Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. 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70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. Notable was Lúcia Moniz, who represented Portugal. Her “O meu coração não tem cor” finished sixth, which for a long time was the best score ever for the Portuguese. Maarja-Liis Illus and Ivo Linna really caught the eye of Estonia. She was 15, he 46. The duo sang a sweet song titled “Kaelakee hääl”. And what Finland failed to achieve in all those years, Estonia did effortlessly: walking straight into the top 5 with a song in a Finno-Ugric language. There was also a major difference between the two Dutch duo partners, Maxine and Franklin Brown. However, in this case, it concerned the length. The Dutch entry “De eerste keer” is one of the few that rose in the rankings áfter the Eurovision Song Contest. The Spanish jury had, or so people thought, said “Poland, 6 points”. But the somewhat nasal-speaking jury chairwoman had said “Holland, 6 points”. People only found out about that later. It is not for nothing that this country ought to be called The Netherlands. Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final. Eimear Quinn Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ. 1997 The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone. The songs Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try. Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place. And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries. Katrina & The Waves An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

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