🇫🇷 Blast from the past: France 1958

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. And we immediately start off with something really old. We go back to France 1958!

France in the Eurovision Song Contest

No less than 5 times France won the Eurovision Song Contest. Not only AndrĂ© Claveau (1958), the man we will talk about today, won the contest. Two years later it was Jacqueline Boyer who won with “Tom Pillibi”. Again, two years later, in 1962, Isabelle Aubret won the contest with “Un premier amour”. Frida Boccara was one of the 4 winners in 1969 with “L’oiseau et l’enfant”. And the last one was Marie Myriam in 1977. She sang “L’oiseau et l’enfant”. But note also that in 1991 Amina had as much points as the winning Carola (Sweden). However, Sweden received more times 10 points, so Carola won.

Marie Myriam

National selection

André Claveau was selected internally by French broadcaster ORTF. On the 7th of February, 5 singers (not Claveau himself) sang one song each. However, they knew they were not going to represent France in Eurovision, as André was already chosen. The songs were:

  1. Parigi Roma, sung by Charles Dumont (but not in the link)
  2. Héléna, sung by René Denoncin (again, the link brings you to the version of another singer)
  3. Musique magique, sung by Jocelyn Jocya
  4. Dors mon amour, sung by Hubert Giraud (this is Claveau’s version, no version of Hubert Giraud could be found)
  5. Tape dans tes mains, sung by André Richin (The song could not be found online)

The full results of the contest are not known, but “HĂ©lĂ©na” seems to be the runner up after “Dors mon amour”.

Jocelyn Jocya

André Claveau

AndrĂ© Claveau, was born on 17th December 1911 in Paris. In the 1930s, he started performing in small clubs in and around Paris. By the 1940s, Claveau was already a household name in France, with a string of hits making regular appearances on French radio. The pinnacle of Claveau’s career came in 1958 when he represented France in the Eurovision Song Contest. He charmed the international juries and secured France’s first victory in the competition. Claveau was very down to earth: winning the Eurovision Song Contest didn’t mean he wanted to stay among the rich and wealthy. In stead, he was happy he could by a new cow for his farm!

Parallel to his singing career, Claveau also demonstrated his talent as an actor. He starred in a number of French films in the 1950s, most notably the musical comedy Pas de vacances pour Monsieur le maire in 1951. His charm and charisma translated seamlessly to the silver screen, and his acting roles only increased his popularity. However, with the arrival of rock and roll in the 1960s, Claveau’s traditional style of music fell out of favour with the younger audience. His popularity waned, and he found it increasingly difficult to compete with the new musical wave. As a result, Claveau decided to retire from public life by the end of the decade.

André Claveau, photo credits: Nationaal Archief

Dors Mon Amour

The title “Dors mon amour” translates to “Sleep, My Love” in English. This title reflects the tender sentiment of the song, which is essentially a lullaby sung by a lover to his beloved. The lyrics, written by Pierre DelanoĂ«, depict the singer soothing his lover to sleep, promising that in her dreams she will find a world full of happiness and love. The composition by Hubert Giraud complements the lyrics with its gentle, melodic flow, effectively capturing the song’s warm and calming essence.

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Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — CosmĂł, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with ZoĂ« MĂ« and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

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Eurovision 2026
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Vienna 12 points: the joy of being 2nd

Several countries start their second rehearsals in Vienna. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  🇩🇪 Germany — Sarah Engels, “Fire” Running order: – | Rehearsal: 9 May, 15:00–15:25 CEST Deutschland sucht den Superstar is one of Germany’s longest-running TV talent shows. Since its first broadcast on RTL in 2002, DSDS has introduced many singers to a national audience. One of its most memorable former contestants is Sarah Engels. Her story in the show was not an instant success. She auditioned in 2009 and 2010, but failed to reach the live shows. In 2011, her third attempt changed everything. Sarah reached the final of Deutschland sucht den Superstar and finished second behind Pietro Lombardi. That season also brought strong media attention, partly because Sarah and Pietro became a couple during the competition. For Sarah Engels, DSDS became the platform that launched a lasting music and television career. Her journey shows why casting shows can still matter. A failed audition does not always mark the end. Sometimes, as Sarah proved, it is only the beginning for many artists in Germany today. 🇫🇷 France — Monroe, “Regarde!” Running order: – | Rehearsal: 9 May, 15:35–16:00 CEST France at Eurovision has rediscovered its confidence since Barbara Pravi’s “Voilà” in 2021. The chanson finished second with 499 points and quickly became a modern Eurovision classic. It gave France something it had missed for years: a clear identity and real winning momentum. The years after “Voilà” were not perfect. Alvan & Ahez finished 24th in 2022, while La Zarra ended 16th in 2023. Still, both entries showed France was willing to take risks. In 2024, Slimane restored the country’s place near the top. His emotional performance of “Mon amour” finished fourth with 445 points. In 2025, Louane kept the positive run alive, taking seventh place with “maman”. This year, Monroe’s “Regarde !” keeps France in the top-five conversation. Whether it reaches that result remains uncertain. Yet France now looks like a country that believes in its Eurovision choices again. That confidence may be its strongest result of the decade so far. 🇬🇧 United Kingdom — Look Mum No Computer, “Eins, Zwei, Drei” Running order: – | Rehearsal: 9 May, 16:10–16:35 CEST Before Look Mum No Computer was confirmed for Eurovision 2026, the BBC faced reports about another possible UK act. In January, media claimed that a participant had been dropped. Routine checks had reportedly raised concerns about historic online comments. The Euro Trip Podcast later gave a more careful account. It reported that an unnamed act was told they would not represent the United Kingdom in Vienna. However, the person had not signed a contract. The BBC also said no formal offer had been made. That means the story is not a simple rejection. It suggests the artist was considered, but never officially chosen. Weeks later, the BBC announced Look Mum No Computer, the stage name of Sam Battle. His song “Eins, Zwei, Drei” gives the United Kingdom a strikingly unusual entry. With synth-pop, humour and eccentric British creativity, it marks a clear change of direction for the BBC at Eurovision. 🇦🇹 Austria — CosmĂł, “Tanzschein” Running order: 25 | Rehearsal: 9 May, 16:45–17:10 CEST Hosting Eurovision has become more of a curse than an advantage. Since 2015, many host countries have struggled on the scoreboard. Austria finished 26th in 2015. Ukraine came 24th in 2017. Portugal ended last in 2018, while Israel placed 23rd in 2019. The Netherlands also finished 23rd in 2021. The United Kingdom came 25th in 2023. There were brighter results too. Sweden finished fifth in 2016 and ninth in 2024. Italy came sixth in 2022. Switzerland reached tenth in 2025 with ZoĂ« MĂ« and “Voyage”. Still, six of the last ten host countries ended in the bottom five. No host country has won Eurovision since Ireland in 1994. Fans often call this trend the “host country curse”. Some speculate that broadcasters avoid another expensive victory. Whatever the reason, hosting now seems to bring pressure rather than a clear advantage. Recent results make that debate easy to understand for many fans.  

Read More »
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