Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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History

70 years of Eurovision: Céline Dion and…. eh… who?

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1988 For the second time, the Royal Dublin Society was the venue. Two hosts were in charge: Pat Kenny and Michelle Rocca. Cyprus had to withdraw. The Cypriot entry turned out to have already participated in the national final four years earlier. That came out so late that Cyprus could not find a new song in time. Tommy Körberg participated for Sweden. He did that back in 1969 as well. Back then, there were two winners in the national final: Tommy and Jan Malmsjö. After a runoff, Tommy was allowed to go to the Eurovision Song Contest. And lo and behold, in 1988 he was the replacement for…. that very same Jan Malmsjö! Yardena Arazi participated for Israel. She did so in 1976, but in 1979 she was the host. It is the first and only time that a former host participated. MFÖ represented Turkey for the second time. Furthermore, the duo Hot Eyes was present for the third time. This time, singer Kirsten Siggaard was pregnant for no less than eight months! And then there was Dora. She had participated for Portugal before, and now again. Many big stars traveled to Dublin. Scott Fitzgerald had already had a worldwide hit with “If I Had Words” and now sang “Go” for the United Kingdom. Gerard Joling, who had just completed a tour of Asia, was the Dutch candidate. And France also came up with a big star: Gérard Lenorman. Unfortunately, there was little attention for his “Chanteur de charme”. And then there was the Belgian Lara Fabian. She represented Luxembourg with the song “Croire”. At that time she was still unknown; later she would score many hits.   Céline Dion It was nail-bitingly exciting. The United Kingdom and Switzerland constantly swapped first place. Until the very last point, it was unclear who would win. It was ultimately Céline Dion for Switzerland. This Canadian singer sang “Ne partez pas sans moi”. It didn’t become a big hit everywhere. But a year later, she got to open the festival and sang “Where Does My Heart Beat Now”. It became her first international hit, but certainly not the last. Her absolute biggest success was “My Heart Will Go On”, but she scored many hits. Due to illness, she was unable to perform for a long time. So there was admiration when she did sing during the Olympic Games in Paris. And recently she announced that she will start performing again. 1989 The Eurovision Song Contest was held in Lausanne. Once again, there was a duo presentation: Jacques Descheneaux and Lolita Morena. Cyprus was back after a long absence. Not a single participant had been on the Eurovision stage before. However, two very young participants were striking and controversial. 12-year-old Gili Netanel participated for Israel as half of the duo Gili & Galit. For France, the even younger, 11-year-old Nathalie Pâque took the stage. This makes her the youngest soloist ever. Many people disagreed with the participation of such young children. A year later, a minimum age was therefore introduced. The show opened with the occasional duo Anna Oxa and Fausto Leali. Two big names in Italian music, who now finished ninth together with “Avrei voluto”. One of the favorites competed for the Netherlands: Justine Pelmelay. But Justine missed a high final note and did not finish as high as expected at all. Birthe Kjær (Denmark) and Anneli Saaristo (Finland) had both tried to represent their country several times before. Now that the time had finally come, both were very successful. With a bright red dress and a swinging song, Birthe came third. Anneli was accompanied by Spanish guitar sounds and sang her song to a seventh place. The Icelandic Daníel was also notable. During the national final, then still with a shaved head, he seemed unable to crack a smile after his victory. As if participating in the Eurovision Song Contest was a severe punishment for the Icelandic singer. Once in Lausanne, now with hair, the Icelander failed to secure even a single point. Riva For the third consecutive time, the duo Stevo Cvikić and Rajko Dujmić wrote the entry. Always following the same recipe: a group with a female singer and a cheerful trifle. As there was no other clear favorite, the group Riva won for Yugoslavia with “Rock Me”. In Yugoslavia, people were happy, but in the rest of Europe, incomprehension prevailed. This wasn’t the best song, was it? What had the jury done!? During the afterparty, a number of participating artists huddled together for a jam session. Among those on stage were the Spanish Nina and the Dutch Justine. Friend and foe alike agreed that this was all much better than the winning song.

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2026
Anja Kroeze

Road to Vienna: Germany

Road to Vienna: Germany We cannot wait for the Eurovision Song Contest in Vienna. Therefore, we take a closer look at one of the contestants each day. Today, we highlight Germany Sarah Engels: From Talent Show Contestant to Eurovision 2026 Sarah Engels was born on October 15, 1992, in Cologne and raised in Hürth. She discovered her passion for music early, performing at school events and local festivals. Despite taking singing lessons for years, her first attempts at Deutschland sucht den Superstar in 2009 and 2010 ended in early elimination. Still, these setbacks helped shape her determination. Breakthrough on DSDS and Chart Success Her breakthrough came in 2011 during her third attempt at DSDS. After an initial elimination, she returned to the competition and finished as runner-up behind Pietro Lombardi. Soon after, she achieved major chart success with “Call My Name” and “I Miss You,” while her debut album Heartbeat reached number 2 in Germany and earned an Echo nomination. Expanding Career in Music and Television Following DSDS, Sarah Engels built a strong presence in both music and TV. Together with Pietro Lombardi, she released successful duo albums. At the same time, she became a familiar TV personality, finishing second on Let’s Dance and winning shows like The Masked Singer. This phase expanded her audience beyond music. From 2018 onward, Sarah explored a broader sound with albums like Zurück zu mir and Im Augenblick. She blended pop, schlager, and modern radio music, proving her ability to evolve. Her participation in the Free European Song Contest 2020 further strengthened her position in the German music scene. Acting, Musical Theatre, and New Projects In addition to music, Sarah moved into acting and voice work. She appeared in Das Traumschiff and voiced a character in Miraculous: Ladybug & Cat Noir – Der Film. In 2025, she released Strong Girls Club and took on a leading role in the musical Moulin Rouge! in Cologne, highlighting her versatility as a performer. Eurovision 2026: Representing Germany In 2026, Sarah Engels reached a new milestone by winning Germany’s national selection for the Eurovision Song Contest 2026 with her song “Fire.” The track delivers a message of empowerment and self-confidence. Her journey—from early setbacks to international representation—shows her growth into a complete artist. Fire: A Bold Message About Honesty   Fire is a powerful pop track about confronting lies in a relationship. With a catchy chorus and direct lyrics, the song captures the moment someone refuses to accept dishonesty any longer. From the start, the lyrics show strength and clarity. The singer rejects emotional games and chooses honesty over pretending. This creates a relatable message about self-respect and emotional independence. The Meaning Behind “Fire” The recurring image of “fire” symbolizes inner strength, passion, and confidence. In contrast, the “vampire” metaphor highlights a dishonest partner who hides the truth. Together, these images make the song emotionally impactful and easy to connect with. More Than a Breakup Song Fire goes beyond heartbreak. It focuses on self-worth and personal growth. The message is clear: don’t repeat toxic patterns and know when to walk away.     Germany in the Eurovision Song Contest Germany has been a steadfast participant in the Eurovision Song Contest since its inception in 1956, missing only one edition in 1996 due to elimination in a pre-qualification round. The country has secured two victories: in 1982 with Nicole‘s “Ein bißchen Frieden” and in 2010 with Lena‘s “Satellite.” In recent years, Germany has faced challenges, often placing lower on the scoreboard, with notable exceptions like Michael Schulte‘s fourth-place finish in 2018. As a member of the “Big Five,” Germany automatically qualifies for the Grand Final. The Bookmakers This year as well, the outlook for Germany isn’t very promising. Currently sitting at 23rd place with the bookmakers, it seems likely that Germany could once again finish in the lower ranks of the scoreboard.

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