A funny guide through the 2nd semifinal

Did you agree with the results of the first semi final? It’s time for the 2nd one. We look at it at this funny guide again. Don’t be shocked, Julia Sanina is wearing traditional Ukrainian clothing.

We start with Denmark. It is pink all over, but the whole stage reminds us a bit of the well-known candy hearts. By the way: Reiley looks like 16, but is actually 26. We don’t see Denmark qualify.

It is still pink all over. Armenia also has a lot of pink, although that changes if Brunette is not sitting on the structure again. Surpsise, she sings a part of the song in Armenian. Of course we will see Armenia back on Saturday, in the final.

It is not entirely clear to us what Theodor Andrei from Romania wants to convey. He sings a love song, has his jacket opened but also wears shorts and Spongebob socks. We don’t quite get it. By the way, theodor’s legs are not the last hairy legs you will see. But you wont see Theodor in the final.

If you think that Alika from Estonia will sing a fairly quiet Wouter Hardy ballad with little frills, you will be disappointed. If you look very closely, you will see that the piano on stage is playing itself. It is likely for Estonia to go to the final.

It’s pink all over again, but now we’re talking about Gustaph’s pants. Gustaph’s act is the Brussels waffle of the festival: it contains a lot of sugar. The whole performance is rock solid and Gustaph’s vocals are good. Don’t forget dancer PussCee West who made a big contribution to the act. Of course Belgium will go to the final.

It’s actually quite sad: it’s been raining here all week, and then Andrew Lambrou of Cyprus is also getting wet on stage. Fortunately, at the end of his performance, the EBU turns on the fireplace. We will see Andrew back in the final.

Diljá flies across the stage in a silver suit. Although she sings about p..p…p..power, we mainly see f…f….f….flowers in the background. Because of all the moving, Diljá gets out of breath. The singers are clearly not all Noa Kirel this year. No final for Iceland this year.

Victor Vernicos is 16 but looks 26, and yet another pair of hairy legs in shorts. Victor hops and jumps across the stage and gets so out of breath that he doesn’t sing a note in tune. We are not going to joke about this, we particularly feel sorry for the boy. Unfortunately the final will be mission impossible for Greece.

And if you think you’ve had it all in terms of bad singing, Blanka comes from Poland. Anyone who thinks that she has improved her singing since the national final will unfortunately be disappointed. The summery atmosphere that we did see in the photos does not come across at all with the camera work. However, we would not be surprised if Poland qualifies.

Would Joker Out! be the only band that will make it, on behalf of Slovenia. We have to say that in addition to a nice song, the group member with a mother from Assen also plays a role. In Amsterdam at Eurovision In Concert, the band did its best to speak some Dutch to our reporter Kal. That was great! We are convinced that the band will go through to the final.

Iru from Georgia didn’t want a bracelet at first. In the end it turned out to be one, a little one. The song is one for the connoisseur, well sung. Her movements are especially reminiscent of Kate Bush from the time of “Wuthering heights”. Georgia will qualify, we are convinced.

You do your best, write a song for the Eurovision song contest and then nobody likes it. It happened to the Italian group Piqued Jacks who participate for San Marino. With a thin voice, singer E-King shows that he is not the greatest singing talent of the evening. Sorry, but no San Marino in the final.

Imagine you have very nice graphics of a typewriter, Edgar Allan Poe and the singers themselves and then the camerawork is not good. It happens to Teya and Salena from Austria. The result is that the song does not come across as the hit that was previously expected. But a qualifier it is!

Singer Albina from Albania has brought her whole family on stage. Those who don’t turn on the sound or don’t speak Albanian might think it’s a funeral: not only because of the black clothing, but also because of the dramatic faces that the artists show. Qualifying is possible, but will be a tough job for Albania.

And then there is another returning artist: Monika Linkytė. She wears orange as if she were a Dutch lady on King’s Day. Monika and her backing singers are standing in a circle, making us wonder what children’s game they are playing. But Monika also sings a piece of the song in her own language. Lithuania will for sure qualify for the final.

Sebastien Tellier (France 2008) once had a golf cart on stage. The band Voyager makes it even more colorful with a complete car. With this typical Voyager song we rock out the 2nd semifinal. We will see this car back in the final.

So in the end, we think Austria, Slovenia, Georgia, Australia, Belgium, Cyprus, Armenia, Lithuania, Estonia and Poland will qualify for the final.

 

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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. 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70 years of Eurovision: chaos

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1990 Eurovision was held in Zagreb. The hosting proved to be quite a challenge. When hosts Oliver Mlakar and Helga Vlahović discovered that a much younger duo was ready to replace them, they called it quits. It took the Yugoslav broadcaster considerable effort to get the two back. The Norwegian Ketil Stokkan participated for the second time. After 1986, he now sang about the “Brandenburger Tor”. After the fall of the Berlin Wall, a striking number of songs were built around the theme of peace. The German entry was titled “Frei zu Leben” (Free to Live). Italy sang about the unification of Europe in “Insieme: 1992” (In Together: 1992). The Finnish group Beat sang “Fri?” (Free?), and the Austrian Simone sang “Keine Mauern mehr” (No More Walls). The latter did not even win the national final. The winning duo, Duett, was disqualified because it turned out that the song had already participated in a German national final.  The show started in a peculiar way. Spain was allowed to open, but after the intro, the ladies of the duo Azucar Moreno walked off angrily. The backing track had been started incorrectly. The ladies had to start over. The uptempo number by the Icelandic duo Stjórnin also stood out. It achieved a fourth place. Honking cars drove down the streets in Iceland as if the country had won. Joëlle Ursull represented France with a song by Serge Gainsbourg: “The White and Black Blues”. There was cheerful drumming on oil drums. Ursull came second, but had to share that place with the Irishman Liam Reilly. Seated at the piano, he sang “Somewhere in Europe”. And we do not want to leave Tajči unmentioned. She was a sort of Yugoslavian Marilyn Monroe, who managed to score quite nicely with the cheerful “Hajde da ludujemo”.  Toto Cutugno But Italy’s European song, “Insieme: 1992”, won. The singer, Toto Cutugno, was certainly no stranger. His biggest hit across Europe was “L’Italiano”. He finished high at the San Remo festival several times. In 1990 he did not win, but the numbers one and two were not interested in participating in Eurovision. When he won, all sorts of things happened. Champagne was poured over his head, causing the black dye to start dripping from his hair. That was very visible because he was wearing a white jacket. Someone in a black jacket quickly rushed over to solve this problem. Out of enthusiasm, Cutugno crawled into the audience during the encore, followed by a whole horde of journalists. For the public, the whole thing was not really safe. But Cutugno hadn’t noticed any of that, he said later. 1991 The entire 1991 Eurovision Song Contest can be summed up by one word: chaos. It started with the venue itself. The contest was supposed to be held in San Remo, but after the outbreak of the Gulf War, that proved not to be safe enough. It became Cinecittà, the studio in Rome where the spaghetti westerns were filmed. The set looked mostly like a collection of props that hadn’t been put away. The Italian broadcaster RAI decided to invite the two former winners, Gigliola Cinquetti and Toto Cutugno, as hosts. While Gigliola tried to keep things on track a little bit, Toto Cutugno was mainly an unguided missile. He didn’t listen, talked over jury chairmen, and started talking about something completely different at unexpected moments. At the end of the evening, scrutineer Frank Naef, usually an eloquent man, sat behind his table, turned red with annoyance. The songs Thomas Forstner returned for Austria. He had been successful in 1989, so he hoped to finish in the top 10 once again. It was quite disappointing: no one had points for him. The group Just4Fun from Norway included former Bobbysock Hanne Krogh and former Icy member Eirikur Hauksson from Iceland. Stefan Hilmarsson participated for Iceland itself; he was one half of the duo Beathoven. Malta was back! Not having participated since 1975, the duo Georgina & Paul Giordimaina was back. Surprisingly, their ballad “Could It Be” finished sixth. That was Malta’s best score ever up to that point. The Israeli Duo Datz also stood out, particularly with their typical Israeli dance. Sergio Dalma from Spain lived up to his reputation as a crooner with a fourth-place finish. And then there was Atlantis 2000 from Germany. They had bypassed the televoter and let a panel of a thousand people choose the song. Not a good idea, as it turned out. Singer and face of the group, Hermann Weindorff, sang so badly that his solos were distributed among the other group members to salvage what could still be salvaged. The group Clouseau, wildly popular in Belgium, also failed to do well, despite an Italian newspaper labeling them as the big favorites. The Belgians received no support from the Netherlands, where the group was also very popular. The Netherlands had to withdraw due to a remembrance day. And then there was Greece. Sophia Vossou’s song “I Anixi” featured a saxophone solo. Unfortunately, the young saxophonist from the orchestra was replaced at the last minute by an older gentleman. He couldn’t manage to get his fingers on the saxophone at the right moment. The sax solo went completely wrong. Carola At the end of the show, there were two winners. France and Sweden had the same number of points. The countries also received 12 points equally often, but Sweden received 10 more frequently. Sweden therefore won in the end. France had scored well with a singer from Tunisia. That was clearly audible. The song contained many Arabic influences. Singer Amina knew how to capitalize on her participation. Her song “Le dernier qui à parlé” became an international hit. But it was Carola, also

Read More »
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