Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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Blast from the past: Germany 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967 when Inge Brück represented Germany with the song “Anouschka”. Germany in the Eurovision Song Contest Germany has a long Eurovision history, having competed since 1956 and won twice: in 1982 with Ein bißchen Frieden (Nicole) and in 2010 with Satellite (Lena). Being part of the “Big Five”, Germany is always in the final. Recent entries have had mixed success. In 2022, Malik Harris sang Rockstars and ended up 25th with 6 points. In 2023, Lord of the Lost performed Blood & Glitter, finishing 26th (last) with 18 points. The year after, Isaak represented Germany with Always on the Run, placing 12th with 117 points, a much stronger showing. For 2025, Germany was represented by Abor & Tynna with Baller. They were selected through the national competition Chefsache ESC 2025 – Wer singt für Deutschland? and finished 15th in the final, scoring 151 points. Internal selection for Germany Germany selected their song internally. 145 songs were submitted to the Hessischer Rundfunk (HR), the broadcaster responsible for the German entry. The winning song was sung by Inge Brück. The titles of the top-3 are known: Anouschka (lyrics and music by Hans Blum) Die Nacht hat viele Gesichter (lyrics and music by Fred Strittmatter) Das Glück dieser Welt (lyrics and music by Hubert Wolf) Inge Brück Inge Brück, born on 12 October 1936 in Mannheim, Germany, passed away on 8 September 2025 in Meschede, at the age of 88. She began her career in the 1950s as a singer with the Erwin Lehn dance orchestra, where pianist Horst Jankowski discovered her talent. After a television appearance with Hans-Joachim Kulenkampff she was offered a record contract. In 1957, she scored her first hit with “Peter, komm heut’ abend zum Hafen”, the German version of Green Door, which reached number seven in the German charts. Her international breakthrough came in 1966 when she won the International Song Festival in Brazil with the song Frag den Wind. A year later, in 1967, German broadcaster NDR internally selected her to represent Germany at the Eurovision Song Contest in Vienna with the song Anouschka. She finished in shared eighth place with 7 points. After Eurovision, Brück increasingly turned to acting. In 1970 she starred in the ZDF television series Miss Molly Mill, playing the lead role of a cleaning lady turned amateur detective. The show was a huge success, often attracting more than 20 million viewers per episode. From the 1970s onwards, she shifted her focus to religious music and joined the group Künstler für Christus (“Artists for Christ”), together with other well-known German performers such as Katja Ebstein and Peter Horton. Inge Brück leaves behind a rich legacy: as a popular singer of the radio and television era, as an actress on screen, and later as a performer of religious music. Her voice and versatility made her a beloved figure in German culture. Anouschka Anouschka was the German entry at the Eurovision Song Contest 1967 in Vienna, performed by Inge Brück. The song was written and composed by Hans Blum. It finished in eighth place, scoring seven points. Musically, Anouschka followed the classic schlager style that was popular in Germany during the 1960s. The arrangement featured a melodic, light orchestral backing, with a clear emphasis on Brück’s warm and emotional vocals. The song had a gentle rhythm and a traditional structure, making it easy to follow and appealing to a broad audience of the time. The lyrics told a story of longing and heartbreak. The singer addresses Anouschka, a woman who left, and asks why she had to go, leaving behind sadness and emptiness. The combination of its melodic charm and emotional theme gave the song a nostalgic quality, typical of many Eurovision ballads of the era.  

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Blast from the past
Martijn

Blast from the past: Germany 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967 when Inge Brück represented Germany with the song “Anouschka”. Germany in the Eurovision Song Contest Germany has a long Eurovision history, having competed since 1956 and won twice: in 1982 with Ein bißchen Frieden (Nicole) and in 2010 with Satellite (Lena). Being part of the “Big Five”, Germany is always in the final. Recent entries have had mixed success. In 2022, Malik Harris sang Rockstars and ended up 25th with 6 points. In 2023, Lord of the Lost performed Blood & Glitter, finishing 26th (last) with 18 points. The year after, Isaak represented Germany with Always on the Run, placing 12th with 117 points, a much stronger showing. For 2025, Germany was represented by Abor & Tynna with Baller. They were selected through the national competition Chefsache ESC 2025 – Wer singt für Deutschland? and finished 15th in the final, scoring 151 points. Internal selection for Germany Germany selected their song internally. 145 songs were submitted to the Hessischer Rundfunk (HR), the broadcaster responsible for the German entry. The winning song was sung by Inge Brück. The titles of the top-3 are known: Anouschka (lyrics and music by Hans Blum) Die Nacht hat viele Gesichter (lyrics and music by Fred Strittmatter) Das Glück dieser Welt (lyrics and music by Hubert Wolf) Inge Brück Inge Brück, born on 12 October 1936 in Mannheim, Germany, passed away on 8 September 2025 in Meschede, at the age of 88. She began her career in the 1950s as a singer with the Erwin Lehn dance orchestra, where pianist Horst Jankowski discovered her talent. After a television appearance with Hans-Joachim Kulenkampff she was offered a record contract. In 1957, she scored her first hit with “Peter, komm heut’ abend zum Hafen”, the German version of Green Door, which reached number seven in the German charts. Her international breakthrough came in 1966 when she won the International Song Festival in Brazil with the song Frag den Wind. A year later, in 1967, German broadcaster NDR internally selected her to represent Germany at the Eurovision Song Contest in Vienna with the song Anouschka. She finished in shared eighth place with 7 points. After Eurovision, Brück increasingly turned to acting. In 1970 she starred in the ZDF television series Miss Molly Mill, playing the lead role of a cleaning lady turned amateur detective. The show was a huge success, often attracting more than 20 million viewers per episode. From the 1970s onwards, she shifted her focus to religious music and joined the group Künstler für Christus (“Artists for Christ”), together with other well-known German performers such as Katja Ebstein and Peter Horton. Inge Brück leaves behind a rich legacy: as a popular singer of the radio and television era, as an actress on screen, and later as a performer of religious music. Her voice and versatility made her a beloved figure in German culture. Anouschka Anouschka was the German entry at the Eurovision Song Contest 1967 in Vienna, performed by Inge Brück. The song was written and composed by Hans Blum. It finished in eighth place, scoring seven points. Musically, Anouschka followed the classic schlager style that was popular in Germany during the 1960s. The arrangement featured a melodic, light orchestral backing, with a clear emphasis on Brück’s warm and emotional vocals. The song had a gentle rhythm and a traditional structure, making it easy to follow and appealing to a broad audience of the time. The lyrics told a story of longing and heartbreak. The singer addresses Anouschka, a woman who left, and asks why she had to go, leaving behind sadness and emptiness. The combination of its melodic charm and emotional theme gave the song a nostalgic quality, typical of many Eurovision ballads of the era.  

Read More »
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