They will rock you!

 

It is often said: Rock music… that doesn’t belong  in the Eurovision Song Contest. But why not? And who decides? That is the counter-question. 

The answer is simple; If we look at the rules of the EBU, there are rules about length, publication, originality, but not about the genre.
So…. Rock music at Eurovision: Sure thing!

The early years

For the very first Rock entry, we’re going all the way back to…..1956!

An entry in the very first year of Eurovision, which would not be out of place for Elvis (regardless of the language). The Austrian Freddy Quin was one of the German representatives; his song was called was “So geht das jede Nacht”. As with every entry in the Eurovision Song Contest of 1956, apart from the winner, the placement is unknown.

Varying degrees of success and the lowest ranking

Rock songs were submitted with varying degrees of success in the years that followed. In 1982 a Rock-bottom was reached: Finland’s Kojo with “Nuku pommiin”, took the very last place with 0 points.

Was it really that bad, or was Europe not ready for it? Judge for yourself:

Rock Win

It took quite some time before Rock really made a difference at Eurovision, but in 2006 the time had come: Lordi for Finland with “Hardrock Hallelujah” won the contest with 292 points.

Rock is part of it

After that, Rock as a type of music at Eurovision was taken a lot more seriously.
Bigger successes were achieved, and in 2018 even a Hungarian hard metal band managed to reach the finals. That AWS with “Viszlát Nyár” finished last in the grand final, doesn’t matter… They made it to the finals.

RIP Örs Siklósi

The icing on the Rockcake was, of course, Måneskin in 2021. France was the big favorite (Barbara Pravi), but with 524 points, Italy left France behind. 

The conclusion may be that Rock definitely belongs at Eurovision, although opinions will always be divided on this. 2024 was a year without Rock. We are curious to see what 2025 will bring.

 

 

 

 

 

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Austria in the Eurovision Song Contest, part 6

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas – “Zusammen geh’n” Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad “Zusammen geh’n”. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. “Zusammen geh’n” earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas – “Maria Magdalena” Tony Wegas returned in 1993 to represent Austria with “Maria Magdalena,” a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, “Maria Magdalena” scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey – “Für den Frieden der Welt” Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad “Für den Frieden der Welt” (translated as “For the Peace of the World”). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Frey’s strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austria’s 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones – “Die Welt dreht sich verkehrt” Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with “Die Welt dreht sich verkehrt” (meaning “The World Turns Upside Down”). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer – “Weil’s dr guat got” George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with “Weil’s dr guat got”. Sung in his native Vorarlberg dialect (the title roughly means “Because You’re Doing Well”), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat – “One Step” Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with “One Step.” Having been a backing vocalist for Austria’s 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the song’s lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, “One Step” received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer – “Reflection” Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austria’s one-year absence. She performed “Reflection,” a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed “Reflection”, providing a modern pop sound accompanied by a live band on stage. Bobbie’s engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries – Austria’s best Eurovision result of the 1990s.        

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History
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This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the sixth episode, we look back at the nineties. With Tony Wegas’ double, and a total of three top-10 scores, the hard times began for Austria in the Eurovision Song Contest. 1992: Tony Wegas – “Zusammen geh’n” Tony Wegas, an Austrian singer and television actor, represented Austria at Eurovision 1992 with the power ballad “Zusammen geh’n”. Dieter Bohlen composed the music and Joachim Horn-Bernges wrote the lyrics, giving the song a classic pop-ballad style. Wegas delivered an emotive performance of this German-language track on the Malmö stage. “Zusammen geh’n” earned 63 points, securing a 10th place finish for Austria at the 1992 contest. 1993: Tony Wegas – “Maria Magdalena” Tony Wegas returned in 1993 to represent Austria with “Maria Magdalena,” a dramatic pop song with biblical references. He was selected internally, and presented 7 songs. Wegas, known for his singing career and TV acting, gave an engaging performance of this German-language track about Mary Magdalene. Christian Kolonovits and Johann Bertl composed the music, while Thomas Spitzer penned the lyrics, infusing the song with theatrical flair. Despite its uptempo style compared to the previous year, “Maria Magdalena” scored 32 points and placed 14th out of 25 entries at Eurovision 1993. 1994: Petra Frey – “Für den Frieden der Welt” Eight artists and songs competed in the national final. Simone participated but did not win. Petra Frey, only 16 years old at the time, represented Austria at Eurovision 1994 in Dublin with the ballad “Für den Frieden der Welt” (translated as “For the Peace of the World”). Alfons Weindorf composed the music, and brothers Karl & Johann Brunner wrote the lyrics, creating a heartfelt pop ballad calling for world peace. The song showcased Frey’s strong vocals, honed from her early schlager music career, and delivered a sincere message on stage. Austria’s 1994 entry earned 19 points, finishing in 17th place among 25 countries. 1995: Stella Jones – “Die Welt dreht sich verkehrt” Stella Jones, an Austrian singer with jazz and soul roots, took the stage in 1995 with “Die Welt dreht sich verkehrt” (meaning “The World Turns Upside Down”). Jones delivered a funky, blues-infused pop performance that reflected her versatile musical background. Michael W. Krausz both wrote the lyrics and composed the music for this entry, a song which stood out amid a contest often dominated by ballads. The Austrian entry scored 67 points, achieving a 13th place finish in the 1995 Eurovision final. 1996: George Nussbaumer – “Weil’s dr guat got” George Nussbaumer, a blind Austrian blues musician, brought a unique gospel-blues flair to Eurovision 1996 with “Weil’s dr guat got”. Sung in his native Vorarlberg dialect (the title roughly means “Because You’re Doing Well”), the song blended upbeat soul and pop elements. Nussbaumer co-wrote the entry himself. He composed the music and co-authored the lyrics with Michael W. Krausz and infused it with authentic blues style. His uplifting performance in Oslo resonated with the juries, as Austria earned 68 points and a 10th place finish at the 1996 contest. 1997: Bettina Soriat – “One Step” Bettina Soriat, an Austrian singer and stage performer, stepped into the spotlight in 1997 with “One Step.” Having been a backing vocalist for Austria’s 1996 entry, Soriat brought an upbeat dance-pop routine to Eurovision 1997. Marc Berry (stage name of Marcus Dlugaiczyk) wrote the song’s lyrics and co-composed the music with Ina Siber, crafting a catchy tune with playful choreography. Despite the energetic performance and its fun pop appeal, “One Step” received just 12 points, placing 21st out of 25 entries in the Dublin final. 1999: Bobbie Singer – “Reflection” Bobbie Singer (born Tina Schosser), an 18-year-old Austrian pop singer, returned for Eurovision 1999 after Austria’s one-year absence. She performed “Reflection,” a contemporary English-language pop song that projected a youthful, radio-friendly vibe. Dave Moskin wrote and composed “Reflection”, providing a modern pop sound accompanied by a live band on stage. Bobbie’s engaging performance in Jerusalem gave Austria a fresh image in the contest. The entry scored 65 points, achieving a 10th place finish out of 23 countries – Austria’s best Eurovision result of the 1990s.        

Read More »
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