Executive supervisor: an important job in Eurovision!

“Mr. Clifford Brown!?”, 1969 Eurovision host Laurita Valenzuela called with panic in her voice. Four entries ended up in first place. It was event supervisor and scruteneer Clifford Brown who cleared up things: there were, in fact, four winners.

Today, we learned that in 2021, Martin Österdahl will take over the job from Jon Ola Sand. But already the first Eurovision Song Contest had an event supervisor. We take a closer look at the men and women who did the job before Österdahl.

Rolf Liebermann was the first one in 1956 and 1957. At the first ever Eurovision Song Contest, Liebermann was the chairman of the jury.  That makes him the man who has seen the complete result of the 1956 Eurovision Song Contest. However, he never revealed the secret. Liebermann passed away in 1999.

Rolf Liebermann (© Claude Truong-Ngoc / Wikimedia Commons)

Miroslav Vilček took the job in 1964 and 1965. Vilček was a Slovenian man from Yugoslavia. 1964 was the first year that someone who was not invited entered the stage: a protester.

Clifford Brown did the job from 1966 until 1977. It was a tough time: Spain winning over the United Kingdom by one vote in 1968, four winners in 1969, only twelve participants in 1970. Eurovision almost died during his time as an executive supervisor, but it survived it’s worst year. Many different ways of voting came across, but the ‘twelve points’ started when he was there in 1975.

Frank Naef was the executive supervisor from 1978 until 1992; not a tough time at all, maybe with the exception of 1991. With Toto Cutugno as a host, who hardly spoke English and was hardly listening to anyone anyway, not coordinating the show at all, it was not easy for Naef. In the end, two countries were on the first spot. Immediately Naef explained why Sweden had won, and not France.

Frank Naef

Christian Clousen did the job for only three years, but not the easiest ones. In 1993, there was an Eastern European preselection and in the other years, countries faced degradation because of the high number of participants.

Christine Marchal-Ortiz did the job from 1996 until 2002, with the exception of 1997, when Marie-Claire Vionet took over the job. A lot of changes appeared during Marchal-Ortiz’ time: the orchestra and the language rule disappeared, the big 5 (in those days the big 4) came. Also televoting was new. She brought the contest into a new millennium.

Christine Marchal-Ortiz, ©Stijn Smulders, eurovision.tv

Sarah Yuen only took over for one year, 2003. It was the last year that the Eurovision Song Contest was broadcast over only one evening.

Svante Stockselius took over and showed a lot of enthusiasm about the contest. His first contest was the first one with a semifinal in 2004. He was also the one who saw the contest grow to a three night show. He was also the one who made an end to the 100% televoting.

Jon Ola Sand took over the job in 2010, 2011 was his first contest. The show made some major changes under Sand. For example, the following order of appearance was no longer decided by a draw. A lot of experiments with the voting were going on to make the show more exciting. That resulted, last year, in the moment that both Duncan Laurence and John Lundvik were hoping for a victory. 2020 will be Jon Ola’s last year.

Jon Ola Sand, ©Okras, Wikimedia Commons

From 2021 on, Martin Österdahl will take the job, as we mentioned earlier today.

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Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — Cosmó, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with Zoë Më and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

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Eurovision 2026
Martijn

Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — Cosmó, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with Zoë Më and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

Read More »
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