Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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It’s Tuesday, November 18, 2025, and time for another weekly update! There’s no single headline dominating Eurovision news this week, but plenty of notable stories. National selection season is in full swing across Europe, with updates from Cyprus, Portugal, Iceland, Croatia, and Malta. Meanwhile, outside the selections, a new film is in the works about a Eurovision classic and a Swedish pre-party weekend has been announced. A fan contest crowned its latest winner, and we bid farewell to two Eurovision legends. Here are this week’s top stories: National Finals and Selections   Cyprus: Antigoni Chosen via Two-Part Internal Selection Cyprus will be represented in 2026 by Antigoni Buxton, selected through a new two-stage internal process. A five-member jury evaluated nine candidate artists, while a public online poll gathered fan input. Antigoni received the highest overall score. She has now been officially confirmed as Cyprus’s Eurovision 2026 artist. source: RIK Portugal: Festival da Canção 2026 Composers Revealed Portugal’s RTP unveiled the 16 songwriters for Festival da Canção 2026. The roster features 8 invited composers and 6 chosen from the open submissions. In addition, one was chosen via the new “Prova de Acesso” public vote and one picked by last year’s winners, band NAPA. source: media.rtp.pt  Iceland: Söngvakeppnin 2026 Submission Deadline Nears In Iceland, RÚV opened song submissions for Söngvakeppnin 2026, with a deadline of November 20, 2025. The broadcaster noted it has already received more entries than last year so far. Interestingly, RÚV has not yet confirmed Iceland’s participation in Eurovision 2026. However, if the country does compete, the Söngvakeppnin winner will go on to represent Iceland in Vienna. source: RÚV  Croatia: Dora 2026 to Be Held in Zagreb Croatia’s Dora 2026 will be held at HRT’s TV studios in Zagreb, moving from its usual home in Opatija. HRT cited an exceptionally busy 2026 as the reason for relocating the show. Song submissions are open until November 23. Thereafter an expert panel will pick 24 entries for the shows in February. The winner will be chosen by a combination of jury and public voting. Opatija.hr Malta: MESC 2026 Semi-Final and Final Dates Set Malta announced that MESC 2026 will consist of a semi-final on January 15 and a final on January 17, 2026. A total of 18 songs will compete, with the submission window open from November 17 to 23, 2025. PBS will reveal the 18 semi-finalists on December 1. A combined jury-public vote will then decide which 12 acts advance to the final night. source: PBS Other News  Norway: Bobbysocks Biopic “La det swinge” in Development A new feature film titled “La det swinge” will bring the story of Bobbysocks’ 1985 Eurovision victory to the big screen. The Norwegian Film Institute has granted 8.8 million kroner in funding to the project, which has a total budget of about 52.7 million NOK. Acclaimed director Per-Olav Sørensen is at the helm of the movie. According to the NFI’s description, the film will portray “the wild, true story of how Bobbysocks changed Norway – taking us from a gray daily life to three minutes that changed everything.” It promises to be a colorful, music-filled crowd-pleaser. The strong backing behind this nostalgic Eurovision tale shows high confidence in its appeal. The film is hoped to resonate with audiences across generations. source: nettavisen.no  Sweden: Melfest WKND 2026 Pre-Party Weekend Announced In Sweden, the popular fan event Melfest WKND will return in 2026. Organizers have announced that the festivities will take place on Friday, March 6 and Saturday, March 7. The schedule aligns with the weekend of the Melodifestivalen grand final in Stockholm. Like last year, both the Friday night pre-party and the main Saturday night event will be held at Nalen. This classic venue in central Stockholm has become the home of Melfest WKND. Melfest WKND has become a highlight for Eurovision fans. The weekend features appearances by Melodifestivalen and Eurovision artists. It also draws international fans to Stockholm to celebrate ahead of Sweden’s national final. source: eurovoix Italy: Damiano David Wins OGAE Song Contest 2025 The results are in for the OGAE Song Contest 2025, an annual competition among Eurovision fan clubs worldwide. Italy took the crown for the second year in a row. Italian singer Damiano David (of Måneskin fame) won with his song “Born With a Broken Heart,” earning 279 points in the final tally. This is Italy’s second consecutive victory in the fan contest – a back-to-back achievement last seen in 2020. Finland finished in second place with “Kaistaa” by BESS & Käärijä, while Australia came third thanks to pop icon Kylie Minogue’s track “Lights Camera Action”. The OGAE Song Contest is a fan-organized, non-EBU event that helps keep Eurovision spirits high in the off-season. You can watch the contest on Vimeo.  Germany: Kessler Sisters Pass Away Together at 89 Twin sisters Alice and Ellen Kessler – Germany’s Eurovision 1959 representatives – have died at the age of 89. The Kessler Twins were legendary entertainers in Europe during the 1950s and ’60s. According to German media reports, the sisters chose to end their lives together via legal euthanasia in their longtime home in Bavaria. This fulfilled their pact that neither would have to live without the other. The Kesslers leave behind a remarkable legacy as pioneers of European pop entertainment and beloved Eurovision icons. (For more on their life and career, see our in memoriam tribute.)

Read More »
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Martijn

Weekly Update

It’s Tuesday, November 18, 2025, and time for another weekly update! There’s no single headline dominating Eurovision news this week, but plenty of notable stories. National selection season is in full swing across Europe, with updates from Cyprus, Portugal, Iceland, Croatia, and Malta. Meanwhile, outside the selections, a new film is in the works about a Eurovision classic and a Swedish pre-party weekend has been announced. A fan contest crowned its latest winner, and we bid farewell to two Eurovision legends. Here are this week’s top stories: National Finals and Selections   Cyprus: Antigoni Chosen via Two-Part Internal Selection Cyprus will be represented in 2026 by Antigoni Buxton, selected through a new two-stage internal process. A five-member jury evaluated nine candidate artists, while a public online poll gathered fan input. Antigoni received the highest overall score. She has now been officially confirmed as Cyprus’s Eurovision 2026 artist. source: RIK Portugal: Festival da Canção 2026 Composers Revealed Portugal’s RTP unveiled the 16 songwriters for Festival da Canção 2026. The roster features 8 invited composers and 6 chosen from the open submissions. In addition, one was chosen via the new “Prova de Acesso” public vote and one picked by last year’s winners, band NAPA. source: media.rtp.pt  Iceland: Söngvakeppnin 2026 Submission Deadline Nears In Iceland, RÚV opened song submissions for Söngvakeppnin 2026, with a deadline of November 20, 2025. The broadcaster noted it has already received more entries than last year so far. Interestingly, RÚV has not yet confirmed Iceland’s participation in Eurovision 2026. However, if the country does compete, the Söngvakeppnin winner will go on to represent Iceland in Vienna. source: RÚV  Croatia: Dora 2026 to Be Held in Zagreb Croatia’s Dora 2026 will be held at HRT’s TV studios in Zagreb, moving from its usual home in Opatija. HRT cited an exceptionally busy 2026 as the reason for relocating the show. Song submissions are open until November 23. Thereafter an expert panel will pick 24 entries for the shows in February. The winner will be chosen by a combination of jury and public voting. Opatija.hr Malta: MESC 2026 Semi-Final and Final Dates Set Malta announced that MESC 2026 will consist of a semi-final on January 15 and a final on January 17, 2026. A total of 18 songs will compete, with the submission window open from November 17 to 23, 2025. PBS will reveal the 18 semi-finalists on December 1. A combined jury-public vote will then decide which 12 acts advance to the final night. source: PBS Other News  Norway: Bobbysocks Biopic “La det swinge” in Development A new feature film titled “La det swinge” will bring the story of Bobbysocks’ 1985 Eurovision victory to the big screen. The Norwegian Film Institute has granted 8.8 million kroner in funding to the project, which has a total budget of about 52.7 million NOK. Acclaimed director Per-Olav Sørensen is at the helm of the movie. According to the NFI’s description, the film will portray “the wild, true story of how Bobbysocks changed Norway – taking us from a gray daily life to three minutes that changed everything.” It promises to be a colorful, music-filled crowd-pleaser. The strong backing behind this nostalgic Eurovision tale shows high confidence in its appeal. The film is hoped to resonate with audiences across generations. source: nettavisen.no  Sweden: Melfest WKND 2026 Pre-Party Weekend Announced In Sweden, the popular fan event Melfest WKND will return in 2026. Organizers have announced that the festivities will take place on Friday, March 6 and Saturday, March 7. The schedule aligns with the weekend of the Melodifestivalen grand final in Stockholm. Like last year, both the Friday night pre-party and the main Saturday night event will be held at Nalen. This classic venue in central Stockholm has become the home of Melfest WKND. Melfest WKND has become a highlight for Eurovision fans. The weekend features appearances by Melodifestivalen and Eurovision artists. It also draws international fans to Stockholm to celebrate ahead of Sweden’s national final. source: eurovoix Italy: Damiano David Wins OGAE Song Contest 2025 The results are in for the OGAE Song Contest 2025, an annual competition among Eurovision fan clubs worldwide. Italy took the crown for the second year in a row. Italian singer Damiano David (of Måneskin fame) won with his song “Born With a Broken Heart,” earning 279 points in the final tally. This is Italy’s second consecutive victory in the fan contest – a back-to-back achievement last seen in 2020. Finland finished in second place with “Kaistaa” by BESS & Käärijä, while Australia came third thanks to pop icon Kylie Minogue’s track “Lights Camera Action”. The OGAE Song Contest is a fan-organized, non-EBU event that helps keep Eurovision spirits high in the off-season. You can watch the contest on Vimeo.  Germany: Kessler Sisters Pass Away Together at 89 Twin sisters Alice and Ellen Kessler – Germany’s Eurovision 1959 representatives – have died at the age of 89. The Kessler Twins were legendary entertainers in Europe during the 1950s and ’60s. According to German media reports, the sisters chose to end their lives together via legal euthanasia in their longtime home in Bavaria. This fulfilled their pact that neither would have to live without the other. The Kesslers leave behind a remarkable legacy as pioneers of European pop entertainment and beloved Eurovision icons. (For more on their life and career, see our in memoriam tribute.)

Read More »
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