đŸ‡łđŸ‡± Blast from the past: The Netherlands 1963

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We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1963, when Annie Palmen represented The Netherlands with her song “Een speeldoos”.

The Netherlands in the Eurovision Song Contest

The Netherlands at the Eurovision Song Contest boasts five wins: Corry Brokken (“Net Als Toen”, 1957), Teddy Scholten (“Een Beetje”, 1959), Lenny Kuhr (“De Troubadour”, 1969), Teach-In (“Ding-A-Dong”, 1975) and Duncan Laurence (“Arcade”, 2019). Recent Dutch Eurovision entries show range: in 2022 S10’s “De Diepte” finished 11th; in 2023 Mia Nicolai & Dion Cooper’s “Burning Daylight” did not qualify; in 2024 Joost Klein’s “Europapa” was disqualified before the Grand Final. At Basel 2025 Claude’s “C’est La Vie” reached the final, placing 12th with 175 points. From classic chanson to modern pop, the Netherlands remains a consistent Eurovision contender today.

Cancelled Nationaal Songfestival 1963

As always, Het Nationaal Songfestival was the national final for the Eurovision Song Contest. For the first time, one artist was supposed to sing all the songs, three in total. Annie Palmen was chosen to do the job. The contest should have been held on 23 January in Tivoli, Utrecht. The songs chosen were:

  1. “Een droombeeld” (previously entitled “Geen ander”)
  2. “Hoor je mij”
  3. “Kijk daar is de zon”

Due to a strike, a dispute between Dutch broadcaster NTS and the tv orchestras, the contest had to be postponed until 11 February. The strike was still not over in February. The contest was thus cancelled. A comittee chose “Een droombeeld”. The title later changed into “Een Speeldoos”. On 8 February 1963, the song was presented in the Rudi Carell show.

Annie Palmen

Annie Palmen (born Anna Maria Palmen, 19 August 1926, IJmuiden; died 15 January 2000, Beverwijk) was a Dutch singer. She began as a teenager with dance orchestras around Haarlem and soon became a regular voice on Dutch radio. In 1958 she scored her first hit, “Ik zal je nooit meer vergeten,” which brought her national attention. 

She first entered the Nationaal Songfestival in 1960 with “Wat een geluk,” but the ticket went to Rudi Carrell. In 1963 broadcaster NTS selected Palmen as the artist and planned a televised final with three songs. A musicians’ strike led to the cancellation, and the chosen title “Geen ander” was rewritten and retitled “Een speeldoos.” In London on 23 March 1963 she performed “Een speeldoos,” written by Pieter Goemans, and finished joint last with zero points, tied with Finland, Norway and Sweden that night. 

After Eurovision she changed direction. In 1967 Palmen took the role of Drika with the KRO house orchestra De Boertjes van Buuten on the monthly TV programme Mik. She was invited by entertainer Kees Schilperoort to replace singer Annie de Reuver. Annie accepted the part with some hesitation. The character and the songs proved popular, and a related album reached gold status in 1969. When Mik ended in 1972, Palmen largely withdrew from show business. She died in 2000 after a long illness. Her career links post‑war light music on radio, the early years of the Eurovision Song Contest, and the rise of Dutch television entertainment and comedy on television.

Een straat voor Annie Palmen

On Facebook, the action ‘Een straat voor Annie Palmen’ by Rob Keesen rallied Beverwijk residents to honour the singer with a street name. The municipality embraced the idea, and around 2016 approved Annie Palmenlaan in Beverwijk, North Holland. Supporters and family marked the naming locally, turning an online campaign into a lasting tribute

Een Speeldoos

“Een Speeldoos” represented the Netherlands at the 1963 Eurovision Song Contest in London, performed by Annie Palmen. Written by lyricist Pieter Goemans with music by Dick Schallies, it reworked the earlier selection title “Geen ander” into a fairytale about a shepherd and shepherdess on a music box. The arrangement and melody sit in a gentle, chanson‑styled ballad tradition, with tinkling, music‑box imagery at its heart. On the night in London, the entry failed to score and finished last with nul points, joining three other countries on zero. The song remains a curious, delicate snapshot of early‑sixties Dutch pop at Eurovision.

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It’s Tuesday, October 28, 2025, and time for another weekly Eurovision update! This week brings national selection news from across Europe and a heated debate over Israel’s participation in Eurovision 2026. Ukraine’s broadcaster faces a legal threat over Vidbir rules, Germany wraps up its song submission phase, and several countries unveil plans for choosing their next Eurovision acts. Meanwhile, Austrian officials are speaking out strongly against any boycott of Israel. Here are this week’s top stories: National finals đŸ‡ș🇩 Ukraine: Broadcaster Stands Firm on Vidbir Rules Amid Lawsuit Threat Ukraine’s public broadcaster Suspilne has refused to alter its Eurovision selection rules despite pressure from a major pop star. Singer Olya Polyakova’s team appealed to the EBU and Suspilne, demanding a rule change. Otherwise “an inevitable lawsuit
 could lead to even bigger scandals,” her producer Mykhailo Yasinskyi warned. The dispute centers on a policy barring artists who performed in Russia-occupied Crimea, Russia (after March 2014) or Belarus (after Feb 2022) from entering Vidbir 2026. Polyakova, who last performed in Russia in 2015, is thus ineligible under current rules. Suspilne flatly rejected her appeal, noting the selection process already began in September. Despite the controversy, Vidbir 2026 preparations continue with Eurovision 2016 winner Jamala as music producer, and the national final set for February. source: unn.ua and Suspilne đŸ“· Jamala, Andres Putting EBU đŸ‡©đŸ‡Ș Germany: Eurovision 2026 Song Submissions Window Closes Germany has closed the song submission period for its Eurovision 2026 selection. October 22 was the last day for artists and songwriters to send entries to broadcaster SWR. The German selection will now move into a multi-stage review process. 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Several local Montenegrin songwriters are joined by contributors from elsewhere in Europe and even the United States. For example, former Eurovision entrant Andrea Demirović returns as a co-writer of her song “I Believe,” teaming up with American songwriter Casey McQuillen. Other entries feature songwriting teams blending domestic and foreign talent, highlighting Montenegro’s openness to global influences in its music. MonteSong 2025 will feature 15 artists (previously announced by RTCG) performing original songs on December 21, 2025. By unveiling the creative teams now, RTCG is building anticipation and giving credit to the people behind the music. The national final’s winning song and artist will represent Montenegro at Eurovision 2026. source: RTCG đŸ“· Andrea Demirović đŸ‡ŠđŸ‡± Albania: Festivali i KĂ«ngĂ«s 64 Song Details Unveiled on Instagram In Albania, preparations for the 64th Festivali i KĂ«ngĂ«s are well underway. This week, the titles, genres, and songwriting credits of six competing songs were published. Among them are 2Farm’s song “Valle mbi hi” (Dance on the Ashes), an alternative track the band wrote and composed themselves, and Evi Reçi’s “Code of Life,” described as a modern ethno-EDM song. Notably, one of the revealed songwriters is Beatriçe Gjergji, who gave Albania a Top-10 finish at Eurovision 2025 with “Zjerm”. She returns as the lyricist-composer of the entry “Okej!” by newcomer Ghiti. In total, 28 artists will compete at Festivali i KĂ«ngĂ«s 64 in Tirana from December 17–20, 2025. RTSH has confirmed a revamped voting system. The FiK winner will be decided by 50% jury vote, 25% public televote and 25% international voting via the new “FiK” app.  Israel in the Eurovision Song Contest Austria: ORF and Government Reject Calls to Boycott Israel As the host country for Eurovision 2026, Austria is grappling with political pressure over Israel’s participation. 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It’s Tuesday, October 28, 2025, and time for another weekly Eurovision update! This week brings national selection news from across Europe and a heated debate over Israel’s participation in Eurovision 2026. Ukraine’s broadcaster faces a legal threat over Vidbir rules, Germany wraps up its song submission phase, and several countries unveil plans for choosing their next Eurovision acts. Meanwhile, Austrian officials are speaking out strongly against any boycott of Israel. Here are this week’s top stories: National finals đŸ‡ș🇩 Ukraine: Broadcaster Stands Firm on Vidbir Rules Amid Lawsuit Threat Ukraine’s public broadcaster Suspilne has refused to alter its Eurovision selection rules despite pressure from a major pop star. Singer Olya Polyakova’s team appealed to the EBU and Suspilne, demanding a rule change. Otherwise “an inevitable lawsuit
 could lead to even bigger scandals,” her producer Mykhailo Yasinskyi warned. The dispute centers on a policy barring artists who performed in Russia-occupied Crimea, Russia (after March 2014) or Belarus (after Feb 2022) from entering Vidbir 2026. Polyakova, who last performed in Russia in 2015, is thus ineligible under current rules. Suspilne flatly rejected her appeal, noting the selection process already began in September. Despite the controversy, Vidbir 2026 preparations continue with Eurovision 2016 winner Jamala as music producer, and the national final set for February. source: unn.ua and Suspilne đŸ“· Jamala, Andres Putting EBU đŸ‡©đŸ‡Ș Germany: Eurovision 2026 Song Submissions Window Closes Germany has closed the song submission period for its Eurovision 2026 selection. October 22 was the last day for artists and songwriters to send entries to broadcaster SWR. The German selection will now move into a multi-stage review process. 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This week, the titles, genres, and songwriting credits of six competing songs were published. Among them are 2Farm’s song “Valle mbi hi” (Dance on the Ashes), an alternative track the band wrote and composed themselves, and Evi Reçi’s “Code of Life,” described as a modern ethno-EDM song. Notably, one of the revealed songwriters is Beatriçe Gjergji, who gave Albania a Top-10 finish at Eurovision 2025 with “Zjerm”. She returns as the lyricist-composer of the entry “Okej!” by newcomer Ghiti. In total, 28 artists will compete at Festivali i KĂ«ngĂ«s 64 in Tirana from December 17–20, 2025. RTSH has confirmed a revamped voting system. The FiK winner will be decided by 50% jury vote, 25% public televote and 25% international voting via the new “FiK” app.  Israel in the Eurovision Song Contest Austria: ORF and Government Reject Calls to Boycott Israel As the host country for Eurovision 2026, Austria is grappling with political pressure over Israel’s participation. 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