Live blog: press conferences may 15th

Also today, we will carefully follow the press conferences. New today is that, at the end of every press conference, the participant has to draw whether he or she will perform in the first or the second half of the final show.

14:37tBlas Cantó explains that he does not like to sing in the morning and is therefore happy that the Eurovision song contest takes place in the evening. Blas thinks being present at the Eurovision song contest is fantastic. He loves the people he has met. During the day he sleeps a lot, because he has to be ready to take the stage. He will also go to sleep after this press conference. Cantó indicates that he does not have too high expectations because he wants to be surprised. It is difficult for him to control the emotions in the song. Sometimes he feels he must be a machine, when he thinks about the words he sings he gets too emotional. About the 6 meter high moon on stage, the delegation leader says it is there because everything in the performance revolves around Blas. There is a conversation between Blas and someone he has lost. The moon symbolizes the course of life. When asked, Blas Cantó says he would have no idea what to do instead of sing; he has always sung, that is his life. Spain performs in the 1st half of the final.

14.10 British contestant James Newman sat in an ice bath in the hotel, as did Wim Hof in the clip of James’ last year. James’ brother John is a huge fan of his. He is afraid that James is the better singer. James will collaborate with Spanish participant Blas Cantó in the near future. Newman wants to party to his song. At the moment James is recording a new single, in his hotel room! An album will also be released at the end of the year. The United Kingdom will play in the 1st half of the final. 

13.46 Barbara Pravi, the French singer, is feeling great. The little things that still needed to be changed were now going well. When asked by a Serbian journalist (Barbara has a Serbian grandfather), she answers that she wants to go to Serbia with her grandfather and wants to make the trip he used to make. Barbara Pravi, the No. 1 bookmaker, doesn’t feel like pressure. All she will have to do is sing and perform. For the rest, it is in the hands of the public. Barbara is proud because she is young, the words she sings are the words of a 28-year-old woman. The music may be geared more towards older listeners, but the song is aimed at everyone. She hopes that winning the Eurovision song contest will not change her. France performs in the second half of the final. 

13.26 Jeangu Macrooy indicates that he was now a bit more used to the stage. Jeangu explains that the small change in clothes has to do with the proverb, “I’m half a cent, so you can’t break me.” He has a chain with a silver half penny around his neck. It’s nice to see our dreams come true. So it is very inspiring to be there with my brother. He wants to say about himself as a queer that he hopes that one day he can convey that there is such a thing as acceptance and emancipation of who you are. What you see is inspired by the Chinese culture, and that of the Creole culture. Jeangu reveals that all the voices on the band are also sung by his two backing vocals. Jeangu is looking forward to a performance with an audience. Performing with restrictions is no problem for him, because everyone is used to that now. 

12:56 Today Jendrik is not very happy with himself. He thought he didn’t seem very natural today. He was too focused on camera exposure sites. Alexandra Wolfslast, delegation leader, was however satisfied. Jendrik reacted somewhat angrily when asked to play the ukulele because he was not prepared for it. Yet he sang a sweet tribute to presenter Samya. Jendrik had the idea of a clip and therefore got 18 broken washing machines. He didn’t buy them but managed to get them for free via ebay. Jendrik is not very careful with his ukulele, but it has never fallen. He does have a spare one. There is only one way of preparation for his energetic performance: practice, practice, practice. Germany performs in the second half of the final. 

12.33 The Italian band Måneskin says that they are happy that the Dutch director exactly fulfills the wishes of the Italian team. The message of the song is “Be yourself, express yourself despite negative reactions”. The band wanted to go to San Remo with this song because it is atypical for the festival. At first they didn’t think of Eurovision, but once they entered they hoped they would win. Having many followers on social media will not help because they are mainly Italians. However, they feel very supported by the followers. The choice for the act is not to use graphics. The band is the message.
Italy performs in the 2nd half of the final. 

Share

Related news

Uncategorized

Blast from the past: Turkey 1983

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1983, when Çetin Alp & Short Wave represented Turkey with their song “Opera”. Turkey in the Eurovision Song Contest Turkey debuted in the Eurovision Song Contest in 1975 and competed until 2012. The country won once, in 2003, when Sertab Erener’s “Everyway That I Can” brought the trophy to Türkiye for the first time. Istanbul hosted the 2004 contest. Through the 2000s, Turkey mixed pop, rock and ethnic sounds, with entries by artists such as Kenan Doğulu, Mor ve Ötesi, Hadise and maNga earning regular top ten finishes. Turkey withdrew after 2012, citing rules on juries, televoting and the “Big Five”. Discussions about a return surface periodically, but no comeback has followed. The broadcaster has not announced future participation. 7. Eurovision Şarkı Yarışması Türkiye Finali The Turkish entry was chosen out of 8 songs in what was called 7. Eurovision Şarkı Yarışması Türkiye Finali (7th Eurovision Song Contest Türkiye Final). The results were decided by an expert jury. Only the top-3 was announced. Müzisyen, sung by Vedat Sakman Boğaziçi, sung by Hakan Sıvacı Heyecan, sung by Ayşegül Aldinç (3rd place) Yaşayamam, sung by Mehmet Şengenç Dön bana, sung by Coşkun Demir Opera, sung by Çetin Alp & Short Wave (1st place) Heyamola, sung by Mavi Yolcular Atlantis, sung by Beş Yıl Önce, On Yıl Sonra (2nd place) Ayşegül Aldinç already represented Turkey in 1981, for Beş Yıl Önce, On Yıl Sonra the time had not come yet. They had to wait a year for their turn. Çetin Alp & Short Wave Çetin Küçükarslan, known as Çetin Alp (21 June 1947, Malatya – 18 May 2004, Istanbul), was a Turkish pop singer. His career unfolded across the 1970s and 1980s. He came to notice after winning the Altın Ses competition and began releasing 45s. Early singles included “Günah Bize / Meçhul Karanlık” (1970), “Ayrılık Yok Artık / Bir Gün Biter Demiştin” (1972) and “Bir Kadeh Atınca Birşeyin Kalmaz / Hatıralar” (1973). In the late 1970s he recorded “Çek Çek / Sana Ne Olmuş” and continued to appear with orchestras led by Yurdaer Doğulu and Zekai Apaydın. During the early 1980s Alp performed with Kısa Dalga Vokal Grubu, known internationally as The Short Wave, a three‑voice pop ensemble active in 1976–1980 that reunited periodically. Their collaboration culminated in 1983, when the group supported him on stage in Eurovision and in television appearances. The Short Wave’s members released several disco‑pop albums of their own. Away from the stage, Alp’s legal name was Çetin Küçükarslan. He was married and divorced more than once; in the 1980s he lived and worked for several years with actress‑singer Suna Yıldızoğlu, with whom he also recorded the duet “Sonsuz Aşk” (1981).  In later years he continued to perform in Turkey. Alp had long‑standing heart problems and died in Istanbul in May 2004, aged fifty‑six. His recordings—especially the run of 1970s 45s—and his brief partnership with The Short Wave preserve his place in Turkish popular music today. Opera “Opera” is the 1983 Turkish Eurovision entry performed by Çetin Alp with the vocal group The Short Wave. Written by Aysel Gürel and composed by Buğra Uğur, the song is an uptempo tribute to opera, with lyrics that reference well‑known works and a chorus built on fanfare‑style hooks. On stage in Munich, Alp performed with the group’s close harmonies and straightforward choreography. On the night, however, the juries awarded the song no points. It therefore tied for last place at the Eurovision Song Contest final that year. “Opera” remains a snapshot of Turkey’s early‑1980s pop experimentation on an international stage. Share

Share
Read More »
Uncategorized
Martijn

Blast from the past: Turkey 1983

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1983, when Çetin Alp & Short Wave represented Turkey with their song “Opera”. Turkey in the Eurovision Song Contest Turkey debuted in the Eurovision Song Contest in 1975 and competed until 2012. The country won once, in 2003, when Sertab Erener’s “Everyway That I Can” brought the trophy to Türkiye for the first time. Istanbul hosted the 2004 contest. Through the 2000s, Turkey mixed pop, rock and ethnic sounds, with entries by artists such as Kenan Doğulu, Mor ve Ötesi, Hadise and maNga earning regular top ten finishes. Turkey withdrew after 2012, citing rules on juries, televoting and the “Big Five”. Discussions about a return surface periodically, but no comeback has followed. The broadcaster has not announced future participation. 7. Eurovision Şarkı Yarışması Türkiye Finali The Turkish entry was chosen out of 8 songs in what was called 7. Eurovision Şarkı Yarışması Türkiye Finali (7th Eurovision Song Contest Türkiye Final). The results were decided by an expert jury. Only the top-3 was announced. Müzisyen, sung by Vedat Sakman Boğaziçi, sung by Hakan Sıvacı Heyecan, sung by Ayşegül Aldinç (3rd place) Yaşayamam, sung by Mehmet Şengenç Dön bana, sung by Coşkun Demir Opera, sung by Çetin Alp & Short Wave (1st place) Heyamola, sung by Mavi Yolcular Atlantis, sung by Beş Yıl Önce, On Yıl Sonra (2nd place) Ayşegül Aldinç already represented Turkey in 1981, for Beş Yıl Önce, On Yıl Sonra the time had not come yet. They had to wait a year for their turn. Çetin Alp & Short Wave Çetin Küçükarslan, known as Çetin Alp (21 June 1947, Malatya – 18 May 2004, Istanbul), was a Turkish pop singer. His career unfolded across the 1970s and 1980s. He came to notice after winning the Altın Ses competition and began releasing 45s. Early singles included “Günah Bize / Meçhul Karanlık” (1970), “Ayrılık Yok Artık / Bir Gün Biter Demiştin” (1972) and “Bir Kadeh Atınca Birşeyin Kalmaz / Hatıralar” (1973). In the late 1970s he recorded “Çek Çek / Sana Ne Olmuş” and continued to appear with orchestras led by Yurdaer Doğulu and Zekai Apaydın. During the early 1980s Alp performed with Kısa Dalga Vokal Grubu, known internationally as The Short Wave, a three‑voice pop ensemble active in 1976–1980 that reunited periodically. Their collaboration culminated in 1983, when the group supported him on stage in Eurovision and in television appearances. The Short Wave’s members released several disco‑pop albums of their own. Away from the stage, Alp’s legal name was Çetin Küçükarslan. He was married and divorced more than once; in the 1980s he lived and worked for several years with actress‑singer Suna Yıldızoğlu, with whom he also recorded the duet “Sonsuz Aşk” (1981).  In later years he continued to perform in Turkey. Alp had long‑standing heart problems and died in Istanbul in May 2004, aged fifty‑six. His recordings—especially the run of 1970s 45s—and his brief partnership with The Short Wave preserve his place in Turkish popular music today. Opera “Opera” is the 1983 Turkish Eurovision entry performed by Çetin Alp with the vocal group The Short Wave. Written by Aysel Gürel and composed by Buğra Uğur, the song is an uptempo tribute to opera, with lyrics that reference well‑known works and a chorus built on fanfare‑style hooks. On stage in Munich, Alp performed with the group’s close harmonies and straightforward choreography. On the night, however, the juries awarded the song no points. It therefore tied for last place at the Eurovision Song Contest final that year. “Opera” remains a snapshot of Turkey’s early‑1980s pop experimentation on an international stage. Share

Share
Read More »