🇮🇸 Blast from the Past: Iceland 1989

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today this year’s last one before we fully head over to the national final season: Iceland 1989.

Iceland in the Eurovision Song Contest

Iceland’s journey in the Eurovision Song Contest is a tale of persistence, creativity, and cultural expression. Debuting in 1986, this small island nation has become a Eurovision staple, despite never securing the coveted first place. Iceland’s music scene, known for its distinctiveness and innovation, is reflected in their Eurovision entries, ranging from pop and rock to avant-garde and electronic.

Iceland’s near-victories include the uptempo song Selma presented in 1999: “All Out Of Luck” and Yohanna‘s heartfelt ballad “Is It True?” in 2009. Both songs reached a 2nd place. Daði og Gagnamagnið‘s quirky, yet catchy “Think About Things” was the top favourite to win in 2020. Unfortunately it didn’t happen as the contest was cancelled due to COVID19.

One Icelandic entry ended up with a zero: “Það sem enginn sér” by Daniel Ágúst Haraldsson. That is the song we talk about today.

photo: RUV

Söngvakeppnin 1989

The Icelandic national final is called Söngvakeppnin. In 1989 it contained only five songs, being:

  1. Það sem enginn sér“, by Daniel Ágúst Haraldsson, 66 pts, 1st
  2. Þú leiddir mig i ljós“, by Jóhanna Linnet, 30 pts, 5th
  3. Linudans“, by Ellen Kristjánsdóttir & Mannakorn, 58 pts, 2nd
  4. Sóley“, by Björgvin Halldórsson & Katla Maria, 44 pts, 4th
  5. Alpatwist” by Bítlavinafélagið, 58 pts, 2nd

When the winner was announced, it was not a happy moment for Daniel. Whoever saw the national final could conclude that the singer didn’t express a single sign of happiness. The entire show can be watched here.

Daniel Ágúst Haraldsson

Daniel Ágúst Haraldsson, an Icelandic musician with a distinctive artistic vision, has carved a unique niche in the world of music. Born on August 26, 1969, in Reykjavik, Iceland, Daniel Ágúst grew up in a country known for its rich musical heritage and stunning landscapes, both of which have influenced his artistic journey.

Daniel Ágúst’s musical career began to take shape in the 1980s when he co-founded the band Nýdönsk, one of Iceland’s most popular bands. Known for their blend of rock and brass, Nýdönsk became a cornerstone of the Icelandic music scene. His tenure with Nýdönsk showcased his versatility as a musician and his ability to blend different genres seamlessly.

In 1989, as said, he won Söngvakeppnin and thus represented Iceland in the Eurovision Song Contest. Unfortunately, Daniel didn’t manage to earn any points with his song.

In 1994, Daniel Ágúst’s musical direction took a significant turn when he joined GusGus, a collective known for its eclectic mix of electronic, house, and techno music. As one of the founding members, he contributed to the band’s first two albums, notably their self-titled debut and “Polydistortion,” which gained international acclaim. His work with GusGus solidified his reputation as a talented and innovative artist in the electronic music scene.

After his stint with GusGus, Daniel Ágúst embarked on a solo career, exploring new musical territories. His solo debut, “Swallowed a Star” (2005), was a critical success, lauded for its experimental approach and emotional depth. The album demonstrated his ability to craft intricate soundscapes that are both haunting and beautiful.

Aside from his band and solo work, Daniel Ágúst has been involved in various collaborations and projects, contributing to film soundtracks and working with other artists.

Það sem enginn sér

“Það sem enginn sér” stands out for its emotive and introspective nature, showcasing Daniel Ágúst’s distinctive vocal style. The song’s lyrical depth, exploring themes of introspection and the unseen struggles of the human experience, resonated with the Icelandic audience, making it a strong choice for Eurovision. The song was written and composed by Valgeir Guðjónsson, who previously wrote the 1987 Icelandic entry for Halla Márgret.

However, despite its artistic merit and Daniel Ágúst’s compelling performance, “Það sem enginn sér” faced an unexpected setback at the contest. In a turn of events that stunned both the Icelandic delegation and Eurovision fans, the song received zero points, joining the infamous “nul points” club in Eurovision history.

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Blast from the past

Blast from the past: Norway 1972

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1972, when Grethe Kausland and Benny Borg represented Yugoslavia with their song “Småting”. Norway in the Eurovision Song Contest Norway debuted in Eurovision in 1960 and has claimed victory three times: Bobbysocks with “La det swinge” in 1985, Secret Garden’s “Nocturne” in 1995, and Alexander Rybak’s “Fairytale” in 2009—a record‑breaking win with 387 points. Despite these highs, Norway also holds the record for most last‑place finishes (12 times, including four “nul points”). In Eurovision 2025, Norway was represented by 19‑year‑old Kyle Alessandro with the song “Lighter”, selected via Melodi Grand Prix 2025. He qualified from semi‑final 1 in 8th place and finished 18th in the final with 89 points. Norsk Melodi Grand Prix 1972 Melodi Grand Prix is always the national selection for the Eurovision Song Contest. In 1972, 5 songs competed. They were sung by one artist with a grand orchestra, another version with a small combo. Those were the songs: Happy Hippie, sung by Anita Hegerland (combo) and Gro Anita Schønn (orchestra), 38 pts, 3rd Lillebror, sung by Inger Lise Rypdal (combo) and Kirsti Sparboe (orchestra), 40 pts, 2nd Småting, sung by Hanne Krogh (combo) and Grethe Kausland & Benny Borg (orchestra), 43 pts, 1st Håp, sung by Ellen Nikolaysen (combo) and Anne-Karine Strøm (orchestra), 33 pts, 1st Et hus på landet, sung by Eli Tanja (combo) and Jan Erik Berntsen (orchestra), 30 pts, 5th 7 jury pairs from 7 regions chose the winner. One of the jurors was older than 25 years, the other one younger. Grethe Kausland and Benny Borg Grethe Kausland (born Grethe Nilsen on 3 July 1947 in Horten, Norway) was a beloved Norwegian singer, performer, and actress. Rising to fame as a child star, she made her first record at age 8—“Teddyen min”—which sold over 100,000 copies. By 12, she had recorded numerous singles and appeared in multiple Norwegian films. Benny Borg (born Artie Benny Borg on 13 November 1945 in Gothenburg, Sweden) established his musical roots in pop bands during the 1960s. He moved to Norway in the late 1960s and became known for his versatility as a singer, composer, and entertainer. In 1972, Kausland and Borg joined forces to represent Norway in the Eurovision Song Contest in Edinburgh, performing the Norwegian-language duet “Småting,” penned by Kåre Grøttum and Ivar Børsum. They were selected via Melodi Grand Prix 1972 and ultimately placed 14th with 73 points. After Eurovision, Kausland joined the famed revue group Dizzie Tunes in 1973, performing with them until around 2001. She earned the prestigious Spellemannprisen in 1978 for her album A Taste of Grethe Kausland, and the Leonardstatuetten in 1991 for her contributions to Norwegian revue. Her television roles included the sitcom Karl & Co and children’s series like Jul i Blåfjell. Borg also collaborated with Dizzie Tunes, becoming celebrated for his stage impersonations of Elvis Presley and Johnny Cash. He earned a Spellemannprisen in 1973 and later the Herman Wildenvey Poetry Award in 2004 for his musical settings of Norwegian poetry. Grethe Kausland passed away in November 2007 from lung cancer at age 60, while Benny Borg continues to perform and create music, maintaining his legacy in Norwegian entertainment. Småting “Småting” was written by Ivar Børsum, with music composed by Kåre Grøttum. The song is a gentle duet, performed by Grethe Kausland and Benny Borg, focusing on life’s small, everyday joys. With its soft melody and warm harmonies, “Småting” offered a calm contrast to more dramatic entries in the 1972 Eurovision Song Contest. The performance was simple and intimate, reflecting the song’s message of appreciating little things in life. Although it did not score highly—placing 14th with 73 points—it remains a fondly remembered entry in Norway’s Eurovision history, valued for its sincerity, charm, and the chemistry between the two performers.     Share

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Blast from the past
Martijn

Blast from the past: Norway 1972

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1972, when Grethe Kausland and Benny Borg represented Yugoslavia with their song “Småting”. Norway in the Eurovision Song Contest Norway debuted in Eurovision in 1960 and has claimed victory three times: Bobbysocks with “La det swinge” in 1985, Secret Garden’s “Nocturne” in 1995, and Alexander Rybak’s “Fairytale” in 2009—a record‑breaking win with 387 points. Despite these highs, Norway also holds the record for most last‑place finishes (12 times, including four “nul points”). In Eurovision 2025, Norway was represented by 19‑year‑old Kyle Alessandro with the song “Lighter”, selected via Melodi Grand Prix 2025. He qualified from semi‑final 1 in 8th place and finished 18th in the final with 89 points. Norsk Melodi Grand Prix 1972 Melodi Grand Prix is always the national selection for the Eurovision Song Contest. In 1972, 5 songs competed. They were sung by one artist with a grand orchestra, another version with a small combo. Those were the songs: Happy Hippie, sung by Anita Hegerland (combo) and Gro Anita Schønn (orchestra), 38 pts, 3rd Lillebror, sung by Inger Lise Rypdal (combo) and Kirsti Sparboe (orchestra), 40 pts, 2nd Småting, sung by Hanne Krogh (combo) and Grethe Kausland & Benny Borg (orchestra), 43 pts, 1st Håp, sung by Ellen Nikolaysen (combo) and Anne-Karine Strøm (orchestra), 33 pts, 1st Et hus på landet, sung by Eli Tanja (combo) and Jan Erik Berntsen (orchestra), 30 pts, 5th 7 jury pairs from 7 regions chose the winner. One of the jurors was older than 25 years, the other one younger. Grethe Kausland and Benny Borg Grethe Kausland (born Grethe Nilsen on 3 July 1947 in Horten, Norway) was a beloved Norwegian singer, performer, and actress. Rising to fame as a child star, she made her first record at age 8—“Teddyen min”—which sold over 100,000 copies. By 12, she had recorded numerous singles and appeared in multiple Norwegian films. Benny Borg (born Artie Benny Borg on 13 November 1945 in Gothenburg, Sweden) established his musical roots in pop bands during the 1960s. He moved to Norway in the late 1960s and became known for his versatility as a singer, composer, and entertainer. In 1972, Kausland and Borg joined forces to represent Norway in the Eurovision Song Contest in Edinburgh, performing the Norwegian-language duet “Småting,” penned by Kåre Grøttum and Ivar Børsum. They were selected via Melodi Grand Prix 1972 and ultimately placed 14th with 73 points. After Eurovision, Kausland joined the famed revue group Dizzie Tunes in 1973, performing with them until around 2001. She earned the prestigious Spellemannprisen in 1978 for her album A Taste of Grethe Kausland, and the Leonardstatuetten in 1991 for her contributions to Norwegian revue. Her television roles included the sitcom Karl & Co and children’s series like Jul i Blåfjell. Borg also collaborated with Dizzie Tunes, becoming celebrated for his stage impersonations of Elvis Presley and Johnny Cash. He earned a Spellemannprisen in 1973 and later the Herman Wildenvey Poetry Award in 2004 for his musical settings of Norwegian poetry. Grethe Kausland passed away in November 2007 from lung cancer at age 60, while Benny Borg continues to perform and create music, maintaining his legacy in Norwegian entertainment. Småting “Småting” was written by Ivar Børsum, with music composed by Kåre Grøttum. The song is a gentle duet, performed by Grethe Kausland and Benny Borg, focusing on life’s small, everyday joys. With its soft melody and warm harmonies, “Småting” offered a calm contrast to more dramatic entries in the 1972 Eurovision Song Contest. The performance was simple and intimate, reflecting the song’s message of appreciating little things in life. Although it did not score highly—placing 14th with 73 points—it remains a fondly remembered entry in Norway’s Eurovision history, valued for its sincerity, charm, and the chemistry between the two performers.     Share

Share
Read More »