🇮🇪 Blast from the past: Ireland 1977

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: The Swarbriggs plus Two, participating in 1977.

Ireland in the Eurovision Song Contest

Ireland has been a dominant force in the Eurovision Song Contest, boasting a record seven victories, the most by any participating country.

Their winning streak began in 1970 when Dana serenaded audiences with “All Kinds of Everything.” A decade later, Johnny Logan emerged as a Eurovision legend for Ireland. He first won in 1980 with “What’s Another Year” and then again in 1987 with “Hold Me Now.” Furthermore, Logan wrote the winning song “Why Me?” which was performed by Linda Martin in 1992.

The ’90s continued to be a golden era for Ireland. Following Linda Martin, Niamh Kavanagh captured the title in 1993 with “In Your Eyes.” The subsequent year, Paul Harrington and Charlie McGettigan triumphed with “Rock ‘N’ Roll Kids.” In 1995, Eimear Quinn’s ethereal voice won with “The Voice,” marking an unprecedented fourth consecutive victory for Ireland.

Johnny Logan

National Final

Ireland chose their entry through the Irish National Song Contest on 20 February 1977. The show was hosted by Mike Murphy and was not held in a big hall but at the RTÉ TV Studios in Dublin. Eight songs and eight different artists competed:

  1. Jamie Stone, “If I Give My Love”, 19 pts, 2nd
  2. Dickie Rock, “I Can’t Go On Without You”, 8 pts, 6th
  3. Sunshine, “Look Before You Leap”, 0 pts, 8th
  4. D.J. Curtin, “You Cannot Stop The Music”, 5 pts, 7th
  5. The Swarbriggs Plus Two, “It’s Nice To Be In Love Again“, 25 pts, 1st
  6. Denis Allen, “Da-dum Da-dum I Love You So”, 12 pts, 5th
  7. Colm C.T. Wilkinson, “There Was A Dream“, 18 pts, 3rd
  8. Chips, “Goodbye Goodbye“, 13 pts, 4th

Chips

Note that former participants Dickie Rock (1966) and The Swarbriggs (1975) participated. Colm C.T. Wilkinson had to wait another year, as he represented Ireland in 1978. The singer of the group Chips is quite a famous one: Eurovision winner Linda Martin, who first took part in 1984, before she won in 1992.

The Swarbriggs Plus Two

The Swarbriggs

Thomas “Tommy” and John James “Jimmy” Swarbrigg are renowned figures in Irish music, both as former pop artists and promoters. 

In the early ’60s, Tommy showcased his trumpet skills with Joe Dolan’s showband, The Drifters, distinct from the famed American band. By 1969, after a split, The Times Showband emerged with Jimmy as the lead singer. Their distinctive approach of composing original tracks made them stand out in the showband scene. Their rise was meteoric, leading to their own TV show by 1973. By mid-’70s, they embarked on solo careers, eventually retiring in 1980.

Known as The Swarbriggs, the duo graced the 1975 Eurovision stage with “That’s What Friends Are For”. By 1977, alongside Nicola Kerr and Alma Carroll as The Swarbriggs Plus Two, they presented “It’s Nice To Be In Love Again”, a song they authored. The brothers penned both their Eurovision entries and numerous top 20 hits throughout the ’70s, such as the chart-topping “Joanne” in 1976 and other memorable tunes like “Looking Through The Eyes Of A Beautiful Girl” and “If Ma Could See Me Now”.

In subsequent years, the Swarbriggs transitioned into concert promotion, bringing to Ireland acts like Smokie, Leo Sayer, Meatloaf, and others. They’re even humorously credited as the muse for the “My Lovely Horse” video in the show “Father Ted”.

Their song “If Ma Could See Me Now” found renewed popularity, featuring in the 2002-2008 “Mrs Brown’s Boys” film series.

Nicola Kerr

Nicola Kerr was, in those days, a wellknown and asked backing vocal and member of several groups. She had been a member of Chips before she joined The Swarbriggs in their song. As a solo singer, she did two attempts to go to Eurovision: in 1981 with “The One In My Life” and in 1989 with “This Isn’t War (It’s Revolution)“. But the biggest success for Nicola was being a backing vocal for Murray Head in the worldwide hit “One Night In Bangkok”.

Alma Caroll 

Alma began her musical journey at 15, performing solo in Dublin during 1965. By 1967, she joined Bing Crosby on his Dublin-filmed TV special with the “Young Dublin Singers” and even got her radio series on RTE. The next year, her song in the Irish National Song Contest, “Give Me All Your Love,” placed fourth but didn’t fare well on the charts. Alma’s TV presence grew, with appearances on shows like RTE’s “Steady As She Go-Goes” and BBC in Britain.

Despite never having a solo chart-topping hit, Alma’s prominence in the entertainment world didn’t wane. She remained active in the early ’70s, releasing singles and making TV appearances. In 1973, she placed second in the National Song Contest with “Isn’t It Grand”. A highlight of her career was being part of Swarbriggs Plus Two in 1977, where their song “It’s Nice To Be In Love Again” ranked first in Irish charts and third in Eurovision. 

By the early ’80s, her performances began to wane, with her last known record in 1982. Today, Alma is married to Penney’s founder, Arthur Ryan, and is a Director for UNICEF in Ireland.

It’s Nice To Be In Love Again

The song is emblematic of the upbeat, catchy melodies often associated with Eurovision entries. With its lively tempo and harmonious vocals, “It’s Nice To Be In Love Again” captured the euphoria and bliss of being in love. The performance was well-received, earning the group a respectable third place in the contest. The song, written and composed by Jimmy and Tommy Swarbrigg, received twelve points from Norway, the United Kingdom, Israel and Sweden. Finland was the only country not to give any points to the song at all.

 

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70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
History
Martijn

70 years of Eurovision: big hits and bare feet

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 1965 Sweden was back. Ireland made its debut. That brought the total number of countries in Naples, Italy, to no less than 18. In the RAI auditorium in this city, Renata Mauro presented the largest festival to date. Udo JĂĽrgens participated for Austria for the second time. Conchita Bautista returned for Spain. Vice Vukov was there for the second time representing Yugoslavia. But those were not the entries that caused a stir. Bobby Solo (Italy) and Guy Mardel (France) managed to score an international hit. But the most notable one was Ingvar Wixell from Sweden. This opera singer had been assigned the song “Annorstädes Vals” in the national final. But in Naples, he suddenly sang “Absent Friend,” the English version. Nowhere in the Eurovision regulations did it state that this was not allowed. You can imagine that it was included a year later. The French singer France Gall won for Luxembourg. Her “PoupĂ©e de cire, poupĂ©e de son” was written by none other than Serge Gainsbourg. He stated that he had never watched Eurovision. He therefore had no clue what he was writing for. And perhaps that was exactly the key to the success. During the reprise, France Gall seemed to realize she had won only halfway through. Only then a smile appeared on her face. 1966 Once again, the Eurovision circus moved to the tiny studio in the Villa Lauvigny in Luxembourg. The presentation was now in the hands of Josiane Shen. The same countries as in 1965 participated. Udo JĂĽrgens participated for Austria for the third consecutive time. Domenico Modugno returned for Italy. And then we do not want to leave two candidates unmentioned: Ă…se Kleveland (Norway) and Lill Lindfors (Sweden) would later host the contest themselves. Kleveland, who later also became Minister of Culture in Norway, won the hearts of the jury members with her guitar. She came third. Lindfors sang a fairy tale to jazzy music in a duet. She came second with it. However, we do not want to leave the Dutch Milly Scott out either. Not only because she was the first black singer at Eurovision. She had also quite misjudged the size of the stage. She wanted to enter with a steeplechase. That was impossible. She had to back down and put on a much simpler act. As mentioned, Udo JĂĽrgens participated for Austria for the third time. Third time was the charm for him: he won! A promising career lay ahead of him. When he won and got to sing his “Merci ChĂ©rie” again, he turned it into “Merci Jury”. 1967 For the first time, the Eurovision Song Contest went to Vienna. Erika Vaal hosted the contest at the Vienna Hofburg. She opened the show with a speech in no less than four languages. In addition, she apologized for not being proficient in all the participants’ other languages. Denmark was not present this year and would be absent for a long time. This country was angry about the bloc formation during the voting. RaphaĂ«l from Spain and Kirsti Sparboe from Norway both participated for a second time. So did Claudio Villa from Italy. Serge Gainsbourg wrote a song, just like two years earlier. This time it was for Monaco. Singer Minouche Barelli let loose completely during Gainsbourg’s “Boum Badaboum”. The Greek Vicky (Leandros, though she did not use that surname yet) did the same. Her “L’amour est bleu” became a big hit, but not exactly for her. Orchestra conductor Paul Mauriat made a single with the instrumental version and walked away with the hit. The voting was incredibly exciting. Not because of the winner, as that was the United Kingdom with a landslide. Rather because of the many errors and misses during the scoring. The scoreboard kept malfunctioning, forcing poor Erika Vaal to constantly make adjustments. In her panic, she forgot about the last one, the Irish jury. “I thought we were going to be left out,” a crestfallen Irish jury chairman remarked. But then again, it was pop star Sandie Shaw who won for the United Kingdom with “Puppet on a String.” She caused a sensation by winning barefoot! Her song became a worldwide hit and a classic. However, Sandie Shaw has never made a secret of the fact that she herself hated that song. There have indeed been times when she refused to sing it. For example, on a Dutch television show, she simply walked away when the interviewer mentioned the word Eurovision.

Read More »
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