🇫🇷 Blast from the past: France 1958

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. And we immediately start off with something really old. We go back to France 1958!

France in the Eurovision Song Contest

No less than 5 times France won the Eurovision Song Contest. Not only AndrĂ© Claveau (1958), the man we will talk about today, won the contest. Two years later it was Jacqueline Boyer who won with “Tom Pillibi”. Again, two years later, in 1962, Isabelle Aubret won the contest with “Un premier amour”. Frida Boccara was one of the 4 winners in 1969 with “L’oiseau et l’enfant”. And the last one was Marie Myriam in 1977. She sang “L’oiseau et l’enfant”. But note also that in 1991 Amina had as much points as the winning Carola (Sweden). However, Sweden received more times 10 points, so Carola won.

Marie Myriam

National selection

André Claveau was selected internally by French broadcaster ORTF. On the 7th of February, 5 singers (not Claveau himself) sang one song each. However, they knew they were not going to represent France in Eurovision, as André was already chosen. The songs were:

  1. Parigi Roma, sung by Charles Dumont (but not in the link)
  2. Héléna, sung by René Denoncin (again, the link brings you to the version of another singer)
  3. Musique magique, sung by Jocelyn Jocya
  4. Dors mon amour, sung by Hubert Giraud (this is Claveau’s version, no version of Hubert Giraud could be found)
  5. Tape dans tes mains, sung by André Richin (The song could not be found online)

The full results of the contest are not known, but “HĂ©lĂ©na” seems to be the runner up after “Dors mon amour”.

Jocelyn Jocya

André Claveau

AndrĂ© Claveau, was born on 17th December 1911 in Paris. In the 1930s, he started performing in small clubs in and around Paris. By the 1940s, Claveau was already a household name in France, with a string of hits making regular appearances on French radio. The pinnacle of Claveau’s career came in 1958 when he represented France in the Eurovision Song Contest. He charmed the international juries and secured France’s first victory in the competition. Claveau was very down to earth: winning the Eurovision Song Contest didn’t mean he wanted to stay among the rich and wealthy. In stead, he was happy he could by a new cow for his farm!

Parallel to his singing career, Claveau also demonstrated his talent as an actor. He starred in a number of French films in the 1950s, most notably the musical comedy Pas de vacances pour Monsieur le maire in 1951. His charm and charisma translated seamlessly to the silver screen, and his acting roles only increased his popularity. However, with the arrival of rock and roll in the 1960s, Claveau’s traditional style of music fell out of favour with the younger audience. His popularity waned, and he found it increasingly difficult to compete with the new musical wave. As a result, Claveau decided to retire from public life by the end of the decade.

André Claveau, photo credits: Nationaal Archief

Dors Mon Amour

The title “Dors mon amour” translates to “Sleep, My Love” in English. This title reflects the tender sentiment of the song, which is essentially a lullaby sung by a lover to his beloved. The lyrics, written by Pierre DelanoĂ«, depict the singer soothing his lover to sleep, promising that in her dreams she will find a world full of happiness and love. The composition by Hubert Giraud complements the lyrics with its gentle, melodic flow, effectively capturing the song’s warm and calming essence.

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70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
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