🇮🇪 Blast from the past: Ireland 1977

We know a lot about Eurovision and we want to share this knowledge with you! Therefore we’d like to bring you a blast from the past. Today: The Swarbriggs plus Two, participating in 1977.

Ireland in the Eurovision Song Contest

Ireland has been a dominant force in the Eurovision Song Contest, boasting a record seven victories, the most by any participating country.

Their winning streak began in 1970 when Dana serenaded audiences with “All Kinds of Everything.” A decade later, Johnny Logan emerged as a Eurovision legend for Ireland. He first won in 1980 with “What’s Another Year” and then again in 1987 with “Hold Me Now.” Furthermore, Logan wrote the winning song “Why Me?” which was performed by Linda Martin in 1992.

The ’90s continued to be a golden era for Ireland. Following Linda Martin, Niamh Kavanagh captured the title in 1993 with “In Your Eyes.” The subsequent year, Paul Harrington and Charlie McGettigan triumphed with “Rock ‘N’ Roll Kids.” In 1995, Eimear Quinn’s ethereal voice won with “The Voice,” marking an unprecedented fourth consecutive victory for Ireland.

Johnny Logan

National Final

Ireland chose their entry through the Irish National Song Contest on 20 February 1977. The show was hosted by Mike Murphy and was not held in a big hall but at the RTÉ TV Studios in Dublin. Eight songs and eight different artists competed:

  1. Jamie Stone, “If I Give My Love”, 19 pts, 2nd
  2. Dickie Rock, “I Can’t Go On Without You”, 8 pts, 6th
  3. Sunshine, “Look Before You Leap”, 0 pts, 8th
  4. D.J. Curtin, “You Cannot Stop The Music”, 5 pts, 7th
  5. The Swarbriggs Plus Two, “It’s Nice To Be In Love Again“, 25 pts, 1st
  6. Denis Allen, “Da-dum Da-dum I Love You So”, 12 pts, 5th
  7. Colm C.T. Wilkinson, “There Was A Dream“, 18 pts, 3rd
  8. Chips, “Goodbye Goodbye“, 13 pts, 4th

Chips

Note that former participants Dickie Rock (1966) and The Swarbriggs (1975) participated. Colm C.T. Wilkinson had to wait another year, as he represented Ireland in 1978. The singer of the group Chips is quite a famous one: Eurovision winner Linda Martin, who first took part in 1984, before she won in 1992.

The Swarbriggs Plus Two

The Swarbriggs

Thomas “Tommy” and John James “Jimmy” Swarbrigg are renowned figures in Irish music, both as former pop artists and promoters. 

In the early ’60s, Tommy showcased his trumpet skills with Joe Dolan’s showband, The Drifters, distinct from the famed American band. By 1969, after a split, The Times Showband emerged with Jimmy as the lead singer. Their distinctive approach of composing original tracks made them stand out in the showband scene. Their rise was meteoric, leading to their own TV show by 1973. By mid-’70s, they embarked on solo careers, eventually retiring in 1980.

Known as The Swarbriggs, the duo graced the 1975 Eurovision stage with “That’s What Friends Are For”. By 1977, alongside Nicola Kerr and Alma Carroll as The Swarbriggs Plus Two, they presented “It’s Nice To Be In Love Again”, a song they authored. The brothers penned both their Eurovision entries and numerous top 20 hits throughout the ’70s, such as the chart-topping “Joanne” in 1976 and other memorable tunes like “Looking Through The Eyes Of A Beautiful Girl” and “If Ma Could See Me Now”.

In subsequent years, the Swarbriggs transitioned into concert promotion, bringing to Ireland acts like Smokie, Leo Sayer, Meatloaf, and others. They’re even humorously credited as the muse for the “My Lovely Horse” video in the show “Father Ted”.

Their song “If Ma Could See Me Now” found renewed popularity, featuring in the 2002-2008 “Mrs Brown’s Boys” film series.

Nicola Kerr

Nicola Kerr was, in those days, a wellknown and asked backing vocal and member of several groups. She had been a member of Chips before she joined The Swarbriggs in their song. As a solo singer, she did two attempts to go to Eurovision: in 1981 with “The One In My Life” and in 1989 with “This Isn’t War (It’s Revolution)“. But the biggest success for Nicola was being a backing vocal for Murray Head in the worldwide hit “One Night In Bangkok”.

Alma Caroll 

Alma began her musical journey at 15, performing solo in Dublin during 1965. By 1967, she joined Bing Crosby on his Dublin-filmed TV special with the “Young Dublin Singers” and even got her radio series on RTE. The next year, her song in the Irish National Song Contest, “Give Me All Your Love,” placed fourth but didn’t fare well on the charts. Alma’s TV presence grew, with appearances on shows like RTE’s “Steady As She Go-Goes” and BBC in Britain.

Despite never having a solo chart-topping hit, Alma’s prominence in the entertainment world didn’t wane. She remained active in the early ’70s, releasing singles and making TV appearances. In 1973, she placed second in the National Song Contest with “Isn’t It Grand”. A highlight of her career was being part of Swarbriggs Plus Two in 1977, where their song “It’s Nice To Be In Love Again” ranked first in Irish charts and third in Eurovision. 

By the early ’80s, her performances began to wane, with her last known record in 1982. Today, Alma is married to Penney’s founder, Arthur Ryan, and is a Director for UNICEF in Ireland.

It’s Nice To Be In Love Again

The song is emblematic of the upbeat, catchy melodies often associated with Eurovision entries. With its lively tempo and harmonious vocals, “It’s Nice To Be In Love Again” captured the euphoria and bliss of being in love. The performance was well-received, earning the group a respectable third place in the contest. The song, written and composed by Jimmy and Tommy Swarbrigg, received twelve points from Norway, the United Kingdom, Israel and Sweden. Finland was the only country not to give any points to the song at all.

 

Related news

Uncategorized

Vienna 12 points: Of monsters, pink little stars and the Beatles

Several countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Finland – Linda Lampenius x Pete Parkkonen, “Liekinheitin” Running order: 7 | Rehearsal: 15:00–15:25 CEST Finland has moved to the top of the Eurovision 2026 betting odds, putting extra attention on Linda Lampenius and Pete Parkkonen’s entry “Liekinheitin”. For Finnish fans, that leading position will inevitably bring back memories of the country’s greatest Eurovision night. In 2006, Lordi shocked and thrilled Europe with “Hard Rock Hallelujah”, a hard-rock anthem performed in monster costumes. The band won the contest in Athens with 292 points, giving Finland its first, and so far only, Eurovision victory. It was a turning point for a country that had often struggled at the contest and had waited decades for a win. Lordi proved that Eurovision could reward something loud, theatrical and completely different. Now, twenty years later, Finland once again finds itself at the centre of the race. The odds may still change, but the comparison with 2006 gives this year’s Finnish campaign an extra layer of excitement and expectation too.  Montenegro – Tamara Ĺ˝ivković, “Nova Zora” Running order: 8 | Rehearsal: 15:35–16:00 CEST Pinkove Zvezdice, literally “Pink’s Little Stars”, was a Serbian television talent show for young singers, broadcast by RTV Pink from 2014. The format was aimed at children and teenagers up to 15, and quickly became a regional platform across the former Yugoslav area. Contestants performed well-known Balkan and international songs in front of a star jury, often turning emotional performances into viral moments. For Eurovision fans, the show has become a useful talent-map. Montenegro’s Tamara Ĺ˝ivković was one of the young singers who took part, years before her Eurovision journey. Two Croatian Eurovision acts went even further: Marko Bošnjak, Croatia 2025, won the second season after breaking through as an 11-year-old, while Roko BlaĹľević, Croatia 2019, also won Pinkove Zvezdice before moving on to Dora and Eurovision. The programme therefore helped shape several Balkan pop careers, and its name still carries recognition among regional viewers with strong musical memories today.  Estonia – Vanilla Ninja, “Too Epic To Be True” Running order: 9 | Rehearsal: 16:10–16:35 CEST “Club Kung Fu” was the explosive first calling card of Vanilla Ninja. The Estonian girl band entered the song in Eurolaul 2003, Estonia’s national selection for Eurovision. Written by Sven Lõhmus and Piret Järvis, it mixed pop-rock guitars with a cheeky party lyric and a martial-arts gimmick that made the performance instantly memorable. The jury was not convinced: the song finished near the bottom with 32 points. The public, however, reacted very differently. “Club Kung Fu” became the moment that introduced Vanilla Ninja to a wider audience and helped turn them from a new Tallinn band into a national pop phenomenon at home and soon abroad. Later that year it appeared on their self-titled debut album, which launched their early career. In hindsight, the song is classic Vanilla Ninja: playful, loud, slightly absurd and impossible to ignore. It was less a Eurovision failure than the start of a European story. đź“· EBU/Sarah Louise Bennett  Israel – Noam Bettan, “Michelle” Running order: 10 | Rehearsal: 16:45–17:10 CEST There are more songs called ‘Michelle’. Yet the best-known remains the tender ballad introduced by The Beatles on their 1965 album Rubber Soul. Written mainly by Paul McCartney, with John Lennon contributing part of the middle section, it blends English lyrics with a few French lines, giving the song its unmistakable continental charm. Although The Beatles did not release it as a single in Britain, it quickly became one of their most covered compositions. The Overlanders, a British harmony group, seized the opportunity in 1966 and turned Michelle into a major hit, reaching number one on the UK Singles Chart. Their version is smoother and more folk-pop than the Beatles recording, but it keeps the melody’s quiet elegance. The song’s success shows how strong the composition was: even without The Beatles’ name on the label, Michelle could captivate listeners worldwide and become part of sixties pop history forever.    

Read More »
Uncategorized
Martijn

Vienna 12 points: Of monsters, pink little stars and the Beatles

Several countries start their second rehearsals. As we still don’t have access to the rehearsals, we will do something else. Per entry, we highlight one subject and give you some more information. That can be something about the artist, the song, the lyrics or even something completely different.  Finland – Linda Lampenius x Pete Parkkonen, “Liekinheitin” Running order: 7 | Rehearsal: 15:00–15:25 CEST Finland has moved to the top of the Eurovision 2026 betting odds, putting extra attention on Linda Lampenius and Pete Parkkonen’s entry “Liekinheitin”. For Finnish fans, that leading position will inevitably bring back memories of the country’s greatest Eurovision night. In 2006, Lordi shocked and thrilled Europe with “Hard Rock Hallelujah”, a hard-rock anthem performed in monster costumes. The band won the contest in Athens with 292 points, giving Finland its first, and so far only, Eurovision victory. It was a turning point for a country that had often struggled at the contest and had waited decades for a win. Lordi proved that Eurovision could reward something loud, theatrical and completely different. Now, twenty years later, Finland once again finds itself at the centre of the race. The odds may still change, but the comparison with 2006 gives this year’s Finnish campaign an extra layer of excitement and expectation too.  Montenegro – Tamara Ĺ˝ivković, “Nova Zora” Running order: 8 | Rehearsal: 15:35–16:00 CEST Pinkove Zvezdice, literally “Pink’s Little Stars”, was a Serbian television talent show for young singers, broadcast by RTV Pink from 2014. The format was aimed at children and teenagers up to 15, and quickly became a regional platform across the former Yugoslav area. Contestants performed well-known Balkan and international songs in front of a star jury, often turning emotional performances into viral moments. For Eurovision fans, the show has become a useful talent-map. Montenegro’s Tamara Ĺ˝ivković was one of the young singers who took part, years before her Eurovision journey. Two Croatian Eurovision acts went even further: Marko Bošnjak, Croatia 2025, won the second season after breaking through as an 11-year-old, while Roko BlaĹľević, Croatia 2019, also won Pinkove Zvezdice before moving on to Dora and Eurovision. The programme therefore helped shape several Balkan pop careers, and its name still carries recognition among regional viewers with strong musical memories today.  Estonia – Vanilla Ninja, “Too Epic To Be True” Running order: 9 | Rehearsal: 16:10–16:35 CEST “Club Kung Fu” was the explosive first calling card of Vanilla Ninja. The Estonian girl band entered the song in Eurolaul 2003, Estonia’s national selection for Eurovision. Written by Sven Lõhmus and Piret Järvis, it mixed pop-rock guitars with a cheeky party lyric and a martial-arts gimmick that made the performance instantly memorable. The jury was not convinced: the song finished near the bottom with 32 points. The public, however, reacted very differently. “Club Kung Fu” became the moment that introduced Vanilla Ninja to a wider audience and helped turn them from a new Tallinn band into a national pop phenomenon at home and soon abroad. Later that year it appeared on their self-titled debut album, which launched their early career. In hindsight, the song is classic Vanilla Ninja: playful, loud, slightly absurd and impossible to ignore. It was less a Eurovision failure than the start of a European story. đź“· EBU/Sarah Louise Bennett  Israel – Noam Bettan, “Michelle” Running order: 10 | Rehearsal: 16:45–17:10 CEST There are more songs called ‘Michelle’. Yet the best-known remains the tender ballad introduced by The Beatles on their 1965 album Rubber Soul. Written mainly by Paul McCartney, with John Lennon contributing part of the middle section, it blends English lyrics with a few French lines, giving the song its unmistakable continental charm. Although The Beatles did not release it as a single in Britain, it quickly became one of their most covered compositions. The Overlanders, a British harmony group, seized the opportunity in 1966 and turned Michelle into a major hit, reaching number one on the UK Singles Chart. Their version is smoother and more folk-pop than the Beatles recording, but it keeps the melody’s quiet elegance. The song’s success shows how strong the composition was: even without The Beatles’ name on the label, Michelle could captivate listeners worldwide and become part of sixties pop history forever.    

Read More »
Follow Us: