Live blog: press conferences may 15th

Also today, we will carefully follow the press conferences. New today is that, at the end of every press conference, the participant has to draw whether he or she will perform in the first or the second half of the final show.

14:37tBlas Cantó explains that he does not like to sing in the morning and is therefore happy that the Eurovision song contest takes place in the evening. Blas thinks being present at the Eurovision song contest is fantastic. He loves the people he has met. During the day he sleeps a lot, because he has to be ready to take the stage. He will also go to sleep after this press conference. Cantó indicates that he does not have too high expectations because he wants to be surprised. It is difficult for him to control the emotions in the song. Sometimes he feels he must be a machine, when he thinks about the words he sings he gets too emotional. About the 6 meter high moon on stage, the delegation leader says it is there because everything in the performance revolves around Blas. There is a conversation between Blas and someone he has lost. The moon symbolizes the course of life. When asked, Blas Cantó says he would have no idea what to do instead of sing; he has always sung, that is his life. Spain performs in the 1st half of the final.

14.10 British contestant James Newman sat in an ice bath in the hotel, as did Wim Hof in the clip of James’ last year. James’ brother John is a huge fan of his. He is afraid that James is the better singer. James will collaborate with Spanish participant Blas Cantó in the near future. Newman wants to party to his song. At the moment James is recording a new single, in his hotel room! An album will also be released at the end of the year. The United Kingdom will play in the 1st half of the final. 

13.46 Barbara Pravi, the French singer, is feeling great. The little things that still needed to be changed were now going well. When asked by a Serbian journalist (Barbara has a Serbian grandfather), she answers that she wants to go to Serbia with her grandfather and wants to make the trip he used to make. Barbara Pravi, the No. 1 bookmaker, doesn’t feel like pressure. All she will have to do is sing and perform. For the rest, it is in the hands of the public. Barbara is proud because she is young, the words she sings are the words of a 28-year-old woman. The music may be geared more towards older listeners, but the song is aimed at everyone. She hopes that winning the Eurovision song contest will not change her. France performs in the second half of the final. 

13.26 Jeangu Macrooy indicates that he was now a bit more used to the stage. Jeangu explains that the small change in clothes has to do with the proverb, “I’m half a cent, so you can’t break me.” He has a chain with a silver half penny around his neck. It’s nice to see our dreams come true. So it is very inspiring to be there with my brother. He wants to say about himself as a queer that he hopes that one day he can convey that there is such a thing as acceptance and emancipation of who you are. What you see is inspired by the Chinese culture, and that of the Creole culture. Jeangu reveals that all the voices on the band are also sung by his two backing vocals. Jeangu is looking forward to a performance with an audience. Performing with restrictions is no problem for him, because everyone is used to that now. 

12:56 Today Jendrik is not very happy with himself. He thought he didn’t seem very natural today. He was too focused on camera exposure sites. Alexandra Wolfslast, delegation leader, was however satisfied. Jendrik reacted somewhat angrily when asked to play the ukulele because he was not prepared for it. Yet he sang a sweet tribute to presenter Samya. Jendrik had the idea of a clip and therefore got 18 broken washing machines. He didn’t buy them but managed to get them for free via ebay. Jendrik is not very careful with his ukulele, but it has never fallen. He does have a spare one. There is only one way of preparation for his energetic performance: practice, practice, practice. Germany performs in the second half of the final. 

12.33 The Italian band Måneskin says that they are happy that the Dutch director exactly fulfills the wishes of the Italian team. The message of the song is “Be yourself, express yourself despite negative reactions”. The band wanted to go to San Remo with this song because it is atypical for the festival. At first they didn’t think of Eurovision, but once they entered they hoped they would win. Having many followers on social media will not help because they are mainly Italians. However, they feel very supported by the followers. The choice for the act is not to use graphics. The band is the message.
Italy performs in the 2nd half of the final. 

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70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
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