Basel Bulletin: a treadmill, a boat, a pier and blue

📷 Thomas Ramstorfer

This rehearsal afternoon is about a treadmill, a boat, a pier and blue. Today we started the rehearsals of the second semifinal. We tell you everything we know about the second row of 4 countries in this article.

EBU has decided to release photo’s of it only the day after. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇦🇲 Armenia

Armenia’s PARG, also known as Pargev Vardanian, presents a new staging concept for Survivor, distinct from his Depi Evratesil performance. The setup features overhead “lego” lights lowered to two levels, creating a tunnel effect that frames the stage in industrial tones. PARG begins the performance between the two lighting sections, lit by spotlights. The majority of the routine takes place on a treadmill positioned on the frame stage. He sprints during the chanting chorus sections and slows for the middle eight, matching the musical shifts. His outfit now consists of a black vest and loose, studded black leather trousers. During the final chorus, the lighting rig lifts, opening the stage. Pyro includes flame jets and smoke rising from the treadmill.

🇦🇹 Austria

Austria’s JJ, also known as Johannes Pietsch, rehearses Wasted Love, a theatrical entry staged entirely in black and white. JJ performs throughout from within a small wooden boat placed centre stage, featuring a mast and sail. The staging, directed by Sergio Jaen, uses lighting to create stark contrasts between light and shadow, increasing in intensity as the song progresses. During the second chorus, a storm begins, enhanced by wind machines, spinning cameras, and flashing strobes. JJ incorporates expressive, wind-resisted choreography without leaving the boat. As the drum and bass section builds, the LED wall displays crashing waves and storm clouds. At the end, a lighthouse appears on the LED wall, while an overhead shot shows the boat surrounded by a swirling vortex. JJ wears a long black leather coat with metallic detailing.

🇬🇷 Greece

Greece’s Klavdia rehearses Asteromáta, a ballad accompanied by symbolic staging elements. The performance opens with Klavdia standing on a pier, which leads to a large central rock where she sings most of the song. A second performer, a female dancer, joins her briefly during the second verse before moving away, visually reinforcing the song’s theme of separation. Klavdia wears a long, fitted gown adorned with small jewels, appearing either black or dark navy under different lighting. Overhead camera shots create the illusion of water around the pier, which transitions into volcanic imagery and burning trees on the LED wall as the song intensifies. At the end, blue lighting effects respond to Klavdia’s gestures, and the lego lights descend in layered formation above the stage.

🇱🇹 Litouwen

Lithuania’s Katarsis close the day with TAVO AKYS, maintaining the core visual concept of their national final performance. The stage features the same elements—blue outfits, bleak digital landscapes, an exploding house, and flying debris during the final chorus—but expanded across the LED wall and floor for added scale. The band members are more spread out on the Basel stage, and during the second verse, lead singer Lukas moves to the frame stage alongside guitarists Alanas and Emilija. The overall structure and flow remain consistent with the original, though the Basel staging adds enhanced lighting and effects. A wind machine and varied camera angles contribute to the build-up. At the end, descending lights form a wing-like shape as strobes flash and the performance concludes in white light.

 

Related news

Eurovision Song Contest 2026 - Banner
Eurovision 2026

Vienna 12 points: Eurovision 2nd semifinal tonight

Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

Read More »
Eurovision Song Contest 2026 - Banner
Eurovision 2026
Martijn

Vienna 12 points: Eurovision 2nd semifinal tonight

Eurovision time! The second semi-final opens with a parody of JJ’s “Wasted Love”, performed by the hosts. To us, it feels like wasted time. 🇧🇬 Bulgaria In what looks like a waiting room, we see Dara with her dancers. There is some rather wild dancing going on. Halfway through the performance, the waiting room disappears, but the act remains just as gripping. Dara opens the show and immediately grabs the viewer’s attention, from the first second to the last. A perfect opener. 🇦🇿 Azerbaijan At first, Jiva’s performance is rather understated. That should put the focus mainly on the vocals and the song. Halfway through, the man she has to let go of appears, and a small routine with ribbons unfolds. A pity, because it distracts from the particularly strong vocals Jiva delivers. Whether the song is strong enough for a place in the final, we would not dare say. 🇷🇴 Romania There is a lot happening on stage for Romania. At first, Alexandra is connected to the two guitarists by light cables. Later, she breaks free from the two men. On stage, we also see a figure in a white robe. The connection with the song is not entirely clear to us. Vocally, she veered off course a little at times. 🇱🇺 Luxembourg The staging has been kept simple: Eva Marija stands on stage with a violin, behind a small tree. Behind her, we see a starry sky. Mother Nature, then. The song, like the staging, is simple. Vocally, apart from one slip-up, she is okay. But whether all of this is enough for a place in the final, we have our doubts. 🇨🇿 Czechia Czech singer Daniel Zizka sits and stands on stage, surrounded by mirrors. That creates a striking effect. It brings the song, which until now we had not seen staged, to life. Zizka’s vocals are rock-solid. The song is truly one for discerning listeners. We are pleasantly surprised and would gladly see this back in the final. 🇫🇷 France Seventeen-year-old Monroe stands on stage in a white dress, surrounded by dancers in black. She manages to hit every note perfectly, from high to low. The song is not easy to sing, but Monroe appears to do it with great ease. Three minutes in which the viewer is blown away. 🇦🇲 Armenia We see Simon with the dancers in a lift, and later in an office. Simon wears his jacket covered in Post-its, but takes it off halfway through the song. For three minutes, all kinds of things happen on stage. That can also be a disadvantage: the whole thing comes across as somewhat messy. Simon, however, is an entertainer who could help Armenia reach the final. 🇨🇭 Switzerland Switzerland’s jazzy song, with strong vocals, does not really need anything else. It already draws all the attention to itself. That is why we think it is a pity that Veronica Fusaro has still chosen to add a performance concept. We see her getting tangled up in red ropes. And we do not understand the staging. We do not see the connection with the song. A pity. 🇨🇾 Cyprus “Dancing on the table, baby,” Antigoni sings. And that is exactly what she does: she is literally dancing on a table. She is surrounded by four dancers. Antigoni throws a party that lets the arena really cut loose. At the end of the performance, we see a lot of fire. Fuego? 🇦🇹 Austria Cosmo starts off lying on the stage. Cartoon-like figures are projected onto the floor, making it look as if the singer is performing inside his own cartoon. Later, he is musically supported by musicians wearing animal heads. They later climb a climbing frame. Cosmo chooses to head down the catwalk, prompting deafening cheers from the Austrians in the arena. Unfortunately, we do not see Austria finishing very high this year. 🇱🇻 Latvia Singer Atvara stands alone on stage; we see a beam of light as if a door is open. This creates Atvara’s shadow. Atvara delivers vocals that are somewhat airy, but clean. Whether the song is strong enough for a place in the final remains to be seen. 🇩🇰 Denmark Søren stands on stage with a kind of aquarium behind him, containing his dancers. Eventually, Søren himself also crawls into the aquarium, exactly at the moment when he has to hit a high note. That takes guts. Søren simply goes for it. The whole package has everything it needs for a high placing. 🇦🇺 Australia Delta Goodrem wears a dress with 7,000 Swarovski crystals. Her grand piano also appears to be covered in crystals. Delta has a great deal of experience and uses it to deliver a very strong performance. Right at the end, it turns out that a platform rises out of the piano. Delta rises up on it. She ends as a kind of Lady Liberty. Top three? 🇺🇦 Ukraine The vocals from Ukraine’s Lekela are fine. During the performance, however, little happens. We see curtains coming down, and use is made of the good old wind machine. A place in the final is certainly within reach for Ukraine, but in the final we still see her finishing in the middle of the pack. 🇬🇧 United Kingdom Old-school Britpop: you either love it or you do not. Sam, also known as Look Mum No Computer, wears a pink overall. His dancers have computer screens over their heads. Halfway through the song, they swap them for a furry computer. Behind him stands a large music computer. We do not think this act will appeal to a very broad audience. 🇦🇱 Albania We see Alis with the image of an older woman behind him. His mother? The LED screens are important: later, various groups of people are also shown on them. Alis manages to move the listener with his song. Although he sings in Albanian, he conveys the emotion effortlessly. And then you also forgive him the small vocal slip-up he made last

Read More »
Follow Us: