🇩đŸ‡č Austria in the Eurovision Song Contest, part 3

đŸ“· Waterloo & Robinson

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history!

For the third episode, we will look back at the seventies. Austria entered the top-5 twice. They also sang in a minority language. They also had some deviant entries.

1971 – Marianne Mendt – Musik

Austria returned to the Eurovision Song Contest in 1971 after a two-year absence . They boycotted the Franco-ruled 1969 contest and protesting the four-way tie of 1969 by skipping 1970. Marianne Mendt performed “Musik.” Mendt, a jazz-pop singer from Vienna, delivered the song in her native Viennese German dialect, a rarity at Eurovision. Richard Schönherz and Manuel Rigoni composed “Musik” and also wrote its lyrics, giving the entry a swinging, soulful vibe about the power of music. At the contest in Dublin, “Musik” scored 66 points and finished 16th out of 18 entries.

1972 – The Milestones – Falter im Wind

The Austrian rock band The Milestones represented the country at the Eurovision Song Contest 1972 in Edinburgh with “Falter im Wind” (“Butterfly in the Wind”). Composers Richard Schönherz and Manuel Rigoni teamed up with lyricist Heinz Unger to craft this folk-tinged pop song addressed to a butterfly. They reflected on life’s impermanence. The song’s gentle melody and rich harmonies resonated with the juries. Austria earned 100 points and achieved 5th place. This was the country’s best Eurovision result since its 1966 victory, showcasing a high point for Austria before a brief mid-’70s withdrawal from the contest.

1976 – Waterloo & Robinson – My Little World

After skipping the contest from 1973 to 1975, Austria returned at the Eurovision Song Contest 1976 in The Hague with pop duo Waterloo & Robinson performing “My Little World.” The duo was already popular at home. They presented an upbeat, feel-good song that songwriter Gerhard Heinz had composed. Sung in English, “My Little World” celebrates the simple joys of love and life. It earned 80 points and reached 5th place, matching Austria’s 1972 success. This strong result followed ORF’s mid-’70s Eurovision hiatus, which was reportedly due to dissatisfaction with the contest’s scoring system at the time.

1977 – Die Schmetterlinge – Boom Boom Boomerang

Austria took a daring turn at the Eurovision Song Contest 1977 in London with the group Schmetterlinge and their song “Boom Boom Boomerang.” Known for their political cabaret style, Schmetterlinge delivered a satirical pop performance. In that performance they lampooned the commercial music industry, complete with nonsense “international” lyrics and zany on-stage antics. Group members like Georg “Schurli” Herrnstadt and Willi Resetarits wrote the music, while Lukas Resetarits provided tongue-in-cheek lyrics skewering formulaic pop. Despite the bold concept and humor, the entry earned only 11 points, placing 17th out of 18 countries. Notably, two members of Schmetterlinge had been part of The Milestones (Austria’s 1972 act), adding a nod to the country’s earlier Eurovision experience.

1978 – Springtime – Mrs. Caroline Robinson

In 1978, Austria was represented by Springtime, a pop trio formed by brothers Walter and Gerhard Markel with bassist Norbert Niedermayer. Their song “Mrs. Caroline Robinson” was an upbeat schlager-pop number with a humorous twist. It was written by the trio themselves. The lyrics told the quirky story of Caroline Robinson, the “top-witch of this town” who captivates everyone with her charm. Springtime’s performance in Paris was fun and energetic, and the song even became a hit at home. It earned a gold record in Austria. On the Eurovision scoreboard, however, “Mrs. Caroline Robinson” earned 14 points, finishing 15th out of 20 countries in 1978.

1979 – Christina Simon – Heute in Jerusalem

Austria’s 1979 entry was the soulful “Heute in Jerusalem” (“Today in Jerusalem”), performed by singer Christina Simon. Christina had a background as a jazz vocalist. This reflective ballad was composed by Peter Wolf with lyrics by Austrian artist AndrĂ© Heller. Musically it blended contemporary jazz and blues influences, and its lyrics carried a heartfelt plea for peace in Jerusalem. That was quite fittingly, the contest was held in Jerusalem just days after the Israel–Egypt peace treaty. Simon’s emotional delivery brought gravitas to the stage. Unfortunately, “Heute in Jerusalem” received only 5 points, ending up in 18th (last) place at the 1979 contest. 

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1994 The EBU was frantically searching for a new system. The countries with the worst scores from the previous year had to sit on the sidelines for a year. They had to make way for Estonia, Hungary, Lithuania, Poland, Romania, Russia, and Slovakia. Proud Ireland hosted the Song Contest again, this time simply in Dublin, at the Point Theatre. The hosts were Cynthia NĂ­ MhurchĂș and Gerry Ryan. The interval act was the most talked-about ever: River Dance. A dance written by Bill Whelan, but which later grew into an internationally acclaimed act. The songs Marie Bergman represented Sweden, in a duet with Roger Pontare. Marie had also participated in 1971 and 1972. Evridiki returned for Cyprus. Former Bobbysocks member Elisabeth Andreasson sang, also in a duet, for Norway. And the Icelandic Sigga, who had participated in a group twice, now took part solo. That was quite a challenge. Her duo partner from two years earlier, Sissa, was actually supposed to sing the song “NĂŠtur,” but she was sidelined by the Icelandic broadcaster. Portugal caught attention with Sara Tavares. She had won a singing competition in her own country; back then, she imitated Whitney Houston. Her song “Chamar a musica” impressed the audience. Germany opted more for a lot of cheerfulness. The all-female trio Mekado, formed especially for the occasion, performed the cheerful “Wir geben ‘ner Party.” It was sung in German, but with many international terms. And it was a song by Ralph Siegel and Bernd Meinunger. The aforementioned Elisabeth Andreasson sang a duet with the much younger (and sadly enough deceased very young) Jan Werner Danielsen: “Duett,” a mystical song. Friderika Bayer from Hungary sang the serene “Kinek mondjam el vĂ©tkeimet?” For a moment, it seemed Hungary was going to win. The first juries all gave their 12 to the debuting country. Ultimately, Friderika finished fourth. Youddiph also came from Eastern Europe. She represented Russia with “Vechny strannik,” but above all with her dress. She constantly changed it into a different dress, keeping the viewer mesmerized and focused on it. The Polish Edyta GĂłrniak had dressed much more simple. The song, too, stood out for its simplicity. It came in second. Because Ireland won, of course. That was how it was done in those days. Paul Harrington & Charlie McGettigan Rumour has it that Ireland had sent two middle-aged men with a ballad because they didn’t want to win again. If that was the case, that plan was not exactly successful. For it was precisely as anti-heroes that Paul Harrington and Charlie McGettigan made a huge impression. Halfway through the voting, they took a lead with their “Rock ‘n’ roll kids” that they never relinquished. The crowd went wild; Ireland was celebrating one big party. Except perhaps at the Irish broadcaster RTÉ, which now found itself facing the organization of the contest once again. Charlie McGettigan recently made the news by wanting to return his trophy, following in the footsteps of Nemo (2024). He, too, could not live with Israel’s participation. However, he could not find his trophy. Understandable, because anyone who looks closely at the award ceremony will see that only composer Brendan Graham received a trophy. 1995 Once again, a number of countries had to make way so that others could return. However, Italy and Luxembourg, both on the reserve bench the previous year, did not return. 23 countries participated in this festival. It was hosted by Mary Kennedy. The songs Arzu Ece participated for Turkey for the second time, having entered the Eurovision stage six years earlier as a member of the group Pan. She was the only artist returning. Justyna Steczkowska participated for Poland. Although she did not finish high, she did attract attention due to the atonal singing during her song. Also noteworthy: Eddie Friel for Ireland. His song “Dreamin’” was such a shameless copy of Julie Felix’s “Moonlight” (just listen to the two songs) that disqualification loomed. Anabel Conde was the participant for Spain. She finished in second place. The group Magazin represented Croatia, with opera singer Lidija HorvĂĄth as an additional vocalist. Whereas all group members sang at the national final, now only Lidija and group singer Danijela were visible. The rest had faded into the background. Danijela would not stay with Magazin for much longer. And then there was Alexandros Panayi: he was the fan favorite for Cyprus with “Sti fotia”. He would later often travel with Greece and Cyprus as a backing vocalist or vocal coach. One of the favorites was the Swede Jan Johansen with the ballad “Se pĂ„ mej”. Another notable ballad was that of Slovenia, “Prisluhni mi”. Neither song won. And then we do not want to leave Iceland unmentioned. After many attempts in national finals, the broadcaster there had selected Bo HalldĂłrsson. He sang the beautiful ballad “NĂșna”. Later, his daughter Svala would also represent her country. We mention him because Bo HalldĂłrsson passed away last week at 74. Secret Garden Norway won with a remarkable song. The winning “Nocturne” contained only 25 words. The group, Secret Garden, was built around Rolf LĂžvland, who wrote the winning song 10 years earlier, and his girlfriend Fionualla Sherry. As a violinist, she played a leading role in the song. Singer Gunnhild Tvinnereim, along with the other group members, had only a supporting role. 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