Hosts enjoy a party with heart and soul

Hosts

You have seen three of the four hosts already: Ukrainian Julia Sanina and British Hannah Waddingham and Alesha Dixon. But Graham Norton, who is also the BBC commenter, will only show up in the final.

Graham Norton: heart and soul

Today, the four attended a press conference. For Graham, that was a special occasion, as someone from Israel had a present for him: the Hebrew version of his book. Graham also stated that Eurovision is a party, but this year it’s different. “Because of Ukraine, it’s a party with heart and soul”. Graham is also asked about the speech Ukrainian president Zelensky wanted to have, but the EBU decided not to allow politics. “That is EBU’s decision, not ours. We were not involved”, the host replied. 

Hannah Waddingham: I am grateful

Hannah states that she already knew Graham. “But we have never met as ladies”, she states about her colleagues Julia and Alesha. “I am grateful and have such respect for them because it’s not an easy job. I didn’t think it’s as popular as it is. I am really thrilled.” Hanna also explained that she had her first hosting job a month ago at the Olivier Awards. “I would say the winners and the losers make the efforts of their lifes, unified by music”,  she compares both events.

Alesha Dixon: the hosting job is enough for me

Did some of you recognize Julia Sanina? Well, she participated in the 2016 Ukrainian national final with the band The Hardkiss. They became 2nd. Logical question is whether she ever wants to participate in the Eurovision Song Contest. “We tried to participate in 2016 national selection which Jamala won. We will see wat’s in the future. I wont say no. I really love the audience. It’s more likely to do it after I saw it.” Alesha also responds on that question answering that she will not participate. The hosting job is enough for her.

Julia Sanina: it’s super hard to smile

Julia also speaks about British humour: “British humour quite dry. With the girls I feel so much joy, especially backstage when nobody is listening. They made me laugh a lot. Of course I am nervous, first time hosting, it is not my language. There was a joke about the word ‘queue’, I really didn’t know what that word meant.” But apart from the humour, Julia also became emotional, when someone asked her how she felt representing Ukraine. “for me it’s a huge responsibility because in ukraine we have war now. My every morning starts with bad news. It’s super hard to smile and feel joy. I feel a lot of support from Ukraine. They are proud of what we’ve done in Eurovision. I hope that in this dark times we bring some joy in the lifes of Ukrainian people.”

 

Related news

Eurovision 2026

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
Eurovision 2026
Martijn

Song: Switzerland, Armenia, Czechia and Georgia complete the latest reveal wave

The latest Eurovision 2026 entries have sharpened the picture for Vienna. Switzerland has confirmed Veronica Fusaro with Alice. Armenia has completed the artist lineup with SIMÓN and Paloma Rumba. Czechia moves forward with Daniel Zizka and CROSSROADS. Georgia closes the release cycle with Bzikebi’s On Replay. Together, these four songs add alternative pop, rebellious energy, emotional sincerity and a strong dose of comeback value to a contest field that is now taking clear shape ahead of May. Switzerland brings a darker message with Alice Switzerland’s new entry may be one of the most serious songs in this latest batch of Eurovision 2026 entries. Eurovision describes Veronica Fusaro’s Alice as an alternative pop track with rock influences. The song tells the story of a woman whose boundaries are crossed under the disguise of affection. In the official article you can read the lyrics explore several forms of violence, including manipulation, control and abuse of power. It is also a new version of a song from Fusaro’s 2025 album Looking for Connection, reworked with British producer Charlie McClean. Armenia completes the lineup with Paloma Rumba Armenia, meanwhile, arrives with one of the day’s most immediate concepts. Paloma Rumba, performed by SIMÓN, is framed by Eurovision as a rebellious anthem about breaking out of a suffocating routine and choosing ambition over comfort. The official story explains that the title refers to a joyful dance of freedom, while the lyrics follow a character who walks away from an unrewarding nine-to-five life. The song was composed by LI’LITH, and the lyric team includes Rosa Linn, who represented Armenia at Eurovision 2022. With this announcement on 11 March, Armenia also became the final country to confirm its singer for Vienna 2026. Czechia puts its faith in Daniel Zizka Czechia takes a different route. Rather than leaning into spectacle, broadcaster ČT appears to be backing authenticity with 23-year-old Daniel Zizka. Eurovision describes him as one of the most compelling voices of a new generation in Czech music, while the official participant list confirms CROSSROADS as his song for Vienna. The Eurovision feature also notes that magazine Headliner has named him among the future talents of the Czech scene. In addition, Czech delegation head Kryštof Šámal praised Zizka’s focus and control in early studio sessions, while Zizka himself said he wants to bring music and emotion rather than hide behind flashy tricks. Georgia turns nostalgia into a new Eurovision chapter Finally, Georgia offers one of the most intriguing stories of the season. Bzikebi are no ordinary newcomers: the trio won Junior Eurovision for Georgia in 2008, and Eurovision.com notes that the country has since gone on to collect a record-setting four Junior Eurovision victories. Now reunited as adults, Giorgi Shiolashvili, Mariam Tatulashvili and Mariam Kikuashvili return with On Replay, which Eurovision calls the final song to be released for the 70th contest. Composed by Giga Kukhianidze with lyrics by Lizi Japaridze, the entry sends Georgia into the First Half of the First Semi-Final on 12 May with a familiar name and a fresh mission. What these Eurovision 2026 entries say about this year Taken together, these Eurovision 2026 entries reveal a striking balance. Switzerland brings social weight and a darker lyrical edge. Armenia goes for motion, release and personal freedom. Czechia bets on sincerity and clean emotional delivery. Georgia, by contrast, turns proven Eurovision history into a contemporary comeback story. That variety matters. In a contest where memorability is often just as important as melody, none of these four countries has chosen the same lane, and that should help each entry carve out its own identity as rehearsals draw closer. source: eurovision.com        

Read More »
Follow Us: