and parts of the winner’s performance remain. Sweden did not participate. A musicians’ strike resulted in a withdrawal. The Swedes could not send a participant to their neighboring country. However, because Portugal made its debut, the number of participants remained 16. Host Lotte Waever hosted the show. It was held at the Tivoli Theater in Copenhagen. Big stars did not come to Copenhagen. That is to say: Udo Jürgens, who participated for Austria, only achieved international breakthrough later. A trio participated for Spain: the Uruguayan group Los TNT. That is not allowed. The two male members of the group were therefore relegated to a backing choir. The broadcast did not go smoothly. Midway through, a demonstrator managed to get onto the stage. He held up a sign reading ‘Boycott Franco and Salazar’, referring to the dictators of Spain and Portugal. Little of it was visible on television. However, photos were taken of the incident. It did not get exciting that evening. Italy won with 49 points. By comparison: the runner-up, the United Kingdom, had 17. It was sixteen-year-old Gigliola Cinquetti who captured the hearts of viewers and jury members. She sang the innocent “Non ho l’eta” (I am not old enough yet). It became not only the winner of the Eurovision Song Contest, but also a worldwide hit. The EBU recently posted a video on the Eurovision YouTube channel with a complete reconstruction of the performance.

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