Weekly Update

It is Tuesday, 7 April 2026, and the road to Vienna has entered its “schedule” phase. The official semi-final running orders were published on 2 April.  The next big stop is the pre-party stretch: Amsterdam first, then Bucharest, then London.  Meanwhile, bookmakers still place “Liekinheitin” on top, with the closest challengers a few steps behind. 

This weekly update focuses on three things: where to see the artists live, how the running order may help or hurt specific countries, and what the betting market looks like right now.

Pre-party season

Eurovision In Concert returns on Saturday, 11 April 2026 at AFAS Live. The organisers list a 20:00 start. Doors are scheduled for 18:30, with an expected end around 23:00. Hosts Krista Siegfrids and Cornald Maas are confirmed, and the current line-up list mentions 24 participating countries.  Eurovision Universe will be present! Our reporter Kal will do interviews in his own special style, as we see him doing every year. Keep an eye on our website!

The London Eurovision Party is back on Sunday, 19 April 2026 at HERE at Outernet. Doors are listed as 6.30pm. Performances are scheduled from 7.30pm to 11.40pm (estimate), followed by an after party until 1.30am.  The organisers also confirm three hosts: Sissal, Tia Kofi, and Cesár Sampson.  The published list includes many 2026 contestants, plus a guest slot for Aliona Moon

Pre-party Bucharest is set for Saturday, 18 April 2026 at Arenele Romane. Tickets are on sale.  The show is organised by eMagic in collaboration with TVR, AIMR and OGAE Romania.  Announced performers so far include Bulgaria’s DARA, Greece’s Akylas, Malta’s Aidan, Romania’s Alexandra Căpitănescu, plus guests Paula Seling and Jamala.  Fans can also follow updates via the dedicated Facebook group. 

First semi-final running order

The first semi-final (Tuesday, 12 May) opens with Moldova and closes with Serbia.  Sweden performs second, while Finland appears at number seven, directly after Italy’s non-competing performance slot.  Germany also performs as an automatic qualifier during the show, just before Belgium takes the stage at number eleven. 

My AI take: the late slots look more comfortable. Since 2013, producers have shaped the running order to build a stronger TV show and avoid similar entries clashing back-to-back.  Even with those choices, order effects are real. Research on sequential performance evaluation (including Eurovision-based work) finds that running position can influence outcomes, with later slots often performing better on average. 

Positive placements: Finland has a post-interval “reset” at #7. Belgium follows the Germany break at #11. Poland at #14 and Serbia as the closer (#15) should also enjoy strong end-of-show recall.  Potential headwinds: Sweden (#2) sits in the classic early zone. Croatia (#3) and Greece (#4) are also in that opening cluster. source: Eurovision.com

Second semi-final running order

The second semi-final (Thursday, 14 May) starts with Bulgaria and ends with Norway.  Romania is early at number three.  Strong mid-to-late slots include Denmark (#10), Australia (#11) and Ukraine (#12).  Three automatic qualifiers are woven in: France after song five, Austria after song eight, and the United Kingdom after song twelve. 

My AI take: this show has two clear “mini-finals”. One ends at Cyprus (#8), then Austria performs. The second builds from Latvia (#9) through Denmark, Australia and Ukraine, then the United Kingdom performs.  The finish is a clean three-song sprint: Albania (#13), Malta (#14), and Norway (#15).  That final trio should be happy, especially Norway with the closing slot, given the documented advantage of later positions on average. 

Harder positions: Azerbaijan (#2), Romania (#3), and Luxembourg (#4) sit early.  Czechia (#5) performs just before France’s interval slot, which can split momentum. source: Eurovision.com

Betting odds snapshot

EurovisionWorld’s winner odds currently list Linda Lampenius x Pete Parkkonen’s “Liekinheitin” as the clear favourite, with a quoted winning chance of 30%. Monroe’s “Regarde !” is second on 11%. Søren Torpegaard Lund is third on 10%. Delta Goodrem and Akylas follow next, both listed at 8%.  The next tier includes Noam Bettan and Felicia, both shown at 4%. 

Odds are a market signal, not a result. EurovisionWorld also notes that odds are subject to change and reflect bookmakers’ predictions at that moment.  source: EurovisionWorld

Eurovision Universe on the ground

For Eurovision In Concert in Amsterdam, Eurovision Universe will be there in person. Expect on-the-floor reactions, fast quotes, and interviews from Kal. The focus stays on what the artists actually say and do on the night. Below you’ll find an example of what to expect: Kal interviews Kyle Alessandro, last years Norwegian participants. Kyle will be present at Eurovision In Concert this year too!

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History

70 years of Eurovision: the semifinal came

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2004 It was a nice idea to have Enrique Iglesias host the Eurovision Song Contest. It didn’t happen. Whether it was an excessive fee or protests within the broadcaster because the man wasn’t Turkish, we don’t know exactly. But in the now-demolished Abdi İpekçi Arena in Istanbul, Korhan Abay and Meltem Cumbul hosted the contest. And for the first time, there was a semi-final. Countries that had not finished in the top 10 the previous year and countries that were on the reserve bench at the time had to participate. Debuting countries Albania, Belarus, Serbia & Montenegro, and Andorra were also in it. The songs The Belarusians sent the duo Aleksandra and Konstantin with the song “My Galileo”. It was sung in English, but you had to mention that. For a few years, there was an Aleksandra and Konstantin Award for the very worst English. Jonathan Cerrada was the participant for France. By then, the Belgian was a big star in the French-speaking countries. Amidst the stilt-walking backing singers, he failed to live up to expectations. Neither did the Belgian top favorite Xandee with the disco track “1 Life.” How different it was for the Albanian Anjeza Shahini. Festivali i Këngës, a major Albanian national song contest held at the end of December, became the national selection from then on. Only the song “Dua të jem imazhi yt” had to be shortened by a minute and a half, and was therefore immediately translated into English. The Bosnian Dane also stood out with his disco beat, his bleached hair, and his pink suit. Macedonia sent its biggest star, Toše Proeski. He would die in a car accident four years later. His fame has since grown to legendary proportions. Lena Philipsson was already a big star in Sweden. Yet she never managed to win Melodifestivalen. Until 2004, that is. Greece had had an extensive national final. But while it was still underway, their biggest star, Sakis Rouvas, announced his intention to go to the Eurovision Song Contest. The entire national final was set aside, and Sakis went to Istanbul. Serbia and Montenegro were represented by Željko Joksimović, who performed a piece of his own Serbian culture with “Lane moje.” Sakis and Željko would go on to compete in the final. Ruslana But they did not fight that final battle alone. The Ukrainian Ruslana also participated. She, too, had brought her own culture with her. In the song “Wild Dances,” a Ukrainian instrument, the trembita, played the leading role. Ruslana had been internally selected to go to the Eurovision Song Contest. When she won, she was honored by President Kuchma with the highest possible distinction, People’s Artist of Ukraine. With the presidential elections of late 2004 and the subsequent Orange Revolution, she sided with presidential candidate Yushchenko. He did not win; fraud was suspected. During the revolution that followed, Ruslana went on a hunger strike for a short time. Besides being a singer, she would remain a political activist and politician. 2005 Ruslana was set to present the Eurovision Song Contest, which was held at the Palace of Sports in Kyiv. She was to do so together with Pavlo Shylko. However, Ruslana withdrew, officially because she had other commitments. But it is quite possible that her poor English also played a role. Since there was a semifinal,  Bulgaria and Moldova wanted to participate as well, Hungary returned, and even Monaco came back after 26 years. The songs The Icelandic Selma participated one more time. This time, however, she did not reach the final. Chiara from Malta also took part again. She even improved on her previous success by finishing second with her “Angel”. Constantinos from Cyprus even participated for the third time. And Helena Paparizou, who represented Greece in 2001 with the duo Antique, was also present again. Debuting Moldova sent the group Zdob și Zdub. They performed their ode to a grandmother with a real grandmother on stage, who occasionally beat a huge drum. Moldova finished an impressive sixth with it. Host country Ukraine really went all out. From no fewer than 75 songs, 15 finalists emerged. But actually, no one doubted the victory for top favorite Ani Lorak. Until the broadcaster suddenly awarded wildcards to four songs: protest songs stemming from the recently concluded revolution. With that, Ani Lorak lost her chance. Karma catches up with them: the winning group Greenjolly first had to change the lyrics of their song of praise to the president. Ultimately, the group finished 19th. The German entry was controversial. Gracia already had a major hit in her own country at the time she won the German national final. What turned out to be the case? Producer David Brandes had personally bought up many CDs to boost the sales figures. David Brandes was also the producer of the Swiss entry: the Estonian group Vanilla Ninja. But these four rock chicks, popular in German-speaking countries, experienced no hindrance from their producer. And then there was a song from Latvia, sung by the duo Walters and Kazha. They sang part of their song in sign language. Helena Paparizou Greece won for the first time. As mentioned, Helena Paparizou had participated before. The singer, who lives in Sweden, previously sang in the popular duo Antique. Now she sang solo. She was to sing four songs from which one Eurovision entry would be chosen. However, the favorite, “The Light of Our Soul”, was disqualified because it had been released too early. The song chosen from the remaining three was “My Number One”. And that did indeed become number 1.

Read More »
History
Martijn

70 years of Eurovision: the semifinal came

The Eurovision Song Contest is celebrating its 70th anniversary. That is a wonderful milestone. We at Eurovision Universe love diving into the history of the contest. That is why we are taking a closer look at the contests of the past 70 years. 2004 It was a nice idea to have Enrique Iglesias host the Eurovision Song Contest. It didn’t happen. Whether it was an excessive fee or protests within the broadcaster because the man wasn’t Turkish, we don’t know exactly. But in the now-demolished Abdi İpekçi Arena in Istanbul, Korhan Abay and Meltem Cumbul hosted the contest. And for the first time, there was a semi-final. Countries that had not finished in the top 10 the previous year and countries that were on the reserve bench at the time had to participate. Debuting countries Albania, Belarus, Serbia & Montenegro, and Andorra were also in it. The songs The Belarusians sent the duo Aleksandra and Konstantin with the song “My Galileo”. It was sung in English, but you had to mention that. For a few years, there was an Aleksandra and Konstantin Award for the very worst English. Jonathan Cerrada was the participant for France. By then, the Belgian was a big star in the French-speaking countries. Amidst the stilt-walking backing singers, he failed to live up to expectations. Neither did the Belgian top favorite Xandee with the disco track “1 Life.” How different it was for the Albanian Anjeza Shahini. Festivali i Këngës, a major Albanian national song contest held at the end of December, became the national selection from then on. Only the song “Dua të jem imazhi yt” had to be shortened by a minute and a half, and was therefore immediately translated into English. The Bosnian Dane also stood out with his disco beat, his bleached hair, and his pink suit. Macedonia sent its biggest star, Toše Proeski. He would die in a car accident four years later. His fame has since grown to legendary proportions. Lena Philipsson was already a big star in Sweden. Yet she never managed to win Melodifestivalen. Until 2004, that is. Greece had had an extensive national final. But while it was still underway, their biggest star, Sakis Rouvas, announced his intention to go to the Eurovision Song Contest. The entire national final was set aside, and Sakis went to Istanbul. Serbia and Montenegro were represented by Željko Joksimović, who performed a piece of his own Serbian culture with “Lane moje.” Sakis and Željko would go on to compete in the final. Ruslana But they did not fight that final battle alone. The Ukrainian Ruslana also participated. She, too, had brought her own culture with her. In the song “Wild Dances,” a Ukrainian instrument, the trembita, played the leading role. Ruslana had been internally selected to go to the Eurovision Song Contest. When she won, she was honored by President Kuchma with the highest possible distinction, People’s Artist of Ukraine. With the presidential elections of late 2004 and the subsequent Orange Revolution, she sided with presidential candidate Yushchenko. He did not win; fraud was suspected. During the revolution that followed, Ruslana went on a hunger strike for a short time. Besides being a singer, she would remain a political activist and politician. 2005 Ruslana was set to present the Eurovision Song Contest, which was held at the Palace of Sports in Kyiv. She was to do so together with Pavlo Shylko. However, Ruslana withdrew, officially because she had other commitments. But it is quite possible that her poor English also played a role. Since there was a semifinal,  Bulgaria and Moldova wanted to participate as well, Hungary returned, and even Monaco came back after 26 years. The songs The Icelandic Selma participated one more time. This time, however, she did not reach the final. Chiara from Malta also took part again. She even improved on her previous success by finishing second with her “Angel”. Constantinos from Cyprus even participated for the third time. And Helena Paparizou, who represented Greece in 2001 with the duo Antique, was also present again. Debuting Moldova sent the group Zdob și Zdub. They performed their ode to a grandmother with a real grandmother on stage, who occasionally beat a huge drum. Moldova finished an impressive sixth with it. Host country Ukraine really went all out. From no fewer than 75 songs, 15 finalists emerged. But actually, no one doubted the victory for top favorite Ani Lorak. Until the broadcaster suddenly awarded wildcards to four songs: protest songs stemming from the recently concluded revolution. With that, Ani Lorak lost her chance. Karma catches up with them: the winning group Greenjolly first had to change the lyrics of their song of praise to the president. Ultimately, the group finished 19th. The German entry was controversial. Gracia already had a major hit in her own country at the time she won the German national final. What turned out to be the case? Producer David Brandes had personally bought up many CDs to boost the sales figures. David Brandes was also the producer of the Swiss entry: the Estonian group Vanilla Ninja. But these four rock chicks, popular in German-speaking countries, experienced no hindrance from their producer. And then there was a song from Latvia, sung by the duo Walters and Kazha. They sang part of their song in sign language. Helena Paparizou Greece won for the first time. As mentioned, Helena Paparizou had participated before. The singer, who lives in Sweden, previously sang in the popular duo Antique. Now she sang solo. She was to sing four songs from which one Eurovision entry would be chosen. However, the favorite, “The Light of Our Soul”, was disqualified because it had been released too early. The song chosen from the remaining three was “My Number One”. And that did indeed become number 1.

Read More »
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