TIX meets youngsters with Gilles de la Tourette

It is quite common that participants in the Eurovision Song Contest do something else than rehearse in the two weeks that they are present at the Eurovision Song Contest. However, this is not possible this year due to COVID19. TIX, the Norwegian singer, found a solution for that. A number of young people who, like him, have Gilles de la Tourette, had gathered in the Norwegian embassy. They made contact with their famous companion through a video connection.

It felt special for TIX. “I see tics in some of you!” He exclaimed, “That’s so weird to see”. TIX visibly felt at ease. The fact that you are different makes you special, the singer stated. TIX does not think he would ever have become a singer without Tourette. Not that he wouldn’t want to, but he might not have the persistence to do so. He fought for acceptance. TIX reports that he has become very creative because of Tourette. He sees opportunities where others mainly see challenges and problems. He says he was always exhausted after school. It was moving when he spoke of a conversation he had with his mother, in which he expressed that he never thought he could ever have a girlfriend or a wife who would want to have children with him. Yet people turn out to be nicer than you might think. School is one big popularity contest. But after school it turns out that when you are nice to people, they are nice to you too.

TIX’ Tourette started with coughing while he did not have a cold. When it turned out that it was Tourette, his parents did everything to learn as much as possible about Tourette. It is very difficult to understand your 6-year-old child who does not have the words to explain what is bothering him. TIX’s parents had many conversations with teachers. TIX talks extensively about school, about how some teachers did not understand him but there were always teachers who stood up for him. At the end of the conversation, TIX asks the students if they got anything positive from their Tourette. With this question he made people think in a positive way.

in cooperation with Eurovision Artists

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70 years of Eurovision: holding up signs

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1971 Sweden, Finland, Norway, Austria, and Portugal returned. Malta made its debut. Enthused by the 1970 festival, everyone dared to give it another try. The scoring system changed drastically. Each country had two jurors; one over 25 and one under. They indicated their votes by holding up signs live on television. It all took place in Dublin, where everything was held at the Gaiety Theatre. That is not entirely true: all sorts of things happened just outside the theatre. Almost every protest group to be found in Ireland was standing there. From Irish feminists and people opposed to hunting and Irish people against color television, to an action group promoting the Irish language. They didn’t like the Eurovision Song Contest. “Very low level pop music,” one of the protesters called it when asked. The Belgian duo Nicole and Hugo were very unlucky. Although they had won the national final, the two could not travel to Dublin because Nicole contracted jaundice. They were replaced by Jacques Raymond and Lily Castel. This duo had to practice the dance steps in their hotel room. For Austria, Marianne Mendt sang in a Viennese dialect. The 15-year-old Norwegian Hanne Krogh sang her song with a small parasol. We would see her again more often in the future. And then there was Clodagh Rodgers for the United Kingdom. It wasn’t fun for her in Dublin. As a Catholic Northern Irish lady, she received many threats, including death threats. Fortunately, there is also a cheerful note about her: she and her song “Jack in the Box” starred in an episode of ‘Monty Python’s Flying Circus’. Séverine It was Monaco that walked away with the trophy. The French singer Séverine represented the principality. By doing so, she comfortably beat the Spanish Karina and the German Katja Ebstein. “Un banc, un arbre, une rue” was her song. The song became a huge hit, even reaching number 1 in Belgium. She also finished in the top 3 in Ireland and Norway. Séverine later participated in national finals in Germany twice more but did not win them. 1972 The same countries as in 1971 participated. The jury was now strictly guarded and was not allowed to leave Edinburgh Castle, where they awarded the points. The festival itself took place in the Usher Hall. Surprisingly, not Cathy Boyle, but Moira Shearer was the presenter. Vicky Leandros returned for Luxembourg. The Family Four represented Sweden for the second time. Tereza, who once participated for Monaco, now sang for her native country, Yugoslavia. We do not want to leave Ireland unmentioned: for the first and only time, the country sang in its regional language, Gaelic. Sandra and Andres participated for the Netherlands. They also came up with something new: they got the audience happily clapping along to their song. The duo ultimately finished fourth. The two were overtaken by Mary Roos, who participated on behalf of Germany and mainly complained that she was staying in such a cold hotel. The New Seekers were the favorites. Their song “Beg, Steal or Borrow” became an international hit. The duo representing Malta, Helen & Joseph, were promised a statue on the island if they won. Spoiler: the statue never materialized, as the two finished last. Vicky Leandros Vicky Leandros won by a considerable margin. “Après Toi” was the undisputed winner of the festival. Yves Dessca wrote the lyrics, and the composers were Klaus Munro and Mario Panas. The latter was actually secretly Leo Leandros, Vicky’s father, under a pseudonym. The story goes that Vicky had first offered the songs from her album to Germany, but the German broadcaster politely declined. She then translated all the songs into French and asked Luxembourg if they were interested. The rest is history. 1973 Austria and Malta dropped out. However, there were still 17 countries because Israel made its debut. This did mean, however, that the Nouveau Théâtre Municipal in Luxembourg was very heavily guarded. In this impregnable fortress, Helga Guitton hosted the 1973 Eurovision Song Contest. Nicole and Hugo were allowed to participate for Belgium this time. In bright purple suits, they finished last with their “Baby Baby.” They did, however, achieve immortal status with it, as the two appear in just about every compilation of Eurovision songs. The Finnish Marion Rung made a comeback, improving her own record for Finland (from seventh to sixth place). Massimo Ranieri also participated for Italy for a second time. And yes, Cliff Richard was back too. With “Power To All Our Friends,” he was once again the favorite, yet once again he failed to win. The Spanish group Mocedades also failed to do so, securing second place and a worldwide hit with their “Eres Tu.” We also do not want to leave The Nova from Sweden unmentioned. In their home country, they had defeated Abba in the national selection. At the time, the duo was still called The Malta. To avoid confusion with the country, they changed their name. The lyrics were striking, to say the least: “Oh your breasts are like swallows a nestling,” the duo sang enthusiastic. But anyway, Nicole and Hugo sang in their song “Een vrouw kan niets alleen” (A woman can do nothing alone). 1973 was not a very woman-friendly year. Anne-Marie David It was, however, the year of a girl from the Camargue who loved horses: Anne-Marie David. She participated for host country Luxembourg and she won with “Tu te reconnaîtras”. Although the entire team was French, there was still a real Luxembourgish touch to it: conductor Pierre Caó was a true Luxemburger. But whether the Luxembourg broadcaster was happy that the country won again is doubtful. Anne-Marie David would return to the Eurovision Song Contest six years later and still enjoys performing

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History
Martijn

70 years of Eurovision: holding up signs

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1971 Sweden, Finland, Norway, Austria, and Portugal returned. Malta made its debut. Enthused by the 1970 festival, everyone dared to give it another try. The scoring system changed drastically. Each country had two jurors; one over 25 and one under. They indicated their votes by holding up signs live on television. It all took place in Dublin, where everything was held at the Gaiety Theatre. That is not entirely true: all sorts of things happened just outside the theatre. Almost every protest group to be found in Ireland was standing there. From Irish feminists and people opposed to hunting and Irish people against color television, to an action group promoting the Irish language. They didn’t like the Eurovision Song Contest. “Very low level pop music,” one of the protesters called it when asked. The Belgian duo Nicole and Hugo were very unlucky. Although they had won the national final, the two could not travel to Dublin because Nicole contracted jaundice. They were replaced by Jacques Raymond and Lily Castel. This duo had to practice the dance steps in their hotel room. For Austria, Marianne Mendt sang in a Viennese dialect. The 15-year-old Norwegian Hanne Krogh sang her song with a small parasol. We would see her again more often in the future. And then there was Clodagh Rodgers for the United Kingdom. It wasn’t fun for her in Dublin. As a Catholic Northern Irish lady, she received many threats, including death threats. Fortunately, there is also a cheerful note about her: she and her song “Jack in the Box” starred in an episode of ‘Monty Python’s Flying Circus’. Séverine It was Monaco that walked away with the trophy. The French singer Séverine represented the principality. By doing so, she comfortably beat the Spanish Karina and the German Katja Ebstein. “Un banc, un arbre, une rue” was her song. The song became a huge hit, even reaching number 1 in Belgium. She also finished in the top 3 in Ireland and Norway. Séverine later participated in national finals in Germany twice more but did not win them. 1972 The same countries as in 1971 participated. The jury was now strictly guarded and was not allowed to leave Edinburgh Castle, where they awarded the points. The festival itself took place in the Usher Hall. Surprisingly, not Cathy Boyle, but Moira Shearer was the presenter. Vicky Leandros returned for Luxembourg. The Family Four represented Sweden for the second time. Tereza, who once participated for Monaco, now sang for her native country, Yugoslavia. We do not want to leave Ireland unmentioned: for the first and only time, the country sang in its regional language, Gaelic. Sandra and Andres participated for the Netherlands. They also came up with something new: they got the audience happily clapping along to their song. The duo ultimately finished fourth. The two were overtaken by Mary Roos, who participated on behalf of Germany and mainly complained that she was staying in such a cold hotel. The New Seekers were the favorites. Their song “Beg, Steal or Borrow” became an international hit. The duo representing Malta, Helen & Joseph, were promised a statue on the island if they won. Spoiler: the statue never materialized, as the two finished last. Vicky Leandros Vicky Leandros won by a considerable margin. “Après Toi” was the undisputed winner of the festival. Yves Dessca wrote the lyrics, and the composers were Klaus Munro and Mario Panas. The latter was actually secretly Leo Leandros, Vicky’s father, under a pseudonym. The story goes that Vicky had first offered the songs from her album to Germany, but the German broadcaster politely declined. She then translated all the songs into French and asked Luxembourg if they were interested. The rest is history. 1973 Austria and Malta dropped out. However, there were still 17 countries because Israel made its debut. This did mean, however, that the Nouveau Théâtre Municipal in Luxembourg was very heavily guarded. In this impregnable fortress, Helga Guitton hosted the 1973 Eurovision Song Contest. Nicole and Hugo were allowed to participate for Belgium this time. In bright purple suits, they finished last with their “Baby Baby.” They did, however, achieve immortal status with it, as the two appear in just about every compilation of Eurovision songs. The Finnish Marion Rung made a comeback, improving her own record for Finland (from seventh to sixth place). Massimo Ranieri also participated for Italy for a second time. And yes, Cliff Richard was back too. With “Power To All Our Friends,” he was once again the favorite, yet once again he failed to win. The Spanish group Mocedades also failed to do so, securing second place and a worldwide hit with their “Eres Tu.” We also do not want to leave The Nova from Sweden unmentioned. In their home country, they had defeated Abba in the national selection. At the time, the duo was still called The Malta. To avoid confusion with the country, they changed their name. The lyrics were striking, to say the least: “Oh your breasts are like swallows a nestling,” the duo sang enthusiastic. But anyway, Nicole and Hugo sang in their song “Een vrouw kan niets alleen” (A woman can do nothing alone). 1973 was not a very woman-friendly year. Anne-Marie David It was, however, the year of a girl from the Camargue who loved horses: Anne-Marie David. She participated for host country Luxembourg and she won with “Tu te reconnaîtras”. Although the entire team was French, there was still a real Luxembourgish touch to it: conductor Pierre Caó was a true Luxemburger. But whether the Luxembourg broadcaster was happy that the country won again is doubtful. Anne-Marie David would return to the Eurovision Song Contest six years later and still enjoys performing

Read More »
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