Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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Kessler Sisters passed away

Alice and Ellen Kessler, the famous German-born twin sisters who dazzled Europe’s stages and screen in the 1950s and 1960s, have died at the age of 89. German newspaper Bild reports that the identical twins chose to end their lives together via legal euthanasia. The Kessler Sisters passed away in their longtime home in Grünwald, Bavaria. With this they fulfilled a lifelong wish to remain side by side even in death.  From Post-War Beginnings to Eurovision Stage Alice and Ellen Kessler were born in 1936 in the Saxony region of Germany. They grew up in a divided, post-war Europe. Trained in ballet from childhood, the twins fled East Germany as teenagers in 1952 to seek artistic freedom in the West. Their leap of faith quickly paid off. By 19, they were performing at the famed Lido cabaret in Paris, marking the start of an international career. The Kessler Twins soon became one of Germany’s most successful entertainment acts. The sisters shared stages with legends like Frank Sinatra, Fred Astaire, and Harry Belafonte during the 1960s. They even turned down a chance to appear with Elvis Presley in a Hollywood film, keen to chart their own path in show business. In 1959, the sisters’ rising stardom led them to the Eurovision Song Contest. Alice and Ellen were selected to represent West Germany at that year’s competition in Cannes  where they performed the upbeat “Heute Abend wollen wir tanzen geh’n”. Their lively entry earned 8th place in the contest. Though they did not take home the trophy, the Kessler Twins’ Eurovision appearance amplified their fame and endeared them to audiences beyond Germany. Stardom in Germany and Italy The Kessler Sisters continued to conquer Europe’s entertainment scene. In the 1960s they moved to Italy, where they became beloved television stars on the RAI variety show Studio Uno. They were known as “Le Gemelle Kessler”. Italian viewers were captivated by the twins’ synchronized dancing, fashionable costumes, and catchy musical numbers. At the same time, the sisters remained popular in their native Germany. They headlined many TV specials and stage revues during the post-war entertainment boom. Their ability to cross cultural boundaries made them symbols of a new, optimistic Europe. Two German performers who could sing in multiple languages and light up screens from Munich to Rome. Throughout their long career, Alice and Ellen Kessler made significant contributions to music and entertainment across the continent. They recorded numerous singles. The sisters appeared in films and theatrical productions, and even graced American TV with spots on The Ed Sullivan Show and The Red Skelton Hour. Both the German and Italian governments recognized the twins’ cultural impact. The sisters received honors including the prestigious Rose d’Or television award and Germany’s Federal Cross of Merit for their artistic achievements. Decades later, in 1986, the Kesslers returned to Germany. However, they continued to perform occasionally on television in both countries, embodying a living bridge between Italian and German popular culture. A Lasting Bond and Legacy In their final years, the Kessler Twins lived quietly as neighbors in Munich, remaining as close as ever. The duo decided together that neither would have to live without the other, electing to depart this life on their own terms. The twins had even stipulated in their will that their ashes be kept together in one urn, underlining their lifelong unity. As news of their passing spread, many across Europe have been reflecting on the joy and unity Alice and Ellen brought to the post-war generation. Alice once summed up the secret to their enduring success and sisterhood. “Every day discipline, always gratitude, humility instead of arrogance, and togetherness. Until death.” In the end, that togetherness truly lasted until death. The Kessler Sisters leave behind a legacy as trailblazers of European entertainment and Eurovision pioneers, forever remembered for the sparkle, elegance, and heartfelt harmony they brought to the stage.

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