Independent review of ESC: the results are in

Eurovision 2024

The 2024 Contest reached over 160 million people in 37 public service media markets. This was, however, a contest that will be reminded for other things. Several countries have added complaints about safety behind the scenes. Also, Dutch contestant Joost Klein was disqualified; a novum in the Eurovision Song Contest. Reason for the EBU to announce an independent review of the Eurovision Song Contest (ESC) 2024 in Malmö.

Review and conclusion

An industry expert led this review. They gathered feedback from various ESC stakeholders, including Heads of Delegation, ESC Reference Group members, and the EBU/ESC core team.

Today, the EBU shares the conclusions of this review. Based on the findings, the EBU identified three key areas to focus on in the coming months. These areas aim to strengthen and protect next year’s Eurovision Song Contest and future events. The areas are: EBU Governance and Participation, Safety and Risk Management, and Audience Engagement, Fans, and Media.

Actions already taken

To keep up the momentum, the EBU appointed a task force of senior leaders. This team will oversee decision-making and changes in these areas.

“The review also highlighted the need for a stronger leadership team to manage such a large event. We created a new role, ESC Director, reporting to the EBU Deputy Director General and Media Director. This role supports the Executive Supervisor, focusing on ESC production, delegations, member relationships, and daily production issues. The ESC Director will also oversee a new role called Head of ESC Brand and Commercial.”

Decisions

“Just six weeks after the 2024 Eurovision Song Contest, we made these decisions quickly to ensure the event’s future success.

We are dedicated to ensuring that the Eurovision Song Contest continues to thrive. We aim to reassure participating broadcasters and millions of fans that we are committed to maintaining the success of this joyful event.” 

Development areas
  1. EBU Governance and Participation: Clarify decision-making roles within the EBU. Ensure diverse member opinions are heard. Define the responsibilities of the ESC Core Team. Outline the roles of Heads of Delegations and Participating Artists.

  2. Safety and Risk Management: Simplify and improve understanding of ESC rules. Strengthen crisis management protocols. Enhance security and cybersecurity measures.

  3. Ensuring a General-Audience Show and Broad Engagement: Increase collaboration with fan groups, influencers, and media. Build broader engagement and ensure the ESC remains a prime-time show for all ages.

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Vienna 12 points: Jonas Lovv Asked To Tone Down Performance

📷 EBU/Alma Bengtsson According to Norwegian broadcaster NRK, the concern was not about the song itself, but about parts of the performance being considered too suggestive for a family audience. VG reports that the feedback focused on repeated crotch-grabbing and thrusting-style movements, some of which were improvised rather than part of the planned choreography. Jonas Lovv will represent Norway in the second semi-final on Thursday 14 May. He is set to close the show as the 15th act in the running order. Therefore, the Norwegian team still has time to adjust the staging before viewers see it on television. The warning has not led to panic in the Norwegian camp. Lovv has reacted with humour, while also making clear that he takes the EBU’s message seriously. Head of delegation Mads Tørklep said Norway will follow the rules and make the number more family friendly. Lovv earned his Eurovision ticket by winning Melodi Grand Prix earlier this year. His entry “YA YA YA” brings rock energy, strong vocals and a highly physical stage presence to the Wiener Stadthalle. As a result, the performance has already become a talking point during rehearsals. For now, the changes appear to be small adjustments rather than a complete overhaul. Eurovision viewers should still expect an intense and confident Norwegian performance. However, with slightly less emphasis on the movements that sparked the warning. If Norway qualifies, Lovv will return for the Grand Final on Saturday 16 May. The situation adds another storyline to Eurovision week, as artists balance personal expression with the contest’s broadcast guidelines for viewers across Europe. source: NRK

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