They will rock you!

 

It is often said: Rock music… that doesn’t belong  in the Eurovision Song Contest. But why not? And who decides? That is the counter-question. 

The answer is simple; If we look at the rules of the EBU, there are rules about length, publication, originality, but not about the genre.
So…. Rock music at Eurovision: Sure thing!

The early years

For the very first Rock entry, we’re going all the way back to…..1956!

An entry in the very first year of Eurovision, which would not be out of place for Elvis (regardless of the language). The Austrian Freddy Quin was one of the German representatives; his song was called was “So geht das jede Nacht”. As with every entry in the Eurovision Song Contest of 1956, apart from the winner, the placement is unknown.

Varying degrees of success and the lowest ranking

Rock songs were submitted with varying degrees of success in the years that followed. In 1982 a Rock-bottom was reached: Finland’s Kojo with “Nuku pommiin”, took the very last place with 0 points.

Was it really that bad, or was Europe not ready for it? Judge for yourself:

Rock Win

It took quite some time before Rock really made a difference at Eurovision, but in 2006 the time had come: Lordi for Finland with “Hardrock Hallelujah” won the contest with 292 points.

Rock is part of it

After that, Rock as a type of music at Eurovision was taken a lot more seriously.
Bigger successes were achieved, and in 2018 even a Hungarian hard metal band managed to reach the finals. That AWS with “Viszlát Nyár” finished last in the grand final, doesn’t matter… They made it to the finals.

RIP Örs Siklósi

The icing on the Rockcake was, of course, Måneskin in 2021. France was the big favorite (Barbara Pravi), but with 524 points, Italy left France behind. 

The conclusion may be that Rock definitely belongs at Eurovision, although opinions will always be divided on this. 2024 was a year without Rock. We are curious to see what 2025 will bring.

 

 

 

 

 

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70 years of Eurovision: two strong women

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1998 Birmingham was the city where the Eurovision Song Contest was held in 1998. The presentation was done by tongue-in-cheek commentator Terry Wogan and host Ulrika Jonsson. North Macedonia made its debut, but was still called FYROM at the time. Italy withdrew. From then on, the results were determined by televoting only. The songs Danijela, who had participated for Croatia three years earlier, did so again, but this time solo. Her ballad “Neka mi ne zvane”, complete with dress-up, is still often cited as a fan favorite. The duo Thalassa participated for Greece. However, only singer Dionisia took the stage. 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History
Martijn

70 years of Eurovision: two strong women

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1998 Birmingham was the city where the Eurovision Song Contest was held in 1998. The presentation was done by tongue-in-cheek commentator Terry Wogan and host Ulrika Jonsson. North Macedonia made its debut, but was still called FYROM at the time. Italy withdrew. From then on, the results were determined by televoting only. The songs Danijela, who had participated for Croatia three years earlier, did so again, but this time solo. Her ballad “Neka mi ne zvane”, complete with dress-up, is still often cited as a fan favorite. The duo Thalassa participated for Greece. However, only singer Dionisia took the stage. The male half of the duo, Yiannis Valvis, had gotten into such a heated argument with the production that his accreditation had been revoked. He was no longer allowed to enter the hall in Birmingham and had to watch Eurovision from his hotel room. Guildo Horn & Die Orthopädischen Strümpfe performed for Germany. With “Guildo hat euch lieb!”, Horn delivered a performance that was unique. He jumped into the audience, accompanied himself musically with cowbells, and even climbed onto scaffolding. This drove the cameramen tasked with capturing it to despair. He certainly stood out! Chiara from Malta did too, but for exactly the opposite reason. With a serene ballad and candles on stage, she also impressed a lot. Until the very last moment, Chiara was still a contender for the final victory. She ultimately finished third. She did so just behind Imaani. The British candidate came second with “Where Are You?”. She scored a European hit with her song. Fun fact: The Dutch candidate Edsilia Rombley named her daughter Imaani after her colleague. And Edsilia also made an impression with her “Hemel en aarde.” Terry Wogan predicted a victory for her. It resulted in a fourth place finish. But every country also had a backup jury. The results for some countries are known. What is certain is that with that backup jury, it would have been a battle between the United Kingdom and the Netherlands. Dana International But that didn’t happen, because Israel won. It was the country that received the most attention beforehand. Not because Dana International was such a good singer. But because her story impressed. Born as Yaron Cohen, he discovered at a young age that he was, in fact a woman. After gender reassignment surgery, she went through life as Sharon Cohen. Her stage name, however, was Dana International. As early as 1995, she came second in the Israeli national final with “Layla Tov Europa.” Three years later, the Israeli broadcaster internally selected Dana and her song “Diva.” Although this was much to the displeasure of a group of very strictly religious Orthodox Jews, Dana was adored by the queer community in Israel. When she won, it was therefore a huge celebration for them. And with this, a transgender person won the Eurovision Song Contest for the first time. 1999 The Eurovision circus moved to Jerusalem. For the first time, the contest was hosted by three presenters: Yigal David, Sigal Shachmon, and Dafna Dekel. The latter had participated for Israel herself in 1992. A relegation zone still existed, and Lithuania returned after a five-year absence. Many things changed. The orchestra was gone and would never return. This also applied to the rule that participants had to sing in their own national language. The songs Doris Dragović participated for Croatia, having represented Yugoslavia 13 years earlier. She finished very high with a fourth place. However, afterwards she received penalty points because she had used samples that were not allowed. It had no further consequences for Croatia. Darja Švajger also participated for the second time, representing Slovenia. Things became complicated because the Netherlands sent a singer named Marlayne, and Cyprus entered Marlain. Both singers did very well in the polls. But the Cypriot Marlain, in particular, did not live up to her role as favorite at all. It was also complicated that two countries, namely Bosnia and Herzegovina and Germany, both entered a song that had already been released. In both countries, the winner of the national final was disqualified for that reason. Instead, Bosnia and Herzegovina entered with a rap by a Bosnian/French duo. Germany sent a group with a Turkish background and a song that was sung partially in Turkish. Singer Selma represented Iceland with a disco track, “All Out Of Luck”. For the first time, Iceland was a serious contender for the final victory, which the island just barely failed to achieve. Charlotte Nilsson Because Sweden won. She was dubbed the Euro-Pamela Anderson. During the national final, Melodifestivalen, Charlotte Nilsson sang “Tusen och en natt”, but on the Eurovision stage in Jerusalem, it became “Take Me To Your Heaven”. It was not easy. The battle was between Sweden and Iceland until the very end. Charlotte is now called Perelli, has participated a second time in the Eurovision Song Contest and has become a welcome guest at Eurovision-related events.

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