🇫🇷 Road to Basel: France

Road to Basel: France. We cannot wait for the Eurovision Song Contest in Basel. Therefore, we take a closer look at one of the contestants each day. Today, we highlight France.

Louane

Louane Emera, known simply as Louane, is a beloved French singer-songwriter and actress whose heartfelt music and captivating stage presence have earned her widespread acclaim. After rising to fame through her participation in The Voice: la plus belle voix in 2013, Louane quickly established herself as one of France’s most promising young talents. Subsequently, her debut album, Chambre 12, became a chart-topping success, showcasing her ability to blend emotional depth with accessible pop melodies. Furthermore, known for hits such as “Avenir,” Louane effortlessly conveys vulnerability and strength in her music. Consequently, her performances are praised for authenticity and warmth, qualities that resonate deeply with audiences across generations. Additionally, Louane’s diverse talents extend to acting; notably, she received a César Award for her role in La Famille Bélier.

Maman (what does AI say?)

Louane’s 2025 release, “Maman,” is a heartfelt and introspective ballad that elegantly captures the emotional complexities of motherhood, memory, and identity. Co-written by Louane and Tristan Salvati, the song is deeply personal, drawing inspiration from Louane’s own experiences of loss and becoming a mother. Moreover, with delicate melodies and poignant lyrics, “Maman” reflects the powerful bond between parent and child, bridging the past and the future. Additionally, Louane’s vulnerable yet powerful vocal performance enriches the song’s universal appeal, profoundly resonating with listeners. Through “Maman,” Louane explores themes of love, reflection, and generational continuity, showcasing her artistic maturity and emotional authenticity.

Internal selection

In 2025, France Télévisions opted for an internal selection process to choose their Eurovision representative. Consequently, on January 30, 2025, they announced Louane as the chosen artist. Subsequently, Louane unveiled her song “Maman” during a live performance at the Stade de France on March 15, 2025, coinciding with the halftime show of the Six Nations rugby match between France and Scotland. As a result of being a member of the “Big Five,” France automatically qualifies for the Eurovision Grand Final, scheduled for May 17, 2025, in Basel, Switzerland.

France in the Eurovision Song Contest

France has participated in the Eurovision Song Contest since its inception in 1956. Soon after joining, the country achieved its first victory in 1958 with André Claveau’s “Dors, mon amour.” France subsequently won four more times: Jacqueline Boyer with “Tom Pillibi” (1960), Isabelle Aubret with “Un premier amour” (1962), Frida Boccara singing “Un jour, un enfant” (1969, a four-way tie), and Marie Myriam’s “L’oiseau et l’enfant” (1977), which remains their latest victory.

Moreover, other notable entries include Amina’s “C’est le dernier qui a parlé qui a raison,” which tied for first place but finished second after a tie-break in 1991, and Barbara Pravi‘s “Voilà,” which achieved second place in 2021. Consistently, France competes as part of the “Big Five,” granting automatic qualification for the final.

A random French entry

We let the website random.org select a French entry from Eurovision history. It is the 1958 winning song, “Dors Mon Amour”, sung by André Claveau. With the money, he didn’t buy a car or a yacht. No, he bought a cow!

Betting odds

Currently, France takes a third place in the betting odds for winning the Eurovision Song Contest. That means only two entries make more change to win the whole thing. If this comes true, it would be one of the better scores for France, especially in the last few years.

We can not wait for the Eurovision Song Contest in Basel.

 

 

 

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70 years of Eurovision: small studios and lost footage

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1962 Eurovision traveled to Luxembourg City, the capital of Luxembourg. Everything was just a little too small in this small country. Luxembourg television received assistance from the German broadcaster ZDF. The presentation was in the hands of Mireille Delannoy. The same sixteen countries as in 1961 participated. Camillo Felgen took part for Luxembourg yet again. With a third place, he did much better this time than two years before. But the absolute top favorite was Germany. Dutch commentator Willem Duys introduced her with the words: “She looked as if she had just won the entire Grand Duchy in a lottery.” After hearing the competition, she was slightly less self-assured. Ultimately, she would finish sixth with her “Zwei Kleine Italiener.” However, she did have the contest’s big hit. The French-speaking countries were in charge this year. Luxembourg itself came third, Monaco second, and France won. A ballad by Isabelle Aubret about, of course, love. Aubret received 26 points with her “Un premier amour.” That was double the score of the runner-up. That year, there were even four countries that received no points at all! That was a first time. But that didn’t bother Isabelle Aubret; she won! 1963 Because France had had enough of organizing by then, the United Kingdom took over. The festival was held in various studios of the brand-new BBC Television Centre in London. Host Cathy Boyle was in one studio, the artists in another, and the orchestra in yet another studio. This made it look just as if the viewer was watching a pop music show from those days. Big stars tried their luck. Françoise Hardy participated for Monaco, Nana Mouskouri for Luxembourg, Carmela Corren for Austria, and Esther Ofarim for Switzerland. Hardy was deeply disappointed when she discovered that she wasn’t allowed to lip-sync. Mouskouri walked away crying and stamping her feet afterwards. She was nowhere to be found at the afterparty. Switzerland won. But then the Norwegian jury had to vote one more time. The jury spokesman spoke way too fast. Cathy Boyle had been unable to repeat the points. The second time, Norway suddenly submitted a completely different result. As a result, it was not Switzerland that won, but Denmark instead. An investigation by the EBU later revealed that the Norwegians didn’t cheat. When they were called, the points had not yet been ready. Esther Ofarim has always said that she was the winner. But it was ultimately the Danish couple Grethe and Jørgen Ingmann with the three-quarter time “Dansevise”. 1964 Copenhagen was the venue. Not much footage of this festival has been preserved. Only the opening scene and parts of the winner’s performance remain. Sweden did not participate. A musicians’ strike resulted in a withdrawal. The Swedes could not send a participant to their neighboring country. However, because Portugal made its debut, the number of participants remained 16. Host Lotte Waever hosted the show. It was held at the Tivoli Theater in Copenhagen. Big stars did not come to Copenhagen. That is to say: Udo Jürgens, who participated for Austria, only achieved international breakthrough later. A trio participated for Spain: the Uruguayan group Los TNT. That is not allowed. The two male members of the group were therefore relegated to a backing choir. The broadcast did not go smoothly. Midway through, a demonstrator managed to get onto the stage. He held up a sign reading ‘Boycott Franco and Salazar’, referring to the dictators of Spain and Portugal. Little of it was visible on television. However, photos were taken of the incident. It did not get exciting that evening. Italy won with 49 points. By comparison: the runner-up, the United Kingdom, had 17. It was sixteen-year-old Gigliola Cinquetti who captured the hearts of viewers and jury members. She sang the innocent “Non ho l’eta” (I am not old enough yet). It became not only the winner of the Eurovision Song Contest, but also a worldwide hit. The EBU recently posted a video on the Eurovision YouTube channel with a complete reconstruction of the performance.

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70 years of Eurovision: small studios and lost footage

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1962 Eurovision traveled to Luxembourg City, the capital of Luxembourg. Everything was just a little too small in this small country. Luxembourg television received assistance from the German broadcaster ZDF. The presentation was in the hands of Mireille Delannoy. The same sixteen countries as in 1961 participated. Camillo Felgen took part for Luxembourg yet again. With a third place, he did much better this time than two years before. But the absolute top favorite was Germany. Dutch commentator Willem Duys introduced her with the words: “She looked as if she had just won the entire Grand Duchy in a lottery.” After hearing the competition, she was slightly less self-assured. Ultimately, she would finish sixth with her “Zwei Kleine Italiener.” However, she did have the contest’s big hit. The French-speaking countries were in charge this year. Luxembourg itself came third, Monaco second, and France won. A ballad by Isabelle Aubret about, of course, love. Aubret received 26 points with her “Un premier amour.” That was double the score of the runner-up. That year, there were even four countries that received no points at all! That was a first time. But that didn’t bother Isabelle Aubret; she won! 1963 Because France had had enough of organizing by then, the United Kingdom took over. The festival was held in various studios of the brand-new BBC Television Centre in London. Host Cathy Boyle was in one studio, the artists in another, and the orchestra in yet another studio. This made it look just as if the viewer was watching a pop music show from those days. Big stars tried their luck. Françoise Hardy participated for Monaco, Nana Mouskouri for Luxembourg, Carmela Corren for Austria, and Esther Ofarim for Switzerland. Hardy was deeply disappointed when she discovered that she wasn’t allowed to lip-sync. Mouskouri walked away crying and stamping her feet afterwards. She was nowhere to be found at the afterparty. Switzerland won. But then the Norwegian jury had to vote one more time. The jury spokesman spoke way too fast. Cathy Boyle had been unable to repeat the points. The second time, Norway suddenly submitted a completely different result. As a result, it was not Switzerland that won, but Denmark instead. An investigation by the EBU later revealed that the Norwegians didn’t cheat. When they were called, the points had not yet been ready. Esther Ofarim has always said that she was the winner. But it was ultimately the Danish couple Grethe and Jørgen Ingmann with the three-quarter time “Dansevise”. 1964 Copenhagen was the venue. Not much footage of this festival has been preserved. Only the opening scene and parts of the winner’s performance remain. Sweden did not participate. A musicians’ strike resulted in a withdrawal. The Swedes could not send a participant to their neighboring country. However, because Portugal made its debut, the number of participants remained 16. Host Lotte Waever hosted the show. It was held at the Tivoli Theater in Copenhagen. Big stars did not come to Copenhagen. That is to say: Udo Jürgens, who participated for Austria, only achieved international breakthrough later. A trio participated for Spain: the Uruguayan group Los TNT. That is not allowed. The two male members of the group were therefore relegated to a backing choir. The broadcast did not go smoothly. Midway through, a demonstrator managed to get onto the stage. He held up a sign reading ‘Boycott Franco and Salazar’, referring to the dictators of Spain and Portugal. Little of it was visible on television. However, photos were taken of the incident. It did not get exciting that evening. Italy won with 49 points. By comparison: the runner-up, the United Kingdom, had 17. It was sixteen-year-old Gigliola Cinquetti who captured the hearts of viewers and jury members. She sang the innocent “Non ho l’eta” (I am not old enough yet). It became not only the winner of the Eurovision Song Contest, but also a worldwide hit. The EBU recently posted a video on the Eurovision YouTube channel with a complete reconstruction of the performance.

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