🇫🇮 Blast from the past: Finland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Anneli Saaristo, who represented Finland in 1989.

Finland in the Eurovision Song Contest

Finland’s participation in the Eurovision Song Contest has been marked by a variety of performances and results since the country’s debut in the competition in 1961. Over the years, Finland has experienced both highs and lows. Finland’s initial years in Eurovision were tough. For many years, the nation struggled to make a significant impact on the scoreboard. They even scored ‘nul points’ (zero points) in 1963, 1965, and 1982. Their best score was a 6th place for Marion Rung and her “Tom Tom Tom” in 1973.
Finland’s most iconic moment in the contest came in 2006 when the hard rock band Lordi won with the song “Hard Rock Hallelujah”. Not only did this victory mark Finland’s first and, so far, only win in the contest, but it was also historic because Lordi was a hard rock band with a monster image – quite a departure from the usual Eurovision acts.
This year, Finland reached the top again, winning the televote and reaching a second place overall. Again, the song “Cha-cha-cha” and Käärijä’s performance faced a unique sound and performance.

Photo: Corinne Cumming/EBU

Euroviisut, the national final

In those days, the national selection was called Euroviisut. Ten songs competed in the contest that was held on February 4th in the Kulttuuritalo in Helsinki. Note that Anneli Saaristo sang two songs in the competition! Two songs are not in Finnish but in Swedish. The entire show can be watched here.

  1. Oi Äiti Maa, sung by Anneli Saaristo, 74 pts, 3rd
  2. Kan Det Vara Kärlek?, Mervi Hiltunen, 72 pts, 4th
  3. Hiljaisuutta, Kirka, 62 pts, 5th
  4. Rauhaton Sydän, Meiju Suvas, 24 pts, 10th
  5. Huominen Eurooppa, Tanjalotta Räikkä, 39 pts, 8th
  6. La Dolce Vita, Anneli Saaristo, 110 pts, 1st
  7. Minä Olen Muistanut, Kim Lönholm, 52 pts, 7th
  8. Rakkauden Laulut, Sonja Lumme, 62 pts, 5th
  9. Vad Finns Kvar, Cris Owen, 103 pts, 2nd
  10. Kahden Juhla, Marjorie, 31 pts, 9th

Anneli Saaristo

In the early 1970s, Saaristo participated in pop song contests. Throughout the decade, she worked as the soloist for a dance orchestra and mainly recorded cover versions of pop songs. In the spring of 1978, Saaristo competed in the Finnish Eurovision qualifiers Euroviisut with the song “Sinun Kanssasi, Sinua Ilman,” which became her first hit. Her next recording was “Aamulla Rakkaani Näin,” which Lea Laven had performed in the same qualifiers.

Saaristo’s first album, “Aina Aika Rakkauden,” was released in 1980. Published by a small record company, the album was a commercial disappointment. In 1982, Saaristo participated in the Autumn Tune competition with the song “Tyhjät Sanat” and in the 1984 Euroviisut with “Sä Liian Paljon Vaadit,” finishing third. Both songs were hits, and her subsequent albums sold better than the first.

In the fall of 1988, Saaristo received a press award in the Autumn Tune for her song “Taivaspaikka.” In 1989, she performed in the Eurovision qualifiers with the songs “Oi Äiti Maa” and “La Dolce Vita,” the latter winning. At the Eurovision Song Contest in Lausanne, “La Dolce Vita” placed seventh. The “La Dolce Vita” album achieved gold status.

Some of Saaristo’s most renowned songs include “Viimeinen Känni,” “Evakon Laulu,” “Päättyneet Juhlat,” “Appelsiinipuita Aavikkoon,” and “Kypsän Naisen Blues.” In the project “Miten Enkeleitä Vietellään,” she interpreted Bertolt Brecht’s erotic poems alongside Monna Kamu and Liisa Tavi. In the 2000s, Saaristo participated in Rakkauden Kiertokulku concerts with Eija Kantola and Marjorie.

Saaristo has also acted, for instance, in Turku City Theater. In 2005, she appeared in Timo Koivusalo’s movie Kaksipäisen Kotkan Varjossa. That same year, she was nominated for the Iskelmä-Finlandia award. In 2011, Saaristo was granted an artist pension. In recent years, she has performed with pop singer Fredi on the “Fredi’s Guest” concert tour.

Controversy

When Anneli Saaristo took part in Euroviisut and won it, this was of course mentioned in the fan magazines. A Finnish reporter in one of the magazines wrote about Anneli: “She looked like a nightmare already in 1978 when she for the firs time sang in our national heats but the 11 years since then have done their job well: there is no word to describe her looks!”. The writer of the article apologized one magazine later; he explained the article was not a proper translation of a letter in Finnish, and was mixed up with another article, that should have been published.

La Dolce Vita

“La Dolce Vita” is perhaps one of the most iconic songs associated with Anneli Saaristo, especially on the international stage. It was Finland’s official entry to the Eurovision Song Contest in 1989. The title, which translates to “The Sweet Life” in Italian, captures the essence of living life to the fullest and enjoying its pleasures.

The song’s participation in Eurovision marked a significant moment for Finland. Competing in Lausanne, Switzerland, “La Dolce Vita” achieved a commendable 7th place finish. This placement was a notable achievement for Finland at that time.

The tune itself is melodious and catchy, combining traditional pop elements with a distinct Finnish touch. Anneli’s powerful voice and emotive rendition made the performance memorable, helping the song stand out amidst other competitors.

While “La Dolce Vita” may not have secured the top spot at Eurovision, it cemented its position as one of Anneli Saaristo’s most celebrated tracks. Following the contest, the song enjoyed considerable airplay and popularity in Finland and even gained recognition in various parts of Europe. The song’s success also contributed to Anneli’s continued prominence in Finnish music, further showcasing her versatility and talent.

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Eurovision 2026

Weekly Update

It’s time for another weekly Eurovision update! This week saw critical decisions about Israel’s participation, North Macedonia’s potential comeback, and a flurry of national selection news. Israel’s fate in Eurovision 2026 is on hold. North Macedonia’s return remains uncertain as its broadcaster weighs budgets and timelines. Meanwhile, Austria gears up for a host-country selection show, and several countries have revealed their contestants for national finals. Here are this week’s top stories: Israel: EBU Postpones Vote on Participation The European Broadcasting Union (EBU) has cancelled its planned extraordinary vote on Israel’s participation in Eurovision 2026. The vote, originally set for November, was called off in light of ongoing Middle East peace negotiations and will now be discussed at the EBU’s winter General Assembly in December. In a statement, the EBU explained: “Due to recent developments in the Middle East, the EBU’s Executive Board agrees that there is a clear need for an open and in-person discussion among members concerning the issue of participation in the Eurovision Song Contest 2026. Therefore, the matter has been added to the agenda of the regular winter General Assembly, scheduled for December, instead of an extraordinary session beforehand.” This decision comes after several member broadcasters had questioned Israel’s role following the conflict in Gaza. With the November vote off the table, any formal decision on Israel’s Eurovision 2026 participation is delayed for now.  source: eurovisionworld.com. 🇲🇰 North Macedonia’s Eurovision Return Remains Uncertain Hopes for North Macedonia’s return to Eurovision are fading after a recent MRT Program Council meeting. The broadcaster’s President, Davor Pašoski, noted that participation in 2026 is possible only if the government approves an expanded MRT budget. Some council members argued for waiting until 2027, considering a detailed long-term strategy and stronger financial footing more realistic. For now, MRT aims to invest in domestic music events like Cvetnici and Skopje Fest to strengthen the local music scene before rejoining Eurovision. The Council also acknowledged receiving many appeals from fans at home and abroad (including the diaspora in Australia and Sweden) urging a comeback. MRT has not made a final decision yet and has until December to decide whether to submit an entry for Eurovision 2026. source: MRT 🇦🇹 Austria Launches “Vienna Calling – Wer singt für Österreich?” Selection Austria’s host broadcaster ORF has kicked off its search for the country’s Eurovision 2026 act on home soil. The song submission deadline closed this week, and ORF will now choose 12 finalists for a live national final on 20 February 2026. The prime-time show, titled “Vienna Calling – Wer singt für Österreich?” (Vienna Calling – Who will sing for Austria?), will be hosted by Alice Tumler, who previously co-hosted Eurovision 2015. A professional jury, including Eurovision 2018 alumnus Cesár Sampson, will review all entries and invite 24 artists for live auditions in November. After that they will be narrowing down to the final 12 acts. In the televised final, the winner will be determined by a combination of public votes plus national and international juries, earning the honor of representing Austria at Eurovision 2026 in Vienna. source: ORF stories and ORF Cesár Sampson (EBU/Andres Putting) 🇪🇸 Spain Reveals Benidorm Fest 2026 Lineup Spanish broadcaster RTVE has announced the 18 artists who will compete in Benidorm Fest 2026, the national selection for Spain’s Eurovision entry. The festival will feature two semi-finals (February 10 and 12) and a final on February 14 in Benidorm. A total of 870 songs were submitted, and a jury of music professionals chose the final 18 acts. The lineup includes a mix of newcomers and familiar names. One act even co-wrote a past Eurovision hit, and two are children of Spain’s 1990s Eurovision stars. The 18 participants announced are: Asha Atyat Dani J Dora & Marlon Collins Funambulista Greg Taro Izan Llunas Kenneth KITAI KU Minerva Luna Ki María León (feat. Julia Medina) MAYO Mikel Herzog Jr. Miranda! & bailamamá Rosalinda Galán The Quinquis Tony Grox & LUCYCALYS source: RTVE 🇦🇱 Albania Announces Festivali i Këngës 64 Contestants In Albania, national broadcaster RTSH has unveiled the 28 artists participating in Festivali i Këngës 64. Over 100 songs were submitted for consideration, and the selected entries will compete in December for a ticket to Eurovision 2026. Festivali i Këngës 64 will follow its traditional format of four live shows: two semi-finals, a nostalgia night, and the Grand Final. For the first time the Albanian public will get to vote via a real-time voting app alongside the jury votes. The lineup of 28 participants includes: 2Farm Alis Egzon Pireci Endri Kaçaçi Enxhi Nasufi Erand Sojli Erik Lloshi Evi Reçi Fifi & Tiri Gjoci Frensi Gerta Mahmutaj Ghiti Gresa Gjocera & Bledi Kaso Inis Neziri Kamela Ismalaj Kimi Kleansa Susaj Lorenc Hasrama Luna Çausholli Malvina Likaj Rezarta Smaja Rigersa Loka Sara Kapo Savjana Vjerdha Sheila Sihana Haxhnikaj ThreeX Vedat Ademi source: RTSH 🇲🇪 Montenegro Reveals MonteSong 2025 Finalists RTCG, Montenegro’s broadcaster, announced the 15 finalists for MonteSong 2025, its national contest to choose the Eurovision 2026 representative. The participants were revealed on the morning show “Dobro jutro, Crna Goro”, and include some notable names. Among them is Andrea Demirović, who represented Montenegro at Eurovision 2009, and Baryak, who finished 3rd in last year’s MonteSong. The selection committee chose the finalists from 37 submitted entries, including songs by local and international writers. All 15 songs will be released in early December, ahead of the MonteSong 2025 final scheduled for 21 December in Podgorica. The 15 competing acts and song titles are: Andrea Demirović – “I Believe” Baryak – “Minerva” Dolce Hera – “Casanova 91” Đurđa – “Dominos” Krstinja Manatović – “Oli oli” Lana Lopičić – “Doline” (Valleys) Lana Vukčević & Đorđe Savković – “Temperatura” (Temperature) Lara Baltić – “Rhythm Boy” Luka Radović – “Pjevaj vilo” (Sing, fairy) Majda Božović – “Ipak smo ljudi” (We are human after all) Mila Nikić – “Kao varnica” (Like a spark) Neno Murić – “Ako čuješ glas” (If you hear a voice) Stefan Vukotić – “Nedekodirana” (Undecoded) Tamara Živković – “Nova

Read More »
Eurovision 2026
Martijn

Weekly Update

It’s time for another weekly Eurovision update! This week saw critical decisions about Israel’s participation, North Macedonia’s potential comeback, and a flurry of national selection news. Israel’s fate in Eurovision 2026 is on hold. North Macedonia’s return remains uncertain as its broadcaster weighs budgets and timelines. Meanwhile, Austria gears up for a host-country selection show, and several countries have revealed their contestants for national finals. Here are this week’s top stories: Israel: EBU Postpones Vote on Participation The European Broadcasting Union (EBU) has cancelled its planned extraordinary vote on Israel’s participation in Eurovision 2026. The vote, originally set for November, was called off in light of ongoing Middle East peace negotiations and will now be discussed at the EBU’s winter General Assembly in December. In a statement, the EBU explained: “Due to recent developments in the Middle East, the EBU’s Executive Board agrees that there is a clear need for an open and in-person discussion among members concerning the issue of participation in the Eurovision Song Contest 2026. Therefore, the matter has been added to the agenda of the regular winter General Assembly, scheduled for December, instead of an extraordinary session beforehand.” This decision comes after several member broadcasters had questioned Israel’s role following the conflict in Gaza. With the November vote off the table, any formal decision on Israel’s Eurovision 2026 participation is delayed for now.  source: eurovisionworld.com. 🇲🇰 North Macedonia’s Eurovision Return Remains Uncertain Hopes for North Macedonia’s return to Eurovision are fading after a recent MRT Program Council meeting. The broadcaster’s President, Davor Pašoski, noted that participation in 2026 is possible only if the government approves an expanded MRT budget. Some council members argued for waiting until 2027, considering a detailed long-term strategy and stronger financial footing more realistic. For now, MRT aims to invest in domestic music events like Cvetnici and Skopje Fest to strengthen the local music scene before rejoining Eurovision. The Council also acknowledged receiving many appeals from fans at home and abroad (including the diaspora in Australia and Sweden) urging a comeback. MRT has not made a final decision yet and has until December to decide whether to submit an entry for Eurovision 2026. source: MRT 🇦🇹 Austria Launches “Vienna Calling – Wer singt für Österreich?” Selection Austria’s host broadcaster ORF has kicked off its search for the country’s Eurovision 2026 act on home soil. The song submission deadline closed this week, and ORF will now choose 12 finalists for a live national final on 20 February 2026. The prime-time show, titled “Vienna Calling – Wer singt für Österreich?” (Vienna Calling – Who will sing for Austria?), will be hosted by Alice Tumler, who previously co-hosted Eurovision 2015. A professional jury, including Eurovision 2018 alumnus Cesár Sampson, will review all entries and invite 24 artists for live auditions in November. After that they will be narrowing down to the final 12 acts. In the televised final, the winner will be determined by a combination of public votes plus national and international juries, earning the honor of representing Austria at Eurovision 2026 in Vienna. source: ORF stories and ORF Cesár Sampson (EBU/Andres Putting) 🇪🇸 Spain Reveals Benidorm Fest 2026 Lineup Spanish broadcaster RTVE has announced the 18 artists who will compete in Benidorm Fest 2026, the national selection for Spain’s Eurovision entry. The festival will feature two semi-finals (February 10 and 12) and a final on February 14 in Benidorm. A total of 870 songs were submitted, and a jury of music professionals chose the final 18 acts. The lineup includes a mix of newcomers and familiar names. One act even co-wrote a past Eurovision hit, and two are children of Spain’s 1990s Eurovision stars. The 18 participants announced are: Asha Atyat Dani J Dora & Marlon Collins Funambulista Greg Taro Izan Llunas Kenneth KITAI KU Minerva Luna Ki María León (feat. Julia Medina) MAYO Mikel Herzog Jr. Miranda! & bailamamá Rosalinda Galán The Quinquis Tony Grox & LUCYCALYS source: RTVE 🇦🇱 Albania Announces Festivali i Këngës 64 Contestants In Albania, national broadcaster RTSH has unveiled the 28 artists participating in Festivali i Këngës 64. Over 100 songs were submitted for consideration, and the selected entries will compete in December for a ticket to Eurovision 2026. Festivali i Këngës 64 will follow its traditional format of four live shows: two semi-finals, a nostalgia night, and the Grand Final. For the first time the Albanian public will get to vote via a real-time voting app alongside the jury votes. The lineup of 28 participants includes: 2Farm Alis Egzon Pireci Endri Kaçaçi Enxhi Nasufi Erand Sojli Erik Lloshi Evi Reçi Fifi & Tiri Gjoci Frensi Gerta Mahmutaj Ghiti Gresa Gjocera & Bledi Kaso Inis Neziri Kamela Ismalaj Kimi Kleansa Susaj Lorenc Hasrama Luna Çausholli Malvina Likaj Rezarta Smaja Rigersa Loka Sara Kapo Savjana Vjerdha Sheila Sihana Haxhnikaj ThreeX Vedat Ademi source: RTSH 🇲🇪 Montenegro Reveals MonteSong 2025 Finalists RTCG, Montenegro’s broadcaster, announced the 15 finalists for MonteSong 2025, its national contest to choose the Eurovision 2026 representative. The participants were revealed on the morning show “Dobro jutro, Crna Goro”, and include some notable names. Among them is Andrea Demirović, who represented Montenegro at Eurovision 2009, and Baryak, who finished 3rd in last year’s MonteSong. The selection committee chose the finalists from 37 submitted entries, including songs by local and international writers. All 15 songs will be released in early December, ahead of the MonteSong 2025 final scheduled for 21 December in Podgorica. The 15 competing acts and song titles are: Andrea Demirović – “I Believe” Baryak – “Minerva” Dolce Hera – “Casanova 91” Đurđa – “Dominos” Krstinja Manatović – “Oli oli” Lana Lopičić – “Doline” (Valleys) Lana Vukčević & Đorđe Savković – “Temperatura” (Temperature) Lara Baltić – “Rhythm Boy” Luka Radović – “Pjevaj vilo” (Sing, fairy) Majda Božović – “Ipak smo ljudi” (We are human after all) Mila Nikić – “Kao varnica” (Like a spark) Neno Murić – “Ako čuješ glas” (If you hear a voice) Stefan Vukotić – “Nedekodirana” (Undecoded) Tamara Živković – “Nova

Read More »
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