A funny guide through the 2nd semifinal

Did you agree with the results of the first semi final? It’s time for the 2nd one. We look at it at this funny guide again. Don’t be shocked, Julia Sanina is wearing traditional Ukrainian clothing.

We start with Denmark. It is pink all over, but the whole stage reminds us a bit of the well-known candy hearts. By the way: Reiley looks like 16, but is actually 26. We don’t see Denmark qualify.

It is still pink all over. Armenia also has a lot of pink, although that changes if Brunette is not sitting on the structure again. Surpsise, she sings a part of the song in Armenian. Of course we will see Armenia back on Saturday, in the final.

It is not entirely clear to us what Theodor Andrei from Romania wants to convey. He sings a love song, has his jacket opened but also wears shorts and Spongebob socks. We don’t quite get it. By the way, theodor’s legs are not the last hairy legs you will see. But you wont see Theodor in the final.

If you think that Alika from Estonia will sing a fairly quiet Wouter Hardy ballad with little frills, you will be disappointed. If you look very closely, you will see that the piano on stage is playing itself. It is likely for Estonia to go to the final.

It’s pink all over again, but now we’re talking about Gustaph’s pants. Gustaph’s act is the Brussels waffle of the festival: it contains a lot of sugar. The whole performance is rock solid and Gustaph’s vocals are good. Don’t forget dancer PussCee West who made a big contribution to the act. Of course Belgium will go to the final.

It’s actually quite sad: it’s been raining here all week, and then Andrew Lambrou of Cyprus is also getting wet on stage. Fortunately, at the end of his performance, the EBU turns on the fireplace. We will see Andrew back in the final.

Diljá flies across the stage in a silver suit. Although she sings about p..p…p..power, we mainly see f…f….f….flowers in the background. Because of all the moving, Diljá gets out of breath. The singers are clearly not all Noa Kirel this year. No final for Iceland this year.

Victor Vernicos is 16 but looks 26, and yet another pair of hairy legs in shorts. Victor hops and jumps across the stage and gets so out of breath that he doesn’t sing a note in tune. We are not going to joke about this, we particularly feel sorry for the boy. Unfortunately the final will be mission impossible for Greece.

And if you think you’ve had it all in terms of bad singing, Blanka comes from Poland. Anyone who thinks that she has improved her singing since the national final will unfortunately be disappointed. The summery atmosphere that we did see in the photos does not come across at all with the camera work. However, we would not be surprised if Poland qualifies.

Would Joker Out! be the only band that will make it, on behalf of Slovenia. We have to say that in addition to a nice song, the group member with a mother from Assen also plays a role. In Amsterdam at Eurovision In Concert, the band did its best to speak some Dutch to our reporter Kal. That was great! We are convinced that the band will go through to the final.

Iru from Georgia didn’t want a bracelet at first. In the end it turned out to be one, a little one. The song is one for the connoisseur, well sung. Her movements are especially reminiscent of Kate Bush from the time of “Wuthering heights”. Georgia will qualify, we are convinced.

You do your best, write a song for the Eurovision song contest and then nobody likes it. It happened to the Italian group Piqued Jacks who participate for San Marino. With a thin voice, singer E-King shows that he is not the greatest singing talent of the evening. Sorry, but no San Marino in the final.

Imagine you have very nice graphics of a typewriter, Edgar Allan Poe and the singers themselves and then the camerawork is not good. It happens to Teya and Salena from Austria. The result is that the song does not come across as the hit that was previously expected. But a qualifier it is!

Singer Albina from Albania has brought her whole family on stage. Those who don’t turn on the sound or don’t speak Albanian might think it’s a funeral: not only because of the black clothing, but also because of the dramatic faces that the artists show. Qualifying is possible, but will be a tough job for Albania.

And then there is another returning artist: Monika Linkytė. She wears orange as if she were a Dutch lady on King’s Day. Monika and her backing singers are standing in a circle, making us wonder what children’s game they are playing. But Monika also sings a piece of the song in her own language. Lithuania will for sure qualify for the final.

Sebastien Tellier (France 2008) once had a golf cart on stage. The band Voyager makes it even more colorful with a complete car. With this typical Voyager song we rock out the 2nd semifinal. We will see this car back in the final.

So in the end, we think Austria, Slovenia, Georgia, Australia, Belgium, Cyprus, Armenia, Lithuania, Estonia and Poland will qualify for the final.

 

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History

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo Jürgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “Poupée de cire, poupée de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo Jürgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Åse Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo Jürgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci Chérie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. Raphaël from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
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