Basel Bulletin: a treadmill, a boat, a pier and blue

📷 Thomas Ramstorfer

This rehearsal afternoon is about a treadmill, a boat, a pier and blue. Today we started the rehearsals of the second semifinal. We tell you everything we know about the second row of 4 countries in this article.

EBU has decided to release photo’s of it only the day after. But still we can show you (if available) the national final performance or any other live performance so you got an idea what the artists are capable of. Disclaimer: for the description of the performance, we have to do it with what the EBU tells us.

🇦🇲 Armenia

Armenia’s PARG, also known as Pargev Vardanian, presents a new staging concept for Survivor, distinct from his Depi Evratesil performance. The setup features overhead “lego” lights lowered to two levels, creating a tunnel effect that frames the stage in industrial tones. PARG begins the performance between the two lighting sections, lit by spotlights. The majority of the routine takes place on a treadmill positioned on the frame stage. He sprints during the chanting chorus sections and slows for the middle eight, matching the musical shifts. His outfit now consists of a black vest and loose, studded black leather trousers. During the final chorus, the lighting rig lifts, opening the stage. Pyro includes flame jets and smoke rising from the treadmill.

🇦🇹 Austria

Austria’s JJ, also known as Johannes Pietsch, rehearses Wasted Love, a theatrical entry staged entirely in black and white. JJ performs throughout from within a small wooden boat placed centre stage, featuring a mast and sail. The staging, directed by Sergio Jaen, uses lighting to create stark contrasts between light and shadow, increasing in intensity as the song progresses. During the second chorus, a storm begins, enhanced by wind machines, spinning cameras, and flashing strobes. JJ incorporates expressive, wind-resisted choreography without leaving the boat. As the drum and bass section builds, the LED wall displays crashing waves and storm clouds. At the end, a lighthouse appears on the LED wall, while an overhead shot shows the boat surrounded by a swirling vortex. JJ wears a long black leather coat with metallic detailing.

🇬🇷 Greece

Greece’s Klavdia rehearses Asteromáta, a ballad accompanied by symbolic staging elements. The performance opens with Klavdia standing on a pier, which leads to a large central rock where she sings most of the song. A second performer, a female dancer, joins her briefly during the second verse before moving away, visually reinforcing the song’s theme of separation. Klavdia wears a long, fitted gown adorned with small jewels, appearing either black or dark navy under different lighting. Overhead camera shots create the illusion of water around the pier, which transitions into volcanic imagery and burning trees on the LED wall as the song intensifies. At the end, blue lighting effects respond to Klavdia’s gestures, and the lego lights descend in layered formation above the stage.

🇱🇹 Litouwen

Lithuania’s Katarsis close the day with TAVO AKYS, maintaining the core visual concept of their national final performance. The stage features the same elements—blue outfits, bleak digital landscapes, an exploding house, and flying debris during the final chorus—but expanded across the LED wall and floor for added scale. The band members are more spread out on the Basel stage, and during the second verse, lead singer Lukas moves to the frame stage alongside guitarists Alanas and Emilija. The overall structure and flow remain consistent with the original, though the Basel staging adds enhanced lighting and effects. A wind machine and varied camera angles contribute to the build-up. At the end, descending lights form a wing-like shape as strobes flash and the performance concludes in white light.

 

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1968 The Royal Albert Hall in London was the venue, and Cathy Boyle hosted for the third time. The same 17 countries as the previous year participated. And something else was special too: for the first time, the Eurovision Song Contest was broadcast in color. Oddly enough, the broadcast in the host country, the United Kingdom, was still  in black and white. The British did not see the color version until the other day. The United Kingdom pulled out all the stops in more ways than one: the British participant was none other than Cliff Richard. In fact, no one really expected Cliff, who sang the song “Congratulations,” to win anymore. By then, he was high on the charts in many countries. 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History
Martijn

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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1968 The Royal Albert Hall in London was the venue, and Cathy Boyle hosted for the third time. The same 17 countries as the previous year participated. And something else was special too: for the first time, the Eurovision Song Contest was broadcast in color. Oddly enough, the broadcast in the host country, the United Kingdom, was still  in black and white. The British did not see the color version until the other day. The United Kingdom pulled out all the stops in more ways than one: the British participant was none other than Cliff Richard. In fact, no one really expected Cliff, who sang the song “Congratulations,” to win anymore. By then, he was high on the charts in many countries. In that light, what happened in Norway was quite remarkable. The song that won there sounded so terribly similar to Cliff’s “Summer Holiday” that the composer did not want to wait for an investigation into it. He simply withdrew the song. In Norway, people didn’t panic. The runner-up from the national selection was now allowed to go to London. That that song was called “Stress” is probably just a coincidence. Furthermore, former winner Isabelle Aubret participated for France one more time. Massiel In a hall full of screaming teenage girls, the unthinkable happened: Cliff Richard did not win. With a lead of just one point, the Spanish singer Massiel overtook him. Massiel was not the first choice in his own country. The Catalan Joan Manuel Serrat was originally supposed to sing the song “La, la, la.” However, he only wanted to sing the song in Catalan. General Franco’s dictatorial regime did not approve it. Thus, Massiel was pushed forward. Every so often, the story surfaces that General Franco allegedly bought this victory. He wanted to put Spain on the map in a positive light with it. It is an urban legend. No evidence has ever been found for these accusations. 1969 Austria refused to travel to dictatorial Spain. The number of participating countries therefore rose to sixteen. For the same reason, the Netherlands had to look for another conductor. Regular conductor Dolf van der Linden did not want to travel to Spain. Madrid was the setting. Spain had pulled out all the stops to put itself on the map in a positive way. For instance, the contest logo was designed by none other than the famous artist Salvador Dalí. The host was Laurita Valenzuela. The hall in the Teatro Real in Madrid was characterized by a huge organ. It opened the broadcast with the Te Deum. The Belgian Louis Neefs represented his country for the second time. And for the second time, he finished seventh, to disappointment of the Belgians themselves. Simone de Oliveira made a second appearance for Portugal. Siw Malmkvist also participated once again. Kirsti Sparboe even participated for the third time for Norway. Also noteworthy was Jean-Jacques, the French boy who competed for Monaco. This 13-year-old singer was by far the youngest candidate ever and would remain so until 1989. The scoring remained exciting until the very last moment. It was as battle between four countries… and all four won! The defining moment of the broadcast was when a surprised Laurita Valenzuela asked the scruteneer, Clifford Brown, if this meant there were four winners. Brown confirmed it. Four winners Spain won again. Salomé was the singer, “Vivo Cantando” the song. Salomé had a tough time. She wore a leaden blue dress. It was, in fact, made entirely of porcelain! The second winner was Lulu with “Boom Bang A Bang”. Lulu had already had a worldwide hit with the song “Shout”. A British newspaper wrote about Lulu’s entry: ‘It is a rotten song. It will undoubtedly win and be translated into Hungarian and all the dialects of Mongolia, but it is still a rotten song’. Lulu ended her performance in Spain with a loud “Olé”. The Dutch winner, Lenny Kuhr, was devoid of any frills. She had composed her song “De Troubadour” herself and performed it, accompanying herself on the guitar. Kuhr especially impressed Southern Europe. Her career would span more than fifty years. She will perform at Eurovision In Concert this year. Shortly thereafter, she will retire. The French winner, Frida Boccara, also managed to significantly expand her career. Although her song “Un jour, un enfant” didn’t do much in the charts, Boccara, who was born in Cassablanca, would remain a major star until her death in 1996. Her song “Cent mille chansons” became an evergreen. 1970 France and the Netherlands were willing to host the contest. By a draw, the Netherlands was chosen, and Eurovision moved to Amsterdam. A condition set by the Dutch broadcaster was that it would not become a funeral for the Eurovision Song Contest. Yet it almost became that funeral. Mad about the result of the previous year, all Scandinavian countries stayed away, along with Austria and Portugal. Only twelve countries participated. Nonetheless, the Dutch broadcaster NOS pulled out all the stops to make it a success. Director Theo Ordeman had devised a plan to introduce each song via a so-called ‘postcard’. It is a tradition that would never disappear. Stage designer Roland de Groot had designed a beautiful moving stage. The United Kingdom sent another big star: Mary Hopkin. Spain sent a former soccerplayer who had to retire due to an injury, and then started a singing career: Julio Iglesias. It would bring him a great deal of success, but not during the Eurovision Song Contest. David Alexandre Winter did not have much success either. He came from Amsterdam but entered for Luxembourg. He did so in an incomprehensible kind of French. No one was willing to give him any points. The Netherlands itself caused

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