How to make the most of Milan during the Eurovision Song Contest 2022

The battle for hosting the Eurovision Song Contest in 2022 in Italy began the minute Måneskin won the ESC 2021, in Rotterdam. Earlier this summer, we told you how to make the most of Rome and we told you everything you need to know about Pesaro. These two cities are still in the race to become a hosting city, as well as Milan. 

Milan is a city in the north of Italy. The city has the most habitants of Italy, after Rome. Milan is considered a leading global city, with strengths in many fields, like art, commerce, design, education, entertainment finance, healthcare, and tourism. Of course we all know Milan for being one of the fashion capitals of the world. Let’s take a look at what Milan has to offer!

Milan Cathedral

Cathedral of Milan

The cathedral, also called the Metropolitan Cathedral-Basilica of the Nativity of Saint Mary (Italian: Basilica cattedrale metropolitana di Santa Maria Nascente), is the most famous cathedral church in Milan.

The construction of the cathedral took about 6 centuries. Simone da Orsenigo started the construction in 1386. Benigno Mörlin Visconti Castiglione was the last architect to work on the property, in 1965. It is the largest church in Italy, even bigger than St. Peter’s Basilica is in the State of Vatican City

The view from the roof is breathtaking. Please note that the elevator does not reach the top floor. Prepare for a lot of stairs. Believe us, it’s definitely worth it! Definitely book a (private) tour if you’re interested in the history of the cathedral. This gives a visit to the church an extra dimension through the beautiful stories of the tour guide.

Brera District

Brera is a district (“quartiere”) in Milan. The district has an artistic and bohemian atmosphere and is located in zone 1, (the historic core of the city). Brera is also called “the Milanese Montmartre”. Sounds promising, right? The neighborhood is filled with bars and restaurants. It is less suitable if you want to shop.

The main historical building is Palazzo Brera. Brera houses the Brera Academy of Fine Arts and the Brera Art Gallery are located here, as well as Milan’s botanical garden as well as an astronomical observatory and the Braidense National Library. Other features that contribute to the character of Brera include restaurants, bars, night clubs, antique and art shops, colorful street markets, as well as fortune tellers’ booths. Especially this last feature might be interesting if you want to place a bet on the Eurovision Song Contest.

Galleria Vittorio Emanuele II

Galleria Vittorio Emanuele II

Do you prefer to go to a place where you can shop (in the most exclusive stores)? Then you should pay the Galleria Vittorio Emanuele II a visit. This is Italy’s oldest active shopping arcade and a landmark of Milan. The inspiration for the name of the building is the first king of Italy, Victor Emmanuel II.

The building was designed in 1861 and built between 1865 and 1877. The architect who completed this job is Guiseppe Mengoni. A common nickname is Il Salotto di Milano (Salon of Milan), because of its many shops and importance as a common meeting and dining place in Milan.

The shopping center is located in ”Centro Storico”, in the center of the city. Some of the oldest shops reside in the Galleria. Several of the stores and restaurants have been there since the 19th century. The entrance to the building is particularly impressive.

Fun fact: Mac Donalds was the first to being denied a renewal of their contract, after housing in the Galleria for 20 years. Mac Donalds sued the landlord – the city of Milan – for 24 million in damages. The fast food chain renounced the suit after receiving the opportunity to open a new restaurant nearby. Prada opened their second store in the Galleria, replacing the fast food restaurant.

Tram Ristorante ATMosfera

If you have a night off of the Eurovision craziness, you could choose to have an exclusive dinner at Tram Ristorante ATMosfera. The restaurant is located at Sforzesco Castle. It’s a fine dining experience combined with round trip in the city of Milan. ATMosfera offers two historic trams and thus the first itinerant trams in Italy.

The menus offer options for meat lovers, fish eaters and vegetarians. The chef is responsible for putting together the menu. Updates on the menu are regular and in tune with the seasons.

You can visit the restaurant 7 days a week. However, it is necessary to book in advance. You can book your table on the ATMosfera website.

”Gaying” in Milan

As we’ve mentioned before, Milan is one of the fashion capitals of the world. Milan is a big city and offers plenty of accommodations. From hotels to home rentals, you are sure to find something that fits your needs. Be sure to visit websites like Tripadvisor to read the most recent reviews.

There is also a gay scene in Milan. Signs of affection like holding hands, hugging in the street, and kissing cheek to cheek are perfectly accepted in the city. The gay scene used to be around the area that’s called Via Sammartini. We do not advise that you visit this area, as it’s considered unsafe. The gay scene has moved to the Porta Venezia district, on Via Lecco. In town, you need a club card to access most gay clubs. You can purchase this card at the participating locations.

Milan

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Austria in the Eurovision Song Contest, part 5

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final… 1986 – Timna Brauer – Die Zeit ist einsam Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances. 1987 – Gary Lux – Nur noch Gefühl Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch Gefühl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high. 1988 – Wilfried – Lisa, Mona Lisa Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries. 1989 – Thomas Forstner – Nur ein Lied Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory. The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history. 1990 – Simone – Keine Mauern mehr Austria’s 1990 entry was the inspirational pop ballad “Keine Mauern mehr” (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria. The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria. 1991 – Thomas Forstner – Venedig im Regen Thomas Forstner returned to represent Austria in Eurovision 1991 with “Venedig im Regen” (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

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Martijn

Austria in the Eurovision Song Contest, part 5

This year’s Eurovision Song Contest has been won by Austria. It was the 57th Austrian entry. Reason for us to go back to all the Austrian entries in history! For the fourth episode, we will look back at the eighties and early nineties. Gary Lux returned again, and Thomas Forstner participated twice. And 1990 brings a special national final… 1986 – Timna Brauer – Die Zeit ist einsam Timna Brauer represented Austria in Eurovision 1986 with the song “Die Zeit ist einsam” (English: “Time is Lonely”). It was composed by Peter Janda with lyrics by Peter Cornelius. This introspective ballad scored 12 points in total and finished 18th in the final at Bergen. Brauer, an Austrian-Israeli singer-songwriter, comes from a famous artistic family. Her father is artist Arik Brauer. She was known for blending jazz and world music elements in her performances. 1987 – Gary Lux – Nur noch Gefühl Canadian-born singer Gary Lux returned to Austria in Eurovision 1987 with the song “Nur noch Gefühl” (“Only Feelings”). This gentle mid-tempo pop ballad was composed by Kenneth Westmore with lyrics by Austrian artist Stefanie Werger. On the night of the final in Brussels, Lux earned 8 points, placing 20th out of 22 entries. Gary Lux was already a Eurovision veteran. He had represented Austria multiple times in the 1980s, including as a solo act in 1985 and as part of the group Westend in 1983. His experience and smooth vocals made him a familiar name on the Eurovision stage, even though the 1987 entry did not score high. 1988 – Wilfried – Lisa, Mona Lisa Wilfried (Wilfried Scheutz) represented Austria in Eurovision 1988 with the song “Lisa, Mona Lisa”. This entry is a moody pop-rock number. It was co-written by Wilfried along with Klaus Kofler and Ronnie Herbolzheimer. In the Eurovision final held in Dublin, it unfortunately received nul points, finishing 21st (last) among the contenders. Wilfried was a prominent figure in Austropop: he had been one of the pioneers of Austrian pop/rock music since the 1970s. He even briefly served as lead singer of the band Erste Allgemeine Verunsicherung (EAV) before pursuing a solo career. Despite his domestic success and unique vocal style, “Lisa, Mona Lisa” did not manage to score with the international juries. 1989 – Thomas Forstner – Nur ein Lied Nineteen-year-old Thomas Forstner represented Austria at Eurovision 1989 with the power ballad “Nur ein Lied” (“Only a Song”). German pop producer Dieter Bohlen composed the music, while Joachim Horn-Bernges wrote the lyrics. The song carries an uplifting message of hope and peace. Forstner delivered one of Austria’s strongest Eurovision performances. Austria finished 5th out of 22 countries and scored 97 points, the nation’s best result since its 1966 victory. The success turned Forstner into a national pop star. “Nur ein Lied” climbed to #1 on the Austrian charts and strengthened his position in the local music scene. His breakthrough in Lausanne helped revive Austria’s Eurovision presence at the end of the 1980s and remains a key moment in the country’s contest history. 1990 – Simone – Keine Mauern mehr Austria’s 1990 entry was the inspirational pop ballad “Keine Mauern mehr” (“No Walls Anymore”), performed by Simone Stelzer. Marc Berry and Nanna Berry composed the music, and Mario Botazzi wrote the lyrics. The song promotes unity and the removal of barriers, echoing the atmosphere after the fall of the Berlin Wall. In the Eurovision final in Zagreb, Simone finished 10th out of 22 countries and earned 58 points for Austria. The national selection brought drama. During the live final, the duo Duett first won the competition, but their female singer fainted on stage while performing “Das Beste”. The song still topped the vote, yet officials later disqualified it because it had appeared in a 1988 German national final. As the runner-up, Simone took the Eurovision ticket and delivered a strong top-ten result for Austria. 1991 – Thomas Forstner – Venedig im Regen Thomas Forstner returned to represent Austria in Eurovision 1991 with “Venedig im Regen” (“Venice in the Rain”). Robby Musenbichler, Hubert Moser, and Wolfgang Eltner wrote this romantic ballad. The song was chosen out of 10. Also Anita Spanner (Eurovision 1984) was among the contestants. “Venedig im Regen” aimed to match Forstner’s strong 1989 result. The contest in Rome brought a very different outcome. Forstner scored 0 points, a sharp contrast to the 5th place he earned two years earlier. The song offers a smooth melody and heartfelt lyrics about a brief meeting in rainy Venice, yet international juries did not connect with it. This setback created one of the most striking turns in Austria’s Eurovision history, as Forstner became one of the rare artists to follow a top-five finish with a nul-points result.

Read More »
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