Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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History

70 years of Eurovision: Conchita and other heroes

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise Rønne, Nikolaj Koppel, and Pilou Asbæk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was András Kállay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how Kállay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. National stars Waylon and Ilse Delange had put their heads together. They created a song in the Americana style and had a slick act. The cameras circled around the two, who stood facing each other. Conchita Wurst But the winner was, of course, Conchita Wurst. Despite a good singing voice, Thomas Neuwirth failed to build a career as himself. But as his alter ego, Conchita Wurst, with a dress and a beard, he succeeded. With class, style, and a fantastic singing voice, Conchita sang her “Rise Like a Phoenix” to first place. She called attention to the emancipation of the LGBTQ+ community. “We are the unstoppables” was what she said when she had won. 2015 Just like this year, the Wiener Stadthalle in Vienna was the venue. There were no fewer than four presenters: Mirjam Weichselbraun, Alice Tumler, Arabella Kiesbauer, and… Conchita Wurst. Conchita could also be heard on the tram. At the stop in front of the Wiener Stadthalle, one could hear her: “Conchita Time! Here you have to go out for the Eurovision Song Contest.” Ukraine skipped a year. Cyprus, the Czech Republic, and Serbia returned. Australia made its debut. Because it was the 60th festival, the country that had been watching enthusiastically for years was now allowed to send an entry of its own. It was supposed to be a one-off, but Australia stayed. The songs Armenia sent the group Genealogy. One of the group members had also sung for Armenia in 2009. Elnur Hüseynov had already participated in 2008 for the then-debuting Azerbaijan; now he got to do it again. The group Pertti Kurikan Nimipäivät was particularly striking: a rock band consisting of members with an intellectual disability. At 1:27, their “Aina mun pitää” was the shortest Eurovision song ever. The men walked around as if they had already won. However, they finished last in their semi-final. Bojana Stamenov became one of the fan favorites with “Beauty Never Lies”. The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. Loïc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. Måns Zelmerlöw It was already Måns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, Måns impressed. Because the televoters awarded him a high ranking and the jury placed him first, Måns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

Read More »
History
Martijn

70 years of Eurovision: Conchita and other heroes

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2014 The B&W Hallerne stood on a remote industrial estate in Copenhagen. That is where the contest was held. Lise Rønne, Nikolaj Koppel, and Pilou Asbæk hosted the song contest. Poland and Portugal participated again. However, Bulgaria, Croatia, Cyprus, and Serbia dropped out. The songs Paula Seling and Ovi participated in the Eurovision Song Contest once again. For the third consecutive time, San Marino sent Valentina Monetta. And although no one believed in it anymore, Valentina surprisingly reached the final. Dressed in primary colors and with long beards, the band Pollapönk, specializing in children’s songs, represented Iceland. They were fan favorites, just like Carl Espen. This Norwegian singer performed a ballad, “Silent Storm,” which made a deep impression on the audience. The Polish group, Donatan and Cleo, did too, but for a completely different reason. Flanked by buxom ladies in traditional attire doing laundry by hand or churning milk, the Polish duo painted a remarkable picture of the country. Sanna Nielsen participated in Melodifestivalen for the seventh time, and with “Undo,” she finally won. The Tolmachevy Sisters, twins, once won the Junior Eurovision Song Contest for Russia. Now they were in the adult version. For the first time, booing was clearly heard as a political statement, this time against Vladimir Putin. Then there was András Kállay-Saunders. He represented Hungary with a song to raise awareness about child abuse. The accompanying act depicted how Kállay-Saunders came to the rescue. And then there were The Common Linnets. The duo from the Netherlands were among the contenders for the final victory. National stars Waylon and Ilse Delange had put their heads together. They created a song in the Americana style and had a slick act. The cameras circled around the two, who stood facing each other. Conchita Wurst But the winner was, of course, Conchita Wurst. Despite a good singing voice, Thomas Neuwirth failed to build a career as himself. But as his alter ego, Conchita Wurst, with a dress and a beard, he succeeded. With class, style, and a fantastic singing voice, Conchita sang her “Rise Like a Phoenix” to first place. She called attention to the emancipation of the LGBTQ+ community. “We are the unstoppables” was what she said when she had won. 2015 Just like this year, the Wiener Stadthalle in Vienna was the venue. There were no fewer than four presenters: Mirjam Weichselbraun, Alice Tumler, Arabella Kiesbauer, and… Conchita Wurst. Conchita could also be heard on the tram. At the stop in front of the Wiener Stadthalle, one could hear her: “Conchita Time! Here you have to go out for the Eurovision Song Contest.” Ukraine skipped a year. Cyprus, the Czech Republic, and Serbia returned. Australia made its debut. Because it was the 60th festival, the country that had been watching enthusiastically for years was now allowed to send an entry of its own. It was supposed to be a one-off, but Australia stayed. The songs Armenia sent the group Genealogy. One of the group members had also sung for Armenia in 2009. Elnur Hüseynov had already participated in 2008 for the then-debuting Azerbaijan; now he got to do it again. The group Pertti Kurikan Nimipäivät was particularly striking: a rock band consisting of members with an intellectual disability. At 1:27, their “Aina mun pitää” was the shortest Eurovision song ever. The men walked around as if they had already won. However, they finished last in their semi-final. Bojana Stamenov became one of the fan favorites with “Beauty Never Lies”. The phrase “Finally I can say I am different and it’s okay” was sung along to loudly, in particular. The Norwegian Mørland and Debrah Scarlett performed “A Monster Like Me”, a song entirely in the style of “Where The Wild Roses Grow”. The Australian contestant Guy Sebastian also put on a great show. He was among the contenders. If Australia were to win, a European country would take over the organization. Sebastian finished fifth. Loïc Nottet from Belgium finished exactly one place higher. With his “Rythm Inside”, and the slick dance act that accompanied it, Nottet made a big impression. And then there was Aminata from Latvia with a style entirely her own. Polina Gagarina from Russia sang a peace song that made your teeth ache. Il Volo from Italy won the televote with a classical-style song, “Grande Amore”. Måns Zelmerlöw It was already Måns Zelmerlöw’s fifth attempt to go to the Eurovision Song Contest. In 2015, he finally succeeded with “Heroes”. Aided by virtual reality, with figurines meant to represent his heroes, Måns impressed. Because the televoters awarded him a high ranking and the jury placed him first, Måns won. After Eurovision, he remained a loyal visitor to broadcasts and Eurovision related events. In 2016, he even hosted the Eurovision Song Contest. In 2025, he narrowly missed winning Melodifestivalen.

Read More »
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