đŸ‡«đŸ‡· Road to Basel: France

Road to Basel: France. We cannot wait for the Eurovision Song Contest in Basel. Therefore, we take a closer look at one of the contestants each day. Today, we highlight France.

Louane

Louane Emera, known simply as Louane, is a beloved French singer-songwriter and actress whose heartfelt music and captivating stage presence have earned her widespread acclaim. After rising to fame through her participation in The Voice: la plus belle voix in 2013, Louane quickly established herself as one of France’s most promising young talents. Subsequently, her debut album, Chambre 12, became a chart-topping success, showcasing her ability to blend emotional depth with accessible pop melodies. Furthermore, known for hits such as “Avenir,” Louane effortlessly conveys vulnerability and strength in her music. Consequently, her performances are praised for authenticity and warmth, qualities that resonate deeply with audiences across generations. Additionally, Louane’s diverse talents extend to acting; notably, she received a CĂ©sar Award for her role in La Famille BĂ©lier.

Maman (what does AI say?)

Louane’s 2025 release, “Maman,” is a heartfelt and introspective ballad that elegantly captures the emotional complexities of motherhood, memory, and identity. Co-written by Louane and Tristan Salvati, the song is deeply personal, drawing inspiration from Louane’s own experiences of loss and becoming a mother. Moreover, with delicate melodies and poignant lyrics, “Maman” reflects the powerful bond between parent and child, bridging the past and the future. Additionally, Louane’s vulnerable yet powerful vocal performance enriches the song’s universal appeal, profoundly resonating with listeners. Through “Maman,” Louane explores themes of love, reflection, and generational continuity, showcasing her artistic maturity and emotional authenticity.

Internal selection

In 2025, France TĂ©lĂ©visions opted for an internal selection process to choose their Eurovision representative. Consequently, on January 30, 2025, they announced Louane as the chosen artist. Subsequently, Louane unveiled her song “Maman” during a live performance at the Stade de France on March 15, 2025, coinciding with the halftime show of the Six Nations rugby match between France and Scotland. As a result of being a member of the “Big Five,” France automatically qualifies for the Eurovision Grand Final, scheduled for May 17, 2025, in Basel, Switzerland.

France in the Eurovision Song Contest

France has participated in the Eurovision Song Contest since its inception in 1956. Soon after joining, the country achieved its first victory in 1958 with AndrĂ© Claveau’s “Dors, mon amour.” France subsequently won four more times: Jacqueline Boyer with “Tom Pillibi” (1960), Isabelle Aubret with “Un premier amour” (1962), Frida Boccara singing “Un jour, un enfant” (1969, a four-way tie), and Marie Myriam’s “L’oiseau et l’enfant” (1977), which remains their latest victory.

Moreover, other notable entries include Amina’s “C’est le dernier qui a parlĂ© qui a raison,” which tied for first place but finished second after a tie-break in 1991, and Barbara Pravi‘s “VoilĂ ,” which achieved second place in 2021. Consistently, France competes as part of the “Big Five,” granting automatic qualification for the final.

A random French entry

We let the website random.org select a French entry from Eurovision history. It is the 1958 winning song, “Dors Mon Amour”, sung by AndrĂ© Claveau. With the money, he didn’t buy a car or a yacht. No, he bought a cow!

Betting odds

Currently, France takes a third place in the betting odds for winning the Eurovision Song Contest. That means only two entries make more change to win the whole thing. If this comes true, it would be one of the better scores for France, especially in the last few years.

We can not wait for the Eurovision Song Contest in Basel.

 

 

 

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70 years of Eurovision: #metoo and TikTok

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2018 For the first time, Portugal was the host. The festival was held in the Altice Arena in Lisbon. SĂ­lvia Alberto, Daniela Ruah, Catarina Furtado, and Filomena Cautela presented the event. Russia participated again, and there were no dropouts this year. The songs She didn’t really make a return, but the Russian Julia Samoylova, who missed out on participation last year, was present this time. Julia sang “I Won’t Break,” requiring a lot of support from the backing vocals. She herself did not really have a strong voice. Waylon participated for the Netherlands again. And a real Eurovision winner was also present: Alexander Rybak. 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Sergey Lazarev represented Russia for the second time. When the song “Scream” was released, Sergey immediately lost his number one spot with the bookmakers. With a slick act, Lazarev managed to secure third place once again. Tamara Todevska was the woman who once started Macedonia’s streak of failed finals. Now, she did the reverse. She even won at the jury. With a seventh place, her “Proud” achieved the best score ever for North Macedonia. One of the favorites was gospel singer John Lundvik. With “Too Late For Love” for Sweden, he was expected to be in the running for the final victory up to the very last moment. However, he did not receive enough points from the televoter. Keiino did; this Norwegian group even received the highest score from the televoter. And if you are wondering what that special chant is that can be heard in the song “Spirit In The Sky”: it is the joik, a traditional song of the Sami, who live in Northern Scandinavia. Iceland came up with a BDSM act. 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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2018 For the first time, Portugal was the host. The festival was held in the Altice Arena in Lisbon. SĂ­lvia Alberto, Daniela Ruah, Catarina Furtado, and Filomena Cautela presented the event. Russia participated again, and there were no dropouts this year. The songs She didn’t really make a return, but the Russian Julia Samoylova, who missed out on participation last year, was present this time. Julia sang “I Won’t Break,” requiring a lot of support from the backing vocals. She herself did not really have a strong voice. Waylon participated for the Netherlands again. And a real Eurovision winner was also present: Alexander Rybak. Using virtual reality, he won the semi-final with “That’s How You Write A Song,” but finished in fifteenth place in the final. In the final, we saw the Ukrainian MĂ©lovin with a burning fake piano. CesĂĄr Sampson, who had already performed twice as a backing vocalist for Bulgaria, now represented his native Austria. His gospel song “Nobody But You” won with the professional jury and finished third overall. The British SuRie had also sung in backing choirs before, but for Belgium. At Eurovision In Concert in Amsterdam, she already showed she was capable of a lot: she stepped in for her French colleague who was ill. During the live broadcast, someone snatched the microphone out of her hands. She bravely continued singing, although she later admitted to having been traumatized by it. Michael Schulte brought Germany back to the top with a song about his father. The duo Ermal Meta and Fabrizio Moro finished high for Italy. And then there was Eleni Foureira for Cyprus. 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The festival could not be held in Jerusalem, and the favorite in the national final had to withdraw due to rehearsals on Shabbat. That was a problem in itself. The EBU had to force things. “Either rehearsals take place on Shabbat, or the festival will not be held in Israel,” they stated. It eventually became the Expo Hall in Tel Aviv, and Erez Tal, Bar Refaeli, Assi Azar, and Lucy Ayoub were allowed to present it. Bulgaria did not participate. Ukraine did have an entry, but it turned out that the singer had performed on the peninsula after Russia’s annexation of Crimea. She was disqualified, and after the tightening of national rules, no one in Ukraine was willing to participate anymore. So, no Ukrainian entry. For some strange reason, we are not allowed to embed the second semifinal. However, you can watch it here. The songs Serhat participated again for San Marino, but this time he did make it to the final. Joci PĂĄpai did not make it to the final for Hungary. Sergey Lazarev represented Russia for the second time. When the song “Scream” was released, Sergey immediately lost his number one spot with the bookmakers. With a slick act, Lazarev managed to secure third place once again. Tamara Todevska was the woman who once started Macedonia’s streak of failed finals. Now, she did the reverse. She even won at the jury. With a seventh place, her “Proud” achieved the best score ever for North Macedonia. One of the favorites was gospel singer John Lundvik. With “Too Late For Love” for Sweden, he was expected to be in the running for the final victory up to the very last moment. However, he did not receive enough points from the televoter. Keiino did; this Norwegian group even received the highest score from the televoter. And if you are wondering what that special chant is that can be heard in the song “Spirit In The Sky”: it is the joik, a traditional song of the Sami, who live in Northern Scandinavia. Iceland came up with a BDSM act. The group Hatari made no secret of being pro-Palestinian. During the scoring, they showed a Palestinian shawl. For France, the androgynous Bilal Hassani was the contender. He received many hateful comments in his own country regarding his feminine appearance and his open homosexuality. This prompted presenter Assi Azar to stand up for Bilal and offer him encouragement online. Switzerland was back after many lean years: Luca HĂ€nni came with the swinging “She Got Me”. The song was originally going to be called “Dirty Dancing”, but that was not allowed. Copyrights were attached to this title. Watch the final here. Duncan Laurence It was Common Linnet Ilse Delange who discovered Duncan Laurence through The Voice. Now it was also Ilse who suggested him as a contestant and guided him in Tel Aviv. She had devised the act. “Arcade” was the overwhelming favorite in the odds. However, the performance was quite disappointing during the first rehearsals. 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