Austria in the Eurovision Song Contest, part 5

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history!

For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final…

1986 – Timna Brauer – Die Zeit ist einsam

Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances.

1987 – Gary Lux – Nur noch Gefühl

Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch Gefühl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high.

1988 – Wilfried – Lisa, Mona Lisa

Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries.

1989 – Thomas Forstner – Nur ein Lied

Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory.

The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history.

1990 – Simone – Keine Mauern mehr

Austria’s 1990 entry was the inspirational pop ballad Keine Mauern mehr (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria.

The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria.

1991 – Thomas Forstner – Venedig im Regen

Thomas Forstner returned to represent Austria in Eurovision 1991 with Venedig im Regen (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. 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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. 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Read More »
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