🇫🇮 Blast from the past: Finland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: Anneli Saaristo, who represented Finland in 1989.

Finland in the Eurovision Song Contest

Finland’s participation in the Eurovision Song Contest has been marked by a variety of performances and results since the country’s debut in the competition in 1961. Over the years, Finland has experienced both highs and lows. Finland’s initial years in Eurovision were tough. For many years, the nation struggled to make a significant impact on the scoreboard. They even scored ‘nul points’ (zero points) in 1963, 1965, and 1982. Their best score was a 6th place for Marion Rung and her “Tom Tom Tom” in 1973.
Finland’s most iconic moment in the contest came in 2006 when the hard rock band Lordi won with the song “Hard Rock Hallelujah”. Not only did this victory mark Finland’s first and, so far, only win in the contest, but it was also historic because Lordi was a hard rock band with a monster image – quite a departure from the usual Eurovision acts.
This year, Finland reached the top again, winning the televote and reaching a second place overall. Again, the song “Cha-cha-cha” and Käärijä’s performance faced a unique sound and performance.

Photo: Corinne Cumming/EBU

Euroviisut, the national final

In those days, the national selection was called Euroviisut. Ten songs competed in the contest that was held on February 4th in the Kulttuuritalo in Helsinki. Note that Anneli Saaristo sang two songs in the competition! Two songs are not in Finnish but in Swedish. The entire show can be watched here.

  1. Oi Äiti Maa, sung by Anneli Saaristo, 74 pts, 3rd
  2. Kan Det Vara Kärlek?, Mervi Hiltunen, 72 pts, 4th
  3. Hiljaisuutta, Kirka, 62 pts, 5th
  4. Rauhaton Sydän, Meiju Suvas, 24 pts, 10th
  5. Huominen Eurooppa, Tanjalotta Räikkä, 39 pts, 8th
  6. La Dolce Vita, Anneli Saaristo, 110 pts, 1st
  7. Minä Olen Muistanut, Kim Lönholm, 52 pts, 7th
  8. Rakkauden Laulut, Sonja Lumme, 62 pts, 5th
  9. Vad Finns Kvar, Cris Owen, 103 pts, 2nd
  10. Kahden Juhla, Marjorie, 31 pts, 9th

Anneli Saaristo

In the early 1970s, Saaristo participated in pop song contests. Throughout the decade, she worked as the soloist for a dance orchestra and mainly recorded cover versions of pop songs. In the spring of 1978, Saaristo competed in the Finnish Eurovision qualifiers Euroviisut with the song “Sinun Kanssasi, Sinua Ilman,” which became her first hit. Her next recording was “Aamulla Rakkaani Näin,” which Lea Laven had performed in the same qualifiers.

Saaristo’s first album, “Aina Aika Rakkauden,” was released in 1980. Published by a small record company, the album was a commercial disappointment. In 1982, Saaristo participated in the Autumn Tune competition with the song “Tyhjät Sanat” and in the 1984 Euroviisut with “Sä Liian Paljon Vaadit,” finishing third. Both songs were hits, and her subsequent albums sold better than the first.

In the fall of 1988, Saaristo received a press award in the Autumn Tune for her song “Taivaspaikka.” In 1989, she performed in the Eurovision qualifiers with the songs “Oi Ă„iti Maa” and “La Dolce Vita,” the latter winning. At the Eurovision Song Contest in Lausanne, “La Dolce Vita” placed seventh. The “La Dolce Vita” album achieved gold status.

Some of Saaristo’s most renowned songs include “Viimeinen Känni,” “Evakon Laulu,” “Päättyneet Juhlat,” “Appelsiinipuita Aavikkoon,” and “Kypsän Naisen Blues.” In the project “Miten Enkeleitä Vietellään,” she interpreted Bertolt Brecht’s erotic poems alongside Monna Kamu and Liisa Tavi. In the 2000s, Saaristo participated in Rakkauden Kiertokulku concerts with Eija Kantola and Marjorie.

Saaristo has also acted, for instance, in Turku City Theater. In 2005, she appeared in Timo Koivusalo’s movie Kaksipäisen Kotkan Varjossa. That same year, she was nominated for the Iskelmä-Finlandia award. In 2011, Saaristo was granted an artist pension. In recent years, she has performed with pop singer Fredi on the “Fredi’s Guest” concert tour.

Controversy

When Anneli Saaristo took part in Euroviisut and won it, this was of course mentioned in the fan magazines. A Finnish reporter in one of the magazines wrote about Anneli: “She looked like a nightmare already in 1978 when she for the firs time sang in our national heats but the 11 years since then have done their job well: there is no word to describe her looks!”. The writer of the article apologized one magazine later; he explained the article was not a proper translation of a letter in Finnish, and was mixed up with another article, that should have been published.

La Dolce Vita

“La Dolce Vita” is perhaps one of the most iconic songs associated with Anneli Saaristo, especially on the international stage. It was Finland’s official entry to the Eurovision Song Contest in 1989. The title, which translates to “The Sweet Life” in Italian, captures the essence of living life to the fullest and enjoying its pleasures.

The song’s participation in Eurovision marked a significant moment for Finland. Competing in Lausanne, Switzerland, “La Dolce Vita” achieved a commendable 7th place finish. This placement was a notable achievement for Finland at that time.

The tune itself is melodious and catchy, combining traditional pop elements with a distinct Finnish touch. Anneli’s powerful voice and emotive rendition made the performance memorable, helping the song stand out amidst other competitors.

While “La Dolce Vita” may not have secured the top spot at Eurovision, it cemented its position as one of Anneli Saaristo’s most celebrated tracks. Following the contest, the song enjoyed considerable airplay and popularity in Finland and even gained recognition in various parts of Europe. The song’s success also contributed to Anneli’s continued prominence in Finnish music, further showcasing her versatility and talent.

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History

Austria in the Eurovision Song Contest, part 7

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For Austria in the Eurovision Song Contest, part 7, we look back at the start of the 21st century. Alf Poier participated for Austria, but there were also some unsuccesful entries. And there was a 3-year gap. 2000 – The Rounder Girls – All To You Austria’s 2000 entry “All To You” was internally selected by broadcaster ORF. The song was written by American songwriter Dave Moskin. Moskin gave the three-piece vocal group The Rounder Girls an up-tempo, gospel-influenced pop track. Performing last in the Stockholm final, the trio, with members from Austria, the US and the UK, delivered slick harmonies and choreography. They finished 14th out of 24 countries with 34 points. The Rounder Girls were a seasoned soul/gospel ensemble, and their Eurovision appearance raised their profile, though Austria’s middling result meant the country sat out the contest in 2001. 2002 – Manuel Ortega – Say A Word “Say A Word” by Manuel Ortega won Austria’s “Song.Null.Zwei” 2002 national final out of ten songs. this entry was an upbeat pop song with a catchy, boy-band style hook. It was composed by Alexander Kahr with lyrics by Robert Pfluger. At Eurovision 2002 in Tallinn, Ortega performed third and Austria placed 18th (26 points) in the final. Manuel Ortega, a young pop singer, had scored a summer hit in 2001 and was nicknamed “the Austrian Ricky Martin” for his Latin pop flair. His Eurovision song’s fun choreography and positive message reflected that image, though the result was a lower mid-table finish. 2003 – Alf Poier – Weil der Mensch zählt ORF organized the “Song.Null.Drei” 2003 selection. Petra Frey (ESC 1994) was the runner up. Comedian-singer Alf Poier triumphed with “Weil der Mensch zählt”. Poier penned this satirical song himself. Musically it’s a quirky folk-pop tune delivered in Styrian dialect. The performance, complete with cartoonish animal props, was a parody of Eurovision’s over-the-top style. At the Riga contest, this offbeat entry surprised many by scoring 6th place with 101 points. Alf Poier, an Austrian stand-up comedian known for absurdist humor, thus earned Austria’s best Eurovision result in over a decade. His comedic approach and catchy refrain turned him into a fan favorite that year. 2004 – Tie Break – Du bist Austria’s national final “Song.Null.Vier” chose Tie Break’s “Du bist” for Eurovision 2004. Waterloo & Robinson (ESC 1976!) were the runners up. Note that a song, written by popstar Falco, participated too. So posthumously, Falco did a Eurovision attempt!Written by composer Peter Zimmermann, “Du bist” is a tender schlager-style pop ballad performed in German. Tie Break, a trio of fresh-faced male singers (a boy band formed via a talent search), delivered tight harmonies in Istanbul’s final. Thanks to Austria’s top-10 result the year before, they pre-qualified directly for the final. Tie Break finished 21st out of 24 with 9 points. The group had gained national fame through the selection process, but on the Eurovision stage their gentle ballad struggled to stand out in a field dominated by more dynamic acts. 2005 – Global.Kryner – Y así In 2005, “Song.Null.Fünf” was held and the crossover folk band Global.Kryner won with “Y así”. They narrowly beated Alf Poier. The controversy was that Austria changed the rules of the voting on the very last moment. Would the original voting procedure be used, Alf Poier would have won. Band members Edi Köhldorfer (composer) and Christof Spörk (lyricist) combined Latin salsa rhythms with Austrian alpine polka to create this unique “salsa-polka-pop” song. Global.Kryner was a six-member ensemble known for blending folk and jazz influences. They opened the Eurovision semi-final in Kyiv with an energetic performance featuring yodels and Latin dance breaks. However, “Y así” did not advance to the final, placing 21st of 25 in the semi-final with 30 points. The group had earned acclaim in Austria and Germany, but their daring genre fusion proved too quirky for the Eurovision televote that year. 2007 – Eric Papilaya – Get A Life – Get Alive After a brief Eurovision hiatus, Austria returned in 2007 by internally selecting Eric Papilaya. His entry “Get A Life – Get Alive” – composed by Greg Usek with lyrics by Austin Howard. It was the official anthem of Vienna’s Life Ball AIDS charity event. This song is an upbeat pop-rock anthem with an inspirational message and flashy staging. Papilaya performed with a giant red ribbon on stage. Papilaya, a rock vocalist who rose to fame on the TV talent show Starmania, gave a spirited performance in Helsinki’s semi-final. Unfortunately Austria did not qualify for the final; he placed 27th (four points) in the semi. The entry drew media attention for its charity theme, but it wasn’t enough to overcome tough competition in 2007. 2011 – Nadine Beiler – The Secret Is Love Austria returned to Eurovision in 2011 through the national selection “Düsseldorf – wir kommen!”. The competition featured ten songs. However, well-known artists Alf Poier and Petra Frey failed to pass the online preselection. As a result, Nadine Beiler won the final with her soulful ballad “The Secret Is Love”. She co-wrote the song with veteran producer Thomas Rabitsch. Musically, the entry combines elements of gospel and pop, while it clearly highlights Beiler’s strong vocal range. Previously, Nadine Beiler had gained national fame by winning the television talent show Starmania in 2007 at the age of 16. Therefore, expectations were already high when she took the stage in Düsseldorf. Her Eurovision performance began a cappella and gradually built towards a powerful climax. Consequently, Austria qualified from the semi-final in seventh place with 69 points. In the grand final, Beiler finished 18th, scoring 64 points. Nevertheless, this result marked Austria’s first appearance in a Eurovision final in seven years and therefore signalled a credible and positive comeback.

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Eurovision 2026

Weekly Update

It’s Tuesday, January 13, 2026, and time for another weekly update! This week saw a Eurovision icon bow out, national finals making headlines, and key developments for the 2026 contest in Vienna. Conchita Wurst announced her departure from all Eurovision activities, Ukraine’s Vidbir added its final wildcard act, and Moldova set the stage for its national final. Meanwhile, Eurovision 2026 preparations accelerated with ticket sales (which sold out within an hour) and the Semi-Final Allocation Draw results. Plus, we’ve introduced new features on Eurovision Universe – including a country-by-country lyrics search and a dedicated 2026 page. Here are this week’s top stories: Conchita Wurst Conchita Wurst has shared a personal statement on social media. In her message, she reflects on recent developments in her life and career. She explains that she will step back from all Eurovision-related activities. According to Conchita, the contest will remain an important part of her history, but no longer a place for future projects. 📷 EBU She thanks Eurovision for the opportunities it gave her and for the impact it had on her personal growth. Fans and colleagues reacted quickly to the statement. Many expressed support and appreciation for her openness. Conchita’s words once again underline her role as a strong voice within the Eurovision community. Her influence reaches far beyond her victory in 2014. source: Facebook Conchita Wurst National finals: Ukraine and Moldova 🇺🇦 In Ukraine, broadcaster Suspilne has confirmed the final participant for Vidbir 2026. The artist won the public vote for the remaining spot in the national final. This result completes the line-up for the Ukrainian selection show. Vidbir continues to attract strong interest from the public. It remains an important platform for Ukrainian artists. Source: suspilne.media 🇲🇩 Moldova has also shared new details about its national final. The show will take place on 17 January. Broadcaster TRM confirmed that Paula Seling and Jamala will appear as special guests. Their participation adds international attention to the Moldovan selection. The event marks Moldova’s official return to the Eurovision stage. source: RTM Agenda: January 15 🇲🇹 Malta semifinal 21.00 CET TVM January 17 🇲🇩 Moldova final 18.00 CET TRM or YouTube January 17 🇲🇹 Malta final 21.00 CET TVM January 20 🇮🇱 Israel final artists 20.30 CET To be announced   Eurovision 2026: tickets and allocation draw Ticket sales for the Eurovision Song Contest 2026 in Vienna started today. Demand proved extremely high. The first range of tickets sold out within around one hour after sales opened. This result highlights the strong interest in the contest. It also suggests that future ticket waves may sell quickly. source: instagram eurovision The allocation draw has also taken place. Participating countries learned in which semi-final they will compete. The draw also decided whether they will perform in the first or second half of the show. With this step completed, the on-screen Eurovision season for 2026 has officially begun. Find all about the draw here. New on Eurovision Universe Eurovision Universe has expanded its online encyclopedia. A new tool now allows visitors to search Eurovision lyrics by country. This feature offers a fresh way to explore songs and themes. Have a look at it here! In addition, the dedicated Eurovision 2026 page is now online. It brings together confirmed news, background information, and updates about the upcoming contest. Readers who want to follow the road to Vienna are encouraged to explore both new sections.

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, January 13, 2026, and time for another weekly update! This week saw a Eurovision icon bow out, national finals making headlines, and key developments for the 2026 contest in Vienna. Conchita Wurst announced her departure from all Eurovision activities, Ukraine’s Vidbir added its final wildcard act, and Moldova set the stage for its national final. Meanwhile, Eurovision 2026 preparations accelerated with ticket sales (which sold out within an hour) and the Semi-Final Allocation Draw results. Plus, we’ve introduced new features on Eurovision Universe – including a country-by-country lyrics search and a dedicated 2026 page. Here are this week’s top stories: Conchita Wurst Conchita Wurst has shared a personal statement on social media. In her message, she reflects on recent developments in her life and career. She explains that she will step back from all Eurovision-related activities. According to Conchita, the contest will remain an important part of her history, but no longer a place for future projects. 📷 EBU She thanks Eurovision for the opportunities it gave her and for the impact it had on her personal growth. Fans and colleagues reacted quickly to the statement. Many expressed support and appreciation for her openness. Conchita’s words once again underline her role as a strong voice within the Eurovision community. Her influence reaches far beyond her victory in 2014. source: Facebook Conchita Wurst National finals: Ukraine and Moldova 🇺🇦 In Ukraine, broadcaster Suspilne has confirmed the final participant for Vidbir 2026. The artist won the public vote for the remaining spot in the national final. This result completes the line-up for the Ukrainian selection show. Vidbir continues to attract strong interest from the public. It remains an important platform for Ukrainian artists. Source: suspilne.media 🇲🇩 Moldova has also shared new details about its national final. The show will take place on 17 January. Broadcaster TRM confirmed that Paula Seling and Jamala will appear as special guests. Their participation adds international attention to the Moldovan selection. The event marks Moldova’s official return to the Eurovision stage. source: RTM Agenda: January 15 🇲🇹 Malta semifinal 21.00 CET TVM January 17 🇲🇩 Moldova final 18.00 CET TRM or YouTube January 17 🇲🇹 Malta final 21.00 CET TVM January 20 🇮🇱 Israel final artists 20.30 CET To be announced   Eurovision 2026: tickets and allocation draw Ticket sales for the Eurovision Song Contest 2026 in Vienna started today. Demand proved extremely high. The first range of tickets sold out within around one hour after sales opened. This result highlights the strong interest in the contest. It also suggests that future ticket waves may sell quickly. source: instagram eurovision The allocation draw has also taken place. Participating countries learned in which semi-final they will compete. The draw also decided whether they will perform in the first or second half of the show. With this step completed, the on-screen Eurovision season for 2026 has officially begun. Find all about the draw here. New on Eurovision Universe Eurovision Universe has expanded its online encyclopedia. A new tool now allows visitors to search Eurovision lyrics by country. This feature offers a fresh way to explore songs and themes. Have a look at it here! In addition, the dedicated Eurovision 2026 page is now online. It brings together confirmed news, background information, and updates about the upcoming contest. Readers who want to follow the road to Vienna are encouraged to explore both new sections.

Read More »
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