Weekly update

It’s time for another weekly Eurovision update, with a mix of sad news and significant developments. Europe’s Eurovision community bids farewell to a former contestant, while broadcasters across the continent share important updates. Here are this week’s top stories:


🇩🇪 Obituary: Inge Brück (1936–2025)

Germany’s Eurovision singer Inge Brück passed away on 8 September 2025, aged 88. Born in Mannheim in 1936, she began her career in the 1950s with the Erwin Lehn orchestra. Her breakthrough came in 1957 with the hit “Peter, komm heut’ abend zum Hafen,” which reached the German charts.

Brück built a reputation as a versatile performer. She toured with big bands, worked in musical theatre, and appeared on many German television shows. In 1966 she achieved international recognition by winning the Rio de Janeiro Song Festival with “Frag den Wind.”

The following year she represented Germany at the Eurovision Song Contest in Vienna. Her ballad “Anouschka,” composed by Hans Blum, finished eighth. Though she did not win, her performance was praised for its elegance and sincerity. The song remains one of the memorable entries of the 1960s.

After Eurovision, Brück balanced acting and singing. In 1970 she starred in the ZDF series “Miss Molly Mill,” about a housemaid-turned-detective. The series drew up to 22 million viewers per episode and made Brück a household name. She also sang the show’s theme song, later released as a single.

In the mid-1970s she shifted to spiritual and religious music. Together with Katja Ebstein and Peter Horton, she founded Künstler für Christus (Artists for Christ). The group toured churches and festivals, releasing a double album of Christian music. This work reflected Brück’s strong personal faith and her search for deeper meaning in her art.

Brück was married to television director Michael Pfleghar, and later to Klaus Überall. In her later years she lived quietly in Meschede. She leaves behind a legacy as one of Germany’s notable entertainers of her time, remembered for her Schlager hits, television success, and of course her Eurovision appearance.

The Eurovision community mourns her passing and celebrates her contribution to music and culture.


🇨🇭 Céline Dion’s Missed Comeback

French media revealed that Céline Dion was due to make a surprise appearance at Eurovision 2025 in Basel. She had planned to sing “Ne partez pas sans moi,” her winning song from 1988. Dion flew to Switzerland, and hints of her involvement appeared during rehearsals.

However, the singer, who suffers from stiff person syndrome, suffered a health crisis at the venue and had to cancel at the last moment. She returned to Las Vegas for treatment. Producers replaced her planned performance with a tribute by other artists.

Dion later appeared at a Coldplay concert in Las Vegas, showing better spirits. Still, her illness continues to affect her career. Concerts remain postponed, and her next steps are uncertain. Fans and the Eurovision community continue to send her support.

Eric Sallard, Wikimedia Commons


🇪🇸 Spain Questions Israel’s Participation

Spain’s Culture Minister Ernest Urtasun said the country might withdraw from Eurovision 2026 if Israel is allowed to compete. Speaking on RTVE television, he argued that Spain “cannot normalise Israel’s participation as if nothing is happening.”

Urtasun noted that RTVE has already raised concerns with the European Broadcasting Union. While the final decision lies with RTVE, the minister’s comments put political pressure on the broadcaster.

Spain is still planning Benidorm Fest 2026, but a withdrawal remains possible. The EBU will discuss Israel’s status at its December assembly. Spain’s stance, following Slovenia’s earlier warning, highlights the political tension surrounding next year’s contest.


Other News in Brief

🇲🇪 Montenegro – RTCG has opened submissions for MonteSong 2025, running until 3 October. Executive producer Vladana Vučinić stressed the festival is a platform for young artists, not a waste of money.

🇮🇹 Italy – RAI and the City of Sanremo confirmed the Sanremo Festival 2026 will stay in Sanremo. The event will run 24–28 February at the Teatro Ariston, with Carlo Conti returning as host.

🇨🇿 Czechia – Česká televize confirmed participation in Eurovision 2026. Entries can be submitted until 19 October, with the act to be chosen internally.

🇸🇲 San Marino – SMRTV confirmed participation and will continue its San Marino Song Contest format until at least 2028, backed by the Tourism Ministry.

🇸🇮 Slovenia – RTVSLO said it may withdraw from Eurovision 2026 if Israel participates. Director Ksenija Horvat stated, “we realistically think we won’t be able to go” under current conditions.

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Eurovision 2026

Weekly Update

It’s Tuesday, November 25, 2025, and time for another weekly update! This week the Eurovision community saw major news straight from the EBU. A comprehensive overhaul of the Eurovision Song Contest voting system was announced ahead of Vienna 2026. The news was accompanied by an open letter to fans. Meanwhile, Eurovision’s online presence got a big upgrade with the launch of a brand-new official website. Plans for Eurovision 2026 tickets were revealed. The road to the 70th Contest is truly heating up. Here are this week’s top stories: Contest Updates Martin Green Addresses Fans in Open Letter on Voting Changes Martin Green, the Eurovision Song Contest Director, has written an open letter to the fan community about upcoming voting change. He acknowledged concerns raised after Eurovision 2025 and said the EBU spent the summer reviewing issues and consulting broadcasters. Green stressed the need to “strengthen trust” in the Contest’s fairness and keep Eurovision a “neutral space” where music unites people. He assured fans that a “series of significant changes” in 2026 will  as the Contest moves forward. 📷 Martin Green, EBU Eurovision 2026 Voting Overhaul: Key Rule Changes Unveiled The EBU has unveiled a major overhaul of Eurovision voting rules for 2026. These updates aim to ensure a fairer contest after concerns last year. Stricter promotion rules will now ban any broadcaster or artist from supporting third-party voting campaigns (including government-backed drives) that could distort the results. The maximum number of votes per viewer (per payment method) is being halved from 20 to 10. This encourages viewers to spread their support across multiple entries. Professional juries will return to the Semi-Finals. A roughly 50/50 jury–public vote balance is restored. Each national jury is expanding from 5 to 7 members (with at least two aged 18–25) to add more diverse expertise. In addition, enhanced anti-fraud systems will monitor and block any suspicious or coordinated voting activity. Together, these measures are designed to strengthen trust and transparency in the lead-up to Eurovision 2026. Fan Updates Official Eurovision Website Moves to Eurovision.com Eurovision’s official website has a new home. The organisation has launched Eurovision.com as the “new home for everything” Eurovision, replacing the longtime Eurovision.tv site. The old site will shut down next week. The modernised platform is fully accessible and packed with features. One highlight is a comprehensive Contest database covering all 70 editions of the contest, dating back to 1956. Fans can also create a free “Eurofan” account on the site. This offers early ticket access, exclusive merchandise, special perks and personalised content. The Eurovision app, Junior Eurovision site, and other digital platforms will be updated over the coming months to match the new site. New features will start rolling out from February, as the road to Vienna 2026 officially begins on this upgraded online hub. Eurovision 2026 Tickets: Registration Required for January Sale Tickets for Eurovision 2026 are on the way, but fans need to act now to secure their chance. The first wave of tickets will go on sale on Tuesday 13 January 2026 at 13:00 CET. To participate in this sale, fans must pre-register during the current registration window (open now until 18 December 2025). Registration involves creating a free Eurofan account on the new official website and signing up with Eurovision’s ticketing partner, Oeticket, using the same email address. Only those who complete both steps by 18 December will receive an email in early January with a personal link and access code to buy tickets. Each code will allow the purchase of up to four tickets. Demand is expected to be very high. Receiving a code doesn’t guarantee tickets. Additional ticket sales rounds are likely to follow later, so fans who miss out should keep an eye on official updates.   source: eurovision.tv

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Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, November 25, 2025, and time for another weekly update! This week the Eurovision community saw major news straight from the EBU. A comprehensive overhaul of the Eurovision Song Contest voting system was announced ahead of Vienna 2026. The news was accompanied by an open letter to fans. Meanwhile, Eurovision’s online presence got a big upgrade with the launch of a brand-new official website. Plans for Eurovision 2026 tickets were revealed. The road to the 70th Contest is truly heating up. Here are this week’s top stories: Contest Updates Martin Green Addresses Fans in Open Letter on Voting Changes Martin Green, the Eurovision Song Contest Director, has written an open letter to the fan community about upcoming voting change. He acknowledged concerns raised after Eurovision 2025 and said the EBU spent the summer reviewing issues and consulting broadcasters. Green stressed the need to “strengthen trust” in the Contest’s fairness and keep Eurovision a “neutral space” where music unites people. He assured fans that a “series of significant changes” in 2026 will  as the Contest moves forward. 📷 Martin Green, EBU Eurovision 2026 Voting Overhaul: Key Rule Changes Unveiled The EBU has unveiled a major overhaul of Eurovision voting rules for 2026. These updates aim to ensure a fairer contest after concerns last year. Stricter promotion rules will now ban any broadcaster or artist from supporting third-party voting campaigns (including government-backed drives) that could distort the results. The maximum number of votes per viewer (per payment method) is being halved from 20 to 10. This encourages viewers to spread their support across multiple entries. Professional juries will return to the Semi-Finals. A roughly 50/50 jury–public vote balance is restored. Each national jury is expanding from 5 to 7 members (with at least two aged 18–25) to add more diverse expertise. In addition, enhanced anti-fraud systems will monitor and block any suspicious or coordinated voting activity. Together, these measures are designed to strengthen trust and transparency in the lead-up to Eurovision 2026. Fan Updates Official Eurovision Website Moves to Eurovision.com Eurovision’s official website has a new home. The organisation has launched Eurovision.com as the “new home for everything” Eurovision, replacing the longtime Eurovision.tv site. The old site will shut down next week. The modernised platform is fully accessible and packed with features. One highlight is a comprehensive Contest database covering all 70 editions of the contest, dating back to 1956. Fans can also create a free “Eurofan” account on the site. This offers early ticket access, exclusive merchandise, special perks and personalised content. The Eurovision app, Junior Eurovision site, and other digital platforms will be updated over the coming months to match the new site. New features will start rolling out from February, as the road to Vienna 2026 officially begins on this upgraded online hub. Eurovision 2026 Tickets: Registration Required for January Sale Tickets for Eurovision 2026 are on the way, but fans need to act now to secure their chance. The first wave of tickets will go on sale on Tuesday 13 January 2026 at 13:00 CET. To participate in this sale, fans must pre-register during the current registration window (open now until 18 December 2025). Registration involves creating a free Eurofan account on the new official website and signing up with Eurovision’s ticketing partner, Oeticket, using the same email address. Only those who complete both steps by 18 December will receive an email in early January with a personal link and access code to buy tickets. Each code will allow the purchase of up to four tickets. Demand is expected to be very high. Receiving a code doesn’t guarantee tickets. Additional ticket sales rounds are likely to follow later, so fans who miss out should keep an eye on official updates.   source: eurovision.tv

Read More »
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