Day 2: Another eight rehearsals

The second day of rehearsals: For now, there seems to be no solution in sight regarding the kinetic sun on stage. Meanwhile, the second group of semifinalists made their appearance for rehearsals. We still get little information. We do not know how the participants sing. What we get is mainly the picture. What you can do best, is read this article and follow Kal’s Italian journey on Youtube, Instagram and TikTok

PORTUGAL: “Saudade” is one such word that occurs in only one language. It’s what MARO sings about. MARO is on the back podium, close to the green room. She and her backing vocals form a circle, MARO in purple in the spotlight. The graphics are kept simple: some indefinable figures in different colors. Before we forget: the smoke machine is working.

CROATIA: Is Croatia your guilty pleasure this year by any chance? Mia is wearing a pink-red dress, with at least one leg clearly visible. The three dancers are wearing less bright colors. They tell a story with their movements.

DENMARK: The Reddi girls wear orange, green, red and checkered purple suits. They all have an instrument in their hands that makes you wonder if they can play it at all. Retro 70s, that’s what we see. The graphics consist of checkered neon colors.

AUSTRIA: LUM!X and Pia Maria stand in a kind of illuminated circle, in which we see the colors of the Austrian flag. There is a lot of movement and dancing on the stage. Bright lights and pyrotechnics are not lacking in this act either.

ICELAND: “Með Hækkandi Sól” is the name of Systur’s song. The ladies are dressed in retro 70s outfits. One of the three is wearing an imposing hat. The graphics consist of glitter. According to Eurovision.tv, that gives the whole thing something magical. The show seems to end in bright orange light.

GREECE: Amanda wears a long silver-white dress. She is alone on stage. Around her, in blue light, chairs stand and lie in a circle. Eurovision.tv reports an echo on the vocal, but what they exactly mean by that is not clear.

NORWAY: For those who have been following Subwoolfer for a while, the Norwegian performance will contain few surprises. Keith and Jim, who we still don’t know who they really are, wear their yellow wolf heads. They are assisted by three dancers, also completely wrapped in yellow. All wear sunglasses. Behind them DJ Astronaut is standing on a platform, he is completely dressed in gold.

ARMENIA: Rosa Linn from Armenia performs in a special setting: a complete bedroom! The furniture and walls seem to be made entirely of scrap paper. Rosa Linn sits in the midst of it all with her guitar, playing her song.

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Blast from the past: Germany 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967 when Inge Brück represented Germany with the song “Anouschka”. Germany in the Eurovision Song Contest Germany has a long Eurovision history, having competed since 1956 and won twice: in 1982 with Ein bißchen Frieden (Nicole) and in 2010 with Satellite (Lena). Being part of the “Big Five”, Germany is always in the final. Recent entries have had mixed success. In 2022, Malik Harris sang Rockstars and ended up 25th with 6 points. In 2023, Lord of the Lost performed Blood & Glitter, finishing 26th (last) with 18 points. The year after, Isaak represented Germany with Always on the Run, placing 12th with 117 points, a much stronger showing. For 2025, Germany was represented by Abor & Tynna with Baller. They were selected through the national competition Chefsache ESC 2025 – Wer singt für Deutschland? and finished 15th in the final, scoring 151 points. Internal selection for Germany Germany selected their song internally. 145 songs were submitted to the Hessischer Rundfunk (HR), the broadcaster responsible for the German entry. The winning song was sung by Inge Brück. The titles of the top-3 are known: Anouschka (lyrics and music by Hans Blum) Die Nacht hat viele Gesichter (lyrics and music by Fred Strittmatter) Das Glück dieser Welt (lyrics and music by Hubert Wolf) Inge Brück Inge Brück, born on 12 October 1936 in Mannheim, Germany, passed away on 8 September 2025 in Meschede, at the age of 88. She began her career in the 1950s as a singer with the Erwin Lehn dance orchestra, where pianist Horst Jankowski discovered her talent. After a television appearance with Hans-Joachim Kulenkampff she was offered a record contract. In 1957, she scored her first hit with “Peter, komm heut’ abend zum Hafen”, the German version of Green Door, which reached number seven in the German charts. Her international breakthrough came in 1966 when she won the International Song Festival in Brazil with the song Frag den Wind. A year later, in 1967, German broadcaster NDR internally selected her to represent Germany at the Eurovision Song Contest in Vienna with the song Anouschka. She finished in shared eighth place with 7 points. After Eurovision, Brück increasingly turned to acting. In 1970 she starred in the ZDF television series Miss Molly Mill, playing the lead role of a cleaning lady turned amateur detective. The show was a huge success, often attracting more than 20 million viewers per episode. From the 1970s onwards, she shifted her focus to religious music and joined the group Künstler für Christus (“Artists for Christ”), together with other well-known German performers such as Katja Ebstein and Peter Horton. Inge Brück leaves behind a rich legacy: as a popular singer of the radio and television era, as an actress on screen, and later as a performer of religious music. Her voice and versatility made her a beloved figure in German culture. Anouschka Anouschka was the German entry at the Eurovision Song Contest 1967 in Vienna, performed by Inge Brück. The song was written and composed by Hans Blum. It finished in eighth place, scoring seven points. Musically, Anouschka followed the classic schlager style that was popular in Germany during the 1960s. The arrangement featured a melodic, light orchestral backing, with a clear emphasis on Brück’s warm and emotional vocals. The song had a gentle rhythm and a traditional structure, making it easy to follow and appealing to a broad audience of the time. The lyrics told a story of longing and heartbreak. The singer addresses Anouschka, a woman who left, and asks why she had to go, leaving behind sadness and emptiness. The combination of its melodic charm and emotional theme gave the song a nostalgic quality, typical of many Eurovision ballads of the era.  

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Blast from the past
Martijn

Blast from the past: Germany 1967

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today, we go back to 1967 when Inge Brück represented Germany with the song “Anouschka”. Germany in the Eurovision Song Contest Germany has a long Eurovision history, having competed since 1956 and won twice: in 1982 with Ein bißchen Frieden (Nicole) and in 2010 with Satellite (Lena). Being part of the “Big Five”, Germany is always in the final. Recent entries have had mixed success. In 2022, Malik Harris sang Rockstars and ended up 25th with 6 points. In 2023, Lord of the Lost performed Blood & Glitter, finishing 26th (last) with 18 points. The year after, Isaak represented Germany with Always on the Run, placing 12th with 117 points, a much stronger showing. For 2025, Germany was represented by Abor & Tynna with Baller. They were selected through the national competition Chefsache ESC 2025 – Wer singt für Deutschland? and finished 15th in the final, scoring 151 points. Internal selection for Germany Germany selected their song internally. 145 songs were submitted to the Hessischer Rundfunk (HR), the broadcaster responsible for the German entry. The winning song was sung by Inge Brück. The titles of the top-3 are known: Anouschka (lyrics and music by Hans Blum) Die Nacht hat viele Gesichter (lyrics and music by Fred Strittmatter) Das Glück dieser Welt (lyrics and music by Hubert Wolf) Inge Brück Inge Brück, born on 12 October 1936 in Mannheim, Germany, passed away on 8 September 2025 in Meschede, at the age of 88. She began her career in the 1950s as a singer with the Erwin Lehn dance orchestra, where pianist Horst Jankowski discovered her talent. After a television appearance with Hans-Joachim Kulenkampff she was offered a record contract. In 1957, she scored her first hit with “Peter, komm heut’ abend zum Hafen”, the German version of Green Door, which reached number seven in the German charts. Her international breakthrough came in 1966 when she won the International Song Festival in Brazil with the song Frag den Wind. A year later, in 1967, German broadcaster NDR internally selected her to represent Germany at the Eurovision Song Contest in Vienna with the song Anouschka. She finished in shared eighth place with 7 points. After Eurovision, Brück increasingly turned to acting. In 1970 she starred in the ZDF television series Miss Molly Mill, playing the lead role of a cleaning lady turned amateur detective. The show was a huge success, often attracting more than 20 million viewers per episode. From the 1970s onwards, she shifted her focus to religious music and joined the group Künstler für Christus (“Artists for Christ”), together with other well-known German performers such as Katja Ebstein and Peter Horton. Inge Brück leaves behind a rich legacy: as a popular singer of the radio and television era, as an actress on screen, and later as a performer of religious music. Her voice and versatility made her a beloved figure in German culture. Anouschka Anouschka was the German entry at the Eurovision Song Contest 1967 in Vienna, performed by Inge Brück. The song was written and composed by Hans Blum. It finished in eighth place, scoring seven points. Musically, Anouschka followed the classic schlager style that was popular in Germany during the 1960s. The arrangement featured a melodic, light orchestral backing, with a clear emphasis on Brück’s warm and emotional vocals. The song had a gentle rhythm and a traditional structure, making it easy to follow and appealing to a broad audience of the time. The lyrics told a story of longing and heartbreak. The singer addresses Anouschka, a woman who left, and asks why she had to go, leaving behind sadness and emptiness. The combination of its melodic charm and emotional theme gave the song a nostalgic quality, typical of many Eurovision ballads of the era.  

Read More »
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