Weekly Update

It’s time for another weekly Eurovision update. The host city race for Eurovision 2026 is heating up in Austria, Eurovision 2025 champion JJ receives a prestigious honor in Vienna, and Swedish Eurovision icon Björn Skifs announces his retirement after a storied career.

Host City Battle: Innsbruck Council Backs Eurovision Bid

📷 Simon Legner, Wikimedia Commons

Innsbruck’s municipal council has officially approved funding for a potential Eurovision Song Contest 2026 host city bid, moving the host city battle into its final stage. The council voted 22–18 in favor of allocating a budget framework of nearly €20 million for hosting the contest. One-third of it would be covered by the city and the rest by regional tourism and business partners. Mayor Johannes Anzengruber welcomed the decision. He explained that with private partners contributing a larger share than the city, the plan is “manageable and feasible”. Otherwise Innsbruck alone could not afford to host.

Not everyone was on board: opposition parties in the council voted against the Eurovision bid. Some call it a “financial disaster” and criticize a lack of a transparent financial plan. Despite this, Innsbruck is now fully in the running and hopes to become the first city outside Austria’s capital to ever host the contest. The Tyrolean city’s proposal centers on the Olympiahalle arena and the slogan “Together on Top”. Innsbruck’s main rival Vienna has also submitted a strong bid (with the Stadthalle as venue). Broadcaster ORF is expected to decide between Vienna and Innsbruck by early August. source: vol.at

Eurovision 2025 Winner JJ Receives Goldener Rathausmann

📷 EBU/Corinne Cumming

Vienna honored its latest Eurovision hero this week. Mayor Michael Ludwig presented JJ (Johannes Pietsch) with the Goldener Rathausmann – a prestigious golden statuette awarded by the city – in recognition of his Eurovision victory for Austria. JJ won the Eurovision Song Contest 2025 with the power ballad “Wasted Love”. Mayor Ludwig praised the 24-year-old singer as an “exceptional talent”. He noted that JJ is the first Austrian artist to achieve over one million streams in one week. The mayor also stated that JJ now joins past Austrian Eurovision champions (Udo Jürgens and Conchita Wurst) who have received the same honor. JJ expressed gratitude for the award. He called it a milestone he’ll never forget. And, as a proud Viennese, he added that he’d love to see the Song Contest return to Vienna in 2026. source: ots.at

Björn Skifs Ends Music Career
Retirement

Swedish singer Björn Skifs – who represented Sweden twice at Eurovision – announced that he is retiring from music after an illustrious 50+ year career. The 78-year-old veteran revealed he has been diagnosed with frontotemporal dementia. In a heartfelt statement he admitted the news “is not easy to take in” for him or his loved ones. Skifs reflected that he has “lived a rich and amazing life, filled with music, love and laughter”. He thanked everyone who has been part of his journey, and said that now “it’s time to slow down and take one day at a time”.

Hooked on a Feeling

Skifs’s career began in the 1960s and reached global heights in the 1970s. As the lead singer of the band Blue Swede, he scored an international #1 hit in 1974 with the pop classic “Hooked on a Feeling” – making him one of the few Swedish artists to top the US charts. He also took part in Sweden’s Eurovision selection Melodifestivalen several times. In 1975, for example, he competed with the song “Michelangelo.” Despite finishing 5th in the national final, the song became a major hit that stayed at #1 on Sweden’s singles chart for seven weeks.

Björn Skifs in Eurovision

Skifs eventually went on to represent Sweden at the Eurovision Song Contest twice. He won Melodifestivalen 1978 and performed “Det blir alltid värre framåt natten” at Eurovision in Paris, finishing 14th. He returned to the Eurovision stage in 1981 with “Fångad i en dröm”, this time achieving 10th place in Dublin. 

Even outside of Eurovision, Björn Skifs remained an active and beloved entertainer. He appeared as “The Arbiter” on the original 1984 concept album of the musical Chess, and in 2010 he performed the duet “When You Tell the World You’re Mine” with singer Agnes at the royal wedding of Sweden’s Crown Princess Victoria. More recently, Eurovision fans saw Skifs return to the spotlight at the Eurovision 2024 Grand Final in Malmö – he made a surprise appearance performing “Hooked on a Feeling” as part of the opening act of the show. With his retirement, Skifs leaves behind a remarkable legacy in music and in Eurovision history.

That’s all for this weekly update. Stay tuned for another roundup next week. The road to Eurovision 2026 continues!

 

 

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Eurovision 2026

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

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Eurovision 2026
Martijn

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
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