Blast from the past: Germany 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967 when Inge Brück represented Germany with the song “Anouschka”.

Germany in the Eurovision Song Contest

Germany has a long Eurovision history, having competed since 1956 and won twice: in 1982 with Ein bißchen Frieden (Nicole) and in 2010 with Satellite (Lena). Being part of the “Big Five”, Germany is always in the final.

Recent entries have had mixed success. In 2022, Malik Harris sang Rockstars and ended up 25th with 6 points. In 2023, Lord of the Lost performed Blood & Glitter, finishing 26th (last) with 18 points. The year after, Isaak represented Germany with Always on the Run, placing 12th with 117 points, a much stronger showing.

For 2025, Germany was represented by Abor & Tynna with Baller. They were selected through the national competition Chefsache ESC 2025 – Wer singt für Deutschland? and finished 15th in the final, scoring 151 points.

Internal selection for Germany

Germany selected their song internally. 145 songs were submitted to the Hessischer Rundfunk (HR), the broadcaster responsible for the German entry. The winning song was sung by Inge Brück. The titles of the top-3 are known:

  1. Anouschka (lyrics and music by Hans Blum)
  2. Die Nacht hat viele Gesichter (lyrics and music by Fred Strittmatter)
  3. Das Glück dieser Welt (lyrics and music by Hubert Wolf)
Inge Brück

Inge Brück, born on 12 October 1936 in Mannheim, Germany, passed away on 8 September 2025 in Meschede, at the age of 88. She began her career in the 1950s as a singer with the Erwin Lehn dance orchestra, where pianist Horst Jankowski discovered her talent. After a television appearance with Hans-Joachim Kulenkampff she was offered a record contract. In 1957, she scored her first hit with “Peter, komm heut’ abend zum Hafen”, the German version of Green Door, which reached number seven in the German charts.

Her international breakthrough came in 1966 when she won the International Song Festival in Brazil with the song Frag den Wind. A year later, in 1967, German broadcaster NDR internally selected her to represent Germany at the Eurovision Song Contest in Vienna with the song Anouschka. She finished in shared eighth place with 7 points.

After Eurovision, Brück increasingly turned to acting. In 1970 she starred in the ZDF television series Miss Molly Mill, playing the lead role of a cleaning lady turned amateur detective. The show was a huge success, often attracting more than 20 million viewers per episode. From the 1970s onwards, she shifted her focus to religious music and joined the group Künstler für Christus (“Artists for Christ”), together with other well-known German performers such as Katja Ebstein and Peter Horton.

Inge Brück leaves behind a rich legacy: as a popular singer of the radio and television era, as an actress on screen, and later as a performer of religious music. Her voice and versatility made her a beloved figure in German culture.

Anouschka

Anouschka was the German entry at the Eurovision Song Contest 1967 in Vienna, performed by Inge Brück. The song was written and composed by Hans Blum. It finished in eighth place, scoring seven points.

Musically, Anouschka followed the classic schlager style that was popular in Germany during the 1960s. The arrangement featured a melodic, light orchestral backing, with a clear emphasis on Brück’s warm and emotional vocals. The song had a gentle rhythm and a traditional structure, making it easy to follow and appealing to a broad audience of the time.

The lyrics told a story of longing and heartbreak. The singer addresses Anouschka, a woman who left, and asks why she had to go, leaving behind sadness and emptiness. The combination of its melodic charm and emotional theme gave the song a nostalgic quality, typical of many Eurovision ballads of the era.

 

Related news

News

Weekly update

It’s time for another weekly Eurovision update, with a mix of sad news and significant developments. Europe’s Eurovision community bids farewell to a former contestant, while broadcasters across the continent share important updates. Here are this week’s top stories: 🇩🇪 Obituary: Inge Brück (1936–2025) Germany’s Eurovision singer Inge Brück passed away on 8 September 2025, aged 88. Born in Mannheim in 1936, she began her career in the 1950s with the Erwin Lehn orchestra. Her breakthrough came in 1957 with the hit “Peter, komm heut’ abend zum Hafen,” which reached the German charts. Brück built a reputation as a versatile performer. She toured with big bands, worked in musical theatre, and appeared on many German television shows. In 1966 she achieved international recognition by winning the Rio de Janeiro Song Festival with “Frag den Wind.” The following year she represented Germany at the Eurovision Song Contest in Vienna. Her ballad “Anouschka,” composed by Hans Blum, finished eighth. Though she did not win, her performance was praised for its elegance and sincerity. The song remains one of the memorable entries of the 1960s. After Eurovision, Brück balanced acting and singing. In 1970 she starred in the ZDF series “Miss Molly Mill,” about a housemaid-turned-detective. The series drew up to 22 million viewers per episode and made Brück a household name. She also sang the show’s theme song, later released as a single. In the mid-1970s she shifted to spiritual and religious music. Together with Katja Ebstein and Peter Horton, she founded Künstler für Christus (Artists for Christ). The group toured churches and festivals, releasing a double album of Christian music. This work reflected Brück’s strong personal faith and her search for deeper meaning in her art. Brück was married to television director Michael Pfleghar, and later to Klaus Überall. In her later years she lived quietly in Meschede. She leaves behind a legacy as one of Germany’s notable entertainers of her time, remembered for her Schlager hits, television success, and of course her Eurovision appearance. The Eurovision community mourns her passing and celebrates her contribution to music and culture. 🇨🇭 Céline Dion’s Missed Comeback French media revealed that Céline Dion was due to make a surprise appearance at Eurovision 2025 in Basel. She had planned to sing “Ne partez pas sans moi,” her winning song from 1988. Dion flew to Switzerland, and hints of her involvement appeared during rehearsals. However, the singer, who suffers from stiff person syndrome, suffered a health crisis at the venue and had to cancel at the last moment. She returned to Las Vegas for treatment. Producers replaced her planned performance with a tribute by other artists. Dion later appeared at a Coldplay concert in Las Vegas, showing better spirits. Still, her illness continues to affect her career. Concerts remain postponed, and her next steps are uncertain. Fans and the Eurovision community continue to send her support. Eric Sallard, Wikimedia Commons 🇪🇸 Spain Questions Israel’s Participation Spain’s Culture Minister Ernest Urtasun said the country might withdraw from Eurovision 2026 if Israel is allowed to compete. Speaking on RTVE television, he argued that Spain “cannot normalise Israel’s participation as if nothing is happening.” Urtasun noted that RTVE has already raised concerns with the European Broadcasting Union. While the final decision lies with RTVE, the minister’s comments put political pressure on the broadcaster. Spain is still planning Benidorm Fest 2026, but a withdrawal remains possible. The EBU will discuss Israel’s status at its December assembly. Spain’s stance, following Slovenia’s earlier warning, highlights the political tension surrounding next year’s contest. Other News in Brief 🇲🇪 Montenegro – RTCG has opened submissions for MonteSong 2025, running until 3 October. Executive producer Vladana Vučinić stressed the festival is a platform for young artists, not a waste of money. 🇮🇹 Italy – RAI and the City of Sanremo confirmed the Sanremo Festival 2026 will stay in Sanremo. The event will run 24–28 February at the Teatro Ariston, with Carlo Conti returning as host. 🇨🇿 Czechia – Česká televize confirmed participation in Eurovision 2026. Entries can be submitted until 19 October, with the act to be chosen internally. 🇸🇲 San Marino – SMRTV confirmed participation and will continue its San Marino Song Contest format until at least 2028, backed by the Tourism Ministry. 🇸🇮 Slovenia – RTVSLO said it may withdraw from Eurovision 2026 if Israel participates. Director Ksenija Horvat stated, “we realistically think we won’t be able to go” under current conditions.

Read More »
Blast from the past
Martijn

Blast from the past: Germany 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967 when Inge Brück represented Germany with the song “Anouschka”. Germany in the Eurovision Song Contest Germany has a long Eurovision history, having competed since 1956 and won twice: in 1982 with Ein bißchen Frieden (Nicole) and in 2010 with Satellite (Lena). Being part of the “Big Five”, Germany is always in the final. Recent entries have had mixed success. In 2022, Malik Harris sang Rockstars and ended up 25th with 6 points. In 2023, Lord of the Lost performed Blood & Glitter, finishing 26th (last) with 18 points. The year after, Isaak represented Germany with Always on the Run, placing 12th with 117 points, a much stronger showing. For 2025, Germany was represented by Abor & Tynna with Baller. They were selected through the national competition Chefsache ESC 2025 – Wer singt für Deutschland? and finished 15th in the final, scoring 151 points. Internal selection for Germany Germany selected their song internally. 145 songs were submitted to the Hessischer Rundfunk (HR), the broadcaster responsible for the German entry. The winning song was sung by Inge Brück. The titles of the top-3 are known: Anouschka (lyrics and music by Hans Blum) Die Nacht hat viele Gesichter (lyrics and music by Fred Strittmatter) Das Glück dieser Welt (lyrics and music by Hubert Wolf) Inge Brück Inge Brück, born on 12 October 1936 in Mannheim, Germany, passed away on 8 September 2025 in Meschede, at the age of 88. She began her career in the 1950s as a singer with the Erwin Lehn dance orchestra, where pianist Horst Jankowski discovered her talent. After a television appearance with Hans-Joachim Kulenkampff she was offered a record contract. In 1957, she scored her first hit with “Peter, komm heut’ abend zum Hafen”, the German version of Green Door, which reached number seven in the German charts. Her international breakthrough came in 1966 when she won the International Song Festival in Brazil with the song Frag den Wind. A year later, in 1967, German broadcaster NDR internally selected her to represent Germany at the Eurovision Song Contest in Vienna with the song Anouschka. She finished in shared eighth place with 7 points. After Eurovision, Brück increasingly turned to acting. In 1970 she starred in the ZDF television series Miss Molly Mill, playing the lead role of a cleaning lady turned amateur detective. The show was a huge success, often attracting more than 20 million viewers per episode. From the 1970s onwards, she shifted her focus to religious music and joined the group Künstler für Christus (“Artists for Christ”), together with other well-known German performers such as Katja Ebstein and Peter Horton. Inge Brück leaves behind a rich legacy: as a popular singer of the radio and television era, as an actress on screen, and later as a performer of religious music. Her voice and versatility made her a beloved figure in German culture. Anouschka Anouschka was the German entry at the Eurovision Song Contest 1967 in Vienna, performed by Inge Brück. The song was written and composed by Hans Blum. It finished in eighth place, scoring seven points. Musically, Anouschka followed the classic schlager style that was popular in Germany during the 1960s. The arrangement featured a melodic, light orchestral backing, with a clear emphasis on Brück’s warm and emotional vocals. The song had a gentle rhythm and a traditional structure, making it easy to follow and appealing to a broad audience of the time. The lyrics told a story of longing and heartbreak. The singer addresses Anouschka, a woman who left, and asks why she had to go, leaving behind sadness and emptiness. The combination of its melodic charm and emotional theme gave the song a nostalgic quality, typical of many Eurovision ballads of the era.  

Read More »
Follow Us: