🇫🇷 Road to Basel: France

Road to Basel: France. We cannot wait for the Eurovision Song Contest in Basel. Therefore, we take a closer look at one of the contestants each day. Today, we highlight France.

Louane

Louane Emera, known simply as Louane, is a beloved French singer-songwriter and actress whose heartfelt music and captivating stage presence have earned her widespread acclaim. After rising to fame through her participation in The Voice: la plus belle voix in 2013, Louane quickly established herself as one of France’s most promising young talents. Subsequently, her debut album, Chambre 12, became a chart-topping success, showcasing her ability to blend emotional depth with accessible pop melodies. Furthermore, known for hits such as “Avenir,” Louane effortlessly conveys vulnerability and strength in her music. Consequently, her performances are praised for authenticity and warmth, qualities that resonate deeply with audiences across generations. Additionally, Louane’s diverse talents extend to acting; notably, she received a CĂ©sar Award for her role in La Famille BĂ©lier.

Maman (what does AI say?)

Louane’s 2025 release, “Maman,” is a heartfelt and introspective ballad that elegantly captures the emotional complexities of motherhood, memory, and identity. Co-written by Louane and Tristan Salvati, the song is deeply personal, drawing inspiration from Louane’s own experiences of loss and becoming a mother. Moreover, with delicate melodies and poignant lyrics, “Maman” reflects the powerful bond between parent and child, bridging the past and the future. Additionally, Louane’s vulnerable yet powerful vocal performance enriches the song’s universal appeal, profoundly resonating with listeners. Through “Maman,” Louane explores themes of love, reflection, and generational continuity, showcasing her artistic maturity and emotional authenticity.

Internal selection

In 2025, France TĂ©lĂ©visions opted for an internal selection process to choose their Eurovision representative. Consequently, on January 30, 2025, they announced Louane as the chosen artist. Subsequently, Louane unveiled her song “Maman” during a live performance at the Stade de France on March 15, 2025, coinciding with the halftime show of the Six Nations rugby match between France and Scotland. As a result of being a member of the “Big Five,” France automatically qualifies for the Eurovision Grand Final, scheduled for May 17, 2025, in Basel, Switzerland.

France in the Eurovision Song Contest

France has participated in the Eurovision Song Contest since its inception in 1956. Soon after joining, the country achieved its first victory in 1958 with AndrĂ© Claveau’s “Dors, mon amour.” France subsequently won four more times: Jacqueline Boyer with “Tom Pillibi” (1960), Isabelle Aubret with “Un premier amour” (1962), Frida Boccara singing “Un jour, un enfant” (1969, a four-way tie), and Marie Myriam’s “L’oiseau et l’enfant” (1977), which remains their latest victory.

Moreover, other notable entries include Amina’s “C’est le dernier qui a parlĂ© qui a raison,” which tied for first place but finished second after a tie-break in 1991, and Barbara Pravi‘s “VoilĂ ,” which achieved second place in 2021. Consistently, France competes as part of the “Big Five,” granting automatic qualification for the final.

A random French entry

We let the website random.org select a French entry from Eurovision history. It is the 1958 winning song, “Dors Mon Amour”, sung by AndrĂ© Claveau. With the money, he didn’t buy a car or a yacht. No, he bought a cow!

Betting odds

Currently, France takes a third place in the betting odds for winning the Eurovision Song Contest. That means only two entries make more change to win the whole thing. If this comes true, it would be one of the better scores for France, especially in the last few years.

We can not wait for the Eurovision Song Contest in Basel.

 

 

 

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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo StjĂłrnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. JoĂ«lle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave TajÄŤi unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. 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He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. 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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo StjĂłrnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. JoĂ«lle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave TajÄŤi unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became CinecittĂ , the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. 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