🇫🇮 Blast from the past: Finland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Anneli Saaristo, who represented Finland in 1989.

Finland in the Eurovision Song Contest

Finland’s participation in the Eurovision Song Contest has been marked by a variety of performances and results since the country’s debut in the competition in 1961. Over the years, Finland has experienced both highs and lows. Finland’s initial years in Eurovision were tough. For many years, the nation struggled to make a significant impact on the scoreboard. They even scored ‘nul points’ (zero points) in 1963, 1965, and 1982. Their best score was a 6th place for Marion Rung and her “Tom Tom Tom” in 1973.
Finland’s most iconic moment in the contest came in 2006 when the hard rock band Lordi won with the song “Hard Rock Hallelujah”. Not only did this victory mark Finland’s first and, so far, only win in the contest, but it was also historic because Lordi was a hard rock band with a monster image – quite a departure from the usual Eurovision acts.
This year, Finland reached the top again, winning the televote and reaching a second place overall. Again, the song “Cha-cha-cha” and Käärijä’s performance faced a unique sound and performance.

Photo: Corinne Cumming/EBU

Euroviisut, the national final

In those days, the national selection was called Euroviisut. Ten songs competed in the contest that was held on February 4th in the Kulttuuritalo in Helsinki. Note that Anneli Saaristo sang two songs in the competition! Two songs are not in Finnish but in Swedish. The entire show can be watched here.

  1. Oi Äiti Maa, sung by Anneli Saaristo, 74 pts, 3rd
  2. Kan Det Vara Kärlek?, Mervi Hiltunen, 72 pts, 4th
  3. Hiljaisuutta, Kirka, 62 pts, 5th
  4. Rauhaton Sydän, Meiju Suvas, 24 pts, 10th
  5. Huominen Eurooppa, Tanjalotta Räikkä, 39 pts, 8th
  6. La Dolce Vita, Anneli Saaristo, 110 pts, 1st
  7. Minä Olen Muistanut, Kim Lönholm, 52 pts, 7th
  8. Rakkauden Laulut, Sonja Lumme, 62 pts, 5th
  9. Vad Finns Kvar, Cris Owen, 103 pts, 2nd
  10. Kahden Juhla, Marjorie, 31 pts, 9th

Anneli Saaristo

In the early 1970s, Saaristo participated in pop song contests. Throughout the decade, she worked as the soloist for a dance orchestra and mainly recorded cover versions of pop songs. In the spring of 1978, Saaristo competed in the Finnish Eurovision qualifiers Euroviisut with the song “Sinun Kanssasi, Sinua Ilman,” which became her first hit. Her next recording was “Aamulla Rakkaani Näin,” which Lea Laven had performed in the same qualifiers.

Saaristo’s first album, “Aina Aika Rakkauden,” was released in 1980. Published by a small record company, the album was a commercial disappointment. In 1982, Saaristo participated in the Autumn Tune competition with the song “Tyhjät Sanat” and in the 1984 Euroviisut with “Sä Liian Paljon Vaadit,” finishing third. Both songs were hits, and her subsequent albums sold better than the first.

In the fall of 1988, Saaristo received a press award in the Autumn Tune for her song “Taivaspaikka.” In 1989, she performed in the Eurovision qualifiers with the songs “Oi Äiti Maa” and “La Dolce Vita,” the latter winning. At the Eurovision Song Contest in Lausanne, “La Dolce Vita” placed seventh. The “La Dolce Vita” album achieved gold status.

Some of Saaristo’s most renowned songs include “Viimeinen Känni,” “Evakon Laulu,” “Päättyneet Juhlat,” “Appelsiinipuita Aavikkoon,” and “Kypsän Naisen Blues.” In the project “Miten Enkeleitä Vietellään,” she interpreted Bertolt Brecht’s erotic poems alongside Monna Kamu and Liisa Tavi. In the 2000s, Saaristo participated in Rakkauden Kiertokulku concerts with Eija Kantola and Marjorie.

Saaristo has also acted, for instance, in Turku City Theater. In 2005, she appeared in Timo Koivusalo’s movie Kaksipäisen Kotkan Varjossa. That same year, she was nominated for the Iskelmä-Finlandia award. In 2011, Saaristo was granted an artist pension. In recent years, she has performed with pop singer Fredi on the “Fredi’s Guest” concert tour.

Controversy

When Anneli Saaristo took part in Euroviisut and won it, this was of course mentioned in the fan magazines. A Finnish reporter in one of the magazines wrote about Anneli: “She looked like a nightmare already in 1978 when she for the firs time sang in our national heats but the 11 years since then have done their job well: there is no word to describe her looks!”. The writer of the article apologized one magazine later; he explained the article was not a proper translation of a letter in Finnish, and was mixed up with another article, that should have been published.

La Dolce Vita

“La Dolce Vita” is perhaps one of the most iconic songs associated with Anneli Saaristo, especially on the international stage. It was Finland’s official entry to the Eurovision Song Contest in 1989. The title, which translates to “The Sweet Life” in Italian, captures the essence of living life to the fullest and enjoying its pleasures.

The song’s participation in Eurovision marked a significant moment for Finland. Competing in Lausanne, Switzerland, “La Dolce Vita” achieved a commendable 7th place finish. This placement was a notable achievement for Finland at that time.

The tune itself is melodious and catchy, combining traditional pop elements with a distinct Finnish touch. Anneli’s powerful voice and emotive rendition made the performance memorable, helping the song stand out amidst other competitors.

While “La Dolce Vita” may not have secured the top spot at Eurovision, it cemented its position as one of Anneli Saaristo’s most celebrated tracks. Following the contest, the song enjoyed considerable airplay and popularity in Finland and even gained recognition in various parts of Europe. The song’s success also contributed to Anneli’s continued prominence in Finnish music, further showcasing her versatility and talent.

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Eurovision 2026

Weekly Update

It’s Tuesday, March 17, 2026, which means it’s time for another weekly Eurovision update! Over the past week, the final wave of song reveals for Eurovision 2026 generated plenty of buzz both on and off the stage. Four more countries unveiled their entries, completing the Vienna line-up. Meanwhile, controversies erupted around a few artists and songs. Preparations also ramped up as EuroClub tickets went on sale and pre-party announcements rolled out. The Heads of Delegation met in Vienna to finalize plans. The betting odds also shifted as new favorites emerged. Here are this week’s top stories: New Eurovision Entries Confirmed 🇨🇭 Switzerland Switzerland has revealed its entry for Eurovision 2026: Veronica Fusaro will perform the song “Alice”. The track is an intense alternative pop ballad with rock influences. It tells the story of a woman whose personal boundaries are gradually crossed under the guise of affection. Fusaro was internally selected by Swiss broadcaster SRG SSR. “Alice” is a revamped version of a song from her 2025 album, updated in collaboration with producer Charlie McClean. 🇦🇲 Armenia Armenia completed this year’s Eurovision roster by announcing SIMÓN as its representative with the song “Paloma Rumba”. The entry delivers a “rebellious anthem” about breaking free from a suffocating 9-to-5 routine. Its title literally translates to “Dove’s Dance” and symbolizes a joyful dance of freedom. Lilit Navasardyan (LI’LITH) composed “Paloma Rumba”. David Tserunyan, Eva Voskanyan, and Rosa Linn (Armenia’s 2022 representative) wrote the lyrics. SIMÓN earned the selection after finishing as the runner-up in Armenia’s national final. 🇨🇿 Czechia Czech Television (ČT) confirmed 23-year-old Daniel Zizka as the Czech representative for Eurovision 2026 with his song “CROSSROADS”. During the artist reveal on March 8, the broadcaster highlighted his soulful voice and authentic style. Daniel impressed the selection team by performing his song flawlessly in the studio on his first attempt. He premiered “CROSSROADS” on March 11, completing Czechia’s line-up for Eurovision 2026. 🇬🇪 Georgia Georgia unveiled its entry “On Replay”, which trio Bzikebi will perform. Bzikebi famously won Junior Eurovision 2008 as children. Now the three members return to the Eurovision stage as adults. Giga Kukhianidze composed “On Replay”, while Lizi Japaridze wrote the lyrics. The song closed the release schedule for the 70th contest. Georgia will present “On Replay” in the first semi-final on May 12. 2026 🇸🇪 Sweden: Felicia’s Israel Comment Draws EBU Reminder Sweden’s Eurovision representative, Felicia, sparked controversy by stating that Israel “should not be allowed to compete” in Eurovision 2026. The European Broadcasting Union responded by contacting SVT and Felicia to reiterate the contest’s rules against political statements. SVT held a meeting with Felicia following the incident. The broadcaster confirmed that she has been clearly reminded of Eurovision’s guidelines forbidding political advocacy. The EBU also stressed that all contestants must respect the event’s neutrality and keep the focus on music. source: SVT 🇦🇿 Azerbaijan: Broadcaster Denies AI Rumors Around Entry Azerbaijan’s broadcaster İctimai officially dismissed rumors that its Eurovision entry “Just Go” by JIVA was created using artificial intelligence. Speculation had spread online after fans noted that the song’s composer, Fuad Javadov, used AI tools in some previous projects. In a public statement, İctimai clarified that “Just Go” is an original work “created through a professional process.” The broadcaster stated that allegations of AI involvement “do not correspond to reality”. They also noted the increased involvement of local songwriters this year, with 107 of 186 submissions written by Azerbaijani creators. The selection committee chose JIVA for her strong live vocals. This aligned with Azerbaijan’s focus on vocal quality, especially now that juries have returned for the semi-finals. source: Instagram İctimai 🇷🇴 Romania: Entry “Choke Me” Faces Backlash Romania’s Eurovision entry “Choke Me” by Alexandra Căpitănescu has come under fire from anti-violence campaigners. Critics argue that the song’s lyrics – which repeat the phrase “choke me” – glamorize sexual strangulation. Campaigners have called the entry “dangerous” and “reckless” for young audiences. Many people have urged the EBU to disqualify the song or demand a lyric change. So far, no official action has been taken. Alexandra has defended her song. She explains that the vivid “choking” imagery is a metaphor for feeling overwhelmed by emotions and self-doubt, not a literal call for violence. source: Romania Insider EuroClub 2026 Tickets Now on Sale EuroClub – the official afterparty venue during Eurovision week – is coming to Vienna, and tickets are now on sale. Nightly EuroClub events will run from May 11 through May 16 at the Prater DOME in Vienna, giving fans and delegations a place to celebrate after each show. Early-bird tickets cost around €28 for OGAE fan club members and about €37 for non-members. These discounted prices are only available until March 14. The EuroClub will feature different themed nights and guest DJs. It is open to all fans aged 18 and over. With the Eurovision party atmosphere returning, many attendees are already snapping up EuroClub passes to dance into the early hours during contest week. source: Instagram Euroclub   Heads of Delegation Meeting Held in Vienna The Heads of Delegation meeting for the Eurovision Song Contest 2026 took place today in Vienna. Representatives from all 35 participating countries gathered on March 17. This was one week after the deadline for each broadcaster to submit their song, staging plans and other materials for the contest. During the meeting, each delegation handed over its final entry and performance plans to the EBU and host broadcaster ORF. This annual summit allows producers to review all plans, ensure rules are being followed, and begin working on the show’s running order. Now that the Heads of Delegation meeting is complete, preparations move into the next phase. In the coming weeks, ORF will focus on postcard filming, stage design work and other production tasks as the road to Vienna continues. source: Eurovoix Update: A draw decided that Austria will perform in 25th position in the final of the Eurovision Song Contest. Betting Odds Update With all 35 songs now revealed, the betting markets are

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, March 17, 2026, which means it’s time for another weekly Eurovision update! Over the past week, the final wave of song reveals for Eurovision 2026 generated plenty of buzz both on and off the stage. Four more countries unveiled their entries, completing the Vienna line-up. Meanwhile, controversies erupted around a few artists and songs. Preparations also ramped up as EuroClub tickets went on sale and pre-party announcements rolled out. The Heads of Delegation met in Vienna to finalize plans. The betting odds also shifted as new favorites emerged. Here are this week’s top stories: New Eurovision Entries Confirmed 🇨🇭 Switzerland Switzerland has revealed its entry for Eurovision 2026: Veronica Fusaro will perform the song “Alice”. The track is an intense alternative pop ballad with rock influences. It tells the story of a woman whose personal boundaries are gradually crossed under the guise of affection. Fusaro was internally selected by Swiss broadcaster SRG SSR. “Alice” is a revamped version of a song from her 2025 album, updated in collaboration with producer Charlie McClean. 🇦🇲 Armenia Armenia completed this year’s Eurovision roster by announcing SIMÓN as its representative with the song “Paloma Rumba”. The entry delivers a “rebellious anthem” about breaking free from a suffocating 9-to-5 routine. Its title literally translates to “Dove’s Dance” and symbolizes a joyful dance of freedom. Lilit Navasardyan (LI’LITH) composed “Paloma Rumba”. David Tserunyan, Eva Voskanyan, and Rosa Linn (Armenia’s 2022 representative) wrote the lyrics. SIMÓN earned the selection after finishing as the runner-up in Armenia’s national final. 🇨🇿 Czechia Czech Television (ČT) confirmed 23-year-old Daniel Zizka as the Czech representative for Eurovision 2026 with his song “CROSSROADS”. During the artist reveal on March 8, the broadcaster highlighted his soulful voice and authentic style. Daniel impressed the selection team by performing his song flawlessly in the studio on his first attempt. He premiered “CROSSROADS” on March 11, completing Czechia’s line-up for Eurovision 2026. 🇬🇪 Georgia Georgia unveiled its entry “On Replay”, which trio Bzikebi will perform. Bzikebi famously won Junior Eurovision 2008 as children. Now the three members return to the Eurovision stage as adults. Giga Kukhianidze composed “On Replay”, while Lizi Japaridze wrote the lyrics. The song closed the release schedule for the 70th contest. Georgia will present “On Replay” in the first semi-final on May 12. 2026 🇸🇪 Sweden: Felicia’s Israel Comment Draws EBU Reminder Sweden’s Eurovision representative, Felicia, sparked controversy by stating that Israel “should not be allowed to compete” in Eurovision 2026. The European Broadcasting Union responded by contacting SVT and Felicia to reiterate the contest’s rules against political statements. SVT held a meeting with Felicia following the incident. The broadcaster confirmed that she has been clearly reminded of Eurovision’s guidelines forbidding political advocacy. The EBU also stressed that all contestants must respect the event’s neutrality and keep the focus on music. source: SVT 🇦🇿 Azerbaijan: Broadcaster Denies AI Rumors Around Entry Azerbaijan’s broadcaster İctimai officially dismissed rumors that its Eurovision entry “Just Go” by JIVA was created using artificial intelligence. Speculation had spread online after fans noted that the song’s composer, Fuad Javadov, used AI tools in some previous projects. In a public statement, İctimai clarified that “Just Go” is an original work “created through a professional process.” The broadcaster stated that allegations of AI involvement “do not correspond to reality”. They also noted the increased involvement of local songwriters this year, with 107 of 186 submissions written by Azerbaijani creators. The selection committee chose JIVA for her strong live vocals. This aligned with Azerbaijan’s focus on vocal quality, especially now that juries have returned for the semi-finals. source: Instagram İctimai 🇷🇴 Romania: Entry “Choke Me” Faces Backlash Romania’s Eurovision entry “Choke Me” by Alexandra Căpitănescu has come under fire from anti-violence campaigners. Critics argue that the song’s lyrics – which repeat the phrase “choke me” – glamorize sexual strangulation. Campaigners have called the entry “dangerous” and “reckless” for young audiences. Many people have urged the EBU to disqualify the song or demand a lyric change. So far, no official action has been taken. Alexandra has defended her song. She explains that the vivid “choking” imagery is a metaphor for feeling overwhelmed by emotions and self-doubt, not a literal call for violence. source: Romania Insider EuroClub 2026 Tickets Now on Sale EuroClub – the official afterparty venue during Eurovision week – is coming to Vienna, and tickets are now on sale. Nightly EuroClub events will run from May 11 through May 16 at the Prater DOME in Vienna, giving fans and delegations a place to celebrate after each show. Early-bird tickets cost around €28 for OGAE fan club members and about €37 for non-members. These discounted prices are only available until March 14. The EuroClub will feature different themed nights and guest DJs. It is open to all fans aged 18 and over. With the Eurovision party atmosphere returning, many attendees are already snapping up EuroClub passes to dance into the early hours during contest week. source: Instagram Euroclub   Heads of Delegation Meeting Held in Vienna The Heads of Delegation meeting for the Eurovision Song Contest 2026 took place today in Vienna. Representatives from all 35 participating countries gathered on March 17. This was one week after the deadline for each broadcaster to submit their song, staging plans and other materials for the contest. During the meeting, each delegation handed over its final entry and performance plans to the EBU and host broadcaster ORF. This annual summit allows producers to review all plans, ensure rules are being followed, and begin working on the show’s running order. Now that the Heads of Delegation meeting is complete, preparations move into the next phase. In the coming weeks, ORF will focus on postcard filming, stage design work and other production tasks as the road to Vienna continues. source: Eurovoix Update: A draw decided that Austria will perform in 25th position in the final of the Eurovision Song Contest. Betting Odds Update With all 35 songs now revealed, the betting markets are

Read More »
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