🇫🇷 Blast from the past: France 1958

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. And we immediately start off with something really old. We go back to France 1958!

France in the Eurovision Song Contest

No less than 5 times France won the Eurovision Song Contest. Not only André Claveau (1958), the man we will talk about today, won the contest. Two years later it was Jacqueline Boyer who won with “Tom Pillibi”. Again, two years later, in 1962, Isabelle Aubret won the contest with “Un premier amour”. Frida Boccara was one of the 4 winners in 1969 with “L’oiseau et l’enfant”. And the last one was Marie Myriam in 1977. She sang “L’oiseau et l’enfant”. But note also that in 1991 Amina had as much points as the winning Carola (Sweden). However, Sweden received more times 10 points, so Carola won.

Marie Myriam

National selection

André Claveau was selected internally by French broadcaster ORTF. On the 7th of February, 5 singers (not Claveau himself) sang one song each. However, they knew they were not going to represent France in Eurovision, as André was already chosen. The songs were:

  1. Parigi Roma, sung by Charles Dumont (but not in the link)
  2. Héléna, sung by René Denoncin (again, the link brings you to the version of another singer)
  3. Musique magique, sung by Jocelyn Jocya
  4. Dors mon amour, sung by Hubert Giraud (this is Claveau’s version, no version of Hubert Giraud could be found)
  5. Tape dans tes mains, sung by André Richin (The song could not be found online)

The full results of the contest are not known, but “Héléna” seems to be the runner up after “Dors mon amour”.

Jocelyn Jocya

André Claveau

André Claveau, was born on 17th December 1911 in Paris. In the 1930s, he started performing in small clubs in and around Paris. By the 1940s, Claveau was already a household name in France, with a string of hits making regular appearances on French radio. The pinnacle of Claveau’s career came in 1958 when he represented France in the Eurovision Song Contest. He charmed the international juries and secured France’s first victory in the competition. Claveau was very down to earth: winning the Eurovision Song Contest didn’t mean he wanted to stay among the rich and wealthy. In stead, he was happy he could by a new cow for his farm!

Parallel to his singing career, Claveau also demonstrated his talent as an actor. He starred in a number of French films in the 1950s, most notably the musical comedy Pas de vacances pour Monsieur le maire in 1951. His charm and charisma translated seamlessly to the silver screen, and his acting roles only increased his popularity. However, with the arrival of rock and roll in the 1960s, Claveau’s traditional style of music fell out of favour with the younger audience. His popularity waned, and he found it increasingly difficult to compete with the new musical wave. As a result, Claveau decided to retire from public life by the end of the decade.

André Claveau, photo credits: Nationaal Archief

Dors Mon Amour

The title “Dors mon amour” translates to “Sleep, My Love” in English. This title reflects the tender sentiment of the song, which is essentially a lullaby sung by a lover to his beloved. The lyrics, written by Pierre Delanoë, depict the singer soothing his lover to sleep, promising that in her dreams she will find a world full of happiness and love. The composition by Hubert Giraud complements the lyrics with its gentle, melodic flow, effectively capturing the song’s warm and calming essence.

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It’s time for another weekly Eurovision update! This week saw critical decisions about Israel’s participation, North Macedonia’s potential comeback, and a flurry of national selection news. Israel’s fate in Eurovision 2026 is on hold. North Macedonia’s return remains uncertain as its broadcaster weighs budgets and timelines. Meanwhile, Austria gears up for a host-country selection show, and several countries have revealed their contestants for national finals. Here are this week’s top stories: Israel: EBU Postpones Vote on Participation The European Broadcasting Union (EBU) has cancelled its planned extraordinary vote on Israel’s participation in Eurovision 2026. The vote, originally set for November, was called off in light of ongoing Middle East peace negotiations and will now be discussed at the EBU’s winter General Assembly in December. In a statement, the EBU explained: “Due to recent developments in the Middle East, the EBU’s Executive Board agrees that there is a clear need for an open and in-person discussion among members concerning the issue of participation in the Eurovision Song Contest 2026. Therefore, the matter has been added to the agenda of the regular winter General Assembly, scheduled for December, instead of an extraordinary session beforehand.” This decision comes after several member broadcasters had questioned Israel’s role following the conflict in Gaza. With the November vote off the table, any formal decision on Israel’s Eurovision 2026 participation is delayed for now.  source: eurovisionworld.com. 🇲🇰 North Macedonia’s Eurovision Return Remains Uncertain Hopes for North Macedonia’s return to Eurovision are fading after a recent MRT Program Council meeting. 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Eurovision 2026
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It’s time for another weekly Eurovision update! This week saw critical decisions about Israel’s participation, North Macedonia’s potential comeback, and a flurry of national selection news. Israel’s fate in Eurovision 2026 is on hold. North Macedonia’s return remains uncertain as its broadcaster weighs budgets and timelines. Meanwhile, Austria gears up for a host-country selection show, and several countries have revealed their contestants for national finals. Here are this week’s top stories: Israel: EBU Postpones Vote on Participation The European Broadcasting Union (EBU) has cancelled its planned extraordinary vote on Israel’s participation in Eurovision 2026. The vote, originally set for November, was called off in light of ongoing Middle East peace negotiations and will now be discussed at the EBU’s winter General Assembly in December. In a statement, the EBU explained: “Due to recent developments in the Middle East, the EBU’s Executive Board agrees that there is a clear need for an open and in-person discussion among members concerning the issue of participation in the Eurovision Song Contest 2026. Therefore, the matter has been added to the agenda of the regular winter General Assembly, scheduled for December, instead of an extraordinary session beforehand.” This decision comes after several member broadcasters had questioned Israel’s role following the conflict in Gaza. With the November vote off the table, any formal decision on Israel’s Eurovision 2026 participation is delayed for now.  source: eurovisionworld.com. 🇲🇰 North Macedonia’s Eurovision Return Remains Uncertain Hopes for North Macedonia’s return to Eurovision are fading after a recent MRT Program Council meeting. The broadcaster’s President, Davor Pašoski, noted that participation in 2026 is possible only if the government approves an expanded MRT budget. Some council members argued for waiting until 2027, considering a detailed long-term strategy and stronger financial footing more realistic. For now, MRT aims to invest in domestic music events like Cvetnici and Skopje Fest to strengthen the local music scene before rejoining Eurovision. The Council also acknowledged receiving many appeals from fans at home and abroad (including the diaspora in Australia and Sweden) urging a comeback. MRT has not made a final decision yet and has until December to decide whether to submit an entry for Eurovision 2026. source: MRT 🇦🇹 Austria Launches “Vienna Calling – Wer singt für Österreich?” Selection Austria’s host broadcaster ORF has kicked off its search for the country’s Eurovision 2026 act on home soil. 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Festivali i Këngës 64 will follow its traditional format of four live shows: two semi-finals, a nostalgia night, and the Grand Final. For the first time the Albanian public will get to vote via a real-time voting app alongside the jury votes. The lineup of 28 participants includes: 2Farm Alis Egzon Pireci Endri Kaçaçi Enxhi Nasufi Erand Sojli Erik Lloshi Evi Reçi Fifi & Tiri Gjoci Frensi Gerta Mahmutaj Ghiti Gresa Gjocera & Bledi Kaso Inis Neziri Kamela Ismalaj Kimi Kleansa Susaj Lorenc Hasrama Luna Çausholli Malvina Likaj Rezarta Smaja Rigersa Loka Sara Kapo Savjana Vjerdha Sheila Sihana Haxhnikaj ThreeX Vedat Ademi source: RTSH 🇲🇪 Montenegro Reveals MonteSong 2025 Finalists RTCG, Montenegro’s broadcaster, announced the 15 finalists for MonteSong 2025, its national contest to choose the Eurovision 2026 representative. The participants were revealed on the morning show “Dobro jutro, Crna Goro”, and include some notable names. Among them is Andrea Demirović, who represented Montenegro at Eurovision 2009, and Baryak, who finished 3rd in last year’s MonteSong. The selection committee chose the finalists from 37 submitted entries, including songs by local and international writers. All 15 songs will be released in early December, ahead of the MonteSong 2025 final scheduled for 21 December in Podgorica. The 15 competing acts and song titles are: Andrea Demirović – “I Believe” Baryak – “Minerva” Dolce Hera – “Casanova 91” Đurđa – “Dominos” Krstinja Manatović – “Oli oli” Lana Lopičić – “Doline” (Valleys) Lana Vukčević & Đorđe Savković – “Temperatura” (Temperature) Lara Baltić – “Rhythm Boy” Luka Radović – “Pjevaj vilo” (Sing, fairy) Majda Božović – “Ipak smo ljudi” (We are human after all) Mila Nikić – “Kao varnica” (Like a spark) Neno Murić – “Ako čuješ glas” (If you hear a voice) Stefan Vukotić – “Nedekodirana” (Undecoded) Tamara Živković – “Nova

Read More »
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