Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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History

Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Österreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Österreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter Müller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

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History
Martijn

Austria in the Eurovision Song Contest, part 4

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the early eighties. Austria returned to having a national final. Marty Brem and Gary Lux both took part twice. Austria 1980 – Blue Danube – “Du bist Musik” By 1980 Austria was back with “Du bist Musik”, performed by the group Blue Danube. Composer-lyricist Klaus-Peter Sattler wrote this German-language entry. The song is a love ballad comparing a beloved to music, name-dropping famous composers and dances. Blue Danube was a five-member ensemble formed just for Eurovision. Notably the group included singer Marty Brem. He would represent Austria again the following year. Conducted by Richard Österreicher, “Du bist Musik” opened the night’s show and scored 64 points for 8th place out of 19. Austria 1981 – Marty Brem – “Wenn du da bist” Marty Brem was part of Blue Danube in 1980. The singer returned solo for Austria in 1981. “Wenn du da bist” (“When You’re Here”) was composed and written by Werner Böhmler, and again Richard Österreicher conducted the orchestra. For the first time since 1963, the song was chosen through a national final. Brem was the only contestant. He sang three songs. “Wenn du da bist” is a romantic ballad with a slightly jazzy, complex composition. Unfortunately, it finished in 17th place (20 points) at the contest. Marty Brem’s performance featured an energetic stage show with flamboyant costumed dancers. The Austrian singer was frontman of a band called “Marty and the Bomfriz” at the time. After Eurovision, Brem pivoted to working in music journalism and the record industry. 1982 – Mess “Sonntag” Twelve songs competed in Austria’s 1982 national final. The duo Mess won with “Sonntag” (“Sunday”), an upbeat pop track full of early-’80s Europop charm. Both members, Michael Scheickl (also known as “Fritz”) and Elisabeth “Lizzi” Engstler, had also entered the competition as solo artists. Michael Scheickl (credited as “Michael Mell”) composed the song, while Rudolf Leve wrote the lyrics. Mess brought joyful energy to the stage with their lively, danceable performance. “Sonntag” celebrated the carefree feeling of a Sunday, wrapped in a catchy, cheerful style. The song earned 57 points and placed 9th out of 18 countries. Formed specifically for Eurovision, Mess disbanded soon after. Engstler, just 21 at the time, later built a successful career as a television presenter for Austria’s ORF network. 1983 – Westend “Hurricane” In 1983, Austria chose the pop group Westend to perform “Hurricane”, selecting them from 12 finalists that included Waterloo (ESC 1976). Band member Peter Vieweger composed the song, while Heli Deinboek and Heinz Nessizius wrote the lyrics. Sung in German, “Hurricane” delivers an upbeat synth-pop sound with Schlager influences, using a whirlwind metaphor to capture the chaos of lost love. The entry scored 53 points and finished in a tie for 9th place. Westend featured five members, including Gary Lux—whose role stood out. Lux went on to represent Austria at Eurovision six times during the 1980s, both as a solo performer and backing vocalist. “Hurricane” earned Austria a solid mid-table result and later became a beloved ’80s Eurovision memory. 1984 – Anita “Einfach weg” Twelve songs battled for the ticket to Luxembourg, with Gary Lux finishing as runner-up. Austria chose Anita Spanner, known simply as Anita, for the 1984 Eurovision Song Contest with “Einfach weg” (“Simply Gone”). Brigitte Seuberth composed the track, and Walter Müller wrote the lyrics. This energetic pop song featured a catchy melody and a synth-driven arrangement typical of the mid-80s. Despite strong expectations, Austria landed in 19th (last) place with just 5 points. Ironically, the song found huge success at home. It climbed to #1 on the Austrian singles chart and stayed in the Top 20 for ten weeks. Anita, a newcomer and surprise national final winner, took the stage in Luxembourg backed by vocalists including Gary Lux. Although “Einfach weg” didn’t resonate internationally, its popularity in Austria turned it into an iconic Austropop hit of the decade. 1985 – Gary Lux “Kinder dieser Welt” By 1985, Gary Lux had become a familiar face for Austria at Eurovision. Having been in Westend (1983) and a backing singer in 1984, Lux took center stage with “Kinder dieser Welt” (“Children of this World”) in Gothenburg. He was internally selected for the contest. His uplifting song was a pop anthem calling for hope and joy for children around the globe. It was written by prominent lyricist Michael Kunze and composed by the British duo Mick Jackson and Geoff Bastow. “Kinder dieser Welt” earned 60 points and secured 8th place for Austria out of 19 entries. The entry affirmed Gary Lux’s status as one of Austria’s most frequent Eurovision participants.

Read More »
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