🇸🇮 Road to Basel: Slovenia

Road to Basel: Slovenia

Road to Basel: Slovenia. As the Eurovision Song Contest in Basel approaches, we continue our daily spotlight on this year’s contestants. Today, we focus on Slovenia.

Klemen

Klemen Slakonja, known mononymously as Klemen, is a Slovenian actor, comedian, television host, and musician. Born on June 3, 1985, in BreĹľice, Slovenia, he has established himself as a multifaceted entertainer, renowned for his parodies and musical performances. Klemen’s versatility has made him a beloved figure in Slovenian entertainment, seamlessly blending humor with musical talent.

“How Much Time Do We Have Left” (What does AI say?)

His Eurovision entry, “How Much Time Do We Have Left,” is a poignant ballad that delves into the emotional journey of facing a loved one’s serious illness. The song draws inspiration from Klemen’s personal experience during his wife’s battle with myelodysplastic syndrome, a rare form of cancer. Through heartfelt lyrics and a compelling melody, the track explores themes of love, resilience, and the preciousness of time. The song has resonated with many, quickly gaining popularity in Slovenia and beyond.

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National Selection Process

Slovenia selected its Eurovision 2025 representative through the national competition EMA 2025. Held on February 1, 2025, at the RTVSLO Studio 1 in Ljubljana, the event featured twelve contestants vying for the opportunity to represent the nation. Klemen’s performance of “How Much Time Do We Have Left” captivated both the jury and the public, leading him to win the competition. The selection process involved two rounds: the first round determined by a jury, which shortlisted two entries for the superfinal, and the second round decided by public televote, where Klemen secured his victory.

  1. Klemen, “How Much Time Do We Have Left
  2. July Jones, “New Religion
  3. Astrid and the Scandals, “TouchĂ©
  4. Kiki, “O-ou!
  5. Zven, “Divja
  6. Rai, “Frederick’s Dead
  7. ​Jon ViteziÄŤ, “Vse ti dam
  8. Eva Pavli, “Niti
  9. Anna, “ÄŚau
  10. PolarAce, “Kind
  11. Ĺ˝an Videc, “Pusti da Gori
Slovenia in the Eurovision Song Contest

Slovenia has participated in the Eurovision Song Contest since 1993. The country’s best results to date are seventh-place finishes, achieved in 1995 with Darja Ĺ vajger‘s “Prisluhni mi” and in 2001 with Nuša Derenda‘s “Energy.” Despite not having secured a win yet, Slovenia continues to showcase its diverse musical talent on the Eurovision stage. Recently, Joker Out was succesful in the contest. They reached the final in 2023 and gained international fame with their performance.​

A Random Slovenian Entry

Reflecting on Slovenia’s Eurovision history, random.org chose to revisite Tanja RibiÄŤ‘s “Zbudi se” from 1997. This ballad achieved a commendable tenth place. “Wake up good prince, I would like to give you all my dreams and my youth. Break the spell of the fairy tale”, Tanja sang.

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Betting Odds

As of now, Klemen’s “How Much Time Do We Have Left” is in 25th place to win the Eurovision Song Contest. In the odds the final, Slovenia is in 12th place. That means it’s gonna be a hard time for Klemen to reach the final. However, it is definitely not impossible. So let’s keep our fingers crossed!​

We eagerly await the Eurovision Song Contest in Basel and look forward to witnessing Klemen’s performance on the grand stage.

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History

🇦🇹 Austria in the Eurovision Song Contest, part 3

đź“· Waterloo & Robinson This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the third episode, we will look back at the seventies. Austria entered the top-5 twice. They also sang in a minority language. They also had some deviant entries. 1971 – Marianne Mendt – Musik Austria returned to the Eurovision Song Contest in 1971 after a two-year absence . They boycotted the Franco-ruled 1969 contest and protesting the four-way tie of 1969 by skipping 1970. Marianne Mendt performed “Musik.” Mendt, a jazz-pop singer from Vienna, delivered the song in her native Viennese German dialect, a rarity at Eurovision. Richard Schönherz and Manuel Rigoni composed “Musik” and also wrote its lyrics, giving the entry a swinging, soulful vibe about the power of music. At the contest in Dublin, “Musik” scored 66 points and finished 16th out of 18 entries. 1972 – The Milestones – Falter im Wind The Austrian rock band The Milestones represented the country at the Eurovision Song Contest 1972 in Edinburgh with “Falter im Wind” (“Butterfly in the Wind”). Composers Richard Schönherz and Manuel Rigoni teamed up with lyricist Heinz Unger to craft this folk-tinged pop song addressed to a butterfly. They reflected on life’s impermanence. The song’s gentle melody and rich harmonies resonated with the juries. Austria earned 100 points and achieved 5th place. This was the country’s best Eurovision result since its 1966 victory, showcasing a high point for Austria before a brief mid-’70s withdrawal from the contest. 1976 – Waterloo & Robinson – My Little World After skipping the contest from 1973 to 1975, Austria returned at the Eurovision Song Contest 1976 in The Hague with pop duo Waterloo & Robinson performing “My Little World.” The duo was already popular at home. They presented an upbeat, feel-good song that songwriter Gerhard Heinz had composed. Sung in English, “My Little World” celebrates the simple joys of love and life. It earned 80 points and reached 5th place, matching Austria’s 1972 success. This strong result followed ORF’s mid-’70s Eurovision hiatus, which was reportedly due to dissatisfaction with the contest’s scoring system at the time. 1977 – Die Schmetterlinge – Boom Boom Boomerang Austria took a daring turn at the Eurovision Song Contest 1977 in London with the group Schmetterlinge and their song “Boom Boom Boomerang.” Known for their political cabaret style, Schmetterlinge delivered a satirical pop performance. In that performance they lampooned the commercial music industry, complete with nonsense “international” lyrics and zany on-stage antics. Group members like Georg “Schurli” Herrnstadt and Willi Resetarits wrote the music, while Lukas Resetarits provided tongue-in-cheek lyrics skewering formulaic pop. Despite the bold concept and humor, the entry earned only 11 points, placing 17th out of 18 countries. Notably, two members of Schmetterlinge had been part of The Milestones (Austria’s 1972 act), adding a nod to the country’s earlier Eurovision experience. 1978 – Springtime – Mrs. Caroline Robinson In 1978, Austria was represented by Springtime, a pop trio formed by brothers Walter and Gerhard Markel with bassist Norbert Niedermayer. Their song “Mrs. Caroline Robinson” was an upbeat schlager-pop number with a humorous twist. It was written by the trio themselves. The lyrics told the quirky story of Caroline Robinson, the “top-witch of this town” who captivates everyone with her charm. Springtime’s performance in Paris was fun and energetic, and the song even became a hit at home. It earned a gold record in Austria. On the Eurovision scoreboard, however, “Mrs. Caroline Robinson” earned 14 points, finishing 15th out of 20 countries in 1978. 1979 – Christina Simon – Heute in Jerusalem Austria’s 1979 entry was the soulful “Heute in Jerusalem” (“Today in Jerusalem”), performed by singer Christina Simon. Christina had a background as a jazz vocalist. This reflective ballad was composed by Peter Wolf with lyrics by Austrian artist AndrĂ© Heller. Musically it blended contemporary jazz and blues influences, and its lyrics carried a heartfelt plea for peace in Jerusalem. That was quite fittingly, the contest was held in Jerusalem just days after the Israel–Egypt peace treaty. Simon’s emotional delivery brought gravitas to the stage. Unfortunately, “Heute in Jerusalem” received only 5 points, ending up in 18th (last) place at the 1979 contest. 

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History
Martijn

🇦🇹 Austria in the Eurovision Song Contest, part 3

đź“· Waterloo & Robinson This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the third episode, we will look back at the seventies. Austria entered the top-5 twice. They also sang in a minority language. They also had some deviant entries. 1971 – Marianne Mendt – Musik Austria returned to the Eurovision Song Contest in 1971 after a two-year absence . They boycotted the Franco-ruled 1969 contest and protesting the four-way tie of 1969 by skipping 1970. Marianne Mendt performed “Musik.” Mendt, a jazz-pop singer from Vienna, delivered the song in her native Viennese German dialect, a rarity at Eurovision. Richard Schönherz and Manuel Rigoni composed “Musik” and also wrote its lyrics, giving the entry a swinging, soulful vibe about the power of music. At the contest in Dublin, “Musik” scored 66 points and finished 16th out of 18 entries. 1972 – The Milestones – Falter im Wind The Austrian rock band The Milestones represented the country at the Eurovision Song Contest 1972 in Edinburgh with “Falter im Wind” (“Butterfly in the Wind”). Composers Richard Schönherz and Manuel Rigoni teamed up with lyricist Heinz Unger to craft this folk-tinged pop song addressed to a butterfly. They reflected on life’s impermanence. The song’s gentle melody and rich harmonies resonated with the juries. Austria earned 100 points and achieved 5th place. This was the country’s best Eurovision result since its 1966 victory, showcasing a high point for Austria before a brief mid-’70s withdrawal from the contest. 1976 – Waterloo & Robinson – My Little World After skipping the contest from 1973 to 1975, Austria returned at the Eurovision Song Contest 1976 in The Hague with pop duo Waterloo & Robinson performing “My Little World.” The duo was already popular at home. They presented an upbeat, feel-good song that songwriter Gerhard Heinz had composed. Sung in English, “My Little World” celebrates the simple joys of love and life. It earned 80 points and reached 5th place, matching Austria’s 1972 success. This strong result followed ORF’s mid-’70s Eurovision hiatus, which was reportedly due to dissatisfaction with the contest’s scoring system at the time. 1977 – Die Schmetterlinge – Boom Boom Boomerang Austria took a daring turn at the Eurovision Song Contest 1977 in London with the group Schmetterlinge and their song “Boom Boom Boomerang.” Known for their political cabaret style, Schmetterlinge delivered a satirical pop performance. In that performance they lampooned the commercial music industry, complete with nonsense “international” lyrics and zany on-stage antics. Group members like Georg “Schurli” Herrnstadt and Willi Resetarits wrote the music, while Lukas Resetarits provided tongue-in-cheek lyrics skewering formulaic pop. Despite the bold concept and humor, the entry earned only 11 points, placing 17th out of 18 countries. Notably, two members of Schmetterlinge had been part of The Milestones (Austria’s 1972 act), adding a nod to the country’s earlier Eurovision experience. 1978 – Springtime – Mrs. Caroline Robinson In 1978, Austria was represented by Springtime, a pop trio formed by brothers Walter and Gerhard Markel with bassist Norbert Niedermayer. Their song “Mrs. Caroline Robinson” was an upbeat schlager-pop number with a humorous twist. It was written by the trio themselves. The lyrics told the quirky story of Caroline Robinson, the “top-witch of this town” who captivates everyone with her charm. Springtime’s performance in Paris was fun and energetic, and the song even became a hit at home. It earned a gold record in Austria. On the Eurovision scoreboard, however, “Mrs. Caroline Robinson” earned 14 points, finishing 15th out of 20 countries in 1978. 1979 – Christina Simon – Heute in Jerusalem Austria’s 1979 entry was the soulful “Heute in Jerusalem” (“Today in Jerusalem”), performed by singer Christina Simon. Christina had a background as a jazz vocalist. This reflective ballad was composed by Peter Wolf with lyrics by Austrian artist AndrĂ© Heller. Musically it blended contemporary jazz and blues influences, and its lyrics carried a heartfelt plea for peace in Jerusalem. That was quite fittingly, the contest was held in Jerusalem just days after the Israel–Egypt peace treaty. Simon’s emotional delivery brought gravitas to the stage. Unfortunately, “Heute in Jerusalem” received only 5 points, ending up in 18th (last) place at the 1979 contest. 

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