🇮🇪 Blast from the past: Ireland 1977

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: The Swarbriggs plus Two, participating in 1977.

Ireland in the Eurovision Song Contest

Ireland has been a dominant force in the Eurovision Song Contest, boasting a record seven victories, the most by any participating country.

Their winning streak began in 1970 when Dana serenaded audiences with “All Kinds of Everything.” A decade later, Johnny Logan emerged as a Eurovision legend for Ireland. He first won in 1980 with “What’s Another Year” and then again in 1987 with “Hold Me Now.” Furthermore, Logan wrote the winning song “Why Me?” which was performed by Linda Martin in 1992.

The ’90s continued to be a golden era for Ireland. Following Linda Martin, Niamh Kavanagh captured the title in 1993 with “In Your Eyes.” The subsequent year, Paul Harrington and Charlie McGettigan triumphed with “Rock ‘N’ Roll Kids.” In 1995, Eimear Quinn’s ethereal voice won with “The Voice,” marking an unprecedented fourth consecutive victory for Ireland.

Johnny Logan

National Final

Ireland chose their entry through the Irish National Song Contest on 20 February 1977. The show was hosted by Mike Murphy and was not held in a big hall but at the RTÉ TV Studios in Dublin. Eight songs and eight different artists competed:

  1. Jamie Stone, “If I Give My Love”, 19 pts, 2nd
  2. Dickie Rock, “I Can’t Go On Without You”, 8 pts, 6th
  3. Sunshine, “Look Before You Leap”, 0 pts, 8th
  4. D.J. Curtin, “You Cannot Stop The Music”, 5 pts, 7th
  5. The Swarbriggs Plus Two, “It’s Nice To Be In Love Again“, 25 pts, 1st
  6. Denis Allen, “Da-dum Da-dum I Love You So”, 12 pts, 5th
  7. Colm C.T. Wilkinson, “There Was A Dream“, 18 pts, 3rd
  8. Chips, “Goodbye Goodbye“, 13 pts, 4th

Chips

Note that former participants Dickie Rock (1966) and The Swarbriggs (1975) participated. Colm C.T. Wilkinson had to wait another year, as he represented Ireland in 1978. The singer of the group Chips is quite a famous one: Eurovision winner Linda Martin, who first took part in 1984, before she won in 1992.

The Swarbriggs Plus Two

The Swarbriggs

Thomas “Tommy” and John James “Jimmy” Swarbrigg are renowned figures in Irish music, both as former pop artists and promoters. 

In the early ’60s, Tommy showcased his trumpet skills with Joe Dolan’s showband, The Drifters, distinct from the famed American band. By 1969, after a split, The Times Showband emerged with Jimmy as the lead singer. Their distinctive approach of composing original tracks made them stand out in the showband scene. Their rise was meteoric, leading to their own TV show by 1973. By mid-’70s, they embarked on solo careers, eventually retiring in 1980.

Known as The Swarbriggs, the duo graced the 1975 Eurovision stage with “That’s What Friends Are For”. By 1977, alongside Nicola Kerr and Alma Carroll as The Swarbriggs Plus Two, they presented “It’s Nice To Be In Love Again”, a song they authored. The brothers penned both their Eurovision entries and numerous top 20 hits throughout the ’70s, such as the chart-topping “Joanne” in 1976 and other memorable tunes like “Looking Through The Eyes Of A Beautiful Girl” and “If Ma Could See Me Now”.

In subsequent years, the Swarbriggs transitioned into concert promotion, bringing to Ireland acts like Smokie, Leo Sayer, Meatloaf, and others. They’re even humorously credited as the muse for the “My Lovely Horse” video in the show “Father Ted”.

Their song “If Ma Could See Me Now” found renewed popularity, featuring in the 2002-2008 “Mrs Brown’s Boys” film series.

Nicola Kerr

Nicola Kerr was, in those days, a wellknown and asked backing vocal and member of several groups. She had been a member of Chips before she joined The Swarbriggs in their song. As a solo singer, she did two attempts to go to Eurovision: in 1981 with “The One In My Life” and in 1989 with “This Isn’t War (It’s Revolution)“. But the biggest success for Nicola was being a backing vocal for Murray Head in the worldwide hit “One Night In Bangkok”.

Alma Caroll 

Alma began her musical journey at 15, performing solo in Dublin during 1965. By 1967, she joined Bing Crosby on his Dublin-filmed TV special with the “Young Dublin Singers” and even got her radio series on RTE. The next year, her song in the Irish National Song Contest, “Give Me All Your Love,” placed fourth but didn’t fare well on the charts. Alma’s TV presence grew, with appearances on shows like RTE’s “Steady As She Go-Goes” and BBC in Britain.

Despite never having a solo chart-topping hit, Alma’s prominence in the entertainment world didn’t wane. She remained active in the early ’70s, releasing singles and making TV appearances. In 1973, she placed second in the National Song Contest with “Isn’t It Grand”. A highlight of her career was being part of Swarbriggs Plus Two in 1977, where their song “It’s Nice To Be In Love Again” ranked first in Irish charts and third in Eurovision. 

By the early ’80s, her performances began to wane, with her last known record in 1982. Today, Alma is married to Penney’s founder, Arthur Ryan, and is a Director for UNICEF in Ireland.

It’s Nice To Be In Love Again

The song is emblematic of the upbeat, catchy melodies often associated with Eurovision entries. With its lively tempo and harmonious vocals, “It’s Nice To Be In Love Again” captured the euphoria and bliss of being in love. The performance was well-received, earning the group a respectable third place in the contest. The song, written and composed by Jimmy and Tommy Swarbrigg, received twelve points from Norway, the United Kingdom, Israel and Sweden. Finland was the only country not to give any points to the song at all.

 

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It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
Eurovision 2026
Martijn

Weekly Update

It’s Tuesday, December 9, 2025, and time for another weekly update! This week, the Eurovision world has been rocked by a single major story: the controversy surrounding Israel’s participation in Eurovision 2026 and the adoption of new contest rules. The European Broadcasting Union (EBU)’s decision on December 4 set off a chain reaction of boycotts and debates. As the road to the 70th Contest in Vienna turns turbulent, here are this week’s top stories: Israel Stays in Eurovision 2026 & New Rules Approved EBU Confirms Israel’s Participation At an EBU general assembly in Geneva on December 4, members decided not to hold a vote on Israel’s status, effectively confirming that Israel will remain in the Eurovision 2026 lineup. This came after some broadcasters had called for Israel’s exclusion over the Gaza war and alleged voting irregularities. The EBU decided there was “no need for a further vote”, so the contest will proceed with Israel included. Albeit with additional safeguards in place. The decision ended weeks of uncertainty and affirmed that Israel is cleared to compete next year, despite the controversy. Broadcasters Approve New Contest Rules Instead of voting Israel out, the EBU put forward a package of new rules to reinforce the contest’s neutrality and fairness. Members from 37 countries voted on reforms aimed at “strengthening trust” in Eurovision. 65% of delegates backed these changes. Key measures include the return of an expanded professional jury in the semi-finals and stricter guidelines to discourage any government or third-party from excessively promoting entries to sway the vote. The number of jurors per country will expand (from 5 to 7) with younger members added, and anti-fraud systems will be enhanced to detect suspicious voting. Additionally, audience vote limits are being halved to curb mass voting campaigns. These rule changes were approved in a secret ballot. The are designed to keep Eurovision a “neutral space” for music and prevent a repeat of last year’s controversies. Martin Green Spain, Ireland and Others Withdraw in Protest Following the EBU’s announcement, four countries immediately declared a boycott of Eurovision 2026. Public broadcasters from the Netherlands, Ireland, Slovenia, and Spain all said they will not send an entry to Vienna in protest of Israel’s inclusion. The Dutch broadcaster AVROTROS stated that under the current circumstances participation “cannot be reconciled with the public values” of their organization. AVROTROS cited Israel’s “proven interference” in the 2025 contest and crackdowns on press freedom during the war. Ireland’s RTÉ deemed participation “unconscionable” given the appalling loss of civilian life in Gaza. Slovenia’s RTV SLO likewise announced a pull-out “on behalf of the 20,000 children who died in Gaza”. They say Eurovision must stand for peace. Spain’s RTVE not only withdrew its delegation but also said it will not broadcast the contest. RTVE Secretary-General Alfonso Morales cited the situation in Gaza and accused Israel of using Eurovision for political aims. This makes it “difficult to keep Eurovision a neutral cultural event”. This marks Spain’s first absence from the contest since 1961. It’s a particularly heavy blow as Spain is one of the Big Five automatic finalists whose participation underpins the event’s funding. Melody, Spain 2025, EBU Mixed Reactions from Across Europe Not all countries are on board with a boycott. Germany had warned it would pull out if Israel were excluded essentially backing Israel’s right to compete. German Culture Minister Wolfram Weimer insisted that “Israel belongs in the Eurovision Song Contest”, opposing any move to bar the country. France also confirmed it will participate regardless of Israel’s presence. French officials rejected the idea of a cultural boycott. Foreign Minister Jean-NoĂ«l Barrot praised the EBU for not giving in to pressure and said he “deeply regrets that several European TV channels made a different choice”. Austria’s ORF, the host broadcaster for 2026, welcomed the decision as well. ORF’s Director-General Roland WeiĂźmann argued the contest “is a competition for broadcasters, not governments”. He emphasized the importance of cultural dialogue and not “burning bridges” between participants. Meanwhile, Israeli officials applauded the outcome. President Isaac Herzog said Israel “deserves to be represented on every stage around the world”. The president expressed hope that Eurovision will remain a venue for music, friendship, and cross-border understanding. Israel’s public broadcaster KAN likened calls to exclude Israel to an unjust “cultural boycott”. They are celebrating the EBU’s decision to keep the country in. Outlook: A Fractured Contest Ahead? Eurovision now faces an unprecedented crisis heading into 2026. The slogan of Eurovision 2024 was “United by Music,” but experts warn the contest could be fractured by politics next year. Dr. Paul Jordan, a noted Eurovision expert, observed that the event is becoming “disunited through politics” as the fallout grows. Several broadcasters have yet to announce their stance. For example, Iceland’s RĂšV is deliberating and will decide by next week. More countries could potentially join the boycott before the EBU’s mid-December participation deadline. The loss of multiple major countries is raising concerns about television ratings and the contest’s reach. Eurovision typically draws over 150 million viewers worldwide, but with some national networks refusing to air it, viewership in those markets will vanish. If the audience drops significantly, it will “raise alarm bells” for the organizers. Additionally, many fans and commentators on social media are calling for a broader global boycott of Eurovision 2026, accusing the EBU of a double standard. They note that the EBU swiftly banned Russia after its 2022 invasion of Ukraine, so they ask “why should Israel be any different?”. The EBU maintains that Eurovision must stay non-political. That’s hard to maintain, given Israeli President Herzog’s involvement in the contest. As the 70th Eurovision Song Contest in Vienna (12–16 May 2026) approaches, the contest’s unity and spirit of inclusivity will be under intense scrutiny. Will the Eurovision community find a way to come together again, or is this rift a sign of lasting changes to come? Only time will tell.

Read More »
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