Independent review of ESC: the results are in

Eurovision 2024

The 2024 Contest reached over 160 million people in 37 public service media markets. This was, however, a contest that will be reminded for other things. Several countries have added complaints about safety behind the scenes. Also, Dutch contestant Joost Klein was disqualified; a novum in the Eurovision Song Contest. Reason for the EBU to announce an independent review of the Eurovision Song Contest (ESC) 2024 in Malmö.

Review and conclusion

An industry expert led this review. They gathered feedback from various ESC stakeholders, including Heads of Delegation, ESC Reference Group members, and the EBU/ESC core team.

Today, the EBU shares the conclusions of this review. Based on the findings, the EBU identified three key areas to focus on in the coming months. These areas aim to strengthen and protect next year’s Eurovision Song Contest and future events. The areas are: EBU Governance and Participation, Safety and Risk Management, and Audience Engagement, Fans, and Media.

Actions already taken

To keep up the momentum, the EBU appointed a task force of senior leaders. This team will oversee decision-making and changes in these areas.

“The review also highlighted the need for a stronger leadership team to manage such a large event. We created a new role, ESC Director, reporting to the EBU Deputy Director General and Media Director. This role supports the Executive Supervisor, focusing on ESC production, delegations, member relationships, and daily production issues. The ESC Director will also oversee a new role called Head of ESC Brand and Commercial.”

Decisions

“Just six weeks after the 2024 Eurovision Song Contest, we made these decisions quickly to ensure the event’s future success.

We are dedicated to ensuring that the Eurovision Song Contest continues to thrive. We aim to reassure participating broadcasters and millions of fans that we are committed to maintaining the success of this joyful event.” 

Development areas
  1. EBU Governance and Participation: Clarify decision-making roles within the EBU. Ensure diverse member opinions are heard. Define the responsibilities of the ESC Core Team. Outline the roles of Heads of Delegations and Participating Artists.

  2. Safety and Risk Management: Simplify and improve understanding of ESC rules. Strengthen crisis management protocols. Enhance security and cybersecurity measures.

  3. Ensuring a General-Audience Show and Broad Engagement: Increase collaboration with fan groups, influencers, and media. Build broader engagement and ensure the ESC remains a prime-time show for all ages.

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70 years of Eurovision: An audio selection and a hit

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. 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The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1996 Thirty countries wanted to participate in the Eurovision Song Contest in Oslo. That did not happen. All countries, except host country Norway, therefore had to fight for a spot. This took place via an audio selection round. Denmark, Germany, Hungary, Israel, debuting Macedonia, Romania, and Russia did not make it through. The contest was presented by Ingvild Bryn and the famous Morten Harkett, singer of A-ha. During the broadcast, extensive use was made of virtual reality, allowing Ingvild Bryn to easily walk between the sections of the scoreboard, or even through it. The songs Marianna Efstratou participated for Greece for the second time. Elisabeth Andreassen performed for no less than the fourth time, but for the first time solo. Notable was Lúcia Moniz, who represented Portugal. Her “O meu coração não tem cor” finished sixth, which for a long time was the best score ever for the Portuguese. Maarja-Liis Illus and Ivo Linna really caught the eye of Estonia. She was 15, he 46. The duo sang a sweet song titled “Kaelakee hääl”. And what Finland failed to achieve in all those years, Estonia did effortlessly: walking straight into the top 5 with a song in a Finno-Ugric language. There was also a major difference between the two Dutch duo partners, Maxine and Franklin Brown. However, in this case, it concerned the length. The Dutch entry “De eerste keer” is one of the few that rose in the rankings áfter the Eurovision Song Contest. The Spanish jury had, or so people thought, said “Poland, 6 points”. But the somewhat nasal-speaking jury chairwoman had said “Holland, 6 points”. People only found out about that later. It is not for nothing that this country ought to be called The Netherlands. Austria (“Weil’s dr guat got” in Vorarlberg) and France “Diwanit bugale” in Breton both sang in a minority language. The new generation after ABBA was also making its appearance. Peter Grönvall was one of the members of the group One More Time. And he was the son of Benny Andersson of ABBA. The group had already had a major hit in Europe with “Highland”. Singer Nanne Grönvall would participate in the Swedish Melodifestivalen a number of times, and even once in the British national final. Eimear Quinn Around this time, the Belgian documentary filmmaker Herman Molle made a documentary titled “How do I win the Eurovision Song Contest?”. Molle’s main recommendation: become Irish. Because Ireland won again. Eimear Quinn had sung with Anúna, the choir that accompanied River Dance. With her song “The Voice”, she effortlessly secured the seventh victory for Ireland. “You’re bringing it back too soon,” Morten Harkett grumbled briefly. But the party in Ireland was no less big for it. Nor was the nervous breakdown among the people at the Irish broadcaster RTÉ. 1997 The Eurovision Song Contest practically resided in the Point Theatre in Dublin. However, the audio pre-selection had been scrapped. The relegation zone was back, so a number of countries swapped places again. Italy returned after a three-year absence. Also new: televoting. In five countries, the public was allowed to cast their vote. The Eurovision Song Contest was presented by Carrie Crowley and, once again, someone from a boy band: Ronan Keating of Boyzone. The songs Şebnem Parker participated for Turkey for the second consecutive time. Her “Dinle” was roughly at the bottom in the odds, but surprisingly finished third in the final ranking. Celebrations in Turkey, which now finally dared to dream of a victory. Young Maarja-Liis Illus from Estonia also returned after a year, this time solo. And Alma Čardžić from Bosnia and Herzegovina also took a second try. Tor Endresen participated for Norway. He had competed in the Norwegian national final almost every year and had finally won. How disappointing that he finished with zero points. The duo Jalisse competed for Italy. The two finished fourth. It didn’t really help: Italy dropped out immediately afterwards. Bianca Shomburg had won the Soundmixshow in Germany, where she imitated Celine Dion. However, she did not do that in terms of the result at the Eurovision Song Contest. Russia sent the country’s biggest star. For years, Alla Pugacheva had been unmatched. There was no sign of that at the Eurovision Song Contest. The rest of Europe appreciated her with a fifteenth place. And then there was Paul Oscar. He represented Iceland. Lying on a sofa, surrounded by female beauty (which he had no eye for in real life), he sang his song. At the end of the song, he made a ‘gun gesture’ with his hand, shooting himself in the mouth. It was striking that Oscar received points exclusively from televoting countries. Katrina & The Waves An unwritten rule is that when an established name participates, they can finish very high but do not win. Katrina & The Waves did not adhere to this. In the 80s, they had a big hit with “Walking On Sunshine”. The song “Love Shine A Light” was originally intended as an anthem for Samaritans in recognition of the thirtieth anniversary of the Swindon branch of that organization. Nevertheless, it ended up at the Eurovision Song Contest, where it won effortlessly. Katrina & The Waves had an international hit with it. The song remains a Eurovision classic to this day. In 2020, it took center stage in the replacement broadcast for the canceled Song Contest: Eurovision Shine A Light.

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